ART India Magazine

ART India Magazine Premier Art Journal of India

Art India is India's Premier Art Magazine: over the last 25
years, it has been responsible for the promotion of critical discourse around diverse art forms and disciplines which includes painting, sculptures, installation art, photography, new media art, performance art and architecture. As an important forum for discussing, interrogating and appreciating art practices, Art India has been respons

ible for giving a much needed platform to artists, critics, historians, cultural theorists, collectors to engage in a mutually replenishing intellectual conversation with each other.

Travelling this season? Here are some public art installations with an India connection that are worth catching. From bu...
27/06/2024

Travelling this season? Here are some public art installations with an India connection that are worth catching. From bustling cities to serene parks, these installations connect deeply to the cultural and historical context of their locations.

👉 Anish Kapoor’s .kapoor latest stainless-steel public sculpture ‘Bean’, closely resembles the artist’s famous ‘Cloud Gate’ in Chicago. Installed under “Jenga tower” in New York City’s Tribeca neighbourhood, Kapoor’s first permanent public artwork in the city is worth a visit.

👉 As part of Qatar Museums’ ambitious contemporary public art program, Shilpa Gupta’s multi-lingual light installation at MIA Park, Doha, celebrates diversity, serving as a poignant reminder that there is space for everyone despite our many divides.

👉 Arunkumar HG’s steel and mixed-media sculpture was unveiled this year at the annual Maihar Art Ichol Festival (MAI fest) organised by Art Ichol — the largest private sculpture park in India.

👉 Installed in a large roundabout on an expressway in lower Austria, Jitish Kallat’s sculpture is a monumental mound of knotted and looped highway signage. The sculpture features names of places all over the world as well as actual distances and exit signs you can follow.

👉 This 30ft tall stainless steel sculpture by Vibhor Sogani at Dubai Creek Harbour, is a playful ode to beauty and childlike wonder. An initiative by Art EMAAR , this larger-than-life bouquet of balloons reflects the evolving landscape around it, as passersby catch a glimpse.

👉 Dr. Narendra Kumar Jain was one of 21 artists from different countries that painted the remnants of the Berlin wall to celebrate the reunification of East and West Germany in 1990. The Mural at East Side Gallery brings together Indian and Western religions and philosophy.

Save this guide for when you plan your next trip!

Art India highlights 13 exhibitions that celebrate the prowess of Indian artists in major international cities such as P...
17/06/2024

Art India highlights 13 exhibitions that celebrate the prowess of Indian artists in major international cities such as Paris, New York, London and Vienna. These exhibitions showcase a wide array of narratives and artistic perspectives that challenge conventional creativity.

Explore these exhibitions showcasing the vibrant narratives and artistic perspectives of Indian artists on the global stage.

Image Credits:
Kallol Datta, ‘Ties that Bind’, Installation view, Image Source: State of Fashion
Soumya Sankar Bose, ‘Things We Lost Last Night’, 2024, Three-channel video (still), Image Source: Delfina Foundation
Alwar Balasubramaniam, ‘Nothing Holds’, 2024, Image Source: Talwar Art Gallery
Ranjani Shettar, ‘On the Wings of Crescent Moons’, 2023 (Detail), Image Source: Talwar Art Gallery
Pallavi Paul, Salt Moon, installation view, Gropius Bau, 2024, Image Source: Berliner Festspiele
CAMP, ‘Capital Circus’, 2008, Single-channel video with sound 27 minutes, Image Source: MAIIAM
Afrah Shafiq, ‘Where Do The Ants Go?’, DAS, 2022-2023, Image Source: Horst Arts and Music
Exhibition Poster, Autohistorias, Image Source: Beaux-Arts de Paris

[Art India Magazine, Indian Artists, Global Platform, Global Art Exhibitions, Vibrant Narratives, Artistic Perspectives]

Art India highlights 13 exhibitions that celebrate the prowess of Indian artists in major international cities such as P...
17/06/2024

Art India highlights 13 exhibitions that celebrate the prowess of Indian artists in major international cities such as Paris, New York, London and Vienna. These exhibitions showcase a wide array of narratives and artistic perspectives that challenge conventional creativity.

Explore these exhibitions showcasing the vibrant narratives and artistic perspectives of Indian artists on the global stage.

