IPA Source

IPA Source IPA Source is the web's largest library of International Phonetic Alphabet (IPA) transcriptions and literal translations of opera arias and art song texts.

Ah! qui pourrait me résister?, Fieramosca's aria from the opera Benvenuto Cellini. Perfect for  .Text by Léon de Wailly ...
01/16/2025

Ah! qui pourrait me résister?, Fieramosca's aria from the opera Benvenuto Cellini. Perfect for .

Text by Léon de Wailly (1804-1864), Henri Auguste Barbier (1805-1882), after Benvenuto Cellini's
(1500-1571) Memoirs

Set by Hector Berlioz (1803-1869)

View the text on IPA Source: https://buff.ly/4e0OZaM

Listen to Laurent Naouri on YouTube: https://buff.ly/3AjCYiY

Vast Trove of Arnold Schoenberg’s Music Is Destroyed in Fire (Gift Article)
01/14/2025

Vast Trove of Arnold Schoenberg’s Music Is Destroyed in Fire (Gift Article)

An estimated 100,000 scores by Schoenberg, the groundbreaking 20th-century composer, were destroyed when the publishing company his heirs founded burned down.

A tanto amor, Alfonso's aria1 from the opera La favorita (baritone)Italian text adapted from the French original by Alph...
01/13/2025

A tanto amor, Alfonso's aria1 from the opera La favorita (baritone)

Italian text adapted from the French original by Alphonse Royer (1803-1875) and Gustave Vaëz (1812–1862), based on the play Le comte de Comminges by Baculard d'Arnaud (1718-1805)

Set by Gaetano Donizetti (1797-1848)

View the text on IPA Source: https://buff.ly/3YKCt9V

Listen to Rolando Panerai on YouTube: https://buff.ly/40mJm3m

01/11/2025

A new study has revealed that people under 35 are more likely to listen to classical music than their parents.

According to a report from the Royal Philharmonic Orchestra, young people's interest in attending orchestral concerts peaked in 2024, with more than half of classical audiences consisting of newcomers.

À quoi bon l'économie, Lescaut's aria from the opera Manon (baritone)Text by Henri Meilhac (1830–1897) and Philippe Gill...
01/09/2025

À quoi bon l'économie, Lescaut's aria from the opera Manon (baritone)

Text by Henri Meilhac (1830–1897) and Philippe Gille (1831–1901) after L'histoire du chevalier des

Grieux et de Manon Lescaut by Abbé Prévost (1697–1763)

Set by Jules Massenet (1842–1912)

View the text on IPA Source: https://buff.ly/3Ymr93m

Listen to Anas Seguin on YouTube: https://buff.ly/3C3RL1K

O nube! che lieve... Nella pace del mesto riposo, Maria's scene, cavatina and cabaletta from the opera Maria Stuarda ( )...
01/06/2025

O nube! che lieve... Nella pace del mesto riposo, Maria's scene, cavatina and cabaletta from the opera Maria Stuarda ( )

Text by Giuseppe Bardari (1817-1861), after Friedrich von Schiller's (1759-1805) play Maria Stuart

Set by Gaetano Donizetti (1797-1848)

View the text on IPA Source: https://buff.ly/40C9ho7

Listen to Agnes Baltsa on YouTube: https://buff.ly/3C0vDVZ

Di un cor che more reca il perdono, Maria's cavatina from the opera Maria Stuarda ( )Text by Giuseppe Bardari (1817-1861...
01/02/2025

Di un cor che more reca il perdono, Maria's cavatina from the opera Maria Stuarda ( )

Text by Giuseppe Bardari (1817-1861), after Friedrich von Schiller's (1759-1805) play Maria Stuart

Set by Gaetano Donizetti (1797-1848)

View the text on IPA Source: https://buff.ly/3YlayNx

Listen to Leyla Gence on YouTube: https://buff.ly/48nGzcr

Butler University presents Singing Beyond the Binary – an Identity-Affirming Voice Event on 2/21-23, 2025, with mastercl...
12/30/2024

Butler University presents Singing Beyond the Binary – an Identity-Affirming Voice Event on 2/21-23, 2025, with masterclasses, clinics, & performances with elements for both high school singers and teachers.

School of Music Menu About Applying to Music Majors & Minors Faculty & Staff Hire a Musician Events & Performances Current Students Graduate Studies Bassoon Reed Company Singing Beyond the Binary – an Identity-Affirming Voice Event Friday, February 21 – Sunday, February 23, 2025 Join us for a we...

