
06/08/2025
THE SPHINX OF TAHARQO: ANCIENT EVIDENCE OF BLACK CIVILIZATION IN EGYPT
One of the most undeniable and majestic pieces of evidence of ancient Black civilization in Egypt lies in a sculpture you won’t often find in Western schoolbooks: the Sphinx of Taharqo.
This isn’t the famous Sphinx of Giza. No. This one has a different story. A bolder story. It was discovered not in Egypt, but in Kawa, northern Sudan—a part of ancient Nubia, the African kingdom that gave rise to Egypt’s 25th Dynasty, also known as the Kush*te Dynasty.
This granite sculpture shows a sphinx—the traditional body of a lion with the head of a king. But what makes it revolutionary isn’t just the form. It’s the face. The facial features of the Sphinx of Taharqo are unmistakably African—broad nose, full lips, strong cheekbones. This is not coincidence. This is deliberate representation. The artist wasn’t hiding Taharqo’s identity. He was showcasing it.
Taharqo (reigned c. 690–664 BCE) was a powerful Nubian pharaoh who ruled both Nubia and Egypt. Under his leadership, Egypt saw a religious revival, temple restoration, and monumental architecture flourish. But more than that, Taharqo dared to project himself not as a foreigner borrowing Egyptian culture—but as a Black African who owned it, upheld it, and expanded it.
Look at the statue closely. He’s wearing the nemes headdress—a classic symbol of Egyptian kingship—and between his paws is an inscription that reads: “Taharqo, beloved of Amun”. Amun was one of Egypt’s most revered gods, and Taharqo's devotion to him signals just how integrated Nubian rule had become in Egyptian spiritual life.
But what do we often hear today? That ancient Egypt was somehow separate from Sub-Saharan Africa. That its greatness couldn’t possibly be part of African civilization. That it was Middle Eastern or “Mediterranean.” This narrative has been pushed for centuries to distance Black identity from ancient genius.
Yet statues like the Sphinx of Taharqo say otherwise. Loudly.
They show us a time when a Black African ruled the entire Nile Valley, when he restored temples that had fallen into ruin, and when his face—his real, African face—was carved into stone to last forever.
Today, that statue sits in the British Museum, far from the lands of Kush and Kemet. And while it may be imprisoned in a European institution, its presence is louder than ever. It speaks truth to power. It challenges colonial lies. It confirms what so many historians and Pan-African scholars have long asserted:
> Ancient Egypt was not separate from Africa. It was Africa. And its greatness was deeply tied to Black civilizations like Nubia.
The Sphinx of Taharqo is not just an artifact. It is evidence. Evidence of a time when Black kings ruled the world’s greatest empire—and left behind more than stories. They left stone, inscriptions, temples, and legacy.
Let no one rewrite that.