The Asian Reporter

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Have a safe snow day! Keep warm!
02/14/2025

Have a safe snow day! Keep warm!

Lunar New Year Dragon Dance Parade & CelebrationFebruary 8, 202510:00am to 1:00pmNW Davis Street near the Portland China...
02/08/2025

Lunar New Year Dragon Dance Parade & Celebration
February 8, 2025
10:00am to 1:00pm
NW Davis Street near the Portland Chinatown Museum (127 NW Third Ave, Portland)

Kick off the Lunar New Year with a mile-long parade in Portland coordinated by the Oregon Historical Society and numerous community partners.
The Lunar New Year Dragon Dance Parade & Celebration starts at 10:00am near the Portland Chinatown Museum with lion dancers, drummers, performances, and a 150-foot dragon, followed by a parade (11:00am to 12:30pm) that marches under the China Gate and through downtown Portland along SW Third Avenue to the outdoor plaza at the Oregon Historical Society Museum (1200 SW Park Ave, Portland) for a joyous conclusion.
Plucking of the greens occurs at select locations along the parade route.

INFO:
(503) 222-1741, (503) 224-0008
www.ohs.org
www.portlandchinatownmuseum.org
www.facebook.com/events/634301522269019/?acontext=%7B%22event_action_history%22%3A[%7B%22mechanism%22%3A%22attachment%22%2C%22surface%22%3A%22newsfeed%22%7D]%2C%22ref_notif_type%22%3Anull%7D

(Photos/Jeff Lee Photography)

Sunfish that got sick after aquarium closed has recovered — thanks to human cutoutsBy Mari Yamaguchi The Associated Pres...
02/06/2025

Sunfish that got sick after aquarium closed has recovered — thanks to human cutouts
By Mari Yamaguchi
The Associated Press
AR cartoon by Jonathan Hill
www.asianreporter.com/stories/2025/int02d-25.htm
February 3, 2025

TOKYO — A solitary sunfish at an aquarium in southwestern Japan lost its appetite, began banging into the side of the fish tank, and appeared unwell days after the facility closed for renovations. As a last-ditch measure to save the popular fish, its keepers hung their uniforms and set up human cutouts outside the tank.
The next morning, the sunfish ate for the first time in about a week and has been steadily recovering, said Moe Miyazawa, an aquarist at the Kaikyokan aquarium in Shimonoseki.
The large sunfish arrived at the aquarium in February 2024 from the southern coast of Kochi in the Pacific Ocean. The sunfish, a member of the blowfish family known for its unique shape and big eyes, became one of the most popular attractions at the facility.
When the sunfish began looking unwell days after the aquarium closed on December 1 for a six-month renovation, its keepers suspected digestive problems, gave it less food, and visited the fish tank to comfort the sunfish when there was construction noise, but to no avail.
Then at a staff meeting, one person suggested that the sunfish might have been affected by the sudden absence of an audience.
“We were skeptical but decided to do anything we could,” Miyazawa said. They hung their uniforms and placed human-shaped cutouts with photos of smiling faces outside the tank to cheer on the fish, Miyazawa said.
“I knew (the sunfish) was looking at us when we were placing them, but I never thought it would start eating the next day,” Miyazawa said, beaming. The staff now visit more often and wave at the sunfish.
The aquarium keepers say they hope many fans will return to see the sunfish when the aquarium reopens in the summer.