Ah! se un giorno da queste ritorte, Maria's aria the opera Maria Stuarda ( )Text by Giuseppe Bardari (1817-1861), after ...
12/26/2024

Ah! se un giorno da queste ritorte, Maria's aria the opera Maria Stuarda ( )

Text by Giuseppe Bardari (1817-1861), after Friedrich von Schiller's (1759-1805) play Maria Stuart

Set by Gaetano Donizetti (1797-1848)

View the text on IPA Source: https://buff.ly/4eYQs2u

Listen to Mariella Devia on YouTube: https://buff.ly/40iqQJC

How to Warm Up Your Singing Voice - with Isabel Leonard, via Classic FM.
12/23/2024

How to Warm Up Your Singing Voice - with Isabel Leonard, via Classic FM.

You wouldn't run a marathon without warming up your body first – so why should singing be any different? 🤷‍♀️ Meet Isabel Leonard, a Grammy-winning American...

12/23/2024

Few adults play musical instruments, and even fewer do so in a group, Caroline Mimbs Nyce writes. What health benefits might they be giving up? https://theatln.tc/oglkQfzJ

“Kids receive plenty of music education, but as people get older, they fall out of practice. Many stop picking up their instrument,” Nyce writes. “This is unfortunate, in part because plenty of research shows that adults could benefit from playing music.”

Playing music helps build larger brain networks and new pathways. “Musicians tend to have better attention than nonmusicians,” Nyce continues. “Banging on a drum or tooting a horn can also relieve stress, reduce burnout, and help with anxiety and depression. For older people specifically, research has shown potential cognitive benefits along with a possible decrease in dementia risk.”

Adults may be skipping out in part because music education is associated with childhood and coursework. And after people grow out of music education in their childhood, they tend to think that music is a special talent, Nyce writes, not something that just anybody can learn.

“Of course, people are busy; they simply may not have the luxury of sitting down to study Bach once a week, much less the money to pay for an instrument or private lessons,” Nyce writes.

Playing music in groups has additional benefits, such as allowing adults to feel more trusting of and connected to one another, and to the world in general. But while it’s easy to go to a park or gym and pull together a game of pickup basketball, “piecing together people at the same skill level to play a concerto or even just jam in a garage is another matter.”

Nyce herself recently began to play the recorder. “I plan to keep learning,” she writes, “not because it strengthens my neuropathways per se (though I certainly don’t mind that), but because making music, even when it’s silly—perhaps especially when it’s silly—is just a whole lot of fun.” https://theatln.tc/oglkQfzJ

📸: Photo Media / ClassicStock / Getty

Book Review: ‘Ira Gershwin: A Life in Words,’ by Michael Owen (Gift Article)
12/17/2024

Book Review: ‘Ira Gershwin: A Life in Words,’ by Michael Owen (Gift Article)

In “Ira Gershwin: A Life in Words,” Michael Owen offers a sympathetic portrait of the lyricist, overshadowed in a life that had him tending the legacy of his younger sibling George.

Just requested by a customer - Charmant Papillon, Irène's aria from the opera Les fêtes vénitiennes (soprano). Text by A...
12/16/2024

Just requested by a customer - Charmant Papillon, Irène's aria from the opera Les fêtes vénitiennes (soprano).

Text by Antoine Danchet (1671-1748)

Set by Thomas André Campra (1660-1744)

View the text on IPA Source: https://buff.ly/3Bo5i4b

Listen to Victoria De Los Angeles on YouTube:

Provided to YouTube by The Orchard EnterprisesCharmant Papillon · Victoria De Los AngelesThe Essential Concert Performances℗ 2009 Master Classics RecordsRele...

IPA Source is now a part of the OpenAthens Federation, providing another way for our institutional customers to connect ...
12/12/2024

IPA Source is now a part of the OpenAthens Federation, providing another way for our institutional customers to connect to our resource.

https://buff.ly/4gma4Og

Ah! rimiro il bel sembiante... Se fida tanto colei mi amò, Cavatina and Cabaletta of Leicester from the opera Maria Stua...
12/09/2024

Ah! rimiro il bel sembiante... Se fida tanto colei mi amò, Cavatina and Cabaletta of Leicester from the opera Maria Stuarda ( ).

Text by Giuseppe Bardari (1817-1861), after Friedrich von Schiller's (1759-1805) play Maria Stuart

Set by Gaetano Donizetti (1797-1848)

View the text on IPA Source: https://buff.ly/4fkPXzt

Listen to Franco Tagliavini on YouTube: https://buff.ly/48oweN5

12/08/2024

Venezuelan maestro Gustavo Dudamel directed soprano Pretty Yende and the Orchestre Philharmonique de Radio France, as the doors of Notre-Dame reopened to the sound of glorious music.

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