11/04/2024
Candy Talk Records is back with its 31st release featuring new reworks of “Didn’t Mean To Turn You On” by label head, Colette. For this single taken from her upcoming album, “Flashback”, she enlists two of her favorite producers, Demarkus Lewis from Dallas and Chicago’s Brian Boncher to tackle this first round of remixes of her 20-year-old classic.
Known for his remixes of artists such as Frankie Knuckles, Jamie Principle, Lil Louis, Marshall Jefferson, CeCe Pen*ston, and Colette as Rubb Sound System, DJ, producer, record store owner, label owner, promoter and teacher, Chicago’s Brian Boncher has been making a mark on the world of Dance Music ever since he won Chicago 92.7's "In the Mix" DJ competition and landed a weekly spot at the age of 16.
Producing chart-topping music for labels such as Guesthouse, Moody Recordings, Whitebeard, Moodfunk, and S&S Records, Boncher is enlisted to take Colette’s classic to another level. The Brian Boncher Remix commences with an Afro/Latin groove, an ethereal synth canvas, and a repetitive bassline that makes space for a couple of Colette’s verses and choruses. The introduction of sultry piano harmonies gives way to unique call-and-response synthetic bliss that interweaves Colette’s vocals throughout the remix. Brian includes an instrumental mix highlighting the delightful subtlety of the arrangement with a more focused musical clarity.
Known for his signature take on Deep House, Demarkus Lewis has proven to be one of today's most sustainable House Music artists with over 1500 published tracks. Hailing from his hometown of Dallas, Lewis is brought in to rework this new version of one of Colette’s most celebrated covers, “Didn’t Mean To Turn You On” on its thirty-first release (CTR031).
Diving right into the groove, the Demarkus Lewis Remix starts with a spaced-out symphony of synth stabs, syncopated bass tones, and sustained strings before slowly dubbing in Colette’s pristine vocals. After making room for a first verse and chorus pass, Lewis begins to chop and dub out Colette’s vocals in his signature fashion. These distinctive vocal chops allow the rest of the song’s arrangement to fall into place subliminally. Demarkus includes an instrumental mix that creates an even more immense glimmer for the spaced-out symphony.
https://www.traxsource.com/title/2381448/didnt-mean-to-turn-you-on-part-1