Studio Nervosa

02/04/2025

My unboxing video of the new Dream Theater box set, Parasomnia.

https://youtu.be/aWJ7euOGyeo?si=cvKlOkBHMSv4ub6r

12/30/2024

What different music terms mean. Using a cute ass doggy.

10/17/2024

Out tomorrow!

Slicing it’s way onto streaming platforms October 18th!

08/24/2024

08/06/2024

Studio Tips: Guitar players and bass players, always record a DI when recording your amps. There are many good sounding and affordable DI boxes out there and you should absolutely have one if you’re recording yourself in any capacity.
Why do you need to record a DI? Well I’m glad you asked as there are several reasons.
#1. As a safety net. You might love your tone when tracking just to find out that it doesn’t fit with the rest of the mix. Having the ability to reamp your performance might save the whole session.
#2. Makes editing way easier. You ever seen what a distorted guitar track looks like? It basically looks like a fat sausage. The DI on the other hand will show the transient, note, and sustain clear as day. So by having both the DI and amp track, you can group them together so that they’re edited together and that makes editing the tracks so much easier.
#3. Focus. I want you focused on capturing the best performance possible. Not spending half of your recording day thinking about tone, mic placement, preamp settings, and trying to get all of that perfect. By the time you get it right, the inspiration is long gone and your strings are half dead. Being able to seperate when you’re focused on performing and when your focused on tones is an invaluable asset
#4. And lastly, experimentation. During mixing, we can experiment. How’s that riff sound through a dual recto? How’s it sound through a 5150? Let’s slap a Fortin 33 in front, nah too aggressive, try the Maxon od808. SM57 is too bright on its own? Let’s blend the Royer 121 and see if that’s more balanced, etc. All without you having to pick up a guitar and trying to capture that perfect performance for a second time.

08/03/2024

Studio tips: I find that there is an attitude amongst some musicians where they think it’s ok to leave a mistake in a take, to not be as tight as possible, or to not start with a great source tone. Basically the thought has shifted to “they can fix this in the mix, they can edit that later, etc.”
I’m my opinion, this is a huge mistake. I always say that how good a song comes out is 90% in the writing, performance, and recording and 10% in the mixing. When I am sent files to mix, the first thing I do is import them all into a session, turn up the faders, and listen. If things already sound pretty cool and I’m already bopping my head, I know that the mix is going to be sick by the time I’m finished with it. But if I press play and the first thing I feel is that this needs a ton of editing or fixing just to get this to a C- level, or worst, just to get it to a point that I can even start mixing, I feel that the best it’s going to be is maybe a B or B- in the end. Which really sucks. I want your songs to be sick. For example, If you track a great guitar tone, then my job is to touch that tone as little as possible. I’m just trying to make it fit better with the other instruments in the mix, but the goal is for it to retain as much of what you did as possible. You spent thousands on guitars, amps, and pedals, and thousands of hours learning guitar. I assume that you want “You” represented in the song.
But of it’s a terrible recording and everything sucks, yes I can edit it, I can reamp it, I can throw 50 plugins on it, or I can take your DI and run it through a Neural DSP plugin and make it something totally different. But that sucks because I just robbed you of you. Which to me as a musician myself is a tragedy.
So next time you are recording, take your time and make sure every step of the way you ask yourself, is this sounding awesome? Am I happy with my performance? Am I hitting the emotional impact that I intended with these tracks? I ask you to take your time and care a lot about this process because you and your music deserve that. And I promise you, if you send me a song that’s at a B before I’ve touched it. It’ll be an A++ when you get it back. Don’t ever let anyone care about your music more than you do!

07/23/2024

Got a couple of sweet racks to put my amps on. If you need any reamps done through any of these, reach out!

07/06/2024

So in love with my studio! It took a lot of hard work, time, and money to turn this room into my favorite place on the entire planet.
Studio Nervosa - July 2024

06/19/2024

Made a few huge upgrades to the studio this week. Upgraded my interface to an RME with a Ferrofish for an extra 32 channels of IO and added a real deal Neve 1073 as my main preamp. Sh*ts getting real around here!

06/07/2024

Today is the day! Everything Nothing is officially out! Recorded, mixed, and mastered right here at Studio Nervosa.
We are so proud of this record and can’t wait for you all to hear it.
You can stream it everywhere you stream music and we are celebrating the albums release with an amazing show at the Brass Mug in Tampa next Friday, 6/14/24.

Links to Spotify, Apple Music, and our bandcamp site are below for you to check it out:

Spotify:
https://open.spotify.com/album/6klWlMNV1v0kQCjVpFDX9L?si=eDQAZrlkSTG_f6OPnr1BVA

Apple Music:

https://music.apple.com/us/album/everything-nothing/1747606106

Bandcamp:
https://humanitygone.bandcamp.com/album/everything-nothing

9 track album

06/02/2024

Recorded, mixed, and mastered at Studio Nervosa! Out 6/7.

9 track album

04/24/2024

Always trying to improve. Replaced the SSL Fusion with the Neve MBT and the SSL Bus+ with the Smart C2.

04/23/2024

Music Video for Tossing Stones. The first single off of Humanity Gone's second album, Everything Nothing.

04/21/2024

04/13/2024

Coming soon, the Tossing Stones single off of the upcoming Humanity Gone album, Everything Nothing.