12/31/2025
✨️Carmen de Lavallade (1931 – 2025)
We honor the extraordinary life of Carmen de Lavallade, a true American icon whose artistry, grace, and pioneering spirit transformed dance, film, and theater for generations. Born on March 6, 1931, in Los Angeles, Carmen’s passion for movement was evident from an early age. Guided by her cousin, trailblazing ballerina Janet Collins, she trained with modern dance visionary Lester Horton, joining his integrated dance company at a time when opportunities for Black artists were limited.
She succeeded Collins as principal dancer at the Metropolitan Opera and appeared as a guest artist with American Ballet Theatre. From Broadway in "House of Flowers" alongside Alvin Ailey to film appearances in "Carmen Jones" and "Odds Against Tomorrow," her artistry crossed every medium.
Her collaborations with Alvin Ailey were transformative — shaping works like Revelations and Roots of the Blues — and helping to define what American modern dance could be. Carmen’s choreography enriched companies like Dance Theatre of Harlem, Philadanco, and her alma mater’s many stages.
Carmen’s talents extended into acting, from Off-Broadway classics like Othello and Death of a Salesman to movement coaching at Yale School of Drama. With her late husband, Tony-winning artist Geoffrey Holder, she formed one of the most beloved creative partnerships in performing arts — chronicled in the documentary Carmen & Geoffrey.
She received countless honors, including the Kennedy Center Honors for lifetime achievement in 2017, affirming her impact on American culture and beyond.
Carmen danced into her 80s, sharing her autobiographical work "As I Remember It," and continued to mentor younger artists, including ballet great Misty Copeland.
✨ Rest in power
1. Kennedy Center Honor, 2017
2. Performance promo photo
3. W/ husband Geoffrey Holder
4. W/ husband in "Banda" dance in the Broadway musical "House of Flowers" (1954)
5. W/ son Leo (1960)
6. W/ Harry Belafonte in "Odds Against Tomorrow" (1955)
7. Photo by Andrew White for the NY Times