Photo credits:
AR cartoon by Jonathan Hill

UNEXPECTED CURE. In this photo released by Shimonoseki Marine Science Museum, a sunfish swims near cardboard cutouts of people’s faces with uniforms, in Shimonoseki, Yamaguchi prefecture, southern Japan. When the sunfish began looking unwell days after the aquarium closed for a six-month renovation, its keepers did not know what was wrong. Then at a staff meeting, one person suggested that the sunfish might have been affected by the sudden absence of an audience. (Kaikyokan via AP)

The new edition of The Asian Reporter is available online!Visit www.asianreporter.com/completepaper.htm for this issue’s...
02/06/2025

The new edition of The Asian Reporter is available online!
Visit www.asianreporter.com/completepaper.htm for this issue’s features, including:

◦ Hong Kong’s snake soup is slithering away but still simmers in a decades-old kitchen
◦ Sunfish that got sick after aquarium closed has recovered — thanks to human cutouts
◦ Asian singers and actors who relocated to Asia see global crossover opportunity
◦ Centuries of fusion predate the marriage of ingredients in this Japanese Italian Wedding Soup
◦ Honey, miso, and soy create an umami-rich marinade for rich, meaty salmon
◦ Millions around the world celebrate Lunar New Year and ring in the Year of the Snake
… and more!

Honey, miso, and soy create an umami-rich marinade for rich, meaty salmonBy Christopher Kimball Christopher Kimball’s Mi...
02/06/2025

Honey, miso, and soy create an umami-rich marinade for rich, meaty salmon
By Christopher Kimball
Christopher Kimball’s Milk Street
www.asianreporter.com/food/2025/02-miso.htm
February 3, 2025

Traybakes are the ultimate in weeknight ease, but they often suffer from unexciting flavors and a lack of textural contrast. For a dinner that’s anything but lackluster, we lean on a trio of high-impact ingredients and add the vegetable and fish in stages, so everything comes out of the oven perfectly cooked.
In this recipe from our cookbook Milk Street 365: The All-Purpose Cookbook for Every Day of the Year, we combine miso, soy sauce, and honey to make a savory-sweet, umami-rich marinade for meaty, fat-rich salmon. Some of the mixture is set aside and combined with orange juice and zest, creating a bright sauce for drizzling over the finished dish.
While the fish marinates, the broccolini gets a head start roasting in the oven. Once the quick-cooking salmon is added, the traybake is nearly done. Roast, skin-side down, until the fish flakes and the broccolini is lightly charred and tender-crisp.
Drizzle with the miso-orange sauce and garnish with fresh scallions, red pepper flakes, or both. Serve with steamed rice, and perhaps a leafy green salad.

Editor’s note: To view additional recipes, visit .

* * *
Honey-Miso Salmon and Broccolini Traybake
Start to finish: 30 minutes
Servings: 4

2 tablespoons white or red miso
2 tablespoons soy sauce
2 tablespoons honey
3 tablespoons neutral oil, divided
Four 6-ounce center-cut salmon fillets (1 to 1¼ inches thick), patted dry
1 tablespoon grated orange zest, plus 2 tablespoons orange juice
1 pound Broccolini, trimmed, or broccoli crowns, cut into 1-inch florets
Kosher salt and ground black pepper

Heat the oven to 425° Fahrenheit with a rack in the middle position. In a small bowl, whisk together the miso, soy sauce, honey, and 1 tablespoon of the oil. Transfer half of the mixture to a wide, shallow dish; add the salmon skin-side up and set aside. Stir the orange zest and juice into the mixture remaining in the bowl; set aside.
On a rimmed baking sheet, toss the broccolini with the remaining 2 tablespoons oil and ½ teaspoon each salt and pepper. Distribute in an even layer, then roast until beginning to brown at the edges, about 15 minutes.
Remove the baking sheet from the oven. Using a wide metal spatula, scrape up and flip the broccolini, pushing it to the edges. Add the salmon, skin-side down, to the center of the baking sheet. Roast until the fish flakes easily and the Broccolini is lightly charred and tender-crisp, 7 to 10 minutes. Transfer to a platter and drizzle with the reserved miso-orange sauce.

