Ke Sepelo Ya Momsadi Musical Production
Finding out more on what is needed in a Production is something vary to those who used to be promoted as best. What Separates the Ordinary theatre than the Kevolootary Theatre, is the thirst to liberate our brown people not really about entertaining.
Rehearsal Date Back along with Characters
DARK CITY THEATRE DEVELOPMENT DOCUMENTARY release takes place at in a paramount initiative as Boys and Girls Developmental Program Initiates an educational platform in partnership with Phulani Solly Maake, A prominent student at University of Pretoria.
Special thanks
DARK CITY THEATRE DEVELOPMENT DOCUMENTARY takes its tall as they show they wonderfully portrayed experience to Bramley Children’s Home to attend to BULLYING, as the Boys and Girls Developmental Program spokesperson Nnino Makola would put it! ARTISTS MUST BE ON THE GROUND.
Special Thanks To The Event Organizer: Phulani Solly Maake.
The Production Team
Azola Mbexeshi
Athule Ngxanga
Anovuyo Zinja
Anoxolo Zinja
Khanyisani Sithole
Mnombo Yokwana
Mbali Yokwana
SIMBALAZI MUSICAL DANCE PIECE
Rehearsal Block 1: Dance Choreography and Blocking.
Prison for No Reason
Battleship Kevolootary Takes its tall once again at The South African State Theatre Rehearsal Space to continue series of Dramatical elements posed in the Story. Nnino Makola concludes
Kevolooters shares a very important rehearsal element needed to sustain the portrayal of the story. The Black Consciousness Theory has revealed #wearemoving
The Physical Appearance must speak to the artist within: One of the greatest lessons tought by Kevolooters in theatre! It's called Vuluti Performing Style. #wearemoving
BORN ENOUGH TO WORK TALK SHOW WITH Nnino Makola
GAZI MY SCHOOL THEATRE PRODUCTION