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07/10/2024

SAMBALPURI SOUL

In India, the season of festivals has always been a time to reunite and celebrate the spirit of togetherness. Honoring this spirit, as people prepare for Dussehra and Durga Puja, somewhere in the remote corners of Odisha, the vibrant rhythms of Sambalpuri folk dances like Dalkhai, Rasodkhali, Bajniya, and Nachiya echo through the villages, revering the strength of matriarchy and the harmony of rural life.

One man has been at the forefront of preserving and propagating this rich cultural heritage — Guru Gangadhar Das. Since his teenage years, he has been passionately practicing this traditional dance form. But for Gangadhar, it was never just about dancing. His purpose extended beyond the performance; he sought to instill the tribal rituals of Odisha among the masses, ensuring that the art form not only survived but thrived in the modern world.

Gangadhar trained under eminent Gurus like Ranjit Nagar and Balabhadra Sivas in both dance and music, but his journey evolved with a renewed soul: to keep alive the stories, rituals, and relations of his people through the art of Sambalpuri dance. His compositions are infused with Oriya folklore, capturing the essence of rural life and its deep connection to nature and the divine.

When he first began, Sambalpuri dance was a male-dominated tradition, with no space for female performers. But Gangadhar has transformed this practice. His team today consists of both male and female dancers, embracing gender equality while staying true to the roots of the tradition. This vibrant, instrument-based dance form has now become a symbol of cultural pride, uniting people across generations.

Guru Gangadhar Das remains devoted to his roots, not just as a dancer, but as a cultural ambassador. His dedication to Sambalpuri folk dance has ensured that this archaic yet dynamic tradition continues to inspire, both in India and across the world.
Written & Clicked by Paroma Bhowmik

30/09/2024

IN THE EYES OF THE BEHOLDER

Beauty lies in the eyes of the beholder... At some point in our lives, we've all been in some way lured by this idea. But how rarely did we mean to apply this in our everyday lives? Not all, but artist Tulika's vision certainly embodied this thought. Growing up in Kolkata and amongst people who have forever inspired her artistic inclination, Tulika's journey is indeed an example to be remembered. She often mentions that she is a homemaker. But from what her imagination shows, and from what we can witness, she is much more than that. As an eco-artist, her artworks convey her thoughtfulness, displaying her ability to use discarded foliage to create stories that are inspired by Nature. And through this, she finds a way to pause and reflect on the world around us, to recognise the potential of the forgotten.

Like any other homemaker, her day usually starts early, tending to her household chores. But unlike most, it doesn’t end there. She immerses herself in her art, transforming her living space into a sanctuary of creativity. Her tools? Fallen leaves, dried flowers, twigs—things that others would sweep away without a second thought. It's like Nature herself gifts her with a vibrant palette, urging her to dig deep and bring out the best of her creations. Tirelessly, Tulika collects, arranges and weaves together from Nature's castaways a symphony of art that speaks volumes in its quiet simplicity.
Moreover, not only for herself, Tulika's art
has become a source of renewal for many older women, offering them a creative outlet they never knew they needed. Through her gentle guidance, they find joy in crafting something meaningful from the overlooked, just as Tulika does. In a way, she’s not only preserving nature’s beauty but also helping others rediscover their own—proving that creativity, like life, has no expiration date. And perhaps, most importantly, she shows us that art is not something apart from life but woven into the fabric of everyday existence, waiting to be found.

Story of Tulika Bandyopadhyay

Written & Clicked by Paroma Bhowmik
Photo Edited by Abhishek Av

23/09/2024

ART BEYOND IDOLS

The frenzied streets of Kumortuli in Kolkata is such a splendid display of art and artistry - a paradise celebrating mixed cultures and ethos all year round through idol making and trading. But for Mala, a renowned idol maker among the sea of artisans representing the place, there is more to what this place should stand for. Not just idol creation, Mala wanted Kumortuli to be an institute that created artists. One which honoured artists irrespective of their gender, and where craft would be passed on through reverence. However, her journey to realizing this dream was far from smooth.