Optional garnish: Toasted sesame oil or toasted sesame seeds or sliced scallions or red pepper flakes or a combination

* * *
Photo credit:
TASTY TRAYBAKE. Honey-Miso Salmon and Broccolini Traybake, a meal featuring a savory-sweet, umami-rich marinade for meaty, fat-rich salmon, takes only 30 minutes to prepare. (Milk Street via AP)

Hong Kong’s snake soup is slithering away but still simmers in a decades-old kitchenBy Chan Long Hei and Alice Fung The ...
02/06/2025

Hong Kong’s snake soup is slithering away but still simmers in a decades-old kitchen
By Chan Long Hei and Alice Fung
The Associated Press
www.asianreporter.com/stories/2025/int02b-25.htm
February 3, 2025

HONG KONG — As Hong Kong welcomes the Year of the Snake, Chau Ka-ling displays a moving serpent with practiced ease, holding it like a pet in her decades-old restaurant in the city.
As one of the last keepers of the city’s traditional snake soup industry, Chau saves three live snakes for occasional display in wooden drawers that once housed more serpents for cooking. The cuisine she makes, long cherished in southern Chinese culture for keeping people warm in the winter, is slithering away.
Founded by Chau’s late father in the 1960s, Shia Wong Hip once slaughtered live snakes for its dishes. “Shia Wong” means “Snake King” in Cantonese.
Under her father’s guidance, Chau learned to catch and kill serpents and make soup, eventually becoming known as the city’s “Snake Queen.” A newspaper photo displayed on the wall captured her success in catching a 2+ meter-long venomous king cobra in 1997 at a marine police office in rural Hong Kong at the authorities’ request.
But the restaurant, alongside most of the city’s other remaining snake soup shops, switched to using frozen snake meat from Southeast Asia after a 2003 outbreak of Severe Acute Respiratory Syndrome (SARS) killed 299 people in Hong Kong. Scientists have linked the virus’s origin to wild animals.
Despite the change, preparing snake soup still takes a long time. The defrosted snake meat must be boiled for at least two hours to achieve the desired tenderness. After it cools, Chau debones it with a sharpened chopstick and tears it into thin pieces by hand.
The snake bones then are simmered with chicken and pork bones for at least six hours to make the soup base. Next, the broth is stewed with snake meat, shredded chicken, ham, fungus, and mandarin orange peel before finally being thickened with starch.
When a bowl of soup is served, diners usually garnish it with lemon leaves and crispy chips.
Snake meat, which has a texture similar to chicken after cooking, is rich in protein and low in fat.
During the winter, Chau can sell up to 800 bowls a day ranging in price from $7 to $11. But that figure drops to 100 or less in the summer, when the soup is less popular.
Many snake soup shops closed after the COVID-19 pandemic. As older chefs retire, there are now only about 20 still in operation, but Chau is determined to keep her business going as long as possible, though she is pessimistic about the industry’s future.
She said even if her nephews wanted to join her, she would suggest they learn to make desserts instead.
“This is not a money-making industry and so I don’t see that any young people would like to get into it,” she said.

Associated Press news assistant Renee Tsang contributed to this report.

Photo captions:
SOUP SCARCITY. A server holds a bowl of snake soup at a restaurant in Hong Kong. (AP Photo/Chan Long Hei)

SNAKE SOUP. Chau Ka-ling, the owner of a family-run snake soup restaurant, skins a snake at her shop in Hong Kong. (AP Photo/Chan Long Hei)

REPTILIAN REPAST. Chau Ka-ling, the owner of a family-run snake soup restaurant, holds her pet snake at her shop in Hong Kong. As one of the last keepers of the city’s traditional snake soup industry, Chau saves three live snakes for occasional display in wooden drawers that once housed more serpents for cooking. The cuisine she makes, long cherished in southern Chinese culture for keeping people warm in the winter, is slithering away. (AP Photo/Chan Long Hei)

Chau Ka-ling, the owner of a family-run snake soup restaurant, prepares snake soup in Hong Kong. (AP Photo/Chan Long Hei)

Centuries of fusion predate the marriage of ingredients in this Japanese Italian Wedding SoupBy Albert Stumm The Associa...
02/06/2025

Centuries of fusion predate the marriage of ingredients in this Japanese Italian Wedding Soup
By Albert Stumm
The Associated Press
www.asianreporter.com
February 3, 2025

