Acir Starven

Acir Starven I can show some dance,hugots,and pictures
you can see my talents too if you want....

01/10/2021

Gutom gyud ng wlay kwarta oii

19/06/2021
19/06/2021
19/06/2021

Rāja yoga
From Wikipedia, the free encyclopedia
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This article is about a type of yoga. For one of the six Hindu philosophy schools, see Yoga (philosophy). For other uses, see Yoga (disambiguation).
In Sanskrit texts, Rāja yoga (/ˈrɑːdʒə ˈjoʊɡə/) was both the goal of yoga and a method to attain it. The term also became a modern name for the practice of yoga[1][2] in the 19th-century when Swami Vivekananda gave his interpretation of the Yoga Sutras of Patanjali in his book Raja Yoga.[3] Since then, Rāja yoga has variously been called aṣṭāṅga yoga, royal yoga, royal union, sahaja marg, and classical yoga.

Contents
1 Etymology and usage
2 History
2.1 In Shaivism
2.2 As a type of yoga
2.3 As the yoga system of Patanjali
2.4 Islamic period
3 Comparison with Buddhism
4 See also
5 References
6 Further reading
7 External links
Etymology and usage
Rāja (Sanskrit: राज) means "chief, best of its kind" or "king".[4] Rāja yoga thus refers to "chief, best of yoga".

The historical use of the term Rāja yoga is found in other contexts, quite different from its modern usage. In ancient and medieval Sanskrit texts, it meant the highest state of yoga practice (one reaching samadhi).[2] The Hatha Yoga Pradipika, for example, states that Hatha yoga is one of the ways to achieve Rāja yoga.

Rāja yoga is discussed in the Yogatattva Upanishad.[5] It is then mentioned in a 16th-century commentary on a specific step in the Yoga Sūtras of Patañjali.[1] The medieval era Ta***ic work Dattātreyayogaśāstra explains in 334 shlokas the principles of four yogas: Mantra yoga, Hatha yoga, Laya yoga and Raja yoga.[6] Alain Daniélou states that Rāja yoga was, in the historic literature of Hinduism, one of five known methods of yoga, with the other four being Hatha yoga, Mantra yoga, Laya yoga and Shiva yoga.[7] Daniélou translates it as "Royal way to reintegration of Self with Universal Self (Brahman)".

The term became a modern retronym in the 19th-century when Swami Vivekananda equated raja yoga with the Yoga Sūtras of Patañjali.[1][2][3] This meaning is different from that in the Hatha Yoga Pradīpikā, a text of the Natha sampradaya.[8]

The Brahma Kumaris, a new religious movement, teaches a form of meditation it calls "Raja yoga" that has nothing to do with either the precepts of Hatha Yoga or Patañjali's Yoga Sūtras.[1]

Modern interpretations and literature that discuss Raja yoga often credit Patañjali's Yogasūtras as their textual source, but many neither adopt the teachings nor the philosophical foundations of the Yoga school of Hinduism.[9] This mixing of concepts has led to confusion in understanding historical and modern Indian literature on Yoga.[2][8]

History

Swami Vivekananda equated raja yoga with the Yoga Sutras of Patanjali.[3]
In Shaivism
Main article: Samadhi
The Shaiva Yoga text, Amanaska, dated from the 12th century CE or earlier, is a dialogue between Vamadeva and the deity Shiva. In the second chapter, the text mentions Raja yoga. It states that it is so named because it enables the yogin to reach the illustrious king within oneself, the supreme self.[10] Raja yoga is declared as the goal where one experiences nothing but the bliss of the undisturbed, the natural state of calm, serenity, peace, communion within and contentment.[1]

The Raja yoga goal and state are synonymous with various terms, such as Amanaska, Unmani and Sahaj.[11] The Hatha Yoga Pradipika (literally, A Little Light on Hatha Yoga) asserts this as follows,[12]

