McKenna Wolf Media

McKenna Wolf Media Full service marketing and promotion company for the entertainment industry.

We specialize in providing quality Behind-The-Scenes video and stills, creating fresh and interesting “featurettes” and trailers, and generating buzz through social media.

These are the days that separate the cameras from the cell phones!
04/08/2024

These are the days that separate the cameras from the cell phones!

Now.
04/08/2024

Now.

03/11/2024

Killian!

03/11/2024
If he doesn't win something's wrong.
03/11/2024

If he doesn't win something's wrong.

A great beginning...
03/10/2024

A great beginning...

03/08/2024

Good morning y'all. In order to celebrate International Women's Day, because you know we get a day now, and National Women's Month which apparently is all of March, I'd like to talk a little bit today about intersectionality. So what the heck is intersectionality? If you've heard the word you probably have an idea of what it means. So let's talk about it.

The term intersectionality was first coined by Kimberlé Williams Crenshaw in 1989, but it refers back to a 1974 court case, DeGraffenreid v General Motors. Emma DeGraffenreid was a black woman who was denied employment at General Motors. She sued for discrimination under the 1969 Civil Rights Act. The law protected Blacks and Women as to hiring. Her lawyers' position was that General Motors acted to subvert the law by hiring Black men and White women but no Black women. They argued that the intersection of those two protected classes formed a new class that itself deserved protection. The Court did not agree.

Crenshaw took the basic argument of the case and applied it to the social and political landscape. If a company like GM was forced to hire Blacks and Women but their culture was predominantly White and male, they would want to hire as close to their culture as possible. So if they're forced to hire Blacks, they will hire Black men because their culture is male. And if they are forced to hire Women they will hire White women, because their culture is White.

That "intersectionality" of oppression creates gaps where people who are in two oppressed classes advance much more slowly. And we have seen this to be true in pretty much all areas of society. I recently broke down the numbers for Grammy winners, and while both Black men and White women were still underrepresented, they far outpaced Black women. Jay Z was right about that.

But Crenshaw's genius was in understanding that this concept can be applied across all areas of discrimination. Laws can only go so far to try to create a level playing field, and sometimes the law backfires for people in the crosshairs of more than one area of discrimination.

Take myself as an example. I am a woman and I am over 50, both protected classes under the law. So good for me, right? I have two ways in. Or do I? If a company(or school, or writing contest, or agent, or the Academy...you get the picture) needs to hire more women, they will probably chose a younger woman. Because if they have to hire someone outside their male comfort zone, at least that person is similar in age. And if they have to hire more older people, they will probably chose an older man. Because again, he may not be in their age cohort but he will be familiar in his maleness.

And for those of you who are responding "but things have changed so much, it isn't really a white male youth culture anymore" let me just tell you, no they haven't. I went to a television conference a couple of months ago where in a room of about 250 people there were three blacks, eight women, maybe a dozen gay men, and the rest were white straight men in their thirties. So, yeah, that is who runs the entertainment industry, and the world.

Still.

So what do we do about this? And who is responsible? Are white women responsible for the fact that black women are caught in the crosshairs of intersectionality? Is it the responsibility of black men to make sure that their sisters are equally represented with them? Is it really the responsibility of the oppressed classes to make sure that other oppressed classes are equally represented?

Obviously not. But there is something to be learned here. I have heard many women of color say that the feminist movement is culturally a white movement. And I have also heard them say that there is an understanding in the black community that men go first and women wait their turn.

So as the oppressed, we can be aware and politically active to fight for all oppressed groups and not just our own. We can also fight for a more equal playing field across the board. And maybe most importantly, we can support and defend each other. We can refuse to be divided, and pitted against each other. That's never going to get us anywhere and it is just what the culture of inequality is hoping for.

When women win, we all win. When Black men win, we all win. When Gay and Trans people win, we all win. When Muslims and Jews win, we all win. It's going to take a lot to get us all across the finish line. Let's make sure we are all pulling together.

So... it's International Woman's Day. How will you celebrate Women today?

All women.

03/06/2024

Does anyone know Jill McGrath at Door 24?

The wood in the rafter gave out and he fell through.
02/07/2024

The wood in the rafter gave out and he fell through.

A rigger passed away following accident at CBS Radford Studios while prepping a shoot for upcoming Marvel Studios series 'Wonder Man'

THE WRITE BEFORE CHRISTMAS CHALLENGEFor most of the 20th century, banks offered their customers something called a Chris...
02/05/2024

THE WRITE BEFORE CHRISTMAS CHALLENGE

For most of the 20th century, banks offered their customers something called a Christmas Club. You deposited a small amount every week, something that seemed completely doable. The bank's job was to hold your money and make sure that you didn't take it out. There were large fees for early withdrawal, or even for not making your deposit on time. Then, a few weeks before Christmas you had a nice nest egg to spend at the holidays.

Before credit cards this was a way to address a simple fact, i.e. it's really hard to save money. You know what's just as hard? Having the discipline to write every day!

No judgement, but how many of us have made a New Year's resolution to finish that script, or novel, or memoir, or book of poetry...and another year goes by without it getting done. I know it's happened to me.