When Sonoko Sakai’s mother snuck a little miso into her lasagna, she wasn’t thinking of the kind of Japanese fusion that became an American dining craze in the 1980s.
Rather, she was doing what Japanese cooks had been doing for centuries, adapting to outside influences. Many dishes now thought of as quintessentially Japanese are fusions once considered foreign to the country.
Gyoza dumplings arrived from China only about a hundred years ago. Tonkatsu, a fried pork cutlet, came from French chefs cooking in the imperial court after Japan opened to the west during the Meiji period of the late 1800s. And curry arrived when the English brought spice mixes from their Indian colonies.
Each dish was adapted to be more, well, Japanese, said Sakai, a Japanese American cooking instructor who explores this combination of influences in her new book, Wafu Cooking.
Wafu literally means “Japanese in style.” That could mean blending western and Japanese flavors or even adjusting a dish’s presentation or sensibility to Japanese tastes.
Take tonkatsu as an example. Imperial chefs “wafued” the pork cutlets by chopping them into bite-size pieces so the meat could be picked up with chopsticks. The dish also comes with shredded cabbage to balance its richness, and with tonkatsu sauce, itself an international mashup that includes soy sauce, Worcestershire, and tomato.
Sakai routinely wafues western dishes — she is pushing the use of wafu as a verb — such as a white-bean chili in her book made extra savory from soy sauce. She adds miso to her apple pie and, like her mother, to her Bolognese sauce.
“I find that it enhances the flavor,” Sakai said. “It doesn’t make it alien or foreign. You just wonder why it tastes better.”
Slipping in an ingredient on the sly is also a Japanese tradition, one called kakushiaji. It means “secret flavor,” but Japanese cooks think of them more like secret agents, Sakai said. “I call them little ninjas.”
She sneaks saké, soy sauce, and ginger into her Italian Wedding Soup, a dish she learned from relatives on her grandmother’s side, who are from the Italian part of Switzerland. The pork meatballs are similar to the filling she makes for her gyoza, using potato starch as a binding agent instead of the egg in Italian meatballs.
“I didn’t have to reinvent this recipe,” Sakai said. “I’m just doing what I do. I have these seasonings. Sometimes I think it needs a little bit of this, a splash of that. And if you have these Japanese ingredients, give it a try.”

Editor’s note: Albert Stumm writes about food, travel, and wellness. His work may be read online at . Learn more about Sonoko Sakai at .

* * *
Sonoko Sakai’s Japanese Italian Wedding Soup from Wafu Cooking

For the meatballs:
1 pound ground pork
1 yellow onion, grated
1 garlic clove, minced
1 egg
1 tablespoon saké or white wine
1 tablespoon soy sauce
2 tablespoons potato starch or cornstarch, diluted in 2 tablespoons water
½ teaspoon sea salt
¼ teaspoon freshly ground pepper
¼ cup minced fresh parsley
1½ teaspoons oregano
½ cup grated Parmesan cheese

For the soup
2 tablespoons extra-virgin olive oil
½ yellow onion, diced
2 garlic cloves, minced
1 large carrot, peeled and diced
8 cups chicken broth
¼ cup saké
1 tablespoon soy sauce
½ head escarole, coarsely chopped
½ cup acini de pepe or other small pasta (such as orzo)
1 teaspoon lemon zest
Grated Parmesan cheese, to serve
Crusty bread, to serve (optional)

