04/06/2025
Alfred Hitchcock’s Vertigo hit theaters in 1958. It’s known for its dizzying cinematic sequences, impeccable actors, haunting score and trippy effects. Vertigo was based on a novel by Boileau-Narcejac called The Living and The Dead. The novel was released four years before the film, but the English version only two years before. Many of Hitchcock’s films are based on novels, including Rebecca, Psycho, Strangers on a Train, The Birds, and The 39 Steps just to name a few. Hitchcock had tried to obtain the rights to a previous novel by Boileau-Narcejac called She Who Was No More, but was beaten out by Georges Clouzout who turned the story into a film called Les Diaboliques in 1955. While I don’t think Vertigo is a perfect film, there are some elements that stand out to me in a big way. First and foremost, Vertigo is a perfect example of a story that relies on the use of a Doppelgänger. A storytelling mechanic that is hard to pull off effectively. A mechanic that the twist behind Vertigo relies on.
Another element of Vertigo that stands out is the soundtrack. Many Hitchcock films, and thrillers from this time period in general, have incredible scores. But something about Vertigo stands above the rest. The score was composed by Bernard Herman, who was also responsible for composing the scores of The Man Who Knew Too Much (1956), North by Northwest (1959), The Birds (1963), Psycho (1960), The Twilight Zone and Taxi Driver (1976), again just to name a few.
The Vertigo Effect has become a technique used by many filmmakers since Hitchcock first pioneered it in 1958. The effect results in the subject of the shot remaining stationary, while the background shifts either shrinking or growing. It’s accomplished by using a dolly. And has since been used by Scorcese, Speilberg and Jackson among others. Scottie, played by James Stewart, is exceptionally flawed, especially by today’s standards. Though he is the victim in some sense, the pawn in a plot, his obsessive and controlling behavior vilifies him by the end. Vertigo remains a stand out film, even within Hitchcock’s resume. More here: https://www.lunaticsproject.com/post/how-vertigo-1958-pushed-cinema-and-horror-into-uncharted-territory