Soviet-American Audio Systems

Soviet-American Audio Systems Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Soviet-American Audio Systems, Music production studio, 1021 S. Walnut Street, Bloomington, IN.

A reliable resource for rare, obscure, and esoteric vintage microphones and audio equipment with a primary focus on (but not limited to) Soviet and Japanese designs (ie LOMO, Kinap, IRPA, Oktava, Sony, Toshiba, Aiwa, etc).

Tons of exquisiye mics for sale. Rare, obscure, classic old, and new, and all of them working as their designers intende...
10/25/2024

Tons of exquisiye mics for sale. Rare, obscure, classic old, and new, and all of them working as their designers intended. Here's a smattering of what's available, but I'll try to post one mic that we're selling every day, or at least every other day. In the meantime scroll through or visit the link in our bio.

Full list is posted below, message me for more details and info about anything you see that is of interest.

You can buy directly from the site, or send me a DM with an offer. Happy to answer any questions you may have.

TUBE MICS:
Neumann SM69 Tube - $16,000
LOMO 19a18 - $2,500
3 x LOMO 19a4 - $2,500/each
2 x Gefell CMV563 - $7,500/pair

CONDENSER MICS:
Sony C37p #1046 - $2,100
Sony C37p #1055 - $2,400
Sony C37p (both) - $4,200
Sony C48 - $1,600
2 x Schoeps CMC-5 w/MK4, MK41, more - $2,800 total
2 x Sony C500 Consecutive Pair - $4,600/pair
2 x Soyuz Bomblet - $1,000/ea
Technics – RP3800 (National 730a) - $1,100
LOMO UM51 NOS Stereo Pair - $1,800/pair
LOMO UM51 NOS Deluxe Set - $1,200

RIBBON MICS
RCA BK5b w/windscreen - $1,500
AEA R88a Active (stereo) - $1,800
AEA R84 - $750
AEA N22 - $750
2 x AEA R92 - $650/ea
Toshiba Type K - $1,900
National VM-1 - $750
Soviet M.D.L. - $3,000
Fostex M88rp (like new) - $750
NHK/Toshiba RU4 Consecutive Stereo Pair - $2,200
Oktava ML19 NOS Stereo Set - $1,250/stereo set
2 x NHK/Aiwa RV-1a $3,000/pair, $1,600/ea
Toshiba G-Type - Consecutive Stereo Pair - $3,000
2 x Oktava ML11m - $1,000/ea, $1,900/pr
Oktava ML17 (mint) - $800
Oktava ML16 - Mint, Tan in Original Suitcase - $800
Oktava ML16 – NOS Mint Green in Suitcase - $1,000
Toshiba Type C w/Cinemag Transformer – $650
MRTP ML15 - very rare “LOMO/KINAP” Version - $1,800

DYNAMIC MICS:
Yamaha MZ-Series Drum Mic set of 5 - $1,250
Sony F-V300 (w MD409 capsule) - $650

OUTBOARD
2 x 60U261 LOMO FET Compressor Pair - $3,000
Gyraf Ambler Tilt EQ - $2,750
Iron Age V2 EQ – $1,400
2 x Buzz Tonic 500 Series EQs - $600/ea
2 x Drawmer DS-101 500 Sereies Gates - $300/ea
4 x AWTAC Compresors - $700/ea
4 x Pultec EQP-500x - $1,200/ea
2 x Vintage Langevin 117a Program/Mic Amps - $1,250/ea
4 x LOMO 60U-127 Passive Tube Tilt EQs - $1,250/ea

After 15 years of searching, we've finally found not just one, but two LOMO 19a33s. I wouldn't know this mic even existe...
10/21/2024

After 15 years of searching, we've finally found not just one, but two LOMO 19a33s. I wouldn't know this mic even existed if it weren't for an eBay listing from the mid 2000's. All I knew is that it had two capsules and that strange PSU. So naturally I assumed it was a stereo mic. Now I know it's not (for now).

It's a solid state mono condenser microphone with two small diaphragm capsules positioned at a 120 degree angle. The PSU/control box powers the mic and provides remote control over the mic's utility. The 19a33 was designed to be used on a stage where there may have been multiple soloists or a moving target, like in opera or theater, by having the ability to be "turned" anywhere within a 120 degree span without having to move the mic itself by blending between the two capsules with the remote/PSU. The big dial on the front of the control box smoothly adjusts the blend between the capsules, effectively allowing you to point the mic without having to move it. Turn it 120 degrees left and the mic only picks up from the left capsule, turn it to the center and it picks up both capsules front and center, and turn it all the way to the right and it picks up at a 120 degree angle to the right of center. The switches on the top allow you to hang the mic upside down or right-side up and flip left and right accordingly.

Personally, it seems like some complicated and well-done engineering for something that doesn't seem particularly useful, but the mic sounds incredible. I've used one for vocals and the pair for acoustic guitar with great success so far. I'm interested in modifying the supplies to be able to output each capsule's signals separately for stereo use, or better yet, modify the dial to control stereo width from 120 degrees wide stereo to mono.

Audio samples pending.