राजयोगः समाधिश्च उन्मनी च मनोन्मनी | अमरत्वं लयस्तत्त्वं शून्याशून्यं परं पदम || ३ ||
अमनस्कं तथाद्वैतं निरालम्बं निरञ्जनम | जीवन्मुक्तिश्च सहजा तुर्या चेत्येक-वाचकाः || ४ ||
सलिले सैन्धवं यद्वत्साम्यं भजति योगतः | तथात्म-मनसोरैक्यं समाधिरभिधीयते || ५ ||
यदा संक्ष्हीयते पराणो मानसं च परलीयते | तदा समरसत्वं च समाधिरभिधीयते || ६ ||
तत-समं च दवयोरैक्यं जीवात्म-परमात्मनोः | परनष्ह्ट-सर्व-सङ्कल्पः समाधिः सोऽभिधीयते || ७ ||

Raja yoga, samadhi, unmani, manonmani, amaratva, laya, tatva, sunya, asunya, parama pada,
amanaska, advaita, niralamba, niranjana, jivanmukti, sahaja and turiya denote the same state of being.
Just as with salt dissolved in water becomes one with it, so the union of Atman and Manas (mind) is denominated samadhi,
When the breath becomes exhausted, and mind becomes Praliyate (still, reabsorbed), they fuse into union called samadhi.
This equality, this oneness of the two, the living self and the absolute self, when all Sankalpa (desire, cravings) end is called samadhi.

— Hath Yoga Pradipika, 4.3 - 4.7, [12]
As a type of yoga
Some medieval Indian texts on Yoga list Rajayoga as one of many types of yoga.[13] For example, the 17th-century Sarvanga yoga pradipikå, a Braj-bhashya commentary by Sundardas, teaches three tetrads of Yogas. The first group is Bhakti yoga, Mantra yoga, Laya yoga, and Carcha yoga; the second is Hatha yoga, Raja yoga, Laksha yoga, and Ashtanga yoga; the third is Samkhya yoga, Jñana yoga, Brahma yoga, and Advaita yoga. Of the twelve, Sundardas states that Rajayoga is the best yoga.[13]

As the yoga system of Patanjali
Main articles: Yoga Sutras of Patanjali and Ashtanga (eight limbs of yoga)

Patañjali statue (traditional form indicating Kundalini or incarnation of Shesha)
One meaning of Raja yoga is as a modern retronym introduced by Swami Vivekananda, when he equated raja yoga with the Yoga Sutras of Patanjali.[2][1][3] After its circulation in the first half of the 1st millennium CE, many Indian scholars reviewed it, then published their Bhāṣya (notes and commentary) on it. Together, they form a canon called the Pātañjalayogaśāstra ("The Treatise on Yoga of Patañjali").[14][15]

According to Axel Michaels, the Yoga Sutras are built upon fragments of texts and traditions from ancient India.[16] According to Feuerstein, the Yoga Sutras are a condensation of two different traditions, namely "eight limb yoga" (ashtanga yoga) and action yoga (kriya yoga).[17] The kriya yoga part is contained in chapter 1, chapter 2 verse 1-27, chapter 3 except verse 54, and chapter 4.[17] The "eight limb yoga" is described in chapter 2 verse 28-55, and chapter 3 verse 3 and 54.[17]

There are numerous parallels in the ancient Samkhya, Yoga and Abhidharma schools of thought, particularly from the 2nd century BCE to the 1st century AD, notes Larson.[18] Patanjali's Yoga Sutras may be a synthesis of these three traditions. From the Samkhya school of Hinduism, Yoga Sutras adopt the "reflective discernment" (adhyavasaya) of prakrti and purusa (dualism), its metaphysical rationalism, and its three epistemic methods to gaining reliable knowledge.[18] From Abhidharma Buddhism's idea of nirodhasamadhi, suggests Larson, Yoga Sutras adopt the pursuit of an altered state of awareness. However, unlike Buddhism, which believes that there is neither self nor soul, Yoga is physicalist and realist, like Samkhya, in believing that each individual has a self and soul.[18] The third concept that Yoga Sutras synthesizes into its philosophy is the ancient ascetic traditions of isolation, meditation and introspection, as well as the yoga ideas from the 1st millennium BCE Indian texts such as Katha Upanishad, Shvetashvatara Upanishad and Maitri Upanishad.[18]