Preheat the oven to 425° Fahrenheit.
To make the meatballs, combine the pork, grated onion, garlic, egg, saké, soy sauce, diluted starch, salt, pepper, parsley, oregano, and Parmesan in a medium bowl. Mix the ingredients with your hands until just combined. Form meatballs about 1 tablespoon in size, and set them on a parchment-lined sheet pan. You will get about 40 meatballs. Bake on the middle rack for 20 minutes, until they are lightly browned and nearly cooked.
To make the soup, set a large pot over medium heat, add the oil, and sauté the onions and garlic until softened, about 3 minutes. Add the carrots and sauté for another 2 to 3 minutes. Then add the broth, saké, and soy sauce to the pot and bring to a boil. Lower the heat to a simmer and add the meatballs, one at a time. Simmer until the meatballs are cooked through, about 5 to 7 minutes. Add the escarole, cover with the lid, and simmer for another 10 minutes.
In the meantime, bring a small saucepan of water to a boil over high heat. Add a pinch of salt and the pasta. Lower the heat to a simmer and cook until al dente. Rinse with cold water, drain, and set aside.
Just before serving the soup, add the cooked pasta to the pot. Season with salt, pepper, and lemon zest. Serve with grated Parmesan and crusty bread, if desired.

* * *
Photo credit:
WAFU COOKING. This image released by Knopf shows Sonoko Sakai, author of the cookbook Wafu Cooking: Everyday Recipes with Japanese Style, preparing a dish. (Rick Poon/Knopf via AP)

Ichiro has his Hall of Fame moment. For Japan, he’s more than just a baseball star.By Stephen WadeAP Sports Writerwww.as...
02/06/2025

Ichiro has his Hall of Fame moment. For Japan, he’s more than just a baseball star.

By Stephen Wade
AP Sports Writer
www.asianreporter.com/stories/2025/int02c-25.htm
February 3, 2025

TOKYO — Ichiro Suzuki is all about baseball, but he’s much more than that in Japan.
Back home, he’s a wellspring of national pride, much like Shohei Ohtani now. His triumphs across the Pacific buoyed the nation as Japan’s economy sputtered through the so-called lost decades of the 1990s and into the 2000s.
“He healed the wounds in Japan’s national psyche,” Kiyoteru Tsutsui, professor of sociology at Stanford University, told The Associated Press.
He is now the first Japanese player elected to the Baseball Hall of Fame.
Ichiro debuted in Major League Baseball in 2001 with the Seattle Mariners, the first Japanese position player to span the Pacific and an instant star. Right-handed pitcher Hideo Nomo preceded him, and Hideki Matsui came just after, both boosting the country’s confidence in a period of national malaise.
Tsutsui termed Ichiro a “great cultural export,” akin to Hello Kitty, sushi, manga, and other creations from Japan.
“It may not be an exaggeration to say that Ichiro represents Japan’s transition from the faceless economic animal to a producer of global cultural icons,” Tsutsui said.

There was something in Ichiro for every “yakyu” fan
Ichiro started playing baseball at age seven on a Little League team near Nagoya in central Japan. Sure, baseball is baseball, but the culture around the game — known as “yakyu” (field ball) — is special.
He was driven by his father, Nobuyuki Suzuki, and came up through what is often described as a regimented baseball-training system that some link to the martial arts and even samurai history.
Ichiro grew to be hip in the majors, which fit the nation’s branding as “Cool Japan.” On the way, he bumped into pressure in Japan to conform, expressed in the saying “deru kugi wa utareru.”
Roughly in English: “The nail that sticks up gets hammered down.”
“Young people flocked to watch him because they saw his do-it-my-way rebel spirit,” William Kelly, emeritus professor of Japanese studies at Yale University, wrote in an e-mail. “Old fans were drawn to his seriousness of purpose and his force of concentration.’
Ichiro developed his unique swing very early, lifting his right leg and almost running to first base before hitting the ball. Repeatedly told in Japan to change it, he declined.
His given name Ichiro — ‘ichi” means “one” in Japanese — started appearing on the back of his jersey in 1994 with the Orix BlueWave. Suzuki is a very common family name, and manager Akira Ohgi wanted to single out Ichiro for attention.
“I see Ichiro as an artist, a craftsman,” said Shimpei Miyagawa, an assistant professor at Temple University in Japan. “The point is that Ichiro is someone who stands out in both singular talent and longevity in a game that is ironically played as a team sport.”
Miyagawa previously taught high school in Massachusetts and recalls students wearing Ichiro jerseys — in the heart of Boston Red Sox country.
“To me that speaks volumes about the cultural breakthrough,” Miyagawa said.

