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๐Ÿ›‘Every Nigeria City Should Learn Something From The Collapse Of Warri.๐Ÿ›‘War destroys cities:Every Nigeria City or aspirin...
28/11/2023

๐Ÿ›‘Every Nigeria City Should Learn Something From The Collapse Of Warri.๐Ÿ›‘

War destroys cities:
Every Nigeria City or aspiring city should learn something from the Collapse of Warri as Oil City.

Warri was a big industrial hub in the 70's - 90's.

Warri Refinery, NNPC, DSC, Delta Glass, Shell, Chevron, Schlumberger, Dunlop, Agip, Saipem, Halliburton were in full operation back then. Escravos & Forcados were at their peak.

The city thrived. The city was full of zeal and zestful activities. People living outside hardcore Warri called themselves Wafarians because of propinquity to Warri even though they were not Wafarians. To be a Wafarian was to belong to supposedly a unique lifestyle.

Multinational/Local Banks were present Citibank, FBN, ACB, Savannah Bank.

Business activities thrived. Warri port was a beehive of economic activities

Entertainment/Night life was at its peak, Musicians, Live bands at Palmgroove Hotel, Comedians held their sway: Fela, legendary Don Baker, Majek Fashek, Emma Grey, Oritz Wiliki, Rex Lawson were a few of many of the entertainers that made Warri ebullient. Lido, Zina, etc were comparable to their ilks anywhere.

The town was full of life and it thrived.

McDermot road was busy with Maritime activities and contractors. Kingsway Mall offered anything sold in Lagos at that time.

Joma & Mosheshe were big fish distributors across the Niger Delta.

Rubber produced locally, was used to produce plastics and tyres.

The town grew in size and became a conurbation with people coming from all over the country to settle down in Warri for economic activities.

The Airports were super busy, Escravos, Forcados & Warri Airport. The Warri Airport was even relocated to Osubi for expansion.

Warri was revelling in its glory. Warri Port was fully operational and served as an economic booster for the city. It served businesses in Warri, Benin, Asaba & Onitsha. The Port created huge employment opportunities for locals and the state.

Things started to go downhill from the late 90's. The community leaders and youth chairmen began to fight themselves over control/sharing formula for royalties that came from oil & businesses from settlers.

Itsekiri, Urhobo & Ijaw leaders & youths started fighting each other. The bloody fight started around 1999 and lasted for years till 2003/2004.

The community leaders started imposing local taxes called "Deve" on all companies, industries and local businesses, buildings & projects.

Little by little, the companies frustrated, started leaving.

This continued throughout the early 2000's till 2010. The companies kept on leaving, one after the other. The companies layed off their employees. Unemployment rose.

More companies left for PH, Lagos, Akwa Ibom. They layed off more staff. Unemployment increased still.

Today all that is left in Warri, is a shadow of its glorious past.

95% of all the big companies in Warri had either left or closed down.

Most of the young people have left Warri.

The ones left are driving Keke, doing P.O.S, Spa or Boutique, Beer parlour or doing hookup.

There's peace now, but the damage the greedy community leaders did to Warri, still lingers on and is almost irredeemable at this point.

Do not assume that your city can not be destroyed if it toes the same route Warri followed. Warri leaders did not ever believe that Warri will be this economically empty today while they were fighting then. Learn from Warri and protect our economies.

25/06/2023
19/06/2023
15/06/2023

๐Œ'๐๐ˆ๐‹๐ˆ๐€ ๐๐„๐‹
(Born January 10th, 1959).