Islamic period
In early 11th century, the Persian scholar Al Biruni visited India, lived among Hindus for 16 years, and with their help translated several significant Sanskrit works into Arabic and Persian. One was Patanjali's Yogasutras.[19][20][21] Along with generally accurate translations, Al Biruni's text has significant differences from Yogasutra manuscripts discovered in India during the 19th century. Al Biruni's record has helped modern scholars establish that Patanjali's Yogasutras manuscript existed in India in many versions, each with multiple commentaries by Hindu scholars. Some of these versions and commentaries are either lost or undiscovered.[19] Al Biruni's translation preserved many of the core themes of Yoga philosophy of Hinduism; however, certain sutras and analytical commentaries were restated, making them more consistent with Islamic monotheistic theology.[19][22] Al Biruni's version of Yoga Sutras reached Persia and Arabian peninsula by about 1050 AD.

In Indian historical timeline, marking with the arrival of Islam in India in twelfth century, further development and literature on Yoga philosophy of Hinduism went into decline.[23] By the sixteenth century, Patanjali's Yoga philosophy was nearly extinct.[24] Yoga was preserved by sadhus (ascetics, sannyasis) of India. Some of the Hindu yoga elements were adopted by Sufi sect of Muslims in India.[25][26] The Sufi Muslims at times adopted and protected the Yoga tradition of Hindus during the Islamic rule of India, and at other times helped the persecution and violence against those Hindus.[27] The Mughal Emperor Akbar, known for his syncretic tolerance, was attracted to and patronized Yoga philosophy of Hinduism.[28]

Comparison with Buddhism
The yoga scholar Stephen Cope identifies the following similarities between Raja yoga and Buddhism. He notes that the two philosophies are not the same, but are strikingly similar, having shared a long period of interchange up to about 500 CE.[29]

Aspects[29] Raja yoga[29] Buddhism[29]
Primary problems Duhkha (suffering)
Seeing reality clearly
Problem-solving method 1:
Cultivate skilful behaviours Yamas (restraints),
Niyamas (observances) Sila (ethical practices)
Problem-solving method 2:
Cultivate concentrated states Dharana (concentration),
Dhyana (meditation) Samadhi
Problem-solving method 3:
Use states to explore self Samyama
(i.e. dharana, dhyana, samadhi) Vipassana,
other insight practices
View of ordinary reality 4 Erroneous Beliefs
— permanence,
— reality of body,
— that suffering is happiness,
— that body/mind is true self 3 Marks of Existence,
obscured by error:
— anicca (impermanence)
— anatta (no-self)
— duhkha (suffering)
The end of suffering Kaivalya (emancipation) Nirvana ("unbinding"
of constructions)
Shared concepts nirodha (cessation)
klesha (affliction)
karma (action)
samvega (urgency)
prajna (intuitive wisdom)
samskara (unconscious pattern)
maitra/metta (loving-kindness)
Shared approaches Direct investigation of reality (not metaphysics)
using self-study, self-reliance, self-liberation

18/06/2021

What experimental evidence supports de Broglie's idea that electrons have wave like properties?

Chemistry Quantum Mechanical Model of the Atom DeBroglie: Wave Characteristics of Matter

Electrons shot at a double slit produces an interference pattern on a screen placed behind the double slits, much like waves would do.
This verifies that electron particles also have a wave nature and have a de Broglie wavelength given by
λ
=
h
p

However when the electrons are observed and measured as they pass the double slit, the interference pattern vanishes and is replaced with 2 bands on the screen, indicating a particle nature.

The conclusion is thus that all waves have particle properties and all particles have wave properties, and which property becomes more dominant depends on the situation and observation being made.

Landmarks: Electrons Act Like WavesMay 12, 2006• Phys. Rev. Focus 17, 17Davisson and Germer showed in 1927 that electron...
18/06/2021

Landmarks: Electrons Act Like Waves
May 12, 2006• Phys. Rev. Focus 17, 17
Davisson and Germer showed in 1927 that electrons scatter from a crystal the way x rays do, proving that particles of matter can act like waves.
Figure caption
expand figure
Lucent Technologies Inc./Bell Labs, courtesy AIP Emilio Segrè Visual Archives
Making waves. Davisson and Germer showed in 1927 that a beam of electrons hitting a crystal scatters just as an x-ray beam does, proving that particles of matter can act like waves. A broken apparatus serendipitously lead to the discovery.
APS has put the entire Physical Review archive online, back to 1893. Focus Landmarks feature important papers from the archive.

