Phormation

Phormation Restoring the Heart and Soul of the Earth, one song at a time.

Phormation is a genre-bending music producer and performer based out of Boston, MA who blends Electronic Dance, Hip Hop, and World Vibes together to create multi-dimensional palettes of sound.

09/24/2024

Phormation Part 3: Silent Ground

Growing up in the remote, mist-covered valley, MLII was born into l stillness, into a world where noise was absent, where all was subtle vibration, in the hum of the earth that most never noticed. MLII was quiet and unspoken presence that was felt deeply without being seen or heard. Her family, like the valley, was connected to nature, speaking when needed, and knew that true communication was beyond words.

MLII listened to the world around her, but rarely expressed herself. She felt everything, but her way of processing was through resonance of the outside. She never needed to explanation; her existence was enough to carry peace, stability, and grounding to all who came into contact with her.

While others sought attention or validation, MLII thrived in the background. She found solace in low frequencies and unshakable tones that anchored everything. Her connection to sound was visceral, moved by the low hum of the earth, and the distant, barely perceptible vibrations of life itself.

In her early years, MLII discovered the power of bass, and it became an extension of the depth she held. The steady frequencies allowed her to express without voice, to feel without touch. She wasn’t interested in attention or loudness. For MLII, the bass was about creating foundation, about providing the ground from which others could soar.

Never seeking spotlight, her playing neither showed off nor stood out. Instead, her basslines were a subtle force, providing structure, stability, and serenity - qualities that reflected her existence. MLII played with quiet intensity that enabled everyone around her to feel more connected, more present, more grounded. Her sound was never flashy, but its power was an undeniable calm in the storm, a solid ground beneath chaos.

MLII had always preferred solitude over crowds and nature over cities. But one night, she found herself in the urban labyrinth drawn by the energy beneath the noise. She let the world guide her, trusting her instincts, knowing that she would find what she needs by following the sound.

Though the neon lights of the city were foreign, the commotion beneath signaled familiar undercurrents resonating with the same felt frequencies she had always sensed drew her in.

Wandering lost, she uncovered an underground venue and felt an immediate pull to the raw chaotic energy with no foundation.

MLII didn’t approach right away. She stayed on the fringes, absorbing the sound, trying to understand the channels. She felt the emanating frustration, a sense of incompleteness; and something inside her knew that she could help that sound find the balance it was missing. However, true to her nature, she couldn’t force the connection. She waited until the time was right.

Eventually, her path with the sound crossed again, this time in a quieter place. The sound was lost in its own world, struggling to find the resonance that had eluded it since LXCII’s departure. It was in the middle of a deep dive into the within, but it couldn’t seem to find the grounding needed to fully explore what was inside.

MLII, sensing this, quietly entered its world. She lifted the bass, and began playing along. Her low, steady frequencies filled the room, and anchored the chaotic soundscapes that were building. She neither overpowered nor demanded — she simply provided the foundation the sound had been searching for. The moment she began playing, there was an unspoken understanding. Her grounding presence allowed the sound to go deeper into its own, to explore the what had always been there yet unreachable without someone m steady.

MLII didn’t try to fix the sound. She simply provided the ground. She became the pulse beneath the surface, the low hum that allowed chaotic energy to find focus and purpose. Resonance emerged. And for the first time, the sound felt truly anchored

MLII, as always, said nothing.

Her presence was enough.

Must Extract Elements. More on that Later..
07/07/2024

Must Extract Elements. More on that Later..

👉 13 міст Від Житомира до Ужгорода — будемо разом запалювати серця та любити українське. Шукайте квитки у вашому місті за посиланням: https://bit.ly/3PmmE4y...

Out there in the woods... playing with musical legos.
07/03/2024

Out there in the woods... playing with musical legos.

05/10/2024

First time I started working in the madness of the music festival / event space was 2015 - a Promotion company needed me to transport some DJs (who were supposedly famous).

I had no clue and didn't really care who they were; I was just a guy with a transport service who drove college kids to & from airports uberpool style.