Image Credits:
Kallol Datta, ‘Ties that Bind’, Installation view, Image Source: State of Fashion
Soumya Sankar Bose, ‘Things We Lost Last Night’, 2024, Three-channel video (still), Image Source: Delfina Foundation
Alwar Balasubramaniam, ‘Nothing Holds’, 2024, Image Source: Talwar Art Gallery
Ranjani Shettar, ‘On the Wings of Crescent Moons’, 2023 (Detail), Image Source: Talwar Art Gallery
Pallavi Paul, Salt Moon, installation view, Gropius Bau, 2024, Image Source: Berliner Festspiele
CAMP, ‘Capital Circus’, 2008, Single-channel video with sound 27 minutes, Image Source: MAIIAM
Afrah Shafiq, ‘Where Do The Ants Go?’, DAS, 2022-2023, Image Source: Horst Arts and Music
Exhibition Poster, Autohistorias, Image Source: Beaux-Arts de Paris

While in India earlier this year, Max Hollein, Director and CEO of The Metropolitan Museum of Art, met with Reema Desai ...
15/06/2024

While in India earlier this year, Max Hollein, Director and CEO of The Metropolitan Museum of Art, met with Reema Desai Gehi. In an interview that highlights The Met’s deep ties with Indian culture, commitment to inclusivity, use of cutting-edge technology, and focus on ethical repatriation, Max Hollein discusses the evolving role of museums in today’s complex cultural landscape.

Read ‘The Museum is a Convener for Your Soul’ in Reclaiming Hope, the latest issue of ART India Magazine, out now.

Subscribe to the magazine. Link in bio.

(The Met Museum, Museum director, True inclusivity, Art technology, Repatriation, Art and culture, Cultural collaboration, Museum Innovation, Art Magazine, Latest issue)



Image credit: Max Hollein photographed by Lelanie Foster

In his review of Gulammohammed Sheikh’s recent exhibition ‘Kaarawaan and other Stories’, Abhay Sardesai examines Sheikh’...
13/06/2024

In his review of Gulammohammed Sheikh’s recent exhibition ‘Kaarawaan and other Stories’, Abhay Sardesai examines Sheikh’s most recent body of work, which references literature, folklore, history, and mythology.

Read ‘The Wind in the Sails’ in Reclaiming Hope, the latest issue of ART India Magazine, out now.

Subscribe to the magazine. Link in bio.

(Kaarawaan and other Stories, Gulammohammed Sheikh, Art Magazine, Exhibition Review, Art Review, Magazine Feature, Latest Issue, Magazine Subscription)



Image Credit: Gulammohammed Sheikh, Kaarawaan, 2019-23. Image courtesy of the artist and Chemould Prescott Road.

Artist Tanya Goel  recently opened her studio to us, offering insights into her process. Goel’s work is crafted with att...
11/06/2024

Artist Tanya Goel recently opened her studio to us, offering insights into her process. Goel’s work is crafted with attention to detail and a focus on materials.

Drawing from architectural remnants in New Delhi and its surroundings, she discussed her research-based approach to art-making. “I employ a process that involves crushing materials such as sand, rocks, shells, dyes, industrial pigments, malachite, chalks, and binders,” she explained. “During my travels, I collect mud from various locations to enrich my palette.”

Her studio also functions as a colour-making laboratory, where every detail is organised. “It is key to maintain an organised space where materials are arranged alphabetically,” she emphasised.

Through her work, she strikes a balance between order and disarray, inviting viewers into a world where texture and hue converge to create compositions. Images by Abiraj Singh.

‘Reclaiming Hope,’ the first edition of the 27th volume is out now! Subscribe to get your copy. Link in the bio.



All images courtesy of ART India Magazine and the Artist.

Art Basel in Switzerland is opening its doors soon, featuring Indian representation among 284 international galleries.Ch...
10/06/2024

Art Basel in Switzerland is opening its doors soon, featuring Indian representation among 284 international galleries.

Chemould Prescott Road presents ‘Stain, Stitch, Prick, Mend,’ with five women artists using textiles to explore the themes of refuge and belonging. Anju Dodiya, Dana Awartani, Jayeeta Chatterjee, Mithu Sen and Reena Saini Kallat blur personal and political boundaries.