A 1927 paper in the Physical Review demonstrated that particles of matter can act like waves, just as light waves sometimes behave like particles. Clinton Davisson and Lester Germer of the Bell Telephone Laboratories, then in New York, found that electrons scatter from a crystal in the same way that x rays do. The work began as a result of a laboratory accident and ultimately earned Davisson a Nobel Prize.

In 1924, Louis de Broglie, a graduate student at Paris University, proposed that matter, like light, has a dual nature. The next year, graduate student Walter Elsasser of the University of Göttingen in Germany proposed a way to test it: If electrons do have a wave nature, they should, like light, exhibit wave phenomena such as diffraction. In one form of diffraction, a light beam passing through a regular series of holes or slits, called a grating, exhibits “dark spots” in directions where the wave troughs coming from some holes cancel the peaks coming from others. “Bright spots” appear in directions where the peaks reinforce one another. A beam of tiny marbles, as electrons were conceived of until this point, could never show such cancellation and enhancement.

By chance, Davisson and his junior partner Germer were well-positioned to quickly follow Elsasser’s suggestion. They had been attempting to probe the structure of the atom by firing low-speed electrons at nickel and measuring the scatter. Their experiments weren’t turning up anything of interest, and in 1925 they were saved from frustration and ultimately obscurity by an accident. Their equipment broke, and extreme heating recrystallized their nickel target into a few large crystals, where previously there had been many smaller ones. Their data, showing the amount of scattered electrons at each detector position, began exhibiting some intriguing peaks.

It was only later, when Davisson discussed his results with physicists during his 1926 summer vacation in England, that he learned of de Broglie’s theory and realized that his data likely contained the world’s first glimpse of electron diffraction. The atoms in the recrystallized nickel had acted as a grating. Following this realization, Davisson and Germer began a deliberate search for diffraction patterns, especially the peaks in their data plots that would indicate extra electrons scattering in specific directions. After some disappointing initial results, they found a single peak that agreed both with de Broglie’s theory and with separate experiments using x rays in place of electrons. Eventually they found 30 peaks, 29 of which could be explained by diffraction. One was left unexplained, and they failed to find eight additional peaks that they had expected to appear.

The team published a short paper in Nature in early 1927 [1] and then a more complete article later that year in the Physical Review. George Paget Thomson of the University of Aberdeen in Scotland published his own experimental proof of electron diffraction just a month later [2] and shared the 1937 Nobel Prize in physics with Davisson.

Davisson and Germer are often misrepresented as “experimentalists setting out to validate a theoretical prediction,” says Spencer Weart, director of the Center for History of Physics at the American Institute of Physics in College Park, Maryland. In fact, once they learned of de Broglie’s theory, they simply adapted an experimental program that had been underway for another purpose, says Weart. “This is one of many cases where experimenters got data which they learned only later were relevant to a theory that they had never set out to check.”

09/06/2021

breaker ep.16

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breaker ep.15

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breaker ep.14

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breaker ep.12

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breaker ep.11

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breaker ep.4

30/04/2020

Gay lussac law is directly proportional

P is always love T and T is also the same. But love is always have a problem so the problem.
What will happen when V will interup there love story???
A.it will make them a strong relationship
B.they brokeup
C.none of the above

13/02/2020

on Apple Music
"Make It Right"

[Romanized:]

Naega nal nunchichaessdeon sungan
Tteonayaman haess-eo
Nan chaj-anaeya haess-eo
All day all night

Samaggwa badadeul-eul geonneo
Neolbgo neolb-eun segyeleul
Hemaeeo danyeoss-eo
Baby I

I could make it better
I could hold you tighter
Geu meon gil wieseo
Oh, you’re the light

Chodaebadji moshan
Hwan-yeongbadji moshan
Naleul al-ajwossdeon dan han salam

Kkeutdo boiji anhdeon yeong-won-ui bam
Naege achim-eul seonmulhan geon neoya
Ije geu son naega jab-ado doelkka
Oh, oh
I can make it right

