Anifex

Anifex Anifex is one of Australia's leading Animation Companies, specialising in Stop-Motion Animation for TV commercials and Short Films.
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Author: Michael CusackHad a good session yesterday, looking over the latest incarnation of the next short film “From thi...
19/09/2024

Author: Michael Cusack
Had a good session yesterday, looking over the latest incarnation of the next short film “From this day forward…” I was at KOJO with Marty Pepper reviewing the rig removal shots and discussed some of the FX shots. It’s looking great by the way and Marty and his team of dedicated VFX elves are working hard on making it look great.
I can’t wait until our next session when things will have moved along further.
In the meantime, I am working on my next short film “Charlie.” Unusually for me, this is a dialogue driven piece. I recently directed Chrissie Page and recorded her voice with Justin Astbury. The voice track is being logged at the moment. Logging requires the voice to be broken down to single frames so that when I come to animate, I will know the phonetic mouth shapes to ensure good lip sync.
Here is a photo of me painting the backdrop as seen through a window.

Author: Michael CusackLast week, we finished our two-week intensive course for UniSA (now Adelaide University). I am ple...
22/07/2024

Author: Michael Cusack

Last week, we finished our two-week intensive course for UniSA (now Adelaide University). I am pleased to say that it all seemed to go very well and the feedback we received from the students supported that.
Like the box says… it is an intensive course, so the students are asked to do a great deal in those two weeks… Each day starts with a lecture and most days a practical workshop outlining what is to be done in the next few days. Under guidance, they will write a short story (six in fact!) and then do a treatment based on one of those stories. They are then asked to design a character from that story, together with an alternative design of the same character. They need to make a wire armature on which they can build up their character maquette. They are then required to paint the maquette and design and build a portion of the set from their story.
At the same time, they need to identify the props that the character would use in the story and make them as well. They then need to take a photograph of their character on the set with their props that the character interacts with. Fortunately, they will have had some lighting workshops lead by Richard Chataway ACS and ACS awarded cinematographer JoAnne Bouzianis – Sellick to make these final photos look slick and professional.
So, it really is very intensive but also great fun. It is always humbling and inspiring to see these students trying something new and, in many cases, excelling. Many had not sculpted before and found that they were really quite good at it and a few students approached me at the end to say that they had started the course with some trepidation, but were now totally sold on sculpting as a way of expressing themselves…. And you can’t ask for more than that. It was also fun seeing the generational attitudes. When you are physically sculpting something rather than producing it in the virtual world on a tablet, you are required to make decisions and stick with them… as we point out, there’s no delete button with modelling clay…. So a few of the students had to come to terms with making a decision and making it work, which will be a life skill they can use in the future for just about anything.
We had a ball and were very moved by the beautiful card we received. Handmade, by the students with some lovely comments about the course inside. They also treated us to some doughnuts!
Looking forward to next time where we hope to inspire a few more budding artists!

And just like that 2 weeks of intensive creating is over. We were very touched and chuffed to receive this amazingly han...
20/07/2024

And just like that 2 weeks of intensive creating is over. We were very touched and chuffed to receive this amazingly hand made card signed by our students and accompanied by treats. It was greatly appreciated and we too have throughly enjoyed our time creating and teaching with you. Can’t wait to see your final photos. Thanks all. See you next year.

Sets are coming together at a feverish rate. Last day today let’s get this done so they can be lite and photographed nex...
18/07/2024

Sets are coming together at a feverish rate. Last day today let’s get this done so they can be lite and photographed next week.

Set Design. Where is your character from? What is your character doing? Here is where story telling with materials, foun...
16/07/2024

Set Design. Where is your character from? What is your character doing? Here is where story telling with materials, found objects, texture and paint begins.

15/07/2024
Texture and painting techniques are part of the workshop this morning. Over the weekend some of the students work has st...
15/07/2024

Texture and painting techniques are part of the workshop this morning. Over the weekend some of the students work has started to come to life.

It’s hands and heads on with the introduction of polymer clay. Used to create the characters heads, hands and feet, then...
11/07/2024

It’s hands and heads on with the introduction of polymer clay. Used to create the characters heads, hands and feet, then baked hard.