Experimenter showcases boundary-pushing artists, including Kanishka Raja’s ‘Switzerland for Movie Stars’ in the Kabinett section, Christopher Kulendran Thomas’s machine learning paintings, Radhika Khimji’s exploration of materiality, and Prabhakar Pachpute’s blending of mythology and contemporary themes.

Vadehra Art Gallery features a solo presentation of vintage photographs by Sunil Gupta from 1982-87. Gupta, a pioneering photographer and activist, focuses on identity politics and q***r studies.

Open to Public: 13th June to 16th June | Messe, Basel

Image Credits:
Anju Dodiya, Detail View ‘Refuge (with clouds)’, 2024, Charcoal and watercolour on fabric stretched on padded board, Image source: Chemould Prescott Road
Jayeeta Chatterjee, ‘When a child itself a mother’ Back View, 2024, Nakshi kantha embroidery and woodcut print on recycled cotton saree, (Double sided work), Image source: Chemould Prescott Road
Radhika Khimji, Break the hardness, 2024, Oil and Gesso on photo transfer and birch plywood, Image source: Experimenter
Sunil Gupta, Well End Pub, London , 1982, Photograph, Image source: Vadehra Art Gallery
#2024 #2024

June has an exciting lineup of art exhibitions in Delhi, Mumbai, Kolkata, Hyderabad, Bengaluru and Goa           #2024  ...
03/06/2024

June has an exciting lineup of art exhibitions in Delhi, Mumbai, Kolkata, Hyderabad, Bengaluru and Goa

#2024

Image Credits:

Installation View, Image Source: Kiran Nadar Museum of Art
Al - An Desouza, ‘A Condensation of Blood #7 (Detail) | 2023’, Digital print on Hahnemuhle paper, Image Source: Talwar Gallery
Karan Khosla, ‘Amidst Forest Fires, Mayurbhanj’, Image Source: Method
Sajid Wajid Shaikh, (No.448.), ‘We should be able to kill ourselves in our heads and then be reborn again; Tile on aluminium composite panel, 2024 Image Source: Gallery XXL
Dayanita Singh ‘Bombay Cinemas - House Museum’, 2024, Teakwood structure with five silver gelatin prints, Image Source: Nature Morte
Gallery Installation View, Image Source: Experimenter Gallery
Manisha Chavda, ‘Untitled’, Oil on canvas, Image Source: KYNKYNY
Manisha Baswani, ‘Landarting in progress’, Image Source: Sa Ladakh
Saanthia Bulchandani, ‘They Lay in Heaps’, Pen and Ink on Paper, 2024 Image Source: Akara Contemporary

 : Vikrant Bhise  ART India Magazine features breakthrough artist of the previous quarter Vikrant Bhise. At the forefron...
30/05/2024

: Vikrant Bhise

ART India Magazine features breakthrough artist of the previous quarter Vikrant Bhise. At the forefront of the struggle against caste-based domination, the Mumbai-based artist’s work iterates his commitment to the revolutionary spirit inherent in Ambedkarite consciousness.

Committed to the expression of social justice, his art realises enduring reform through activism and speaks about struggles against caste, class, and gender-based oppression. The artist’s recent solo exhibition, ‘Sense and Sensibilities: A Reflective Realisation,’ curated by Dr. Y S Alone, was displayed at Noida’s Anant Art Gallery earlier this year.

In his exhibition, Bhise’s artworks prominently featured B. R. Ambedkar, the Dalit leader, and architect of the Indian Constitution. One notable piece, titled ‘Labour Leader,’ depicts a laborer wiping Ambedkar’s bust with one hand and covering his eyes with another. Through subtle yet profound messages, Bhise highlights the disconnect between Ambedkar’s vision of social justice and the current state of affairs.

Stay tuned for Vikrant Bhise’s feature by Shreevatsa Nevatia in the upcoming issue of ART India Magazine.




