18/03/2024
In Prénom Carmen (1983), Jean-Luc Godard intricately weaves the presence of violins into the narrative, using them not just as musical instruments but as symbols that enrich the film's thematic depth and emotional texture. The violins serve multiple purposes: they are a nod to the classical elements within a modern, chaotic world the characters inhabit, and they subtly underscore the film's exploration of harmony and discord, both in the personal lives of its characters and in the broader societal context. Godard's use of violins adds a layer of complexity, blending the aural with the visual to craft a unique cinematic experience that resonates with the viewer on multiple levels.