Oxford American

Oxford American A quarterly literary magazine dedicated to exploring the complexity and vitality of the South. For more information, visit OxfordAmerican.org.

The Oxford American is a 501(c)(3) nonprofit arts organization and national magazine dedicated to featuring the very best in Southern writing, while documenting the complexity and vitality of the American South. Billed as “A Magazine of the South,” it has won four National Magazine Awards and other high honors since it began publication in 1992. The magazine has featured the original work of such

literary powerhouses as Charles Portis, Roy Blount, Jr., ZZ Packer, Donald Harington, Donna Tartt, Ernest J. Gaines, and many other distinguished authors, while also discovering and launching the most promising writers in the region. In 2007, The New York Times stated that the Oxford American “may be the liveliest literary magazine in America.” The Oxford American is committed to the development of young individuals aspiring to work in the publishing industry, and to the production and presentation of multidisciplinary arts events in and around Little Rock, Arkansas. The Oxford American is published from the University of Central Arkansas.

12/23/2024
“Punked-up rockabilly” provocateur Tav Falco’s Memphis, through his own lens: William Eggleston’s legs, Arcade Restauran...
12/21/2024

“Punked-up rockabilly” provocateur Tav Falco’s Memphis, through his own lens: William Eggleston’s legs, Arcade Restaurant with The Cramps, and pure Bluff City magic.

Read Robert Gordon’s Summer 2013 feature, ”Scare ’em a Little” and find more photos here: https://oxfordamerican.org/magazine/issue-81-summer-2013/scare-em-a-little

📷 R. L. Burnside on guitar at the Brotherhood Sportsman’s Lodge, near Como, Mississippi, 1974; William Eggleston’s legs, 1977; The Cramps at the Arcade Restaurant, Memphis, 1980. All photos by Tav Falco.

In the Winter 2024 issue, contributing editor Zandria F. Robinson frames Memphis rapper GloRilla as a new prophet for an...
12/19/2024

In the Winter 2024 issue, contributing editor Zandria F. Robinson frames Memphis rapper GloRilla as a new prophet for an enduring blues whose music carries forward her city‘s musical tradition while speaking boldly to the struggles and triumphs of working-class life.

Yesterday, GloRilla brought that spirit home, purchasing her first piece of Memphis land and giving back to her community with a $25,000 donation to the media center at her alma mater, Melrose High School. This is precisely the “good news” of which Robinson writes: “Black folks can and will persist through the unimaginable with a shining, gold-tooth joy.”

You can find that feature in your copy of the Memphis Music Issue or online now at: https://oxfordamerican.org/magazine/issue-127-winter-2024/glorilla-is-memphis-new-prophet

Photo: GloRilla at Melrose High School, December 18, 2024, shared by the artist, via Facebook

“When the Oxford American dispatched a call for stories about Memphis music, I called Verna Vaughn, my favorite local li...
12/19/2024

“When the Oxford American dispatched a call for stories about Memphis music, I called Verna Vaughn, my favorite local librarian. … I asked, ‘What Memphis artist is uncelebrated and needs a revival?’”

—The answer led Alice Faye Duncan to share the story of A. C. “Moohah” Williams and the Teen Town Singers.

Williams, a former biology teacher, made history at WDIA—the first radio station in the U.S. programmed entirely for Black listeners. In 1949, drawing talent from Memphis’s segregated high schools, he founded the Teen Town Singers, launching the career of soul legend Carla Thomas, among others, and “shaping a great generation of Black Memphis entertainers, teachers, and city leaders.”

Read more in our Winter 2024 music issue: https://oxfordamerican.org/magazine/issue-127-winter-2024/a-c-moohah-williams-and-his-teen-town-singers

Photographs courtesy of Joan Williams Patterson

“In a region so heavily loaded with cultural tropes and stereotypes, sometimes the most important—and most difficult—que...
12/18/2024

“In a region so heavily loaded with cultural tropes and stereotypes, sometimes the most important—and most difficult—question one can ask is which, if any, are true?”

In the project “A Southern Myth,” Dylan Yarbrough searches for the visual markers of these influences, assuming a photographic language where “‘myth’ is used as a poetic device to narrate a struggle for both the artist and the region to maintain a sense of identity.”

View more at: https://ow.ly/hA6e50UtGht

Photos: Welcome Y'all, Elvis, State Fair, Father's House, 2017

“Henderson loved to graft European orchestral notation onto silly little street songs, to take a single note of melody a...
12/18/2024

“Henderson loved to graft European orchestral notation onto silly little street songs, to take a single note of melody and fan it out into rich, syncopated color. This required cutthroat sight-reading skills, with a penchant for sudden improvisation.”

—From Cynthia Shearer’s “Sugarfoot Stomp,” a profile of influential bandleader Fletcher Henderson, who was born on this day in 1897!

Read more at the link below - and don't miss Shearer’s piece on Mae Glover in our latest issue!

https://oxfordamerican.org/magazine/issue-91-winter-2015/sugarfoot-stomp

Photo of Fletcher Henderson courtesy of Glasshouse Images/ Alamy Stock Photo

Slow down. Savor. Give thoughtfully.When the holiday rush swirls around us, it’s the thoughtful gifts that leave lasting...
12/17/2024

Slow down. Savor. Give thoughtfully.