Wire armatures have started emerging with dynamic poses to convey the characters actions. Muscles and body mass being ad...
11/07/2024

Wire armatures have started emerging with dynamic poses to convey the characters actions. Muscles and body mass being added.

Tutorials in The Crease going well.
10/07/2024

Tutorials in The Crease going well.

Tools of the trade for making armatures. Students illustrated are becoming characters
10/07/2024

Tools of the trade for making armatures. Students illustrated are becoming characters

Behinds the scenes there are days of prepping materials for the students characters.
09/07/2024

Behinds the scenes there are days of prepping materials for the students characters.

Big shout out to Ann at “Its not Garbage” for always having the most amazing supply of the unique, interesting and recyc...
08/07/2024

Big shout out to Ann at “Its not Garbage” for always having the most amazing supply of the unique, interesting and recycled materials for us to stock up on for the students. It's Not Garbage - Creative Play Resources

Author: Michael CusackAll set to start our intensive course at UniSA on Monday. Really looking forward to it. We cover s...
07/07/2024

Author: Michael Cusack

All set to start our intensive course at UniSA on Monday. Really looking forward to it. We cover storytelling, writing treatments, character design, set design, character and set building and basic lighting techniques... with a few "life skills" thrown in for good measure.
It can be a challenging course, particularly if you are used to doing all your creative exploits in the digital domain... we guarantee that all the students are going to get their hands very dirty doing this course! :)

On another note, I just spent a wonderful day on Friday in the company of two exceptional talents.
We were recording the voice for my next film "Charlie" with Justin Astbury (Astbury Audio) at the controls and Chrissie Page on vocal duties in the booth. It's a challenging script but Chrissie knocked it out of the park. It was a joy to watch her bringing the script to life.
As any animator will tell you, the puppet performance starts at the voice, as we take many of our cues from the tone of the delivery and Chrissie supplied me with so much material to work with when I finally concoct a performance for my puppet.
Justin, as always, was on hand with great insights as to how the performance could be enhanced... and then editing the performance down to get the best takes and timings. It's a real team effort.
It's an unusual situation for me as we are still working on the sound design and visual FX for my previous film, so I have one in post production and another in early production.

Anyway, both films go on the back burner for a couple of weeks while we hopefully inspire some students!

Below some characters from previous courses.... and yes, the bear IS made from clay.....

Now this is what we call laying out chairs for out tutorials. Shout out to the Tech guys for their attention to detail, ...
03/07/2024

Now this is what we call laying out chairs for out tutorials. Shout out to the Tech guys for their attention to detail, layout, colour and design.

Putting on our protective gear and bumping in for the UniSA intensive course. Looking forward to the students stories, d...
03/07/2024

Putting on our protective gear and bumping in for the UniSA intensive course. Looking forward to the students stories, designs, characters and builds.

Author: Michael Cusack:I am in an unusual position at the moment! I have two films up and running at the same time, whic...
09/04/2024

Author: Michael Cusack:
I am in an unusual position at the moment! I have two films up and running at the same time, which is pretty cool, but is also unchartered territory for me.

The film that I have shot is still yet to have it's sound, music and FX to do, but in the meantime I am working onmy next film, "Charlie."

I have received the puppet which was beautifully constructed for me by Durand Greig. I picked that up a few weeks back, so today, using the puppet I shot the replacement mouth shapes ready to log for the lip syncing.
I am yet to record the voice for this piece, but by shooting these mouth shapes, I shall be ready when it happens.
I cannot wait to get back shooting again!

Author: Michael CusackHad a great morning on Thursday last doing a voice record with Justin Astbury (Astbury Audio) for ...
11/03/2024

Author: Michael Cusack

Had a great morning on Thursday last doing a voice record with Justin Astbury (Astbury Audio) for the latest short animation film “From this day forward…”
One of our long-time collaborators, PJ Oaten was charged with the responsibility of bringing one of the characters to life and as usual, he nailed it. This was an unusual gig in some ways as the film has already been shot and so PJ was able to see the action and supply the necessary vocalisations, which is an art in itself, This would not be possible if there was actual dialogue. When there is dialogue (Like my next film, “Charlie,”) the voice needs to be recorded first so that the mouth shapes of the individual words can be animated. In this case, it was more vocal reactions to the visuals.
While I was animating the piece, I was aware that some sequences might require a vocal reaction, so I would animate the mouth to suit that and it was PJ’s job to not only supply a “noise” that conveyed the right emotion, but one that would also look like it could have been made by the mouth shape that I had animated. It was a bit of a challenge, but the final result is going to look great.
Looking forward too, to seeing what Justin brings to the table regarding the other aspects of the sound design.
It’s always a treat to work with these people.
Photo” PJ Oaten performing the vocalisations for “From this day forward…”

