Screen 介面

11/24/2024

高雄市立美術館的《山演算》圓滿結束啦！感謝每一位熱情參與的觀眾，不知道你們有沒有穿上樹皮之衣感受展場中的自然元素呢？快透過展場照片回想一下自己最喜歡的作品是哪件！

接下來還有參展藝術家王永安以及大米釀造姐妹製造與海民海的兩場工作坊，也歡迎報名參加喔！報名請見留言處。

影像由緩步動物提供，攝影：簡豪江。

11/20/2024

旅美韓裔藝術家河仁順的創作強迫我們面對現代社會的結構暴力、歷史的殘忍、集體虐殺的冷酷無情，那他又是怎麼看待母職呢？策展人朱峯誼在 ISCP 駐村期間與河仁順進行了小小的對談。

文章由此去：

巨大且面無表情的頭像、全身沾滿血跡且留有臍帶的無頭生物、牆角下伸出無數個血色舌頭 ...。河仁順的創作總教人感到不安、詭譎，與顫慄，宛如一根細針插在心上，讓人無法大口呼吸，遑論喘氣。她的作品直指現代社會裡.....

11/08/2024

11月23日，線上參加！「反烏托邦的科幻未來與數位肉身」國際座談會，探索科技與人類身體的邊界！看看藝術家分享如何在數位時代中重新定義身體與身份。一起深思未來世界的可能性！請至留言活動網站報名。

卷積公眾活動III. 反烏托邦的科幻未來與數位肉身  ｜日期｜ 2024年11月23日 星期六 17:30-19:30 台北 / 10:30-12:30 中歐時間 / 1:30-3:30 美國洛杉磯 ｜講者｜ 喬恩·拉夫曼（Jon Rafman）｜藝術家 李英珠 이영주｜藝術家 ｜主持人｜ 丹·哈.....

11/07/2024

[中文向下]
"The dichotomy between "direct travel" and "transfer", and the fragmenting nature of a "transfer" itself, serve as a metaphor for urban imagination, which frames and deepens the exhibition's core themes, revealing the various complexities and contradictions underlying the South Korean ideals of modernity."

Collaborated with Audio Visual Pavilion, Waley Art’s well-thought exhibition Go Without Transfer reveals the hidden cracks in Korea’s urban life. This immersive showcase challenges viewers to reflect on the shortcomings of city infrastructure and the silent struggles of its inhabitants.

🔗 Explore Che-wei Tseng's full review to uncover what we often take for granted in the name of modernity: http://www.onscreentoday.com/screenshot/2024-11-4-how-cities-failed-us-a-review-of-go-without-transfer-tseng-che-wei
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「作為城市想像的隱喻，『直行／轉乘』之間的對立與裂解，為展覽設定了核心題旨，並揭示了南韓現代化進程中實際上隱含的複雜與矛盾。」

水谷藝術與韓國視聽館合作的展覽《直行！無需轉乘》呈現韓國都市生活中的裂痕，邀請觀眾思考城市基礎建設的不足與居民的無聲掙扎。

🔗 曾哲偉的完整展評於留言處。

The dichotomy between "direct travel" and "transfer", and the fragmenting nature of a "transfer" itself, serve as a metaphor for urban imagination, which frames and deepens the exhibition's core themes, revealing the various complexities and contradictions underlying the South Korean ideals of moder...

11/06/2024

The results of the 2024 U.S. presidential election deepen the shadows cast by years of contentious debates over identity politics, leaving many to question the path forward. Feng-Yi Chu’s review of the 2024 Whitney Biennial resonates with this sense of unease, as it calls for unity and a rethinking of our shared reality amidst widening divisions. This pivotal moment demands that we come together—how can we resist polarization and build a future rooted in inclusivity and justice?

Read the full article ➡️ http://www.onscreentoday.com/screenshot/2024-10-24-feng-yi-chu-2024-whitney-biennial-politics-beyond-identity-politics

11/05/2024

展覽倒數十天！
探索當代「體育」隱含的多重敘事，新北市美術館《體育課》將於11.17號結束。

1. 羅智信 ，〈看我舞動〉
2. 富安隼久 ，〈TTP〉
3. 一位運動員：「我的體育生活」張星賢
4-5. 美術館的運動場
6. 楊季涓，〈小小的汗水〉
7. 芭芭拉．瓦格納 & 班傑明．德．布爾卡，（ & ）〈SWINGUERRA〉
8. 楊季涓，〈Plastonki 的沙坑〉
9. 加布里埃拉．安戈蒂瓊斯（.briella）〈我只是想衝浪〉
10.藤吉維．尼基．恩科西（ ），〈同軌〉

11/04/2024

Dive into the world of Insoon Ha and her unique art practice that captures the essence of silent resistance and unease. 🖤✨ Explore the intricate dialogue between personal expression and societal constraints through the eyes of this incredible artist, brought to life by the insightful words of Feng-Yi Chu.

🔗 Read the full article and uncover the layers of meaning in Insoon Ha’s thought-provoking work: http://www.onscreentoday.com/conversation/2024-11-02-silent-resistance-through-unease-insoon-ha-and-her-art-practice-feng-yi-chu