All right
All right
Oh, I can make it right

All right
All right
Oh, I can make it right

I sesang sog-e yeong-ung-i doen na
Naleul chajneun keun hwanhowa
Nae son, teulopiwa geumbich maikeu
All day, everywhere
But modeun ge neoege dahgi wiham-in geol
Nae yeojeong-ui dab-in geol
Neol chajgi wihae nolaehae
Baby to you

Jeonboda jogeum deo keojin kie
Jom deo dandanhaejin mogsolie
Modeun geon nege dol-agagi wihae
Ije neolaneun jidoleul hwaljjag pyeolchilge
My rehab
Nal bwa wae mos al-abwa
Namdeul-ui auseong ttawi na deudgo sipji anh-a
Neoui hyang-gineun yeojeonhi naleul kkwettulh-eo muneotteulyeo
Doedol-agaja geuttaelo

Baby I know
I can make it better
I can hold you tighter
Geu modeun gil-eun neol
Hyanghan geoya

Da soyong-eobs-eoss-eo
Neo anin daleun geon
Geuttaecheoleom nal eolumanjyeojwo

Kkeutdo boiji anhdeon yeong-won-ui bam
Naege achim-eul seonmulhan geon neoya
Ije geu son naega jab-ado doelkka
Oh, oh
I can make it right

All right
All right
Oh, I can make it right

All right
All right
Oh, I can make it right

Yeojeonhi aleumdaun neo
Geunal-ui geuttaecheoleom mal-eobs-i geunyang nal an-ajwo
Jiog-eseo naega sal-a nam-eun geon
Nal wihaessdeon ge anin doelyeo neoleul wihan geolan geol
Andamyeon jujeo malgo please save my life
Neo eobs-i hechyeowassdeon samag wineun mogmalla
Geuleoni eoseo ppalli nal jab-ajwo
Neo eobsneun badaneun gyeolgug samaggwa gat-eul geolan geol al-a

All right
I can make it better
I can hold you tighter
Oh, I can make it right

Da soyong-eobs-eoss-eo
Neo anin daleun geon
Oh, I can make it right

Alright
Alright
Oh, I can make it right

13/02/2020

"The Truth Untold (전하지 못한 진심; Jeonhaji Motan Jinsim)"
(feat. Steve Aoki)

[Romanized:]

Oeroumi gadeukhi
Pieoissneun i garden
Gasituseongi
I moraeseonge nan nal maeeosseo

Neoui ireumeun mwonji
Gal gosi issgin hanji
Oh could you tell me?
I jeongwone sumeodeun neol bwasseo

And I know
Neoui ongin modu da jinjjaran geol
Pureun kkocheul kkeokkneun son
Jabgo sipjiman

Nae unmyeongin geol
Don't smile on me
Light on me
Neoege dagaseol su eopseunikka
Naegen bulleojul ireumi eopseo

You know that I can't
Show you ME
Give you ME
Chorahan moseub boyeojul sun eopseo
Tto gamyeoneul sseugo neol mannareo ga
But I still want you

Oeroumui jeongwone pin
Neoreul dalmeun kkoch
Jugo sipeossji
Babo gateun gamyeoneul beotgoseo

But I know
Yeongwonhi geureol suneun eopsneun geol
Sumeoyaman haneun geol
Chuhan nanikka

Nan duryeoun geol
Cholahae
I'm so afraid
Gyeolgugen neodo nal tto tteonabeorilkka
Tto gamyeoneul sseugo neol mannareo ga

Hal su issneun geon
Jeongwone
I sesange
Yeppeun neoreul dalmeun kkocheul piun daeum
Niga aneun naro sumswineun geot
But I still want you
I still want you

Eojjeomyeon geuttae
Jogeumman
Imankeumman
Yonggil naeseo neoui ape seossdeoramyeon
Jigeum modeun geon dallajyeosseulkka

Nan ulgo isseo
Sarajin
Muneojin
Hollo namgyeojin i moraeseongeseo
Buseojin gamyeoneul barabomyeonseo
And I still want you
But I still want you
But I still want you
And I still want you

[Korean:]