Author: Michael CusackIt’s amazing how things resonate over the years….My new studio is a collection of various influenc...
04/03/2024

Author: Michael Cusack
It’s amazing how things resonate over the years….
My new studio is a collection of various influences on my life and career. As a stop motion animator of over four decades, I have amassed quite a few memories and ideas. Just after I officially retired, I started to write a few things down, as much for my own benefit as anything else, to preserve the memories. Here are the first few pages that I put pen to paper (keyboard to screen?) on. You’ll be pleased to know that I have stopped writing this (for a while anyway) because it seems a bit arrogant to think that anyone would be all that interested… still, it keeps my hand in when it comes to writing,

This is the heavily abridged version of the opening…

Chapter 1: Let's start at the beginning....

The dimming of the lights did little to quell the incredible level of noise, but that was always the case in this place.
The chatter and screaming surrounding me did not abate one iota as I settled back, nuzzling into the stained and threadbare, faux red velvet seat. The gold paint, worn away years ago on the "carved" mass produced armrests. Everything was sticky, covered with a patina of spilled, ancient orange flavoured Kia-Ora orange juice…although in these enlightened (and supposedly more accurate?) times, this ultra-sweet liquid would be described as an “orange flavoured fruit juice drink” with only a passing resemblance to anything approaching actual orange juice. One thing was for sure as I sat expectantly in the dark... I had no idea that the next one hour and forty-four minutes would change my life forever.

Chapter 2: Childhood.
OK. I admit that Chapter 1 was a bit on the slim side, barely a chapter at all really, but things improve from here I promise you. There are dinosaurs and explosions!

So.... back to the enigmatic Chapter 1 references. Well, I hope they were enigmatic anyway...
My sister Rachel was like another mother and always looked out for me. Our mum was a nurse and often worked the night shift, so Rachel had quite a hand in bringing me up. One of her duties was to keep me entertained, which is how I found myself sitting next to her in the threadbare elegance of the Eccles Broadway Cinema in Manchester, surrounded by screaming kids in a raucous Saturday film matinee screening of Don Chaffey's feature film Jason and the Argonauts.
While Don Chaffey directed it, (I got to meet Don much later when I was working for the South Australian Film Corporation in the eighties) it was the fabulous stop motion creations of puppet animation maestro Ray Harryhausen that made the film so memorable. The skeleton fight is still one of the best animated scenes ever and in my opinion, will never be bettered. It was magic taking place before your very eyes. So, thrilling. So exciting. So scary... So....imaginative. I was immediately hooked and when the seven headed Hydra appeared, it was possibly the greatest thing I had seen in my life up until then. What a fantastic looking creature! A curious thing happened at that screening though. At the appearance of the monstrous Hydra, the other kids started to laugh... including my sister. I couldn't understand it because the Hydra was terrifying. I asked her why she was laughing...
"Because you can see the strings" was the reply. Of course, it was all done in stop motion, so there were no strings. In hindsight, I wonder if it was vertical scratches on the old film print which the kids had mistaken for strings? Maybe I am overthinking this? Anyway, I didn't share their laughter and as I say, this was to be a major turning point in my life, but I was yet to realise it.
Animation it seems has always been in my peripheral vision... the second Saturday matinee film I can recall was also an animated feature... Walt Disney's original Jungle Book. I don't know if I remember that because of the film or the fact that I was struck in the back of the head by a low flying ice cream cone... as I might have intimated before... those kids were feral….

And so it goes on….
Anyway, this is all to say that Ray Harryhausen, like most film makers of my generation (and younger) was the single biggest influence of my career.
So, naturally in my new studio, there is a shelf with some of his creations on display… You can also just make out in the top right of the picture, a photograph on the wall. This is a momento of when I had dinner with the great man… an unforgettable experience.