As a woman, Mala was discouraged from pursuing idol-making, a craft dominated by men. Despite her natural talent, she was limited to assisting her brother after their father’s passing. It wasn’t until her brother’s absence one day that Mala stepped up to complete his pending work, finally earning recognition as an artist in her own right. But this wasn’t enough for Mala. She knew Kumortuli needed more than just skilled hands—it needed a vision. That’s when she took her boldest step, founding a pathshala where she now teaches the craft to nearly 50 students, regardless of their age or background, ensuring preservation of this age-old legacy.

For Mala, however, the work doesn’t end when the idols are made. Since 1985, even during festival seasons where the city basks in light and joy, she spends hours tirelessly crafting idols for the next festivities. Yet her exhaustion never hinders her commitment. Later, with her students, she molds not just clay but minds and hearts. They learn patience, dedication, and values that go beyond creation. Mala's mission is simple yet profound: Kumortuli must remain a living, breathing institute where tradition and talent are passed down with care, creating an identity of its own where art transcends gender and generations.

kumortuli

Story of Mala Pal

Story & Clicks by Paroma Bhowmik
Photo Manupulation - Anirudha Paul

16/09/2024

LAKE DIDI

Sumita is like a fresh breeze swishing through the paths and the dense foliage of Rabindra Sarobar Park - a legacy reigning Kolkata since time immemorial. But, contrary to the weather, she isn't seasonal. Rather, since 2001, Sumita has been a regular visitor of the park. The purpose of her visits, however, is not just to take brisk morning walks, but to scour the place, making sure the heritage site is safe, sound and lively. With a little backpack to hold her belongings and with a stick in her hand, this lady's hawk-like eyes traverse leaps and bounds, interrupting anyone who even intends to pollute its sanctity. But despite her intrusion, it is her energy that leaves a mark on anyone who sets foot at the paradise, as she navigates her duties as a selfless conservationist.

Though, it is not always that Sumita's acts are appreciated. In fact, in her early years threats and attacks were pretty normal to her curriculum. As she stood up to bring discipline to the then forested and polluted lake, driving out miscreants to make it a safe place for the joggers, and to restore a healthy environment, she became an eye sore for many. Even then, nobody could stand up to Sumita's conviction. Come rain or shine, every morning Sumita forged her way into the park, doing what she believed in. She stopped people from feeding the fish and the birds, emphasizing how important it is to surrender to the natural ecosystem; she prevented construction of illegal establishments; and even conducted regular cleaning drives. Eventually building up a community who started believing in her morals and principles, evoking a collective consciousness of environmentalism.

Today, many other joggers have come forward to help Sumita create the spectacle called Rabindra Sarobar Park. However, Sumita’s spirit alone overshadows all. No wonder she is referred to as 'Lake Didi' - a guiding soul who has taken adversities in her stride to preserve a legacy and immortalize it.

Photographed & Written by Paroma Bhowmik

09/09/2024

SHARBAT-SERVE-AT

As the heat keeps soaring, the crowd outside Kapila Ashram—a centenary old sharbat-selling haven—grows even larger. And amidst the bubbling requests of orders, Dibyendu's heart grows fonder - being able to serve some of the oldest handmade sharbat recipes, bringing comfort while preserving his roots. Kapila Ashram, popularly regarded as Rishi Babur dokan is a legacy fortifying Kolkata's rich food culture. For over 100 years, it has evolved into a hub where students, office goers, and families converge, not just to enjoy the diverse, flavorful beverages, but also because it built up a sense of belongingness. Now, as the sole possessor of this place, Dibyendu wishes to keep rejuvenating this unique taste of history for as long as he can.

It is, however, not as easy as it seems. For even though Dibyendu was born with a legacy, in 2018, his bustling shop suddenly lost its glamour when its ownership was wrongfully confiscated - leaving Dibyendu on the streets all alone. Kapila Ashram's legacy began to shrivel. Customers got scattered, not knowing where to head. But despite everything, a little hope kept Dibyendu going. And with this belief, he started afresh, constructing a make-shift shop on the footpath and reintroducing its heritage once again into everyday life. Alongside fighting for the shop's ownership, he even created new sharbat varieties - inviting back all his loyal customers who missed the flavours of Kapila Ashram. Soon, his popularity outgrew the boundaries of the footpath, and Dibyendu shifted to a small store, slowly rebuilding the shop's former glory.