โ˜…Her real Name๐Œ๐š๐ซ๐ข๐ž ๐‚๐ฅ๐š๐ข๐ซ๐ž ๐Œ๐›๐จ๐ฒ๐จ ๐Œ๐จ๐ฌ๐ž๐ค๐š
โ˜… Stage Name ๐Œ'๐›๐ข๐ฅ๐ข๐š ๐๐ž๐ฅ.
โ˜… At the age of seventeen, Mbilia Bel began her performing career, singing as a backup singer for ๐€๐›๐ž๐ญ๐ข ๐Œ๐š๐ฌ๐ข๐ค๐ข๐ง๐ข
โ˜… She is known as the "Queen of Congolese and African Rumba".
In the early 1980s she joined Tabu Ley Rochereau's band (Afrisa International).
โ˜… In the mid-1980s, the birth of their first child prompted her to take a break from performing for a year
โ˜… Mbilia Bel's first album, released in 1982, was ๐—˜๐˜€๐˜„๐—ถ ๐—ฌ๐—ผ ๐—ช๐—ฎ๐—ฝ๐—ถ. The title song, which translates to "Where did it hurt you?", was composed by both Tabu Ley and M'bilia Bel. The song won the award for the best song of 1982 in Zaire, and M'bilia Bel won the award for best newcomer. Other songs on the album such as Tabu Ley's "Lisanga ya Bambanda", "Kelhia", and Dino Vangu's "Quelle Mechancete" were big hits for Afrisa International.
โ˜… Mbilia Bel's songs continued to dominate the Congolese music scene, among them "๐— ๐—ผ๐—ฏ๐—ฎ๐—น๐—ถ ๐—ก๐—ฎ ๐—ก๐—ด๐—ฎ๐—ถ ๐—ช๐—ฎ๐—ป๐—ฎ" ("This Husband of Mine"), composed by Tabu Ley and Roger Izeidi, an adaptation of a traditional song in Kikongo.
In the song, M'bilia Bel praises her husband as being handsome and successful and stresses that even though he has the opportunity to choose from any of Kinshasa's beautiful women, he chose her. Other songs that dominated the charts during her reign in Afrisa included;
๐—•๐—ฎ๐—น๐—น๐—ฒ ๐—ฎฬ ๐˜๐—ฒฬ๐—ฟ๐—ฟ๐—ฒ
๐—•๐—ฎ๐—บ๐—ฒ๐—น๐—ถ ๐˜€๐—ผ๐˜†
๐—•๐—ฎ ๐—š๐—ฒ๐—ฟ๐—ฎ๐—ป๐˜๐˜€ ๐—ฌ๐—ฎ ๐— ๐—ฎ๐—ฏ๐—ฎ๐—น๐—ฎ
๐—ž๐—ฒ๐˜†๐—ป๐—ฎ
๐—–๐—ฎ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐— ๐˜‚๐—ฑ๐—ฎ๐—ป๐—ฑ๐—ฎ
๐—•๐—ฎ๐—ณ๐—ผ๐˜€๐—ฎ๐—บ๐—ถ
๐—ก๐—ฎ๐—ธ๐—ฒ๐—ถ ๐—ก๐—ฎ๐—ถ๐—ฟ๐—ผ๐—ฏ๐—ถ
๐—•๐—ฎ๐—ท๐—ฒ๐˜‚๐˜… ๐—ฑ๐—ฒ ๐—–๐—ผ๐—ถ๐—ป
๐—ฃ๐—ฎ๐—ธ๐—ฎ ๐—ช๐—ฒ๐˜„๐—ฒ
๐—•๐—ผ๐˜†๐—ฎ ๐—ฌ๐—ฒ
๐—ฌ๐—ฎ๐—บ๐—ฏ๐—ฎ ๐—ก๐—ด๐—ฎ๐—ถ
๐—ฆ๐—ต๐—ฎ๐˜„๐˜‚๐—ฟ๐—ถ ๐—ฌ๐—ฎ๐—ธ๐—ผ
๐—•๐—ฒ๐˜†๐—ฎ๐—ป๐—ด๐—ฎ
๐—Ÿ๐—ฎ ๐—•๐—ฒ๐—ฎ๐˜‚๐˜๐—ฒ ๐——'๐˜‚๐—ป๐—ฒ ๐—™๐—ฒ๐—บ๐—บ๐—ฒ
In 1987, Tabu Ley recruited another female artist to accompany M'bilia Bel. Kishila Ngoyi was known as "Faya Tess". It was with this new line-up that Afrisa embarked on a tour of East Africa that took in Kenya, Tanzania and Rwanda, culminating in the album Nadina, which had Lingala and Swahili versions of the title song. The tour was well received. M'bilia Bel took center stage, overshadowing other Afrisa artists including Ndombe Opetum, who had returned from T.P OK Jazz. Upon their return to Kinshasa, rumours started surfacing about a rift between Tabu ley and M'bilia Bel. Both publicly denied having any problems when they were interviewed by journalists.
โ˜…M'bilia Bel quit the band late in early 1988 to embark on a solo career. She briefly utilized a Gabonese producer in Libreville before leaving for Paris, where she joined guitarist Rigo Star Bamundele. Her first album with Rigo Star, entitled Phรฉnomรจne, was a huge success in Kinshasa as well as abroad. Subsequent releases such as Desolรฉ, 8/10 Benedicta, Yalowa, and Exploration met with limited success.

โ˜…After her last album with Tabu Ley in 1988, she moved to Paris. There she started working with guitarist Rigo Star Bamundele
โ˜…Between 1989 and 1990, toured the United States, Europe, and West Africa.
โ˜…In 1996, M'bilia Bel decided to return home to try to regain her place in the Congolese music scene. This time she approached Maestro Suzy Kaseya, well-known for his work with another Congolese singer, Tshala Muana. In 2001, M'bilia Bel and Suzy released a CD of 10 tracks entitled Welcome, a huge success that won her a "Kora Award" for Best Female Vocalist of Central African. Tshala Muana received the same award in the same year.

๐ƒ๐ˆ๐’๐‚๐Ž๐†๐‘๐€๐๐‡๐˜
1982 Eswi Yo Wapi
1983 Faux Pas
1984 Loyenghe
1984 Ba Gerants Ya Mabal
1985 Keyna/Cadence Mudanda
1986 Boya Ye
1987 Beyanga
1987 Contre Ma Volonte
1988 Phรฉnomรจne
1991 Bameli Soy
1991 Dรฉsolรฉe
1993 Ironie (with Rigo Star)
1997 8/10/Benedicta/8/10
1997 Yalowa
2001 Welcome
2004 Belissimo
2011 Queen
2014 Pantheon

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