Apparently, the fact that I showed up sober, on time, and didn't fanboy over these guys made me better than 90% of the people they ever hired.

Somehow, that led me to being the "go to" Transport guy in New England; and a few months later I'm at a massive 40,000 person festival to drive a van full of big-name artists from the hotel to the stage and back.

It was approximately 8:30am, and I asked my transport manager "what's up, are we ready?" and he looked me dead in the eye and said, "Dude, I have no idea what I'm doing. I cannot get this software to work." It turns out, that guy's full time job was being a manager of a recycling plant, and he had no concept of how to run transport logistics. I thought, "no problem, I got you".

I pulled out an iPad, download google sheets, and made every driver on the team download google sheets on their cell phone. I created 5 columns on the sheet - 1) Artist name 2) Artist Pickup Spot 3) Artist Drop Off Spot 4) Pickup Time 5) Driver Name; I assigned each driver their own color and highlighted their corresponding routes on google sheets. I also had everyone download the "find friends" app on their phones, and made everyone share their real-time location with the transport manager and everyone on the team just in case we needed to call audibles and make last minute changes. This way, every driver and the manager knew exactly where everyone was at all times and everyone knew exactly what their job was. Any/all updates, changes, and audibles became instantly reflected in real-time on the Google sheets which everyone could check anytime. I handed the iPad to the transportation manager, and viola - we had an instant logistical system built within 15 minutes, just in time for the first pickup.

When it comes to logistics, especially in the madness of the music that calls itself an "industry" space, the best way for operations to run smoothly is to have 1) Transparency; 2) Honesty; 3) Communication; and 4) Ownership.

1) Transparency - everyone needs to know what's going on, where everyone is, and what their job is at all times
2) Honesty - everyone needs to put their ego and pride aside and be honest about what they can and cannot do so that if mistakes & problems arise, they can be solved immediately
3) Communication - be open & direct, say what you mean and mean what you say; don't worry about hurting anyone's feelings or how you're going to look; just make sure everyone has all of the facts so that everyone knows what's going on and no one is left in the dark
4) Ownership - give everyone the ability to chime in, give feedback, and have autonomy to make decisions without having to check with their higher-ups, and have the clearance & authority to call audibles as the madness evolves.

Maybe that's why they keep trying to pull me out of "retirement"...

Hope - we all need a ray of that.
05/04/2024

Hope - we all need a ray of that.

04/12/2024

while we were in California dreaming we started California breathing and all of a sudden we arrived here #

04/12/2024

Day 1 @ Coachella - looking forward to these guys:

Cimafunk
Miss Monique
KOKOROKO
Anna Lunoe
L'Impératrice
GoldFish
Deftones
Bob Sinclar
Green Velvet
Lil U*i Vert
clown core
Adriatique
Justice
ATEEZ
Gorgon City
Lana Del Rey
Steve Angello

I got something that's so sweet! Right here:
04/11/2024

I got something that's so sweet! Right here:

I love working with Taylor Swift vocals - they work with so many different ideas!
04/06/2024

I love working with Taylor Swift vocals - they work with so many different ideas!

Reimagining different ways you were trouble when you walked, but it's a shame that we couldn't run more experiments.

04/06/2024

Dear Artists - stop focusing on the algorithm and start sharing the real you. People don't connect with algorithms. They connect with people. It's okay if fewer people see you if that means more people will connect with you genuinely.

04/06/2024

Stop worshipping the algorithm and start making timeless music

Reimagining different ways you were trouble when you walked, but it's a shame that we couldn't run more experiments.Love...
04/06/2024

Reimagining different ways you were trouble when you walked, but it's a shame that we couldn't run more experiments.

Love Playing with Sounds.

Reimagining different ways you were trouble when you walked, but it's a shame that we couldn't run more experiments.

03/06/2024

Music video by Stereo MC's performing Connected. An Island Records video; © 1992 Universal Music Operations Limitedhttp://vevo.ly/9CsEGv

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Everett, MA
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