Today, Kapila Ashram treats its customers with not just sharbats, but also different types of soul-soothing confections, continuing to enrich Kolkata's vibrant food culture. But what truly testifies the shop's value is Dibyendu's perseverance and his spirit to preserve the bond between a city and its flavours, serving relief, one sharbat at a time.
Photographed & Written by Paroma Bhowmik

Story of Dibyendu Srimany - Owner of Kapila Ashram
Dibyendu Srimany

02/09/2024

A TALE OF REBIRTH

For years, Uma Di’s hands were devoted to everything but art. Once a gifted artist whose soul thrived on vibrant colours, she set aside her brushes to focus on caring for her family, letting her dreams slip into the shadows. Her world, once filled with creative brilliance, faded into a muted backdrop. However, a visit to her friend in Mumbai sparked a revival. Immersed in the realm of ‘Upcycled Art,’ Uma Di rediscovered her passion, inspired by the idea that, just as she had reinvented her life, discarded materials too could be revived into something beautiful.

However, a decade ago, when Uma Di first ventured into upcycled art, the concept was considered unconventional and dismissed as mere waste. But Uma Di saw potential where others saw only refuse. With relentless creativity and determination, she began crafting home decor pieces from old bottles, fabric scraps, and discarded wood. Her work included lamps that glowed with new life, wall art that spoke of vibrant history, and elegant wooden showpieces, each a testament to her belief that nothing is truly worthless.

As her art gained recognition, Uma Di’s journey evolved into a thriving entrepreneurial venture. She began hosting exhibitions that drew people from all walks of life, showcasing her innovative creations and the stories behind them. Moreover, despite the long hours spent perfecting her craft, Uma Di’s dedication extended beyond her own work. She launched online tutorials, sharing her skills and passion with a global audience and inspiring countless others to see beauty in the overlooked and the discarded.

Uma Di’s story is a vivid illustration of boundless possibilities. From forgotten fragments, she has built a vibrant legacy where every piece tells a story of transformation and rebirth. Her unwavering commitment and visionary spirit remind us that with imagination and perseverance, we can turn even the most ordinary into the extraordinary, leaving a lasting impact that continues to inspire and illuminate the world.
Photographed & Written by Paroma Bhowmik
Photo Edited by Anirudha Paul

26/08/2024

DEVI PAKSHA

A fierce wave of rage is looming across the streets of Kolkata every day now. Every minute ticking feels like a dagger sinking stealthily into our hearts, leaving our souls bleeding, our bodies ripped - bare, vulnerable. Our voices seem parched, tired of mourning a series of distressing losses - our freedom, our choices and our identities. By 'our', I mean we the women, who have been stripped of any semblance of matriarchy in the wake of the recent R. G. Kar incident in Bengal. Devi paksha is just around the corner. And at a time when the entire state gears up to welcome and celebrate the spirit of womanhood and feminine power, the goddesses have taken the streets 'demanding' their very basic right - The right to live.

It's a cruel irony that we women have to 'demand' our rights as equal citizens. But what's even more gut-wrenching is that every time a protest against such an injustice sparks, it is usually because somewhere, in some part of our country, or maybe even the world, a girl or a woman had to die or be tortured mercilessly first. Is death then the cost we must pay to exist? If it is, then why must we continue to bear the weight of the world on our shoulders? Why should we keep fulfilling our roles, running homes, workplaces, and society, when our right to simply exist is under constant threat?

