Three Wise Monkeys

Three Wise Monkeys He also has an MBA (Distinction) in running create industry business and a BSc (Honours) in Chemistry.

Three Wise Monkeys are an immersive-media production and visual-effects post production company creating narrative and spectacle driven stories, experience & communications collaborating with brands, agencies, directors & producers & production companies. Three Wise Monkeys Studio is an immersive-media production and visual effects and animation post-production company undertaking innovative audio

-visual design, animation and live action/visual effects focussed narrative and spectacle driven stories and communications. We develop, design, supervise, produce and deliver visual-effects, animation-based simulated environment and architectural visualisations, virtual-production based films, experiences and location-based immersive-media installations. We utilise both real-time and traditional render methodologies for animation, visual effects and virtual production to create immersive spaces that engender surprising encounters and liminal events using creative technologies. We believe that by highlighting the contrasts that exist between the ways we feel and think that we can help the world visualise a better version of our communities and society. We create compelling and memorable characters and stories, communications and experiences that move audiences to action by affecting surprise, emotional connection, reflection and motivation. By researching and challenging existing themes, subjects, tools and object/subject dualities through exploration, play, flow and hyper-focal practices we love to challenge existing orientations to invent new approaches and deliver real innovation. We provide collaborative multi-media ideation, direction, production and post production to delivery across all formats of linear and interactive or participatory media. Our integrated practices cross live action, motion control, virtual production, visual effects, animation, motion capture, VR, AR, projection and immersive-media production using the latest creative technology applications for media, spatial and performance-based immersion. production and reception of immersive media

The company is led by VFX Designer, Supervisor & Producer Carl Grinter who specialises in photorealistic visualisation, ideation, digital and analogue film making methodologies, storytelling with characters or avatars creating invisible or fantastical visual effects. His practice interests are in affecting surprise as an initiator of media immersion and emotional involvement and connection, engendering new experiences that enable a new way of seeing the world to create compelling and memorable journeys and narratives. Carl has a Practice PhD from the University of the Arts London where his thesis researched how the affect of surprise transformed meaning co-ontologically through design, production and reception of immersive-media.

Next Wednesday 15th May at the Media Production & Technology Show, in my current multiple roles as Creative Director at ...
10/05/2024

Next Wednesday 15th May at the Media Production & Technology Show, in my current multiple roles as Creative Director at Azimuth, VFX Consultant at OR Media VFX Supervisor and Producer at Three Wise Monkeys, I'll be talking about and showing some of the recent VFX for documentary based work at London's Olympia venue at 16.10 pm in the Post Production Theatre. The session will be hosted by Executive Producer Emma Kolasinska from Lux Aeterna VFX and will be joined by Dionysis Bouloutzas of Ghost VFX, Tiago Faria of Bluebolt, and myself. We will be talking through individual projects highlighting paradigms and unique challenges the VFX for films presented, how the VFX were used, and why the project is interesting for the wider audience.

Learn more about the event here: https://www.mediaproductionshow.com/2024-programme/vfx-masterclass

MPTS is part of the Broadcast Tech & Sport Group. Brought to you by Media Business Insight Ltd (MBI), the publishers of market leading titles including Broadcast, Broadcast Tech, Broadcast Sport, KFTV, The Knowledge, Rapid TV News and Screen International. MBI is a GlobalData company.

01-04-2024 - Spring 2024 Issue of Televisual Magazine with 8 page pullout about the relaunch of Azimuth. The article out...
07/04/2024

01-04-2024 - Spring 2024 Issue of Televisual Magazine with 8 page pullout about the relaunch of Azimuth. The article outlines the approach and orientation to the art, the craft, the work and the experience and how that's been developed within the post production workflow by focussing on the collaborative practices and the chemistry that amplifies and elevates creative storytelling and factual documentary.

POST & VFX BROADCAST TECH ARTICLE - 27 March 2024Azimuth moves building and changes management teamBy Jake Bickerton The...
27/03/2024

POST & VFX BROADCAST TECH ARTICLE - 27 March 2024

Azimuth moves building and changes management team
By Jake Bickerton

The post-production house unveils a new team, new building and new branding.

Azimuth has made significant changes across the board – it’s moved from Soho to Holborn, and appointed Yives Reed and Carl Grinter to helm the company.

The post-production house’s seven storey building in Holborn was stripped out, restored and fitted out over a two year period. It has been designed by Daniela Dohnalkova to “complement the building’s distinctive mid-century aesthetic,” says Azimuth.