The photo depicts my collection of some of Ray’s monsters.
Starting far left:
A cyclops from the 7th Voyage of Sinbad.
Talos from Jason and the Argonauts.
The Centaur from The Golden Voyage of Sinbad.
The skeleton army from Jason and the Argonauts.
Another cyclops from the 7th Voyage of Sinbad.
The Hydra from Jason and the Argonauts.

The photo of me with Ray. Great memories!

Author: Michael CusackHad a very good meeting last week with Justin Astbury, regarding our latest short animated film “F...
12/02/2024

Author: Michael Cusack
Had a very good meeting last week with Justin Astbury, regarding our latest short animated film “From this day forward…” and also some preliminary discussions about my next film “Charlie” which is written, the set is pretty much built and the puppet is well underway, so hopefully it won’t be too long before I am shooting that one!
I think you are all very aware of the respect I have for Justin’s work. His sound design is off the scale and while “From this day forward…” doesn’t have the complexity of some of the tracks I ask him to do, the challenges of doing something very simple can be equally exciting. I would liken it to an orchestra. When the orchestra is giving it everything and the waves of sound and the orchestrations are layered and complex it can be most exhilarating… but so too can be a single piano… or as was the case in my last film… a single ‘Cello.
I am looking forward to hearing what Justin brings to this.
If you want to hear Justin’s work writ large, I would urge you to go to “Light” in Light Square and catch he and Richard Coburn's piece “Anomalous” which is continuing its run into The Fringe. It’s well worth attending and you can see and hear what Justin is capable of.
The details to get to Anomalous are in the post below.

The photo is from production of "From this day forward..."

Just been to see Anomalous in Light Square Adelaide (The Light Room at ILA,Level 1/63 Light Square, Adelaide) and it was...
31/01/2024

Just been to see Anomalous in Light Square Adelaide (The Light Room at ILA,Level 1/63 Light Square, Adelaide) and it was terrific. I highly recommend it.
It was an all Adelaide based group who made it and they deserve our support because (A) It was seriously good (B) because we should support South Australian Talent and (C) Refer to (A).
An immersive experience with great production values and wonderful imagery from Richard Coburn and a killer sound design by Justin Astbury all revealed in a piece of art designed to make you think, presented in the very space it was designed for!
Seriously, if you can make it, go. You will not be disappointed.
Five stars (and I don't give them very often.)

Author: Michael CusackWell… I suppose I am getting to be of a certain age. I have had a bad back since my early twenties...
16/01/2024

Author: Michael Cusack
Well… I suppose I am getting to be of a certain age.
I have had a bad back since my early twenties when I injured it twisting awkwardly to pick up the family dog. Since then, I have put my back out playing table tennis, getting off a ladder and simply sneezing. Turns out there is a familial weakness near the base of my spine and while for the most part it’s fine. Occasionally I get quite a severe ache, particularly if I have been standing for long periods… which, I need hardly tell you, for a stop motion animator is just what you need! Not.
My last film (From this day forward…) is just about to undergo it’s post production… editing, colour grade, sound design, voicework, music etc. That usually takes a while, so I have already written the next film (tentatively called “Charlie”) and I hope to start shooting this one very soon.
As I was shooting the last one, I found that I had to take longer and more frequent breaks to keep my back from aching too much. Unfortunately, I am the kind of stop-mo animator that thrives best when I can get on a roll and keep shooting while everything seems to be working… when things are falling into place and these recurrent breaks, while necessary, were playing havoc with my shooting rhythm.
So… with this next film, I decided to get pro-active.
I cut up some wooden plinths, the same size as the legs on my animation table and screwed them onto the existing legs thereby raising the height of the animation table by around 25 cms. It means that I can now animate at shoulder height, rather than the slightly stooped position I had to adopt previously. I have had a bit of a play on the new set height and I think it’s going to go a long way to helping me shoot a few more films.
Such a simple solution, but also highly effective!