Ichiro was must-see television in Japan
Ichiro’s games were shown live and on tape when be began playing with the Mariners.
Nomo had a similar effect when he debuted with the Los Angeles Dodgers in 1995. Ichiro topped that interest level, wrote Robert Whiting in his book The Samurai Way of Baseball.
“Ichiro was the first to appear front and center every single day — a slender Japanese among pumped up musclemen, sparking big American teammates to victory — and the public could simply not get enough of this delectable sight,” he wrote.
Whiting wrote that few Japanese had seen much of Ichiro when he played in Japan for the BlueWave in the western city of Kobe.
“His face adorned billboards all over Japan. Yet he nearly always played to half-empty stands, in games that were almost never telecast nationally.”
Ichiro will go into the Hall of Fame as professional baseball’s all-time leader in hits with 4,367 (3,089 in MLB and 1,278 in Japan) — more even than Pete Rose’s 4,256. He broke George Sisler’s single-season hits mark of 257 in 2004. The new mark is 262.
He played his last two games in 2019 in the Tokyo Dome against the Athletics, going 0 for 5 for the Mariners and then retiring at 45.
“I really wanted to play until I was 50,” he said after his final game. “But I couldn’t do it. But it was a way of motivating myself. If I had never said that, I don’t think I would have come this far.”

Now 51 years old, Ichiro is still going strong
Ichiro made global news just over a year ago when he broke a window with a 426-foot home run while teaching students batting techniques at a Japanese high school.
Much of Ichiro’s early life is documented in the modest Ichiro Exhibition Room in his hometown of Toyoyama. It’s situated in a residential area, a four-story, inconspicuous building; a shrine filled with Ichiro memorabilia.
It’s only open on the weekends and it’s sure to become popular as this summer’s Cooperstown induction nears. A marker guiding tourists to the office is graced with a silhouette of left-handed hitting Ichiro — his right leg raised as he begins his swing.

Ichiro’s Cooperstown call comes amid a surge of Japanese talent
Baseball was introduced into schools in Japan in 1872 by an American teacher, and many have used it to gauge the country’s march toward modernization after centuries of isolation from the west.
Ichiro’s Hall of Fame enshrinement coincides with a surge of Japanese players shining in MLB. Ohtani is a singular talent in the history of the sport, and he was one of a dozen Japanese exports in the majors last season, including Yu Darvish, S***a Imanaga, and $325-million Dodgers ace Yoshinobu Yamamoto.
“Ichiro and Ohtani command so much respect from their peers and the public alike because they are focused on honing their crafts,” Tsutsui wrote.
Phenom pitcher Roki Sasaki, who recently announced he’s leaving Japan to join Ohtani on the Dodgers, continues the evolution.
“The Hall of Fame vote caps that process,” Tsutsui added. “And many Japanese embrace the recognition that he is one of the greatest players to ever play in the Majors.”

Photo credit:
TRAILBLAZER HONORED. Right fielder Ichiro Suzuki of the Seattle Mariners balances on one leg while getting ready to hit a pitch during a Major League Baseball spring training game in Peoria, Arizona, in this March 3, 2007 file photo. Ichiro is all about baseball, but he’s much more than that in Japan, where he’s a wellspring of national pride, much like Shohei Ohtani now. His triumphs across the Pacific buoyed the nation as Japan’s economy sputtered through the so-called lost decades of the 1990s and into the 2000s. (AP Photo/Elaine Thompson, File)

The Asian Reporter - February 3, 2025
02/04/2025

The Asian Reporter - February 3, 2025

Lunar New Year at Bridgeport VillageSat., February 11:00pm to 4:00pmBridgeport Village, 7455 SW Bridgeport Road, Tigard,...
01/31/2025

Lunar New Year at Bridgeport Village
Sat., February 1
1:00pm to 4:00pm
Bridgeport Village, 7455 SW Bridgeport Road, Tigard, OR 97224

Welcome the Year of the Snake with family-friendly activities and entertainment at Bridgeport Village's Village Green, including kid-friendly cherry blossom crafts, calligraphy demonstrations with Dr. Jiyu Yang, miniature dragon puppet interactive play, and an origami station.