Reed said: “We knew this building was perfect as soon as we saw it. We started from scratch and were committed to making it the very best it could be. We invested in an all-new infrastructure, so no legacy kit, wiring or worries of limitations. All of our technology choices are best in class or go above and beyond industry standards.

“One of our main objectives was to fuse robust on-premise and in-cloud workflows to enable collaboration with optimal flex and capability for our clients wherever they may be. The end result has gone beyond our expectations and we are hugely excited for the future of Azimuth.”

Azimuth has also taken on Genna McWhinnie as head of post production and Steve Oak as head of technical operations.

McWhinnie said: “Being given the opportunity to lead a company in its brand new iteration is always going to be an exciting prospect. Doing the actual build of the kit, rooms and building itself has its challenges, but the real work is creating a culture and team that makes our clients truly looked after.”

Oak adds: “Remote post-production plays a pivotal role in modern post production. We offer flexibility, efficiency, and accessibility and by leveraging these capabilities, creators can collaborate across geographic boundaries, maximising productivity and creativity.”

Grinter said: “Our aesthetic designed space, talent, tools and technology enable the best outcome for the work. We have built a team of collaborative artists that work and share knowledge together and are supported by Genna’s production and Steve’s technical operations team to produce exceptional work for our clients and to drive Azimuth forward.”

Azimuth’s building includes three colour grading suites, two DaVinci Resolve and one Baselight with EIZO monitoring, capable of working in HD through to 4K HDR resolutions. There are three sound studios and two audio prep rooms, which are connected to three VO booths. All the audio studios and prep rooms are 5.1 capable, and the studios are Dolby Atmos 7.1.4 ready.

The company’s first production in its Holborn building was The Line, a 60-minute documentary for Discovery Channel.

PICTURED (left-right): Steve Oak, Carl Grinter, Yives Reed, Genna McWhinnie

https://www.broadcastnow.co.uk/post-and-vfx/azimuth-moves-building-and-changes-management-team/5191978.article

I’ve been fairly quiet on here recently because between my VFX Supervison and VFX Production work on a wide variety of l...
10/02/2024

I’ve been fairly quiet on here recently because between my VFX Supervison and VFX Production work on a wide variety of long and short form documentary and story films, I’ve been working as a management consultant with Yives Reed and Azimuth Post Production transforming the previous Soho based company into a whole new entity with an amazingly talented array of designers, technologists, finance and creative managers, engineers, systems integrators, creative artists and business leaders. More on this in due course, but very pleased to release news of some of the first of some of the amazingly talented colleagues I get to work with now..

Davis will be post house's head of audio

02/11/2022

Many thanks to all the team at Chrome Productions and everyone involved in all the hard work in getting this latest Standard Chartered Bank Virtual Production based film to the screen and getting us all so involved. Special thanks to producers Mark Wilson and Hannah Lane for the trust, director Nick Jones and DoP Dave Tree for their great work and all of the team ATM Virtual particularly Maciej Żemojcin, Radka Bardes for pulling out all the stops to help make something special with Chrome Productions, by pushing VP that little bit further every time.

29/10/2022

29th October 2022 - Three Wise Monkeys VFX work completed over the summer with director Ed Salkeld for Packshot Factory on behalf of In Bev and their in-house agency for Corona Beer. Ed shot the product shots in studio against a back-lit trans-light which in discussion with VFX supervisor and producer Carl Grinter with Rufus Blackwell. The background was replaced with a live action shot of beach by Rufus Blackwell using Flame with transitions between stock and live shots being rebuilt to create a seamless flow of the ingredients making up the special ingredients of Corona Beer. The commercial was produced at Packshot Factory by Julia Rydzynska.

29/10/2022

NEW WORK COMING TO LIGHT AFTER BUSY TIMES: Chrome Productions latest work for Here Technologies features four case study films highlighting their real-time data-based location, navigation and logistics-based platforms and service-based technologies that are transforming the efficiency of their partner and collaborator businesses across global markets.
For the first in a series of 4 films completed over the past 6 months, Chrome Productions Creative Director Sam Strong and Creative Producer Elise Rappoport directed the live action sequences remotely with live action crews on the ground in Texas at Bentley Systems office filming Dustin Parkman, Vice President of Mobility.
Bentley Systems are a software development company providing design, planning, development and construction software using Here Technologies location-based 3D data as a service integrated to their software.
Carl Grinter worked with designer Leo Marcantonio in collaboration with Chrome's production and postproduction teams led by Ben Turze and Post Producer Will Sellers to edit, grade and finalise live action. Carl and Leo produced the computer animation motion graphic-based design sequences that highlight Here Technologies powerful real-time LiDAR based location technologies and platform.

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