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Abstract Editions

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Abstract Editions

Independent publishing house
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abstract editions is a rural publishing house committed to explore and redefine the boundaries of written narrative text in order to achieve readable abstract literature ranging but not limited to; poetic prose, machine auto-generated texts, experimental prose and accidental nonsense

authors published so far: ïrving armstrong, steve price, carlos issa, ellectra radikal, richard noyce, zves konst

antinos, elena garnelo, ross lesko, peterson ruiz, miekal and, joana brabo, lee kwo, eugenio tisselli, spencer selby, dustin hostleter, graziela calfat, anton unai, keigo depict hara, tina dempsey, veronika sheer, delling conley, scot cotterell, lucie kåss, johann velit, ann bogle, spencer troth, orville vinz, marisa terrizzi, jukka-pekka kervinen, david quiles guilló, thomas havlik, ag davis, lanny quarles, carmen racovitza, jörg zemmler, andrew cantrell, william bain, jaan patterson, anthony donovan, jeanette luchese, erik blagsvedt, logan k. young, isabelle chak, erik h zepka, janire goikoetxea, robert juan-cantavella, lucie desaubliaux

abstract editions is published by david quiles guilló, actively contributing to the preservation of our environment by exclusively printing on demand since 2o14

24/03/2024

THE WRONG BIENNALE WRAPS UP ITS SIXTH EDITION.

The Wrong Biennale, the world renowned independent, multicultural, decentralized, and collaborative international art biennial, is about to conclude its sixth edition.

Over the course of November 1st, 2023, to March 31st, 2024, the Wrong Biennale successfully showcases the work of 2701 artists carefully selected by 192 curators, exhibited in 159 pavilions and embassies worldwide.

This edition marks another milestone in The Wrong's journey, increasing participation by 20%, and bringing together a massive international community to explore the intersections of creativity and digital culture.

Founded in 2013 by David Quiles Guilló and organized by The Wrong Studio, The Wrong Biennale has once again proven itself as a global reference in the digital art scene, fostering inclusivity, and shaping the future of new media with a deep sense of community and diversity.

AI experimentation and immersive artistic installations have flourished in The Wrong’s 6th edition, fundamentally reshaping the audience's engagement with art. To explore certain pavilions, visitors must create their own avatars to seamlessly navigate the exhibition and delve into the exhibitions and artworks. Alternatively, for those seeking a more passive encounter with art, The Wrong Television offers a curated streaming selection of videos, providing an opportunity to sit back and immerse oneself in carefully chosen visual content.

Since 2013, with over ten thousand artists and curators featured in more than seven hundred pavilions and embassies across the globe, The Wrong just might be the world’s largest art biennale, solidifying its position as an emerging groundbreaking force in contemporary art and pushing the boundaries of the art world.

Last days to visit at https://therwrong.org

18/03/2024

FOR IMMEDIATE RELEASE

The Wrong Biennale Wraps Up Its Sixth Edition.

The Wrong Biennale, the world renowned independent, multicultural, decentralized, and collaborative international art biennial, is about to conclude its sixth edition.
Over the course of November 1st, 2023, to March 31st, 2024, the Wrong Biennale successfully showcases the work of 2701 artists carefully selected by 192 curators, exhibited in 159 pavilions and embassies worldwide. This edition marks another milestone in The Wrong's journey, increasing participation by 20%, and bringing together a massive international community to explore the intersections of creativity and digital culture.

Founded in 2013 by David Quiles Guilló and organized by The Wrong Studio, The Wrong Biennale has once again proven itself as a global reference in the digital art scene, fostering inclusivity, and shaping the future of new media with a deep sense of community and diversity.

“It’s is a different way to see art. Very democratic and accessible. One can visit the Biennale, free of charge, just a click way. It means that you can visit it as many times as you want it, any time you have a break to unwind from daily stress, or to get inspired.” said Graziela Calfat, CEO of The Wrong

AI experimentation and immersive artistic installations have flourished in The Wrong’s 6th edition, fundamentally reshaping the audience's engagement with art. To explore certain pavilions, visitors must create their own avatars to seamlessly navigate the exhibition and delve into the exhibitions and artworks.

Alternatively, for those seeking a more passive encounter with art, The Wrong Television offers a curated streaming selection of videos, providing an opportunity to sit back and immerse oneself in carefully chosen visual content.

Since 2013, with over ten thousand artists and curators featured in more than seven hundred pavilions and embassies across the globe, The Wrong just might be the world’s largest art biennale, solidifying its position as an emerging groundbreaking force in contemporary art and pushing the boundaries of the art world.