Image credits:
Portrait of the Artist. Image source: ART India Magazine & the Artist.
Vikrant Bhise, ‘Labour Leader’, 2021, Acrylic on canvas. Image source:Anant Art Gallery
Vikrant Bhise, ‘Protest 1’, 2023, Gouache on paper. Image source:Anant Art Gallery
Vikrant Bhise, ‘Lockdown IV’, 2021, Gouache and rotring pen on paper. Image source:Anant Art Gallery
Vikrant Bhise, ‘Quest of Existence of Being’, 2022-23, Acrylic on canvas.Image source:Anant Art Gallery

Meet Reema Desai Gehi , the new editor of Art India Magazine!Reema is a writer and editor based in Mumbai. For over a de...
29/05/2024

Meet Reema Desai Gehi , the new editor of Art India Magazine!

Reema is a writer and editor based in Mumbai. For over a decade, Reema has extensively written on the arts and culture scene for the Mumbai Mirror, India Today and Hindustan Times. An alumna of Cardiff University, UK, she completed her Masters with a special focus in arts journalism.

Reema recently wrote her debut book, ‘The Catalyst: Rudolf von Leyden and India’s Artistic Awakening’, published by Speaking Tiger

To new beginnings.



Image courtesy of ART India Magazine.

After a remarkable two-decade-plus tenure as Editor, Abhay Sardesai  passes the torch to the newly appointed Editor of A...
28/05/2024

After a remarkable two-decade-plus tenure as Editor, Abhay Sardesai passes the torch to the newly appointed Editor of ART India Magazine, Reema Desai Gehi . Under Abhay’s editorship, the publication developed a more interdisciplinary approach to its subject matter, weaving together diverse perspectives. Abhay continues working with us Art India the capacity of Consulting Editor and with JSW as Advisor, Culture.

As we celebrate Abhay’s contributions, we look forward to a brand new chapter with Reema.

Can you guess which Indian Contemporary artist is described below?- Born in 1980, in Gajwel,Telangana, India- In 2004, g...
13/05/2024

Can you guess which Indian Contemporary artist is described below?

- Born in 1980, in Gajwel,Telangana, India

- In 2004, graduated in Bachelors in Fine Arts (B.F.A.) from J.N.T.U, Hyderabad and In 2006 he completed his Masters in Fine Arts (M.F.A.) from the Faculty of Fine Arts, M.S. University of Baroda.

- He is known for depicting graphic scenes of sexuality, eroticism and macabre.

- He finds inspiration in the French post-impressionist artist Henri Rousseau, even reimagining some of Rousseau’s works as his own

- Currently showcasing nearly 400 drawings at a well-known gallery in Mumbai

Leave your guesses in the comments below. We’ll reveal the answer soon!

Image courtesy: Will be added after revealing the answer.

On  , we reflect on how Jamini Roy, Lalitha Lajmi, Reena Saini Kallat, Arpita Singh and Sana Ginwalla portrayed motherho...
12/05/2024

On , we reflect on how Jamini Roy, Lalitha Lajmi, Reena Saini Kallat, Arpita Singh and Sana Ginwalla portrayed motherhood in their artworks.

Jamini Roy’s ‘Our Lady with the Child Jesus’ stands as a classic example of his distinctive style, which is deeply rooted in local folk traditions. Through his art, Roy portrays mothers in both everyday settings and as iconic figures, transcending cultural boundaries. His work emphasizes the universal nature of motherhood and its embrace of all living creatures.

Lalitha Lajmi shared a unique bond with her daughter Kalpana Lajmi, it was more of a friendship than a traditional parent-child relation. In her paintings, Lalitha occasionally also portrays her daughter Kalpana and her mother, forming a moving trilogy of interconnected lives.

Reena Saini Kallat’s poignant installation, crafted from silk, brass, marble, and handwritten recipe books, delves into her relationship with her late mother. Through the incorporation of sarees, toys, and photographs left behind, she contemplates memory, loss, and family ties.

Arpita Singh’s ‘My Mother’ (1993) delves into maternal strength amidst modern complexities. The artwork intricately explores family, tradition, and societal change. It presents a complex tableau of imagery and symbolism, inviting viewers into a multifaceted investigation of themes such as family, tradition, and societal change.

Sana Ginwalla an Indian-Zambian artist, portrays her mother Naseema Ginwalla as the central figure, challenging notions of identity singularity and weaving a narrative beyond national identities. Through memory and autoethnography, Ginwalla explores her complex relationship with her mother, grandmother, and their cultural heritage, using family photographs as a lens into their shared history.

