Music of the United States of America - MUSA

Music of the United States of America - MUSA Each MUSA volume includes a substantial peer-reviewed explanatory essay, elegant musical notation, and a detailed editorial apparatus.

Music of the United States of America (MUSA) is a series of scholarly editions of music that aims to represent the depth and diversity of our nation’s heritage by publishing musical works of exemplary artistic quality and historical significance. Music of the United States of America (MUSA) is a series of scholarly editions of music that aims to represent the depth and diversity of our nation’s he

ritage by publishing musical works of exemplary artistic quality and historical significance, targeting scholars, performers, students, and the general public. MUSA is devoted to showcasing the legacy of American music available for performance and study by publishing a forty-volume series of scholarly editions of music that addresses the wide variety of American musical styles, including jazz, psalmody, popular song, opera, twentieth-century chamber music, art song, Native American ceremony, experimental music, and the Broadway show. MUSA seeks to expand the art of critical editing beyond classical concert music to include new genres and styles previously unaddressed by the discipline, including music created by women and minorities, and other composers historically excluded from academic research. By bringing musical notation and scholarly interpretation together in each volume, MUSA endeavors to place the sounds of American music in the context of the nation's cultural life. Since 1993, MUSA has published thirty-two editions (five are multi-volume sets) and twenty-one sets of associated performance parts, making its editions available internationally for both study and performance. MUSA is the only publication series of American music that fuses extensive scholarly writing with complete musical notation. MUSA is a project of the American Musicological Society (AMS), the premier organization in the United States devoted to musical scholarship, and is guided by its Committee on the Publication of American Music (COPAM), which serves as MUSA’s editorial board. Each MUSA edition is exhaustively researched by expert Volume Editors and typically is newly engraved by the award-winning music publisher A-R Editions. The Society for American Music contributes to MUSA and provides a representative on its behalf to COPAM. MUSA is grateful to be supported by a grant from the National Endowment for the Humanities and hosted by the University of Michigan School of Music, Theatre and Dance.

A new MUSA edition!MUSA 33. Early Published Blues and Proto-Blues (1850–1915), edited by Peter C. MuirThis critical edit...
06/21/2024

A new MUSA edition!

MUSA 33. Early Published Blues and Proto-Blues (1850–1915), edited by Peter C. Muir

This critical edition of early blues-related sheet music includes all known blues songs and instrumental compositions (forty-three total) from the first four years of the blues industry, 1912–15, and twenty-four pre-1912 proto-blues, that is, published works stylistically related to the emerging blues style (for instance, using a twelve-bar blues sequence) from 1850–1912. The purpose of the edition is to present in systematic form, and for the first time, the rise of popular blues culture. Up until 1920, sheet music rather than recordings was the dominant medium of blues dissemination. The first blues recordings did not appear until 1914, two years after the appearance of sheet music and furthermore, almost all the recordings of blues that did appear before 1920 were of pre-existent published compositions. This situation changed with the rise of the race record industry in the 1920s when the identity of blues became increasingly linked to recordings. For this earliest period of blues history, the documentation offered by sheet music is crucial. A majority of this music has not been reissued since its original publication, while some has never been published at all, and exists only as copyright deposits in the Library of Congress. As a body of work, it is little known to historians and musicians despite its importance to the understanding of the evolution of blues and popular music.

New publication! Early Published Blues and Proto-Blues (1850-1915), edited by Peter C. Muir - https://mailchi.mp/areditions/new-publication-early-published-blues-and-proto-blues-1850-1915-muir-mu33-a093

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