When the holiday rush swirls around us, it’s the thoughtful gifts that leave lasting impressions—treasures that bring joy long after the holiday season ends.

Discover timeless pieces for the writers, dreamers, and foodies in your life at OA Goods. (Warning: You might find something perfect for yourself too!)

Shop OxfordAmericanGoods.org today!

⏰ The clock’s ticking, but there’s still time! Order TODAY to ensure delivery by the year’s end. Delivery times vary by location and provider, and cannot be guaranteed for orders placed after 12/17.

12/17/2024

The Oxford American Music issue has arrived! This year's issue is centered on Memphis and is packed with iconic photographs, essays, profiles, personal narratives, visual art, Memphis-set fiction, and more. Rev. Al Green is on the cover, so it is super snazzy--you can't miss it!

The magazine is on our news stand at our Bardstown Road store and we have a stack at our Frankfort Avenue store, too!

12/14/2024
Our friends at the Arkansas Times gave our Memphis Music Issue some love! Thanks for the thoughtful coverage of this spe...
12/13/2024

Our friends at the Arkansas Times gave our Memphis Music Issue some love! Thanks for the thoughtful coverage of this special edition.

For the latest iteration of the annual music issue, the Oxford American turns its affectionally analytical gaze toward Bluff City.

12/13/2024

Unique gift idea! 💡 Grab a copy of the 26th annual Southern Music Issue at WordsWorth Books, featuring an exceptional lineup of acclaimed contributors like and , alongside fresh perspectives on Memphis legends—including ‘s deep dive into the “very best of the very worst” of Elvis‘s discography, and beyond!

The cover showcases a dynamic photograph of by photographer , who credits with being responsible for “some of the most memorable music imagery of the last few decades.” Packed with iconic photographs, essays, profiles, personal narratives, visual art, Memphis-set fiction, and more, this edition is sure to stir up a little Memphis magic in your soul!

From Jessie Mae Hemphill’s blues to the indie fire of Julien Baker – this year’s music issue mixtape spans generations o...
12/13/2024

From Jessie Mae Hemphill’s blues to the indie fire of Julien Baker – this year’s music issue mixtape spans generations of Memphis sound! While no single playlist could capture ALL of the Memphis magic, we’re confident you’ll find something that resonates with you.

Each issue includes a digital download card, giving you the freedom to enjoy these tracks your way – whether you prefer burning a CD or adding them to your digital library.

As a special addition to this year’s issue, we’re offering a limited edition vinyl LP – pressed at Memphis Record Pressing, mastered by Brad Blackwood at Euphonic Masters, and wrapped in Christian Patterson’s photography, featuring “Sputnik” (2002), one of his earliest Memphis works, and “Memphis, TN, October 2004 (Cozy Corner lights)” from his “Sound Affects” series.

You can explore the liner notes online at: https://oxfordamerican.org/magazine/issue-127-winter-2024/memphis-music-lp-credits-liner-notes

Grab your copy of the issue and vinyl at OA Goods before they’re gone: https://www.oxfordamericangoods.org/collections/memphis-x-magic-collection/products/memphis-music-issue-1

“We gravitated toward stories and songs that show how self-expression fuels innovation, or the specific magic that can h...
12/12/2024

“We gravitated toward stories and songs that show how self-expression fuels innovation, or the specific magic that can happen when place and personality align.”

— In the prologue, multimedia editor Patrick D. McDermott weaves together the story of the legendary 1969 Miss Memphis Review with insights into the creation of the , underlining how Memphis’s creative power emerges when artists feel free to express their authentic selves—ultimately producing work that “sounds like no one else.”

Read “The Sound of You” at: https://oxfordamerican.org/magazine/issue-127-winter-2024/memphis-music-prologue-the-sound-of-you

📷Still from Miss Memphis Review, 1969, Reel 2. Courtesy the Mid-South LGBTQ+ Archive, MSS 537, OUTMemphis collection, Special Collections Department, University of Memphis Libraries, University of Memphis © 1969 CinemArts. Photographed & edited by Mike Stevenson. Produced by William Kendall.

Meet the folks who bottled that Memphis sound for our 26th Annual Southern Music Issue. 📖 Contributors:Rebecca BengalJar...
12/11/2024

Meet the folks who bottled that Memphis sound for our 26th Annual Southern Music Issue. 📖

Contributors:
Rebecca Bengal
Jared 'Jay B' Boyd
Robert F. Darden
Stephen Deusner
Alice Faye Duncan
Michael A. Gonzales
Robert Gordon
Robert Greene II
Charles Hughes
Jay Jennings
Jeff Kollath
Andria Lisle
Elena Passarello
Elle Perry
Zandria F. Robinson
Cynthia Shearer
Will Skeaping
V.C.R aka VtheMartian
Harris Wheless
Troy L. Wiggins

The contributor page of the print edition features “Steamboat Katie Adams” (1987) by Memphis artist and blues musician Henry Speller. Courtesy of the Minneapolis Institute of Art, the Ethel Morrison Van Derlip Fund, gift of the Souls Grown Deep Foundation. Photograph courtesy of Steve Pitkin/Pitkin Studio.

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