Some scheduled performances:
>> 1:00pm: Summit Wushu Academy (martial arts)
>> 2:00pm: Oregon Chinese Coalition (cultural dances)
>> 3:30pm: White Lotus Lion Dance

INFO:
(503) 968-1704
www.bridgeport-village.com/event/Lunar-New-Year-Celebration/2145579489/?fbclid=IwY2xjawIJ_f1leHRuA2FlbQEwAGFkaWQBqxaY6gZwXwEdDsg1Gl9_-pyndVrQViDbqqikMCVOxchd8OmQf0AfnNu8DZLx8jgPZ9MI_aem_IrWdwXyKbjwcfsWnYIwB8w

Young Xingling faces a fierce foe in Andrea Wang’s The Nian MonsterThe Nian MonsterBy Andrea WangIllustrations by Alina ...
01/31/2025

Young Xingling faces a fierce foe in Andrea Wang’s The Nian Monster

The Nian Monster
By Andrea Wang
Illustrations by Alina Chau
Albert Whitman & Company, 2024
Paperback, 32 pages, $9.99

By Kathleen Liermann
The Asian Reporter
www.asianreporter.com/reviews/2025/01-nian.htm

Andrea Wang’s The Nian Monster begins in Shanghai three days prior to the Lunar New Year. A market in the city is alive with vendors, families, and vibrant colors drawn by the book’s illustrator, Alina Chau.
In the story, readers soon meet Xingling and her grandmother, who are hanging a red lantern — the last of their New Year decorations.
“Po Po, why are they all red,” asks Xingling.
Together with Xingling, we learn about the ancient legend of the Nian Monster.
“Long ago,” Po Po says, “the Nian Monster lived in the mountains. His jaws were as wide as caverns. His teeth were sharper than swords. And he was filled with a terrible hunger. Each new year, Nian ate whole villages.”
Xingling gasped, but was soon reassured by her smiling grandmother: “Every monster has a weakness. Nian had three — loud sounds, fire, and the color red. Our traditions have kept Nian away ever since.”
When Po Po leaves to buy more noodles, Xingling takes over in the kitchen, stirring a pot of pork and cabbage, when a horrible beast appears on the balcony.
“Ai ya,” Xingling says defiantly to Nian.
Nian roars and growls, “I have come to devour this city!”
While all the buildings in the city shake from the sounds, Xingling tries to scare away Nian with gongs, drums, and red lanterns and banners to no avail.
“You will make a tasty appetizer,” Nian says to the girl, licking its lips.
Xingling tries to delay the scary monster: “Have a bowl of long-life noodles first.”
Nian replies: “You are wise, little one. Noodles first, then you, then the city.”
Xingling enlists the best noodle shop in town to create the dish, which delays the monster. “My stomach is too stuffed to eat more … I will devour the city tomorrow,” Nian groans.
Upon Nian’s return the next day, brave Xingling yells at the monster, “Wait! Eat fish first so you will have a good fortune all year long.”
Nian again replies: “You are wise, little one. Fish first, then you, then the city.”
Xingling enlists the best fishing fleet in Shanghai to catch milkfish for the hungry monster, to which Nian concludes, “I will devour the city tomorrow.”
The next morning, Nian’s wide, wicked jaws confront Xingling yet again, to which the girl says, “Tonight is New Year’s Eve. You need some rice cakes to sweeten your future.”
“You are wise, little one. Rice cakes first, then you, then the city,” says Nian.
Do the rice cakes send Nian away for another year? Are firecrackers successful in concluding the old year in order to allow the welcoming of the new one? Will dancing dragons appear?
To find out if Xingling is able to expel Nian, readers must check out a copy of Andrea Wang and Alina Chau’s The Nian Monster, which is an adorable and entertaining way to introduce young ones to the traditions of the Lunar New Year.