21/11/2023

Recordando o artigo de quase 3 páginas impressas no New York Times ( con direito a foto na capa !) que já em 2018 dizia que a The Wrong Biennale era a maior bienal do mundo. A resposta digital à Bienal de Veneza. E desde então não para de crescer. Dá espaco a uma arte sem fronteiras e sem limites físicos, à experimentação e a novas expressões artísticas que utilizam (ou não) as possibilidades das novas tecnologias a serviço da criatividade. E dá espaço a novas formas de exposição interativas e multidimensional. Não deixe de se aventurar.

https://www.nytimes.com/2018/01/22/arts/design/the-wrong-biennale.html la

Bringing together 1,500 artists across the internet, the global digital art festival known as The Wrong is a democratic alternative to the often elitist system of fairs. Here’s a quick tour through its treasures.

18/11/2023

Emisión del programa Hoy empieza todo 2 titulado Rosa Pérez por la Bienal The Wrong. Todos los contenidos de RNE los tienes aquí, en RTVE Play

27/12/2022

27/12/2022

20/07/2017

"Detestável Liberdade" by Fernando Naporano

Este Livro Começa Onde O Amor Acaba. Detestável Liberdade é uma deambulação pelos precipícios da alma. O salto no vazio não tem identidade. Troca de cidades como se troca de camisas. Troca de países com a esperança de que o mundo acabe no dia seguinte.

Published by Abstract Editions
194 pages. 148x210mm.
US Paperback. Perfect bound, soft-cover
August 2017. Printed on demand
ISBN 978-15-484-3524-0

Order online now at
https://www.createspace.com/7297751

27/06/2017

"New Memory Rescue" by Patrick Lichty

New Memory Rescue takes place in the 22nd Century as it chronicles the partially successful first attempts to archive human consciousness. Written as an experiment in spoken stream of consciousness transcribed by speech recognition software, then re-written, Lichty takes a cyber-Burroughsian stance toward Science Fiction.

Borrowing from mid 20th Century writers like Lem, Heinlein, and Roddenberry, Lichty obliquely takes on politics and ecological issues in the world of The Archive, of which new memory rescue is a part. Abstraction, humor, and dystopian fiction collide in this novel drawn from quantum parallel universes where anything you may have considered has happened. If so, is New Memory Rescue fiction, or a documentary?

Published by Abstract Editions.
100 pages. 148x210mm.
Perfect bound, soft-cover
July 2017. Printed on demand
ISBN 978-15-483-7195-1

Order online now at
https://www.createspace.com/7290267

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Elche
03295

Página web

http://davidquilesguillo.com/abstract-editions

Notificaciones

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Abstract Literature (Based on a true story)

What is abstract literature? Of all the new arts, abstract literature is the most difficult. It demands that you know how to write well, that you have a heightened sensitivity for composition and for meaning, and that you be a true poet. It’s a bewildering time for the contemporary reader. Abstract literature is a mystery, certainly, but it can also be an electrifying experience for any reader.

When you see words that are boldly applied to a blank paper with confidence and authority, by the likes of Erik Blagsvedt; Patrick Lichty, AG Davis or by the founder of Abstract Literature movement, David Quiles Guilló, it doesn’t matter that you don’t ‘understand’ what they mean. In fact, what it means fades into the background because the work speaks. It reads out and touches you personally. It may not do the same for your partner or best friend. But that is the beauty of any art. It is your own personal relationship with an abstract literature text that is what matters; it is an intimate and private affair.

We have an emotional response to the work that often we can’t explain. And it doesn’t need explaining. What one is drawn to in abstract literature is often inexplicable, sometimes complex, and always deeply personal. Our love for a abstract literature novel is an intimate affair, which is why we long to own one of the limited print editions so we can live with it- touch it, re-read it again and again, and have it as our own. When a book contains abstract texts, there are endless reasons for our attraction.

Abstract literature is a genre based on abstraction. It does not aim to reproduce anything. It is almost non-objective. Instead of depicting what we recognise in the world of objects, people and nature, abstract literature is concerned with rhythm, words, context, form, and texture. It is not reality-based but emotionally-based. It is expressive and gestural. When an author writes abstract literature, they are driven to express what they think, see and feel. And because no two writers think, see or feel in the same way, we have a broad spectrum of presentations. Couple that with the reader and alchemy takes place. The emotion in the abstract literature synergises with the evoked emotion of the reader and voilá, you love the words, hate them, or remain cold and distant. When reading the work, you may feel dreamy, or hyper tense, float with a buttery pattern, or grow dizzy in a geometric structure. Clean lines, word drips, swathes of written color, loaded pages, arched books, holes in the pages, towering monoliths of brass or tiny boxes described in grids; the range of literature abstraction is near infinite.