Mirror Records

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Mirror Records Mirror Records is an independent recording label featuring the artists John Greenfield and Ben Mackenzie. John Greenfield is the label Executive Producer.

Mirror Records is an Independent Record Label with a secret Production facility know as Dragonfly. Dragonfly consists of a floating shielded room with a posse-free control room and custom specialized gear to maximize quality-- yielding recordings on par or better than the finest studios in the world. An intimate setting for creating art, the studio rejects the traditional studio vibe and instead

surrounds the artist in a field of fiber optic stars. The star curtain can be drawn across the control room window for the utmost in private creative introspection. Time can not be booked at Dragonfly. An artist interview is prerequisite. Careful artist selection and development is done by resident artist/engineer/producer John Greenfield. Currently Mirror Records is proud to feature the Australian artist Ben Mackenzie. "I chose Ben as an artist to work with because his message is pure and positive. I saw a place within his compositions, for my own guitar and arrangement ideas, and I enjoy the concept that we are producing music which can be played for young and old alike with no pretense ". Mirror Records is also still promoting its first release No Age Music which has sold over 80,000 units in 23 countries since 1992.

https://www.youtube.com/watch?v=dVBrvqPcDsQ
04/06/2024

https://www.youtube.com/watch?v=dVBrvqPcDsQ

Ben Mackenzie - Songwriter/singerJohn Greenfield - Arrangment, Electric guitar, BassShawn Pelton - DrumsSelf-Awareness Anthem of one-ness with Creation and o...

In memory of an old friend........When I asked Greg Hanks for someone who could help with my studio design/build, there ...
14/09/2021

In memory of an old friend........When I asked Greg Hanks for someone who could help with my studio design/build, there was only one name he offered......

New York, NY (August 17, 2020)—TEC Award-winning studio designer Francis Manzella died Sunday, August 16, due to complications from hip surgery. As the head of namesake Francis Manzella Designs (FM Designs), Manzella created some of the most important recording studios and post facilities around the world, as well as restaurants, nightclubs, corporate spaces and more. Manzella’s design work was revered throughout the audio industry; a 15-time TEC Award nominee, he won three over the course of his career, including this past January when he took home a trophy in the category of Studio Design Project, honoring his work on Old Mill Road Recording in Arlington, VT.

A graduate of the University of Miami, Manzella broke into the New York recording scene working at facilities such as Wizard Studios and later Skyline Studios, where he spent a decade as the chief technical engineer through the early 1990s. During his time there, he engineered records for the likes of Gary Lucas, Ambitious Lovers and Sonny Sharrock, among others, and supervised the design and construction of two studios at the facility, along with the renovation of a third room. The spaces quickly gained notoriety and Manzella found himself fielding offers to design facilities for others—an opportunity that ultimately led to him going out on his own in 1992 to found FM Designs Ltd., its first assignment being the creation of East Hill Studios in New York.

Located in Mahopac, NY, today, FM Designs offers installation design and specification services, commercial isolation consultations, room tuning, monitor system renovation, furniture design, construction administration and more.

As FM Designs’ president and principal designer, Manzella’s creative work was a key ingredient of high-profile facilities such as Sterling Sound, Stratosphere Sound, Power Station at Berklee, The Studio at the Palms, The Orchard, Converse-Rubber Tracks (Boston), Manhattan Center, NYU Clive Davis Institute (Brooklyn), Fred Kervorkian Mastering, Man Made Music, and more. The company also created private facilities for the likes of Paul Simon, Harry Connick Jr., Blue Man Group, C+C Music Factory and others. Audio post facilities were also on the docket, as Manzella envisioned many for Bravo, Broadway Sound & Video, CNBC, Dallas Audio Post, Saturday Night Live, NBC, Major League Baseball, Fox Networks, Fox Sports, WGBH, World Wrestling Entertainment and others.

Manzella also found his design skills in demand in the corporate sector, designing conference rooms and offices for Virgin and Interscope Records; a production and duplication studio for Zomba Records; critical listening rooms and AV production studios for Bose; and R&D and production sound studios for iZotope.

In 2004, Manzella partnered with his company’s senior acoustician/designer, Lars Tofastrud, to co-found Griffin Audio USA, which builds high-end custom studio loudspeakers for the recording and media industries. Across his career, Manzella’s work took him around the world, whether designing venues in Italy and the Republic of Georgia, or more recently designing a 20,000-square-foot multi-studio facility for the African Music Institute in Gabon.

Regardless of how a space was intended to be used, Manzella was dedicated to creating environments that acoustically complemented their surroundings and over-delivered in answering the needs of their users. As he told Pro Sound News in 2011, “You shouldn’t have a room that is difficult to work in. You should have a room that gives something back and that you can get many different pleasing results from.”

Manzella is survived by his wife, Doreen, and daughters Sam and Missy. The family has suggested that those wishing to honor his memory consider making a donation in his name to Fair Fight (https://fairfight.com/), a Georgia-based advocacy group that fights voter suppression nationwide; Black Visions Collective (https://www.blackvisionsmn.org/), a Minnesota-based group for Black liberation; or Save the Music Foundation (https://www.savethemusic.org/), a nonprofit that ensures every child has access to music education in school

Not the actual recording, but the transcription is complete
01/09/2021

Not the actual recording, but the transcription is complete

Claude Debussy Arabesque #1 Original transcription for guitar by John Greenfield.Rough recording...camera audio

https://www.youtube.com/watch?v=s2Bz7Xu50Os
01/09/2021

https://www.youtube.com/watch?v=s2Bz7Xu50Os

Guitar, Ambient and Intensive, Adirondack rain is a journey to a mountain retreat during a summer shower. Impressionist video executed by by Jamie Lamm of Fe...

Trusty dusty Earthworks
01/09/2021

Trusty dusty Earthworks

Nostalgic for tape? This will get your mind right.
16/03/2021

Nostalgic for tape? This will get your mind right.

Evaluating Mic pres.....Quad 8, and ADM  -- minimally packaged in 1RU Stereo pairs by Ricki Begin. These solid state pre...
15/03/2021

Evaluating Mic pres.....

Quad 8, and ADM -- minimally packaged in 1RU Stereo pairs by Ricki Begin. These solid state pres are great, but certainly highlight the "other-world" nature of the BA660. With the Greg Hanks units as a reference it is nearly impossible to compete. That said, the ADM makes the best effort. Not casting shade on the Quad, which has it's merits. As one listens to these vintage icons, it becomes increasingly clear why Greg went to the trouble of building his radical tube pre. Why? Certainly for all the reasons he states in the owners manual; but also (recalling Gregs' exact words) "because they all suck". I didn't say it.

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