Author & illustrator Rich Lo teaches young readers about Lunar New Year colors & traditionsChinese New Year ColorsBy Ric...
01/31/2025

Author & illustrator Rich Lo teaches young readers about Lunar New Year colors & traditions

Chinese New Year Colors
By Rich Lo
Holiday House, 2022
Paperback, 32 pages, $8.99

By Jody Lim
The Asian Reporter
www.asianreporter.com/reviews/2025/01-colors.htm

Chinese New Year Colors, by author, illustrator, and fine artist Rich Lo, is a book aimed at children from preschool through third grade. My nephew, a first-grader who is learning to read, and I enjoyed reading the colorful bilingual book together.
The first color we encountered was red — a highly auspicious color which represents celebration, prosperity, good luck, and more — in the form of firecrackers, which are often heard during the New Year and are “believed to scare away evil spirits.”
Later, we saw the color gold accompanied by a lucky gold coin, which sometimes has an image of the “zodiac animal for the corresponding year of issue.” When asked after finishing the book, which page was his favorite, without hesitation he said “gold!”
Readers are introduced to many colors and items — green and lucky bamboo, pink and a chrysanthemum, purple and the dragon dance, cerulean and the lion dance (which was his second favorite page).
The book is organized in a great way for young readers, with the colors written in English and Mandarin alongside the Lunar New Year objects. Located at the end of the book are explanations for the items, which made for expanded conversations.
Chinese New Year Colors is aimed at youngsters, of course, but all readers are able to learn about Lunar New Year traditions from Rich Lo and his educational book.

COLORS OF THE NEW YEAR. Chinese New Year Colors, a colorful bilingual book by author, illustrator, and fine artist Rich Lo, is aimed at children from preschool through third grade.

01/30/2025

Welcoming the Year of the Wood Snake!

Lunar New Year Lantern Viewing January 29 to February 23, 2025Lan Su Chinese Garden239 NW Everett St., Portland, OregonM...
01/29/2025

Lunar New Year Lantern Viewing
January 29 to February 23, 2025
Lan Su Chinese Garden
239 NW Everett St., Portland, Oregon

Members of the community are invited to lunar new year lantern viewing at Lan Su in honor of the incoming Year of the Snake. Participants learn about Lunar New Year traditions, view artwork, and more amongst hanging red lanterns around the garden grounds.

In 2025, there are three viewing experiences offered:
>> “Dragon + Lantern Viewing Evenings” are held Jan. 29 to Feb. 2, Feb, 5 to 9, and Feb, 12 to 16 at two time slots (5:30pm to 7:00pm or 7:30pm to 9:00pm) and include the Portland Lee’s Association Dragon & Lion Dance Team leading an illuminated dragon dance procession around the garden. Each session is 90 minutes long. A “21+ Night” takes place Thursday, Feb. 13; valid ID is required at the entrance.

>> “Music + Lantern Viewing Evenings” are held Feb. 19, 20, 21, and 23 from 5:00pm to 8:00pm. These evenings feature live traditional Chinese music performed by local Chinese-American musicians accompanied by the peaceful glow of lanterns while strolling the garden. (Note: There is no dragon dance procession or performances on these nights.)

>> “Sensory-Friendly Night” takes place Saturday, Feb. 22 from 5:00pm to 8:00pm. This evening features reduced noise in the garden (no performances), supplemental activities, dedicated quiet spaces, and other accommodations.

INFO/SCHEDULE/TICKETS:
(503) 228-8131
https://lansugarden.org/things-to-do/events/lunar-new-year
www.lansugarden.org

Address

922 N Killingsworth Street
Portland, OR
97217

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