So this year I am offering THE WRITE BEFORE CHRISTMAS CHALLENGE. I see this a mix of a writing class, a networking opportunity, and a support group. Mainly, it's a way to stay motivated and a place to be accountable. We will begin the Challenge this month, February, and meet every week until December. By then we should all have a finished, proofread, submittable piece of writing.

Every week we will meet, read a few pages to each other, and get feedback. We will also have brief lessons on various aspects of storytelling. Occasionally we will have industry guest speakers, and meet-and-greets with agents, managers and other execs.

I'm thinking about Sunday afternoon, from 3 to 5pm, at my studio in Sherman Oaks but with a Zoom component for those who can't be physically present. I'm also open to changing that time if it doesn't seem workable for most people.

Because the point of this is to attend every week. To help with that motivation, the entire amount of the course is due by the first day. There is no return policy so if you drop out, you lose everything. (Obviously if you have a true emergency we can talk about it.) I would also like to implement a policy that if you miss a meeting, or come without your work, you would be liable to pay $5 in cash into a kitty for our end-of- year Christmas party. Hopefully there won't be much in there!

The price for an entire year of weekly classes, is the very reasonable amount of $1995. It works out to less than $25 an hour, and you know you can't even go to lunch for that amount.

If you are interested, please DM or email me IMMEDIATELY! I have a feeling this is going to fill up fast, and there is no late entry after February 25.

Join the challenge and write it before Christmas!

Karen McKenna
[email protected]

01/27/2024

It's so sad to me that so many women have so internalized the misogyny of our culture that they feel the need to continue repeating a ridiculous narrative, that pointing out that the female director and star of one of the year's most important movies should obviously have been nominated for our industry's biggest award somehow diminishes the other women who were nominated. Just the opposite is true.

And this whole "be grateful and gracious for what you got" thing makes my blood boil. This culture has been telling me that since I was ten years old. The time for gracious and grateful for scraps is over! It's time we raise our voices and scream.

And don't get me started on we're "savoring her snub". Like we're schoolyard children, little girls who are angry because the teacher didn't give us a gold star. Talk about misogynistic!

And then the saddest thing is all the women jumping in to pull the sisters down, so scared to see us raise our voices when we've been wronged.

I feel sad to see women so indoctinated.

01/23/2024

Ok, here's my idea.
EVERYONE wears Barbie pink to the Oscars.

The new vision board for 2024.
01/21/2024

The new vision board for 2024.

01/20/2024

Been wanting to post something about this for a while and I'm not actually sure I'm ready. But I'm going to just throw this out there. Writer friends, please jump in. Let's make this a conversation.

Okay let's say you're writing a script and you send it to one of those services or contests, and the notes come back "oh it's just not interesting enough in the first three pages!" And then you're going to hear this story that producers read the first three pages and if they don't like the script after that, if their attention is not grabbed in that first three pages, they will throw that script out the window and there goes your career.

So you go back to your computer and you rewrite those first three pages. And you add some action. So there's a car crash! And a gorilla falls through the window! And a helicopter lands on a flagpole! And everyone tells you that now you've made your script readable. Now you have a chance.

Going to have to call bu****it on this. This is just not the way that you tell a story. I've spent most of the last six weeks slowly reading through a pile of scripts and I've got to tell you I never threw one of them away after three pages. You know why? Because the people who wrote those scripts are trying to tell me a story. And as long as I'm interested in what the story is in the first three pages, I really don't need to have some heart pounding excitement to keep reading.

Think about the way you tell a story even if you're not a writer. "I came home from the grocery store and there was a guy walking down the street outside my house. At first I didn't think much of it, you know, he seemed like a kind of a normal guy. But then I noticed that there was a huge SUV parked on the lawn of the house across the street. So the guy comes running down the street and jumps into the SUV and fu***ng guns it! And before you know it he's driven right into the neighbor's pool!"

Notice where the action comes in that story. It comes at the end. Because if you start the story by saying "some guy drove his SUV into a pool", I don't really care yet. Was this something you saw on Tik tok? Did it happen nearby? Do you know the guy, or the people with the pool? Without that information this story is completely uninteresting to me.

Now on the other hand, if I say "I went to the grocery store and, you know, usually it's so crowded on Saturday but today it was really very pleasant. The parking lot wasn't full and I got a space right away. I did a little bit of shopping. I bought some bread. I bought some milk. I got some of that mustard you like, on sale. And when I got back home, I kind of noticed there was something going on outside on the street. But I don't know, I just I was busy getting the groceries out of the car. And then all of a sudden I got in the house and I heard this crash. And turns out that some guy drove his SUV into the neighbor's pool."

OK, that one I'm going to throw away after three pages.

Sadly a lot of these places that make money by "helping" you improve your writing, don't really understand the difference between the first story and the second one. But that difference is what makes you a writer. Or not.

And even more sadly it is pretty easy to learn the difference between the first story and the second one. And it's pretty easy to learn how to become a Storyteller who tells the first story.

The first step is to avoid the tempation to put a car crash into the first three pages of every script.

No matter what the "expert" told you.

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