The disheartening passing of the resident female doctor at R.G. Kar is just one of many cases of abuse women face every day. And with all of these rampant attacks, we are now just too gutted to stay calm anymore. Today, we abandon our coyness, our patience, our compassion to call out injustice. And we conquer the streets to show our presence, not as a form of comfort, but as a threat to anybody anywhere who dares to strip us of our dignity through staunch patriarchy. We are a blazing storm that is getting stronger with each passing day. And we are here to stay rightfully by all means.
Written & Clicked by Paroma Bhowmik
Photo Edited by

26/08/2024

SIP-LAUGH-REPEAT

Shyama Da’s roadside coffee shop might not be the most luxurious spot in town, but it’s undoubtedly the most whimsical. Nestled just outside Tollygunge metro, this little haven is more than just a stop for a quick coffee—it’s a portal into the caricatured world of Shyama Da, the quirky cartoonist-turned-barista. Though 30 years ago, this spot had a very varied setting - A humble bookstore offering a fleeting escapade to the passing crowd in the middle of a busy city road. But the aftermath of COVID altered the scenario.

As an artist, the gloominess left behind by COVID struck a chord in Shyama Da. He realized that people needed more than just a place to escape—they needed a dose of joy in their daily grind. So, he reinvented his humble bookstore into a coffee shop, infusing it with his unique brand of humour and creativity. Gone were the stacks of books, replaced by walls adorned with hand-drawn cartoons and witty slogans, each one a reminder that life, no matter how chaotic, could still be laughed at.

Every cup served at Shyama Da’s shop is a canvas, each one carrying a little piece of his heart and humor. Sometimes, he sketches the quirks of the customer holding it, capturing their essence with just a few strokes. Other times, his art playfully mocks the oddities of life, turning mundane moments into something magical. And when you sit down with your sip, you might find yourself in a conversation with the man himself, popularly known as "Dhopeshwar Maharaj"—where every word is a riddle, every sentence a playful tease.

The transformation of his shop wasn't just about survival. In a world still reeling from uncertainty, Shyama Da's coffee shop became a place where laughter was brewed into every cup. Customers weren’t just drawn to the coffee, but to the cheerful, eccentric atmosphere that Shyama Da had crafted—a reminder that even in the darkest times, there’s always room for a little light.

Story of Shyama Prasad Dey

Written & Clicked by
Photo Edited by Abhishek Av

12/08/2024

SWEET TOOTH

Festivals are just around the corner in Kolkata, and while the streets are bustling with celebrations, the sweet shops are the true epicenter of festive joy. Their menu is a tantalizing array of sweets: the classic jol bhora and shankha sandesh, alongside modern twists like aam and pineapple sandesh. Yet, behind every delicious bite lies a history. And if we dig deeper, we will find ourselves at the doorstep of Asim Da's workshop—Modern Art Co.—where Bengal's iconic sweets, specifically sandesh, first take shape—an artistic result of mould making.

For 70 years, Asim Da and his family have perfected the art of mould-making for Bengal's most esteemed sweet shops. From Nokur Chandra and Balaram Mullick to stores far beyond the country, their moulds have helped countless confections in making the perfectly designed sweets. And it’s not just these shops; individual families across Kolkata trust his customised moulds to make ‘designer’ sweets for their birthdays and anniversaries. But now, as the sole torchbearer, Asim da bears the weight of a legacy that is both rich and fragile.
Earnings from selling these moulds hardly suffice. Yet, even amidst growing economy, Asim Da commits to his generous rates - prioritizing tradition over profit, making customers flock to him to create the most exquisite and detailed mould designs. Even at 60 years, not a single detail misses his eyes. With utmost dedication, he draws and carves each wooden mould with precision, ensuring that every sweet is a masterpiece.

Mould making is one of the few forms of art yet to receive its due honour. And Asim Da’s efforts are a final stand against its erasure. In a world rushing towards machinery sweet-making, it’s crucial to hold onto these dying crafts and honor the legacy of artisans like Asim Da before their artistry is lost forever - Only if we desire to preserve our sweet tooth for Bengal's historical sweet culture.
Story of: Asim Das.
Created by Paroma Bhowmik
Edit by Anirudha Paul

05/08/2024

PARKSIDE PAGES

Outside, there is a constant rattling of wheels, the pitter-patter of scuffling footsteps. At times, even bassy voices from nearby speakers ring through the air. But nothing can destroy the peace of this make-shift library in Jagat Mukherjee Park in North Kolkata. Here, one can only hear the rustles of pages of the thousands of books Satya Da has fondly collected over the past 14 years.