외로움이 가득히
피어있는 이 garden
가시투성이
이 모래성에 난 날 매었어

너의 이름은 뭔지
갈 곳이 있긴 한지
Oh could you tell me?
이 정원에 숨어든 널 봤어

And I know
너의 온긴 모두 다 진짜란 걸
푸른 꽃을 꺾는 손
잡고 싶지만

내 운명인 걸
Don't smile on me
Light on me
너에게 다가설 수 없으니까
내겐 불러줄 이름이 없어

You know that I can't
Show you ME
Give you ME
초라한 모습 보여줄 순 없어
또 가면을 쓰고 널 만나러 가
But I still want you

외로움의 정원에 핀
너를 닮은 꽃
주고 싶었지
바보 같은 가면을 벗고서

But I know
영원히 그럴 수는 없는 걸
숨어야만 하는 걸
추한 나니까

난 두려운 걸
초라해
I'm so afraid
결국엔 너도 날 또 떠나버릴까
또 가면을 쓰고 널 만나러 가

할 수 있는 건
정원에
이 세상에
예쁜 너를 닮은 꽃을 피운 다음
니가 아는 나로 숨쉬는 것
But I still want you
I still want you

어쩌면 그때
조금만
이만큼만
용길 내서 너의 앞에 섰더라면
지금 모든 건 달라졌을까

난 울고 있어
사라진
무너진
홀로 남겨진 이 모래성에서
부서진 가면을 바라보면서
And I still want you
But I still want you
But I still want you
And I still want you

[English translation:]

Full of loneliness
This garden is bloomed
Full of thorns
I hung myself in this sand castle

What is your name
Do you have a place to go
Oh could you tell me?
I saw you hidden in this garden

And I know
All of your warmth is true
I want to hold
Your hand picking the blue flower

It's my fate
Don't smile on me
Light on me
Because I can't come to you
There's no name you can call me

You know that I can't
Show you ME
Give you ME
I can't show you a run-down part of myself
I wear a mask again and go to see you
But I still want you

Bloomed in a garden of loneliness
A flower that resembles you
I wanted to give it to you
After I take off this foolish mask

But I know
I can never do that
I must hide
Because I am ugly

I am afraid
I am run-down
I'm so afraid
That you will leave me again in the end
I wear a mask again and go to see you

What I can do is
In the garden
In this world
I bloom a pretty flower that looks like you
And breathe as the me that you know
But I still want you
I still want you

Maybe back then
A little
Just this much
If I got the courage to stand before you
Would everything be different now

I am crying at this
Disappeared
Fallen
Sand castle that's left alone
Looking at the broken mask
And I still want you
But I still want you
But I still want you
And I still want you

09/02/2020

TITLE OF THE PLAY : HIMALA
SCRIPWRITER; by Ricky Lee
DIRECTOR; by Ishmael Bernal
Stage Designer; Gino Gonzales
Setting; The setting is a small town named Cupang, a community set in an arid landscape. The townsfolk believed that the ongoing drought was a curse placed upon them for driving away a l***r some years before.
Main characters;
• Elsa - Nora Aunor
• Mrs. Alba - Veronica Palileo
• Orly - Spanky Manikan
• Nimia - Gigi Dueñas
• Aling Saling - Vangie Labalan
• Chayong - Laura Centeno
• Sepa - Ama Quiambao
• Baldo - Ben Almeda
• Igme - Cris Daluz
• Mrs. Gonzalez - Aura Mijares
• Priest - Joel Lamangan
• Bino - Ray Ventura
• Pilo - Crispin Medina
• Chief of Police - Tony Angeles
• Mayor - Joe Gruta
• Bella - Estela de Leon
• Narding - Lem Garcellano
• Lucio - Cesar Dimaculangan
• Lolo Hugo (Blind Man) - Mahatma Canda
• Aling Pising (Beggar) - Vicky Castillo
• Nestoy - Richard Arellano
• Intong - Erwin Jacinto
• Jack-Jack - Jeremiah Sird
• Himself - Potenciano de Guzman
• Reynaldo Mababangloob III
• Nelson Obach
Main story line(a 1-paragraph summary)
Elsa saw the blessed Virgin Mary who had changed her life and caused a hysteria in a poor isolated village.
Personal reaction

