Doug Clark

Doug Clark Singer/Songwriter, Sound Engineer/Producer, Composer/Arranger, Part-time Music Teacher Strauss, and Wolf.

Biography

Douglas Clark - tenor, songwriter, composer, recording engineer & producer, has been a long-time member and soloist with the New Jersey Chamber Singers, and the Monmouth Civic Chorus in Red Bank, NJ. He was a soloist on the MCC’s CD Grace Notes, and in many MCC concerts, including Liszt’s Psalm 13, Handel's Messiah, Janacek’s Otčenáš, Buxtehude’s Magnificat, Biebl’s Ave Maria, Mahler's

8th Symphony Veni, Creator Spiritus, Handel's Dixit Dominus, Felsted’s Jonah, Finney’s Psalms, Charpentier’s Filius Prodigus, Think No More Lad from Butterworth’s A Shropshire Lad, Ireland’s The Soldier, Britten's Now Sleeps the Crimson Petal, Vaughann Williams’ Dona Nobis Pacem, and in MCC Christmas concerts. Doug has collaborated with internationally acclaimed pianist Vladislav Kovalsky, performing lieder by the great masters including Schubert, Schumann, Brahms, R. The duo also collaborated on several albums and singles, including Schubert’s song cycle Die Schöne Müllerin, Brahms Liebeslieder & Neue Liebeslieder Waltzes, Op. 52 & 65, and a recording of Malotte's Lord's Prayer, available to the public on digital music outlets. Doug was a soloist in Beethoven’s Choral Fantasy with the Arcadia Chorale, and the Monmouth Conservatory of Music Youth Orchestra, and has performed with the Point Pleasant Presbyterian Chancel Choir (Haydn’s Creation, Mozart's Requiem, Dvorak's Stabat Mater, and St. Saens’ Christmas Oratorio), and with Steven Russell's Polymania ensemble (Brahms’ Liebeslieder, and Biebl's Ave Maria). He currently is a tenor section leader at the Presbyterian Church of Chatham Township with Dr. Deborah Simpkin King, and in summer, is a quartet soloist at Elberon Memorial Church, in Elberon, NJ, with Timothy Broege. Doug has studied voice with Mark Hoeler, former Metropolitan Opera Chorus member, and Kathleen Rubin. Doug developed and taught a Music Theory curriculum at the Monmouth Conservatory of Music, and teaches music theory privately. He is the proprietor of Glass Bottom Recording Studios in Tinton Falls, specializing in classical, choral, organ, and chamber music recordings, though clients include local area folk musicians and rock bands as well. He served as producer and recording engineer for Timothy Broege’s Organ Music from Elberon CD, selections of which were featured on Michael Barone’s PIPEDREAMS program on WWFM classical radio. Doug also arranges and composes music, and has studied composition with Dr. Kyle Blaha on the faculty of Juilliard in NYC.

While I can't be called a neat freak, it was certainly very satisfying completing this cleaning process!
04/20/2024

While I can't be called a neat freak, it was certainly very satisfying completing this cleaning process!

Today was a special day, and completion of the action rebuild, and initial voicing of the Steinway B.  Steve Oglesby pro...
04/20/2024

Today was a special day, and completion of the action rebuild, and initial voicing of the Steinway B. Steve Oglesby proved to be a meticulous, resourceful, skilled, dedicated to quality, and completely honest technician, keeping me in the loop through the whole process. The pesky sostenuto pedal issue was completely resolved, after a necessary adjustment in the mounting blocks for the back action, caused by small dimension changes in Steinway's history over the 100 year life of this piano.

We were then able to move on to some hammer voicing adjustments I asked for. The new Abel hammers were lovely sounding, and even toned, out of the box, but not producing enough power, and brightness, for my taste. Steve used a hammer ironing technique as a conservative starting point, rather than lacquer doping, which is more permanent, and can be overdone, which then is difficult to back off from. So we went conservative for now. Over months and years of playing, these hammers will naturally brighten and gain power as well. There is a break-in period for this process, and I am told, one has to be patient.

A few steps remain in the restoration. First, I will be doing a thorough cleaning, using some tools I got from Steve shown in the photos. The first phase was getting years of dust off the soundboard. It already is a big improvement. Next I will go after the rest of the dust on the frame, bridges, red felts, and around the tuning pins. Lots of careful work with a brush and vacuuming.

Also, we have discovered that the legs of the piano seem not to be original, and are not flush/totally flat where they should be, and that allows some play/instability and the piano itself moves too much when played. Steve is looking into alternatives for replacement or repair for me.

Finally, my next step will be to tune the piano, and start to put it through some paces. I have a couple of my memorized goto pieces, Bach & Beethoven, simple and lovely, and they can let me know when I love a piano. It's a very easy test for me - either I get chills/goosebumps from the sound and experience, or I don't. After Steve did his magic today, even without the piano perfectly tuned, I got one of those chill moments! And that's what I've been working toward, and what this restoration is all about...stay tuned.

Was excited to do this recording project for Carlton Wilkinson, composer of "Twenty Miniatures for Solo Piano" on March ...
04/13/2024

Was excited to do this recording project for Carlton Wilkinson, composer of "Twenty Miniatures for Solo Piano" on March 27, 2024. Pianist Evan Schwartzman did a wonderful job on these challenging pieces!! Stay tuned for some audio when we're done with the mastering.

Progress on the Steinway B restoration in March 2024.  Hit a bit of a headscratcher on the install of the modern back ac...
04/13/2024

Progress on the Steinway B restoration in March 2024. Hit a bit of a headscratcher on the install of the modern back action in the 1912 instrument, that causes the middle sostenuto pedal to not work reliably, due to some dimension differences that Steinway doesn't advertise when saying the back action kit is "compatible." Steve brought in respected colleague Bryan Henry, to help troubleshoot. There seemed two potential solutions. Tried solution #1, and unfortunately it wasn't reliable enough to meet a deadline for a recording session I had coming up at the end of March (where the pieces being performed required the use of the sostenuto pedal of course!). Stay tuned!

On Feb 20th, the install of the new action on the Steinway B began.  The action work completed at this stage was the ins...
03/08/2024

On Feb 20th, the install of the new action on the Steinway B began. The action work completed at this stage was the install of brand new hammers, and re-leathering of the original back stops. One step was accurate alignment of the new hammers to the strings. Another was getting the back action working and regulated, which required some more damper wire adjustments. Then we hit a snag with the modernized back action, causing the sostenuto (middle) pedal, which has special function on a grand, to not quite work correctly. This wound up meaning that we did have to have Steve go back to the workshop and install new back stops, which have the necessary dimension, to get the sostenuto pedal working again. The next step will be to make that happen, and begin final regulation, and hammer voicing. It's all very exciting!

Address

82 Riveredge Road
Tinton Falls, NJ
07724

Opening Hours

Monday 10am - 10pm
Tuesday 10am - 10pm
Wednesday 10am - 10pm
Thursday 10am - 10pm
Friday 10am - 10pm
Saturday 9am - 10pm
Sunday 10am - 10pm

Telephone

+17326871955

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