Satya da, however, is no librarian, but a simple watchman of this park, who wanted to do more than just chase his everyday duties. When he started working, the park was a waiting spot for pedestrians. But the place was an absolute mess, mostly forested, making it a favourable harbour for many local errants. Most appalling of all was the plight of the street children who had nothing to do but aimlessly stroll around the park.

Moved by their situation, Satya da embarked on the most unconventional journey. He opened a window to a different world by converting the ruined parkside into a home for worn-out books - for people with worn-out hopes. Even today, early mornings are mostly the busiest when Satya da sorts books for his readers. Whether subject books, novels or magazines, Satya da's library never fails to amaze its readers with its spectacular collection. And thus, people from all ages and backgrounds flock to him - sometimes asking for suggestions, or simply enjoying a read in solitude. At times even enjoying a casual chatter with our dearest Satya da. No wonder the park has blossomed into such a joyous place for so many pedestrians and street children - a sanctuary where knowledge grows silently, witnessed by the rustling pages.

Book donations from people across the city, and support from the neighborhood have undoubtedly helped this library to thrive amidst the hustle of life. But above anything, it is one man's vision that created this symbol of hope and change, making us believe that it does not take much to show compassion, if only we have the heart for it.

Story of Dolai
https://www.facebook.com/satyaranjan.dolai.9?mibextid=ZbWKwL

Written & Clicked by Paroma Bhowmik
Photo Edited by

29/07/2024

OFF-ON STAGE

The most unforgettable moments are always the ones we create with and amidst the presence of others. Joyous or glum, this is when we learn to celebrate life - an emotional journey of shared experiences. Having worked as a theatre artist for over 30 years, Sangita is well aware of this profound truth. And it is through her craft she has been applying this truth - recreating real physical connections and immersive emotions beyond the stage.

But when COVID struck, theatre, an art form that thrives on physicality began to be pursued virtually. Though many efficiently led this new thought, for Sangita it became a challenging pursuit. Particularly when she was approached to teach acting & dramatics to a bunch of novice children offline. Immediately, modules were created. But more than that, it became important for Sangita to translate the deeply interactive medium into a socially distanced format. So, at this point she had only one goal - to make the children feel the joy of creating new connections even if virtually, a heartfelt pleasure they were missing ever since COVID struck.

Sangita, however, turned out quite successful in her pursuit. So much so that even after the pandemic, she was flooded with requests to continue her classes by children and parents from across the country. Some joined her journey virtually. Others insisted on in-person sessions, eager to immerse themselves in the spirit of theatre they had come to love. And Sangita became the guardian of their dreams, not only teaching them the intricacies of acting, but also imparting a sense of resilience and confidence. Meanwhile, the little ones observed, rehearsed and expressed a plethora of emotions, blossoming as evolved human beings.

Sangita's unwavering dedication has turned her pursuit into a close-knit family that continues to grow. United by a shared passion, all this family seeks now is a sky full of possibilities where they can soar, turning their dreams into a resounding reality, whether off or on the stage.

Story of Sangita Pal https://www.facebook.com/sangita.pal.543?mibextid=ZbWKwL

Story & Clicked by Paroma Bhowmik
Photo Retouched

22/07/2024

TIME TRAPPED

Memories are the only threads of the bygone era we can choose to keep... Like vast wormholes, they can suck you into another world, blurring your reality.
The ancestral home of Goutam Da, also known as 'Nokubabur Museum' is one such place in North Kolkata speaking volumes about this idea. It appears to be a wormhole outside of space and time that has captured Goutam Da, as it did his father Nokubabu, for a great number of years. The father, Nokubabu, believed that even relics of the past needed care. So, he gave them a home - building a sanctuary to recover and preserve tales and artifacts of over 200 years. And after his passing in 2020, the mantle was taken up by the very gentle Goutam Da, who continues to treasure and celebrate this time trapped matrix.

