Candy Talk Records

Candy Talk Records Colette launched Candy Talk Records in June of 2010.

Always seeking to push boundaries and explore new territories, Chicago native DJ Colette, continues to discover ways to push her craft and career forward even after over two decades of leading the pack. A founding member of the pioneering DJ collective Superjane—along with DJ Heather, Lady D, and Dayhota—Colette has been an integral part of the Midwest underground since the birth of the 90s. Craft

ing events in Chicago—ones that would see most of Chicago’s second generation of house music artists and DJs graduate to global scales—her Material events at the storied club Shelter in Chicago’s West Loop neighborhood were seminal in the development of the house sound of Chicago’s North Side, from the early 1990s on. Colette’s groundbreaking combination of incorporating her live vocals over into DJ sets became her signature and a definitive technique that’s won her fans from six continents. As a natural extension of her formative musical academia at Lane Tech College Prep, she began making recordings, with her first release appearing on 1995’s “Moments of Epiphany” produced by Mazi & DJ Motion for Shroom Records. With an ever-increasing velocity of singles released for independent mainstays such as Icon Recordings, Moody Recordings, Nordic Trax, Brique Rouge, including Derrick Carter’s seminal Classic Music Company, eventually led to recording two successful full-length efforts—2005’s Hypnotized ​and 2007’s ​Push​—for San Franciso’s legendary imprint OM Records. With multiple Dancestar Awards, commercial licenses, TV placements, and a Top #5 Billboard Hit, Colette was ready to make the next move in her career from not only just making records and playing them, but the upward motion to releasing them as well. Colette launched Candy Talk Records in June of 2010 as a platform for more creative control with her own music, their collaborations, and the choice and freedom to work with other record producers of whom she is a fan. Since then, Colette has personally released eight singles and two full-length efforts of her own work—2013’s crowd-funded ​When The Music’s Loud (named ​one of Vice’s 99 greatest dance albums of all time​) a​nd 2017’s​ Retrospective. Releasing remixed and original works from the likes of Gettoblaster, Sonny Fodera, Late Nite Alumni, Lawnchair Generals, Rubb Sound System, Scrubfish, WhiteNoize, Demarkus Lewis, Chuck Love, Golf Clap, Local Options, Change Request, and more she has created a home for other like-minded creators to have a platform for their work. With an ever-growing roster of musicians, producers, and DJs, 2019—thus far—has seen Candy Talk release East Coast production stalwart Pete Moss’ mixes of Colette’s “Dreams”, which peaked at #4 on the Traxsource Deep House Top 100. Establishing a remix series highlighting particular producers, Candy Talk has released two volumes in this series thus far with The Rubb Sound System Remixes (CTR015) and The Gettoblaster Remixes (CTR016), and The Demarkus Lewis Remixes (CTR018) featuring his reworks of "Call On Me", “Dreams”, and “We Feel So Hot” slated for the last quarter of 2019. Looking forward, the label anticipates celebrating its 10th anniversary in 2020 with a compilation centered around the best of the Candy Talk catalog—including some new tracks—(CTR019) in the first half of the new year.

Candy Talk Records is back with its 31st release featuring new reworks of “Didn’t Mean To Turn You On” by label head, Co...
11/04/2024

Candy Talk Records is back with its 31st release featuring new reworks of “Didn’t Mean To Turn You On” by label head, Colette. For this single taken from her upcoming album, “Flashback”, she enlists two of her favorite producers, Demarkus Lewis from Dallas and Chicago’s Brian Boncher to tackle this first round of remixes of her 20-year-old classic.

Known for his remixes of artists such as Frankie Knuckles, Jamie Principle, Lil Louis, Marshall Jefferson, CeCe Pen*ston, and Colette as Rubb Sound System, DJ, producer, record store owner, label owner, promoter and teacher, Chicago’s Brian Boncher has been making a mark on the world of Dance Music ever since he won Chicago 92.7's "In the Mix" DJ competition and landed a weekly spot at the age of 16.

Producing chart-topping music for labels such as Guesthouse, Moody Recordings, Whitebeard, Moodfunk, and S&S Records, Boncher is enlisted to take Colette’s classic to another level. The Brian Boncher Remix commences with an Afro/Latin groove, an ethereal synth canvas, and a repetitive bassline that makes space for a couple of Colette’s verses and choruses. The introduction of sultry piano harmonies gives way to unique call-and-response synthetic bliss that interweaves Colette’s vocals throughout the remix. Brian includes an instrumental mix highlighting the delightful subtlety of the arrangement with a more focused musical clarity.

Known for his signature take on Deep House, Demarkus Lewis has proven to be one of today's most sustainable House Music artists with over 1500 published tracks. Hailing from his hometown of Dallas, Lewis is brought in to rework this new version of one of Colette’s most celebrated covers, “Didn’t Mean To Turn You On” on its thirty-first release (CTR031).

Diving right into the groove, the Demarkus Lewis Remix starts with a spaced-out symphony of synth stabs, syncopated bass tones, and sustained strings before slowly dubbing in Colette’s pristine vocals. After making room for a first verse and chorus pass, Lewis begins to chop and dub out Colette’s vocals in his signature fashion. These distinctive vocal chops allow the rest of the song’s arrangement to fall into place subliminally. Demarkus includes an instrumental mix that creates an even more immense glimmer for the spaced-out symphony.

https://www.traxsource.com/title/2381448/didnt-mean-to-turn-you-on-part-1

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