01/01/2025
“James Mangold’s ‘A Complete Unknown,’ like all the best movies about rock stars ... is a fairy tale,” James Parker writes. “It dramatizes, mythicizes, elides, elasticizes, and tosses twinkling magic showbiz confetti over the period between Dylan’s absolutely unheralded arrival in New York in 1961 and his honking, abrasive, ain’t-gonna-work-on-Maggie’s-farm-no-more headlining appearance, four years later, at the Newport Folk Festival, where his new electric sound drove the old folkies berserk and the crowd (at least in Mangold’s movie) bayed for his blood.” https://theatln.tc/oBIju4bm
One of the young Bob Dylan’s foundational fibs “was that he had learned his songcraft while traveling with a carnival,” Parker continues. Carnies “understand instinctively—animalistically, sometimes—that life is theater, that people will believe what they want to, and that all the most essential things happen in the imagination.”
“Was young Bob a carny? He wanted to be,” Parker writes. “His identity was a performance. His writing was sleight of hand. He wowed and bamboozled his own audience. And when, in ‘A Complete Unknown,’ he tries out the carnival story on Joan Baez (played by Monica Barbaro) … she looks at him and says—thrillingly deadpan—‘You are so completely full of sh*t.’ Which is exactly what you say to a carny.”
In the Newport scenes, the movie really does “some fancy shuffling of events,” Parker writes: No one at the festival shouted “Judas!” at Dylan (that wouldn’t happen until a show the following year in Manchester, England); one biographer has argued that much of the Newport audience would have known what to expect from Dylan, and his keyboardist has said that most of the crowd enjoyed Dylan’s performance.
“But so what? ‘A Complete Unknown’ is a movie, and a movie—or a movie like this, which in one sense is a parable of artistic ruthlessness—needs a climax. And Bob Dylan, more than most rock stars, is a myth,” Parker continues. “He made himself up, he disappeared himself, and in doing so, he became a lens: Rays of otherworldly insight poured through him, and he trained them upon us like somebody frying ants with a magnifying glass.”
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🎨: Liz Hart. Source: Getty.