This has been remembered as the line delivered by the award-winning Filipina actress, Nora Aunor, in the 1982 film, “Himala.” The film has been regarded as one of the most phenomenal films in Philippine film history for its plot and theme. According to a CNN film poll, this film directed by Ishmael Bernal is the only Filipino movie to make it in the Top 10 of a poll for Best Asian Films. Truly, many Filipinos have admired on how the movie flowed, and how religious beliefs, faith and faithlessness, morality and truth leveled throughout the film.
The story is centered on Elsa, who is portrayed by Nora Aunor, a village lady whose religious beliefs and visions, particularly on the Virgin Mary, marked her place in a small town called Cupang. Epidemics, drought, and natural disasters hit the town, a troublesome reason for villagers to call their own town cursed. Nevertheless, Elsa’s visions and beliefs helped the village by attracting tourists and other townspeople to her house, particularly for faith healing. This made villagers believe that Elsa has been the one who bestow the himala (miracle) to patients for them to heal.

The plot twisted its pace when a tragedy struck to Elsa, causing her village to suffer more epidemics. Elsa has been attacked and r***d by two drugged youths; consequently, her healing days have stopped due to the incident. She then showed signs of pregnancy, which her townspeople believed to be an “Immaculate Conception,” meaning having been pregnant with having in*******se. Her villagers believed that this is the sign that the curse is again lifted, and that Elsa’s healing powers have returned. In front of the people, Elsa shouted out the famous lines, causing her to get shot on the chest. This in turn resulted in a stampede on a congregation held by Elsa on the center of the barrio. As the ambulance drives Elsa’s body away, the frantic townspeople got on their knees and followed the ambulance while praying “Hail Mary,” believing that Elsa in turn has become a martyr and a saint.
Ishmael Bernal’s work has been very phenomenal in Philippine film history. As I have observed every single Holy Week, this film is always played on national television. Along with the divine performance by Nora Aunor, the movie has received a lot of accolades on the international level. Personally, I had mixed feelings upon watching this film. Whenever the congregation scene is played, I always felt gloomy and pre-occupied. The whole stampede thing wasn’t too dainty to view, but in turn, this complexity provided the necessary ingredient for the point of the film to level itself towards its audience.
As I peered into this film, I would remember the same event happening in Quiapo every 9th of January, which is the procession of the Black Nazarene. Every time this icon is paraded throughout the streets of Quiapo, a lot of devotees undertake such penitence and injuries just reach out for the wooden sculpture. From Bonilla’s article, this devotion resulted to one of the embodied values that connected to human mentality, which is a sense of milagro (miracle). One’s belief may have to bridge from the logical to the illogical just to perceive the nature of occurrences as Bonilla have said during his expedition in Quiapo. In relation to the movie, the himala has been the central part of the Elsa’s famous line. Well, the point is, everything must start out with ourselves, and that the values we learn must be vital on the way we live.
I can’t really say what’s in it for us whenever we hold on to our own faiths, but there is this divine feeling of satisfaction whenever we accomplish something in relation to our faith that strengthens our bonds with things that can’t be seen. I gave my gratitude and respect for all those who made this film possible.

05/02/2020

el fili kabanata 37 ang hiwaga

Nabatid din ng madla, sa likod ng pagpigil sa balita, ang mga pagbabangon at mga supot ng pulbura. Ito ang naging paksa ng usapan ng lahat - palihim nga lamang. Si Chikoy kasi, payat na platero. Ay nagdala ng hikaw para kay Paulita nang tinatanggal na ang mga palamuti at mga hapag sa bahay ni Kapitan Tiyago at nakita niya mismo ang suput-supot na pulbura sa ilalim ng mesa, sa silong, sa bubungan, sa likod ng mga upuan.

Ayon daw kay Ginoong Pasta ay iisa ang maaring gumawa ng gayon - isang kaaway ni Don Timoteo o kaagaw ni Juanito.

Naroon sa bahay ng mga platero si Isagani. Anang may-aring si Kapitan Loleng ay magtago si Isagani.

Ngumiti lamang si Isagani.