These pieces encapsulate the distinctive interpretations each generation has offered on motherhood, compelling us to ponder maternal love and resilience.

Challenge your Art Knowledge: Shiv Shanti Bhuvan, designed by Merwanji Bana & Co for Dr. Rajjab Ali Patel, is an iconic ...
10/05/2024

Challenge your Art Knowledge:

Shiv Shanti Bhuvan, designed by Merwanji Bana & Co for Dr. Rajjab Ali Patel, is an iconic building in Mumbai. Situated In the Oval Maidan, it stands on one of the street corners, distinguished by its yellow paint with green geometric patterns and semi-circular Chajjas offering protection from the glaring sun. Additionally, this building holds a place on UNESCO’s list of recognized World Heritage Sites.

Can You Identify the Architectural Style?

a) Neo-Gothic
b) Art Deco
c) Baroque
d) Brutalist

Share your answers in the comments!

Mark your calendars this May.Our art exhibition itinerary features exhibitions across India, including Delhi, Mumbai, Ko...
01/05/2024

Mark your calendars this May.

Our art exhibition itinerary features exhibitions across India, including Delhi, Mumbai, Kolkata, Hyderabad, Bengaluru, and Goa.

#2024

Mahua Lahiri , an Indian artist known for her multi-disciplinary approach and thematic explorations, presents her latest...
26/04/2024

Mahua Lahiri , an Indian artist known for her multi-disciplinary approach and thematic explorations, presents her latest showcase titled “Hushnohana” at Artisans’ Mumbai.

In her exhibition, which showcases a fusion of contemporary and traditional collections, Lahiri uses materials like cotton and silk, along with threads and yarns commonly found in nakshi kantha embroidery, to revitalise the craft. Highlighting its history and cultural significance while presenting contemporary interpretations, Lahiri explores themes of creation by symbolising the womb and the primal stages of life’s inception. The exhibition also features a curated selection of pieces that pay homage to Bengal’s thousand-year-old cotton heritage.
Lahiri is the first artisan-designer-entrepreneur to receive the 2023 AD X JSW Prize for Contemporary Craftsmanship.



All images courtesy of the artist.

“A State of Care” | An Immerse Fellowship Showcase Immerse Fellowship , co-founded by Natasha Jeyasingh .jeyasingh, Al-Q...
15/04/2024

“A State of Care” | An Immerse Fellowship Showcase

Immerse Fellowship , co-founded by Natasha Jeyasingh .jeyasingh, Al-Qawi Nanavati .nanavati, Shaleen Wadhwana and Siddharth Somaiya cultivates the next generation of Indian artists and curators. Supported by Somaiya Vidyavihar University this programme offers mentorship, skill development, and exposure to Mumbai’s arts ecosystem.

Currently on view at the University is the annual showcase curated by Shaleen Wadhwana in collaboration with Curator Fellow Haifa Maryam.Titled “A State of Care,” the exhibition invites viewers to reflect on diverse interpretations of care in contemporary society.

Nine artists from India, Akash Biswas, Dhiraj Rabha, Gaurang Naik, Harun Al Rashid Mollah, Lakshya Bhargava, Malik Irtiza, Shikha Soni, Surajit Mudi, and Umesh Singh present their reflections on care, ranging from intimate bonds to societal responsibilities.

Sangita Jindal .jindal, Chairperson of the JSW Foundation .foundation accompanied by the Art India team and the Hampi Art Labs team, visited the exhibit on Sunday.

#2024

All images courtesy of JSW Foundation.

“Renaissance painters painted men and women, making them look like angels. I paint for angels to show them what men and ...
12/04/2024

“Renaissance painters painted men and women, making them look like angels. I paint for angels to show them what men and women really look like.” – F N Souza.

Born in 1924, Francis Newton Souza was brought up in a Roman Catholic family in Goa. His early years were marked by deep-seated religious faith, which later became strained as he developed a secular understanding of life and suffering. After moving to Mumbai to pursue art at the Sir JJ School of Art, Souza was expelled for his participation in the Quit India Movement during British rule.

In 1947, after India gained independence, he co-founded the Progressive Artists’ Group along with fellow artists such as S H Raza and K H Ara. Together, they sought to break away from traditional artistic conventions, paving the way for modern Indian art.

