02/03/2024
Well, it was a sad day for lovers of Cuban arts & culture in the U.S. and Cuban-American cross-cultural relations.
The legendary Cuban artists Los Muñequitos de Matanzas & Afrocuba de Matanzas, a three-generation deep cultural treasure and keepers of the music & cultural traditions of African descendants in Cuba, were denied travel to the U.S. due to years of geo-political dogma and an immigration bureaucracy that is beyond dysfunctional on many levels.
The amount of effort and work that went into their now-canceled trip to the U.S. was genuinely herculean. The GroundUP Music Festival in Miami, where they were supposed to headline this weekend, had prepared almost a year for this trip. All visa applications/work permits were submitted and approved in advance for 22 artists, some over 70 years of age, and the entire group flew to Mexico City last week for their final entry interview as the U.S does not allow Cubans to apply for entry in Cuba, instead forcing applicants to fly to a third country for entry.
El Almacén Luis Bran and the management team have been preparing and rehearsing the group for months and meticulously walking them through the visa and interview process. Francis Mercier and his Canadian company Moperc, the instrument company, custom hand-made these two incredible sets of instruments, works of art, specifically for this visit to the U.S. and was personally going to drive the drums to NY for our workshops & performances up here. Music Works NYC helped organize performances and workshops across NYC next week, with many educational institutions participating.
But the most significant burden has been borne by the 22 Cuban artists, all masters of their craft, who spent months rehearsing, preparing, and jumping through U.S. immigration hoops and finally traveling to a 3rd country in order to be able to be admitted for one week of engagements in the U.S.
The group has been holed up in a hotel in Mexico City near the U.S. Embassy for the last week while we all waited for an answer from the U.S. Consulate.
The answer never came. No department or official in the U.S. government seems to be in place to handle exceptional cases of people-to-people interactions based on music, culture, peace, and togetherness. Instead, our treasured master musicians and artists were treated like an anonymous case number, and their lot was thrown in with the tsunami of people trying to enter the U.S.
There’s always been a rich legacy of cross-cultural relations between the U.S. & Cuba stretching back a century at least. Starting before prohibition and in the 1920s, 100,000 Americans made their way to the “Paris of the Caribbean,” falling in love with Cuban people, beaches, culture, and rum. In the 50s, couples across America were singing Babalu along with “I Love Lucy's” Ricky Ricardo as the hit TV primetime series celebrated the Cuban American cross-cultural experience.
Among the world's foremost conga-playing troupes and pioneers/practitioners of the Matanzas Cuba style of music called rumba, Los Muñequitos de Matanzas & Afrocuba All-stars have performed around the world for over 50 years. Legions of U.S. artists, dancers, and drummers have made the pilgrimage to Matanzas, the cradle of African culture in Cuba, to study with these families and immerse themselves in the art and culture of Cuba’s African descendants.
So this is but a bump in a very long road. It is very frustrating and distressing to all who worked to set this tour up, but nothing, absolutely nothing, will stop the music. The African spirit of the drum always has and will continue to speak from people to people beyond borders, boundaries, and bureaucracies -for indeed, la Rumba no para! 🇨🇺🇨🇺 🪘🪘
Chris Theberge
Founder Music Works NYC