Nagpatuloy si Chikoy. Dumating daw ang mga Sibil. Wala namang mapagbintangan. Si Don Timoteo lamang daw at si Simoun ang nangasiwa sa pag-aayos ng bahay na iyon. Pinaalis daw ang lahat ng mga di kailangan sa imbestigasyon.

Naku, kung may isa man lang daw na nanigarilyo sa mga trabahador, sasabog ang buong daan ng Anlogue. Kung sumabog daw ang mga pulbura ang noong gabi.


Nangatakot ang mga babae. Naghulaan kung sino ang pinaghihinalaan. Mga prayle. Si Quiroga. Isang estudyante. Si Makaraig. At tumingin si Kapitan Toringgoy kay Isagani. Ani Chikoy: ayon sa ilang kawani, si Simoun. Nagtaka ang lahat.

Naalala ni Momoy, isang dumalo sa piging, ang pagalis ni Simoun sa bahay bago magsimula ang hapunan.

Si Simoun daw ay nawawala, patuloy ni Chikoy. Kasalukuyang ito’y pinaghahanap ng mga Sibil. Lalong nabuo sa isip ng mga kababaihan ang pagiging demonyo ni Simoun na nagkakatawang-tao.

Naalala uli ni Momoy ang pagkakaagaw sa ilawan ni Simoun na nuo’y namamatayan ng ningas. Nagpayo’t dito sa silid ni Isagani. Nagpatuloy si Chikoy. Tinataya raw ng mga maykapangyarihan na ang ilawan ay siyang magpapasiklab sa pulbura.

Nahintakutang gayon na lamang si Momoy. Nguni’t nang makita ang kasintahang si Siensa na nakatingin sa kanya ay nagtapang-tapangang nagsabi: Masama ang ginawa ng magnanakaw. Mamatay sanang lahat! Nag-antanda sa takot ang lahat ng matanda at babae. Lumapit si Momoy kay Isagani.

Hindi nga mabuting kumuha ng di kanya. Ani Isagani na mahiwang nakangiti. Kung nalaman lamang ng magnanakaw na iyon kung ano ang nilalayon. Kung siya sana ay nakapag-isip-isip tiyak na di niya gagawin ang gayon. Pantayan man ng kahit ano. Hindi ako tatayo sa kanyang kalagayan!

Saka nagpaalam si Isagani. Ngunit upang hindi na bumalik pa sa kanyang amain.

18/01/2020

Gay-Lussac's Law Example
A 20-liter cylinder contains 6 atmospheres (atm) of gas at 27 C. What would the pressure of the gas be if the gas was heated to 77 C?

To solve the problem, just work through the following steps:
The cylinder's volume remains unchanged while the gas is heated so Gay-Lussac's gas law applies. Gay-Lussac's gas law can be expressed as:
Pi/Ti = Pf/Tf
where
Pi and Ti are the initial pressure and absolute temperatures
Pf and Tf are the final pressure and absolute temperature
First, convert the temperatures to absolute temperatures.
Ti = 27 C = 27 + 273 K = 300 K
Tf = 77 C = 77 + 273 K = 350 K
Use these values in Gay-Lussac's equation and solve for Pf.
Pf = PiTf/Ti
Pf = (6 atm)(350K)/(300 K)
Pf = 7 atm
The answer you derive would be:
The pressure will increase to 7 atm after heating the gas from 27 C to 77 C.

Another Example
See if you understand the concept by solving another problem: Find the temperature in Celsius needed to change the pressure of 10.0 liters of a gas that has a pressure of 97.0 kPa at 25 C to standard pressure. Standard pressure is 101.325 kPa.

First, convert 25 C to Kelvin (298K). Remember that the Kelvin temperature scale is an absolute temperature scale based on the definition that the volume of a gas at constant (low) pressure is directly proportional to the temperature and that 100 degrees separate the freezing and boiling points of water.

Insert the numbers into the equation to get:

97.0 kPa / 298 K = 101.325 kPa / x

solving for x:

x = (101.325 kPa)(298 K)/(97.0 kPa)

x = 311.3 K

Subtract 273 to get the answer in Celsius.

x = 38.3 C

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