An independant art installation by a couple of good friends of mine, Richie Coburn and Justin Astbury. Looks amazing. Ju...
11/01/2024

An independant art installation by a couple of good friends of mine, Richie Coburn and Justin Astbury. Looks amazing.
Justin has big links to Anifex as he has worked on a number of our TV commercials and is the resident sound designer for my short films.

https://www.thelabadl.com.au/events/anomalous?fbclid=IwAR2lObScN_xm4EqStuwrSygCXWJtoaw2ik_ecGn5b2FHedWrjJdchkzq-64

Jan 20, 2024 – Set five minutes/years? in the future, Anomalous is a satire on the developing climate of artificial intelligence and the increasingly digital world we live in. Part visual art event, part narrative exploration, it’s a non-linear story that uses the dimensions of the space at The ...

https://www.facebook.com/photo/?fbid=848427503959838&set=pcb.848428120626443Just picked up an award (Silver Elephant) at...
30/12/2023

https://www.facebook.com/photo/?fbid=848427503959838&set=pcb.848428120626443

Just picked up an award (Silver Elephant) at the Short Film Breaks Film Festival. Great news!! Big Thanks to the festival organisers.

Animated films are the brushstrokes of dreams, painting joy across the canvas of our emotions with the vibrant colors of imagination.

Here are the 🏆 BEST ANIMATED SHORT FILM 🏆 awards:
Golden Elephant 🥇THE HOUSE OF LOSS directed by Jinkyu Jeon from Japan
Silver Elephant 🥈THE BETTER ANGELS directed by Michael Cusack from Australia
Bronze Elephant 🥉ODDITY directed by Germán Chazarra Moreno, Anna Juesas García from Spain

We have just found out that The Better Angels picked up the "Best International Stop Motion" award at the Los Angeles An...
13/12/2023

We have just found out that The Better Angels picked up the "Best International Stop Motion" award at the Los Angeles Animation Film Festival. It's very special winning such an award amongst all the brilliant films that were shown at the festival. My sincere thanks and congratulations go out to the organisers of this excellent festival.

Author: Michael Cusack:Well... the set is almost finished for my next film which will be called "Charlie." All I have le...
08/12/2023

Author: Michael Cusack:
Well... the set is almost finished for my next film which will be called "Charlie."
All I have left to do is to put up an exterior backdrop for the window.
I'm very pleased with how it has turned out.
All that remains to be done is everything else! :)

A huge thank you to Los Angeles Animation Festival for including The Better Angels in its lineup!
04/12/2023

A huge thank you to Los Angeles Animation Festival for including The Better Angels in its lineup!

World Premiere feature films, short films from the US and across the globe, an evening with some of the greatest voice actors in the business, our own art ca...

Author: Michael Cusack:First photo of the start of my new set. I am currently in post production for my latest film "Fro...
03/11/2023

Author: Michael Cusack:
First photo of the start of my new set.
I am currently in post production for my latest film "From this day forward..." but while that's happening, I have started work on the next set for my new film tentatively titled "Charlie."
This is a shot of the baseboard for one of the sets. Wooden floorboards. I am putting these on individually so that it looks "handmade."

Author: Michael CusackI had a nice day out in the city yesterday giving a short talk on our involvement with the Japanes...
30/10/2023

Author: Michael Cusack
I had a nice day out in the city yesterday giving a short talk on our involvement with the Japanese sci-fi series “Ultraman: Into the future.” We worked on Ultraman, which was produced by the South Australian Film Corporation at Hendon studios around 1992.
My chat went for around half an hour and I was able to wax lyrical about Some of the FX that Anifex had to supply for the production and a few “behind the scenes” anecdotes from on set.
It was part of AnimeGo , the Japanese pop culture festival. I have attended for the last few years talking about animation and showing a couple of my films. I had also been asked to judge the Anime films (not this year though) and it’s always great fun. There are stalls selling pop culture pieces. A fair bit of cosplay and some interesting speakers if I do say so myself.
This year it was held in a new venue, the Adelaide Festival Theatre Banquet room, which meant that there was a lot more space for everyone and had a dedicated space for presentations such as mine.
A huge shout out to the organisers and in particular all those very helpful elves (technicians) who helped prepare the stage for my talk.
Very much appreciated!

One of my favourite photo's from The Better Angels shoot. I love the relationship between the puppet and the animator......
17/10/2023

One of my favourite photo's from The Better Angels shoot. I love the relationship between the puppet and the animator... the very definition of "hands on."

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