Throughout his career, Souza’s art reflected his complex relationship with religion and society. His provocative and often controversial works challenged conventions, earning him a reputation as an enfant terrible of the Indian art world. Notably, his painting ‘Crucifixion’ portrays Christ as a masked skeletal figure, symbolising the artist’s personal religious struggle and angst.

Souza’s art continues to impact audiences worldwide. In March this year, his piece “’The Lovers’ sold for a record-breaking INR 40 crores at Christie’s Asian Art Week Sale in New York. Today marks his 100th birth anniversary.

👉Kiran Nadar Museum of Art presents ‘The Rooted Nomad: M.F. Husain’ at the Venice Biennale, curated by Roobina Karode. T...
11/04/2024

👉Kiran Nadar Museum of Art presents ‘The Rooted Nomad: M.F. Husain’ at the Venice Biennale, curated by Roobina Karode. The exhibition offers an immersive blend of art, technology, and storytelling, exploring the spirit of M.F. Husain with masterpieces from the KNMA collection.

👉At the same event, Aravani Art Project, an Indian public art collective led by trans and cis women, brings its murals inspired by diverse life experiences to the global stage.

👉Spotlighting modernist movements from Latin America, Asia, Africa, and the Middle East, the ‘Historical Nucleus’ showcases India’s heritage, featuring works by artists including Amrita Sher-gil, Bhupen Khakhar, Jamini Roy, F.N. Souza, S.H. Raza.

👉In addition, ‘Cosmic Garden’ presents collaborative artworks by Madhvi Parekh, Manu Parekh, and Chanakya School of Craft artists, challenging the art-craft hierarchy with paintings, sculptural pieces, and textile interpretations.

👉‘Per non perdere il filo’ at Palazzo Vendramin Grimani highlights the collaborative dialogue between Karine N’guyen Van Tham and Parul Thacker, exploring the theme of thread that symbolises their diverse origins and expressions in the collateral event.

👉 Shilpa Gupta joins 21 other artists in ‘From Ukraine: Dare to Dream,’ an official collateral exhibition, weaving tales of resilience and hope amidst global turmoil, presented at Palazzo Contarini Polignac in Venice.

#2024

Studio Visit: A few months ago  we visited artist Ravi Agarwal's studio in Defence Colony, New Delhi. Agarwal has an int...
29/02/2024

Studio Visit: A few months ago  we visited artist Ravi Agarwal's studio in Defence Colony, New Delhi. Agarwal has an interdisciplinary practice as an artist, photographer, environmental campaigner, writer and curator. His studio is on the top floor of his house. He starts his day at 5.30 am, goes for a walk, has his breakfast and tea and then by 8.30 am he is in his studio.
The fundamental question that he is preoccupied with is the ecological question, and the relationship between humans and nature. For him, 'nature' is not what is outside, but a relationship. He says, "Nature is a heterogenous and fractured idea, we produce nature. Nature is, of course, a planetary system , but how we produce it, how we bring it into our life, how we activate it, is a relationship." 
He is working on four projects at the moment. The first one is the 'Natural History Museum Project'.  He says, all the Natural History museums look alike around the world where the animals are othered. Through this project he attempts to de-centre the human and raisees concerns about multi-species justice, sentience of animals.
The next project looks at the history of oppression, and in which he incorporates theories about caste and race within the framework of the ecological debate. He refers to the letter that B R Ambedkar wrote to W. E. B. Dubois, who was the leader of the Black movement and how The Dalit Panthers are found on the model of Black Panthers. Another project explores the history of cacao.
The final project explores glacier histories, in which he shows how landscapes are constructed in the human image. "There are moments in the global history when ecology becomes controlled," he says. "Ecological debates go out of the nation states, and are connected to colonization and capital histories." For this project he refers to archival materials, satellite imagery, human stories about how glaciers are evoked in local narratives, and the process of humanization of glaciers."You can not see glaciers as a water formations, they are deep cultural histories," he says.
Here are some images from the visit and his ongoing projects.