Goutam Da not only upholds his father's vision, but also adds more spark to this living history. Every relic in this sanctuary from vintage film projectors and radios, to compasses and binoculars, is restored to its finest form, buzzing and ticking away in constant harmony. Like they never ceased to function. All because of Goutam Da's unwavering care, who strolls around the museum, his keen eyes checking for even the slightest disharmony. So that when visitors are away, he can spend his time fine-tuning this, keeping safe the oldest tales of far-fetched timelines.

The museum displays chapters from the Second World War, snippets from India's Independence, and even personal memoirs, offering deeper insights than old history books we read in schools. Each artifact is not merely an object, but a doorway to stories that span generations. Through Goutam Da’s devotion, 'Nokubabur Museum' transforms into a vibrant celebration of the past, and of Nokubabu himself, inspiring us to remember that the preservation of history is not just about objects, but about connecting with the human experiences that shaped them.

Story of Goutam Chatterjee

Photographed & Written by Paroma Bhowmik
Photo Edited by Anirudha Paul

15/07/2024

HOUSE OF TIME

In a bustling corner of our city Kolkata, stands a remarkable monument to craftsmanship and heritage - Bholanath Das' watch repair shop that has been ticking for over 150 years. As a stranger walking past the shop, one might be startled by the rhythmic ticking and hourly chiming of the clocks adorning its walls. But for Gopal, it is just a beautiful symphony announcing the shop’s timeless presence.

Gopal Das, a grandson of Bholanath, is now the sole custodian of this horological legacy. For over 30 years, this calm and gentle old man with fiercely sharp eyes, has been meticulously repairing the most intricate and valuable watches and clocks from across the country. For Gopal though, this shop is more than just his profession. It is a sacred place where every chime heard is Gopal's testament to celebrating his forefathers' artistry.

Mornings are usually the busiest here. Sitting amidst a display of grandfather clocks, calendar clocks, and others, Gopal spends the early hours finding faults in timepieces brought in by customers. His skilled hands work with the precision of a surgeon, carefully calibrating and restoring each watch to its former glory. While some repairs take him only a few days to weeks, most of the grand pieces take months to be put back together. Yet for Gopal, every minute spent is worth it. And this zeal of his gets applauded by his customers who flock his shop from near and far, entrusting him with their treasured possessions.

Gopal is the last of his clan as a watch repairer. Even then, with every tick and tock, he offers to converge the past and the present in this fast-paced world. Ensuring that this House of Time continues to inspire and captivate future generations. So even when the day winds down, the ticking of the clocks stand out, conveying Gopal’s memories of a lifetime.

Story of Sri. Gopal Das

Clicked & Story by Paroma Bhowmik
Photo edited by

08/07/2024

BEYOND THE DARKROOM

Except for those who know him well, no one would realize what goes on inside Rana Da's tiny cabin, nestled in a corner of a busy Kolkata street. On one hand, it is a place of living—where Rana cooks, eats, and rests. On the other, it is his personal monastery—where he spends most of his time mending and restoring all kinds of cameras and lenses. It is a mysterious world, revealing a treasure trove of memories and a testament to his lifelong dedication to photography that began way back in his teens.

Growing up, Rana spent countless hours in a small photo studio, experimenting with photography, mastering the darkroom, and understanding camera technology. This early passion led him to train under the renowned Kamal Nayak and eventually become a photographer for Penguin and The Sunday Indian magazines. He was fascinated by capturing ordinary lives and turning them into extraordinary stories through his photography, an approach that earned him a national award in 1995. And he might have continued receiving many more accolades if he hadn't retired in 2015.

But his story did not end there. Soon after, Rana began his second innings by opening a camera repair workshop. Every day since then, his cabin hums with activity as Rana meticulously calibrates cameras and lenses sent to him from across the country. His expertise, honed over decades, makes him a trusted figure in the photography community. So much so that he is still visited by many of his students and admirers who love to learn the craft from him.
Rana Patra’s story is one of unwavering passion and adaptability. Even in retirement, he remains deeply connected to his dream, finding new ways to stay immersed in the world of photography. His life serves as a beautiful reminder that with dedication and love, one can continue to nurture and sustain their dreams, regardless of the circumstances.

Story of Rana Patra
Written & Clicked by Paroma Bhowmik
Clicks Edited by Anirudha Paul

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