Two-inch Quad Transfer with ESG: It's going to be a fun day!
The third-generation Ampex AVR-1 is playing back a 1966 low-band color videotape.
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D-1 Digital Videotape
For those that have never seen it (or for those who never want to see it again):
Sony D-1 4:2:2 SD Digital Videotape Recovery
Here is a short demo of some of the sights and sounds of the exciting Sony invention: D-1 4:2:2 component digital videotape from the 1980's!
These machines today are "one foot in the grave" and require that a prayer be recited upon each power on!
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1959 RCA LABS LOW-BAND COLOR VIDEOTAPE SPLICED OPEN
Here is a nice demonstration from a network show where the splicer/editor made many perfect cuts to create a unique program start!
Note that some image changes between splices were traditional relay-switcher cuts.
Talk about an editing skill!
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For my big-room online editor colleagues from the past.
Remember when we had that single channel of Quantel 5000, wishing for the day we had a GVG MK II DVE? This "Rock Concert" opening appears to have been one such usage. I think this may have been done by Compact Video.
Flips/zooms/multiple images/splits/tumbles/solarization: You name it. The post supervisor must have said to the editor: "Show me what this new thing can do!".
Source: Off the air VHS recording.
Note the Amtec "pulling" after many cuts.
Here is today's 2" Quad transfer of a 625/PAL high-band videotape recorded in Africa. This Ampex 175 back-coated stock was in extremely poor condition. Nonetheless, full playback recovery was achieved! The created file was Apple ProRes 422 1080i/50.
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Bosch-Fernseh BCN-50 625/PAL VTR
Bosch-Fernseh BCN 50 625/PAL 1" B Format.
About as rare as it gets in the U.S.
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As a follow up to my Laugh In background story a while back (to be continued), let's revisit the credit roll from show 0283-1, 8-11-68. Note Burbank's best are featured.
Some of you eagle-eyed observers will see some Amtec pulling and color phase flips from the Colortec as the not-so-perfect splices hit this VR-2000B playback VTR.
THE DINAH SHORE CHEVY SHOW: EASTER 1959
THE DINAH SHORE CHEVY SHOW: EASTER 1959
This was a live color program origination from NBC Burbank feeding New York for simultaneous network air to all affiliates. It was also being recorded at NBC Burbank for West-coast time-zone delay.
As you view this clip, consider these complexities:
Live to air!
Chroma keys involving two TK-41's and then a color film chain background combined with TK-41 video.
An elaborate set designed for Dinah's walk around tree chroma-key movements.
No videotape pre-record roll-ins for this live program!
Technical Notes:
RCA TK-41 color cameras
RCA TK-26 3V color film chain
RCA color switcher
RCA chroma-key invention technology
Recorded on an RCA custom-designed low-band modulator known as the "RCA Color Labs" standard (incompatible with the later mutually agreed upon RCA-Ampex low-band color mode).
This videotape was recovered on a custom-modified Ampex AVR-1 at DC Video, Burbank California.
This clip is courtesy of Retro Video: www.retrovideo.com
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News Outtake 1
When things don't go right on a live show.
1971 Sylmar Earthquake TV Coverage
This morning marks exactly 50 years since the Sylmar Earthquake occurred. The date was February 9, 1971.
An engineer at Hollywood Video Center went into work that morning and recorded a short segment on one of their production two-inch Quad videotape recorders, taking a feed from KTLA channel 5 (via a TV antenna/tuner).
Technical notes: The channel 5 "Telecopter" was equipped with a Norelco PCP-70 color camera, enabling it to microwave back live color pictures. At that time, no other LA TV station had that capability! Also noteworthy is that there were no frame synchronizers then. The matte camera was genlocked to the incoming Telecopter microwave signal. The switching from the Telecopter to studio cameras was a "hot switch".
Here is a portion from that videotape!
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Two-Inch Quad Splices Up Close
Early 1960's Videotape Editing:
A demonstration of two-Inch Quad Videotape splices as each passes over the MK XX video head on the Ampex AVR-1 at DC Video, Burbank.
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