News: Delhi-based Bikaner House is currently hosting 'KAARAWAAN AND OTHER WORKS', a show by Gulammohammed Sheikh. The sh...
28/02/2024

News: Delhi-based Bikaner House is currently hosting 'KAARAWAAN AND OTHER WORKS', a show by Gulammohammed Sheikh. The show is presented by Vadehra Art Gallery and it will be on view until 11 March, 2024.
'"KAARAWAAN AND OTHER WORKS' feature s paintings, sculptures and installations by the renowned Indian modernist Gulammohammed Sheikh, after almost fifteen years. Gulammohammed Sheikh’s oeuvre grows from a deep immersion into cultural narratives with his mastery of painterly and sculptural forms. His work is rooted in a profound exploration of cultural histories, mythologies and artistic traditions transcending conventional confines and charting a distinctive trajectory that interweaves heritage and contemporary expression.Being an accomplished artist, poet and scholar have jointly shaped his work, with the four paintings he contributed to the exhibition 'Place for People '(1981) marking a first confluence.In these works, he drew on elements from his memory, immediate surroundings and world art at-large to create images that 'open up passages between the personal and the social, the present and the past, the near and the distant. With it, his paintings became, like the world he lived in, a palimpsest of many temporalities and cultures that speak to us in multiple tongues,'" states the Press Release.
Image Details:
1) Gulammohammed Sheikh
Conference of Birds (Recto)
Lands Violated (Verso)
Acrylic on board
84" x 48"
2023-24

2) Gulammohammed Sheikh
Francis and Kabir
Acrylic on canvas
78.5 x 123.5 in
2010 – 2023

3) Installation view

4) Installation view

5) Installation view

6) Installation view

Join us for our next artist takeover as Varunika Saraf takes over our Insta handle on Monday (26 February, 2024).Dr Varu...
23/02/2024

Join us for our next artist takeover as Varunika Saraf takes over our Insta handle on Monday (26 February, 2024).
Dr Varunika Saraf is an artist and art historian based in Hyderabad. Saraf has participated in several group shows such as 'Sangam', Heidelberger Kunstverein (2020), 'Critical Constellations', Foundation for Indian Contemporary Art, New Delhi (2019), 'Days Without a Night', Max Mueller Bhavan, New Delhi (2018), and 'Phantoms of Asia', Asian Art Museum, San Francisco (2012). She is the recipient of Asia Society’s Asia Arts Future Award (2023). In 2016, Saraf received the Amol Vadehra Art Grant. She was the Summer Research Fellow at the Getty Research Institute, Visiting Fellow at the Max-Planck Institute, Florence, NTICVA Visiting Fellow at the V&A Museum and the CWIT fellow at the Centre for South Asian Studies, University of Cambridge. Saraf holds a PhD and an MPhil (Visual Studies) from JNU and an MFA (Painting) from the University of Hyderabad. In 2023, she participated in the Sharjah Biennale 15, receiving an honourable mention for her embroidered series, 'We, The People'. Saraf is represented by Chemould Prescott Road, Mumbai.

News: Mumbai-based Chemould Prescott Road is currently showing 'An Eye Inside', a show by Jayeeta Chatterjee. The sbow p...
22/02/2024

News: Mumbai-based Chemould Prescott Road is currently showing 'An Eye Inside', a show by Jayeeta Chatterjee. The sbow presents Chatterjee's journey from an interest in interiors and architecture to her documentation of the domestic feminine politics. It will be on view until 30 March, 2024.
Thie exhibition combines earlier works of coloured woodcut prints and a new body of work where she takes a step further in bringing woodcut print making and embroidery together to expand on newer narratives. Through cloth scrolls, quilts and prints she documents nuances of working life from homes and communities in Bengal through woodblock prints on saris collected from the very women she bases her works on, and finally overlaid with Nakshi Kantha traditions. Chatterjee uses her phone to capture moments, both for spontaneity and to not disturb the convivial feminine circles she often slips into as a woman herself.
As she speaks to her aunts and the women who work in her community, she
records snippets of conversations, short videos and images. Her art then brings this archive to life on cloth where the feminine dominates, and mundane domestic scenes take centerstage - a woman drapes a sari, sweeps a floor, another tends to children, an afternoon nap or a pensive aunt," states the Press Release.
Image Details:
Jayeeta Chatterjee
Jibon Ghore o Baire 1 (life at home and outside)
Woodcut print on rice paper
50.8 cms x 39.4 cms
Edition of 3
2024

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