This is an IRPA MK3 large diaphragm tube condenser microphone from the1950's. The few MK3s that have surfaced (three tha...
10/07/2024

This is an IRPA MK3 large diaphragm tube condenser microphone from the1950's. The few MK3s that have surfaced (three that I know of) have always been referred to as a LOMO 19a7, including the one we have pictured here. I recently uncovered some original documentation and some photos that bust that myth once and for all. You can see a complete original MK3 set and some original documentation by swiping through the photos.

The original MK3 used a copper diaphragm (much like the Japanese Tsushin Kogyo CU-1 from the same era, which I posted about last week), but our MK3 arrived with an M7-style MK13 capsule. The MK3 microphone has no output transformer in its body because it is located in the power supply (also like the CU-1, and many other Soviet and Japanese tube mics). You can see the original PSU in the later photo as well, and it looks quite impressive. We had Greg Norman of Electrical Audio rebuild the sh*tty home-brew PSU our MK3 came with about 10 years ago. Greg reused the same little output transformer in his PSU, and I suspect that it's this transformer that makes the mic sound wrong. I'm almost certain that if I paired it with the same output transformer and coupling capacitor from the 19a9 PSU, it would start to sing. I'll try it and record before and after clips for all you nerds out there.

This is number twelve of twelve Tsushin Kogyo CU-1 microphones ever made. Commissioned by NHK in Japan in the 1950s, thi...
09/30/2024

This is number twelve of twelve Tsushin Kogyo CU-1 microphones ever made. Commissioned by NHK in Japan in the 1950s, this was the very first iteration of the iconic Sony C37a microphone. This historically significant microphone uses the same amplifier circuit as the C37a with a 6AU6 in a cathode-follower configuration. Our CU-1 is paired with a CP-2, but the original was paired with, you guessed it, a CP-1, which is next to impossible to find. I have included a photo of another CU-1 (serial #9) along with its original CP-1 PSU for reference. In that photo you can see the original NHK letters that were glued to the body, and on our CU-1 you can see the glue that was left over from the letters which are now long gone.

The CU-1 had a proprietary capsule that was quite different from the C3 capsule found in the C37a, C37p and C37b. It was cardioid-only, had a fascinating clamping resonator ring, and used a 45-micron thick copper diaphragm which you can see in the last photo. The original diaphragm was very noisy and unusable, so we sent it to John Peluso to see what could be done. Using a typical 3-6 micron mylar diaphragm wouldn't work, the capsule sucked it through the backplate. Instead, John sourced a 40-micron thick conductive aluminum sheet which he used to make a diaphragm for the mic and installed it with the same tension as the original. And believe it or not, the mic sounds absolutely incredible! We were shocked to find out that despite its low output (which makes sense since the diaphragm is so thick), it’s not only full range, but also pretty impressive sounding.

And yes, you can hear it used to record a full song where it was used on every instrument at the link in the comments below.

This is an Oktava MD44 dynamic microphone manufactured in Soviet Russia  in the middle of the last century. The MD44 isn...
09/16/2024

This is an Oktava MD44 dynamic microphone manufactured in Soviet Russia in the middle of the last century. The MD44 isn’t a particularly rare or coveted microphone, but this particular example is just beautiful and we've never seen one quite like it, with the Soviet mint green, the matching tabletop stand, the build-in shockmount, and overall elevated build quality compared to others we've seen. Its diminutive size is incredibly eye-catching. It’s a cardioid dynamic, likely designed for voice amplification for town halls and speeches. Despite its limited frequency response, it sounds pretty good on its own or as a fun option as a room mic, a color mic or a blend-in mic on drums, vocals, or guitar amps.

Listen for yourself at the link in the comments below. It's an entire song recorded with an MD44 without any processing of any kind.

Today I’m sharing another exotic Soviet ribbon microphone, the KINAP 9a1. Built in 1948, this is the second oldest Sovie...
08/22/2024

Today I’m sharing another exotic Soviet ribbon microphone, the KINAP 9a1. Built in 1948, this is the second oldest Soviet mic we’ve seen. As usual, this mic is exceptionally rare - we know of only four 9a1s in the world, though I would guess there may be more laying around in a closet in the lower level of a former Soviet cinema studio. On first glance you wouldn’t be crazy to think that this was the USSR’s answer to the ubiquitous RCA 44BX. As it turns out, the 9a1 was a Soviet spy because under that convincing facade is something else entirely, because not only is it far different from a 44BX, but also from just about any other ribbon mic of that time period. Since it was developed by KINAP, the mic was most certainly designed and manufactured specifically for Soviet cinema, Lenin's most treasured art form.

The mic was serviced by and he was pretty blown away by what he discovered, “Yeah, (a) very unique motor! For such a large microphone you’d expect a wide ribbon, but the width of the ribbon is very small for the size of the microphone. And the dual horseshoe magnets are pretty unique!”

And as you can see from the photos, a lot of care and attention to detail went into the construction of this microphone, which translates into the sounds it reproduces. The result is a microphone that is detailed, refined, luxurious, and impressively hi-fi. Truly unlike any other mic in our locker.

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1021 S. Walnut Street
Bloomington, IN
47401

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