The Common

The Common The Common is a literary journal based at Amherst College. We publish literature and visual art. In short, we seek a modern sense of place.

Finding the extraordinary in the common has long been the mission of literature. Inspired by this mission and the role of the town common, a public gathering place for the display and exchange of ideas, The Common seeks to recapture an old idea. The Common publishes fiction, essays, poetry, documentary vignettes, and images that embody particular times and places both real and imagined; from deser

ts to teeming ports; from Winnipeg to Beijing; from Earth to the Moon: literature and art powerful enough to reach from there to here. Used for decades to describe the tangible local environments and rootedness in works by authors like Faulkner, Frost, and Welty, the idea of a sense of place has fallen out of fashion. Some may think the notion of place outdated or unimportant given our globally mobile populations and technology-driven careers. But these characteristics mean that sense of place is more important now than ever. In our hectic and sometimes alienating world, themes of place provoke us to reflect on our situations and both comfort and fascinate us. Sense of place is not provincial nor old fashioned. It is a characteristic of great literature from all ages around the world. It is, simply, the feeling of being transported, of “being there.” The Common aims to renew and reenergize our literary and artistic sense of place. The Common is published in print biannually from Amherst College in Amherst, Massachusetts. Ours is a small community with far-reaching ideas. We’re a place of farmers, professors, immigrants, liberals, conservatives, dairy cows, to***co plants, strip malls, and Victorian and Brutalist architecture. We have a rich literary history and support a vibrant diversity of artists and authors. The Common fosters regional creative spirit while stitching together a national and international community through publishing literature and art from around the world, bringing readers into a common space. Contact us at [email protected]

Alex Behm's dispatch from Copenhagen snags on the details of daily life: a snapped tree limb, the changing of seasons, t...
01/07/2026

Alex Behm's dispatch from Copenhagen snags on the details of daily life: a snapped tree limb, the changing of seasons, things bought at the store.

ALEX BEHM My grandfather sits in a recliner and watches infomercials on television. It is 2:57 in the afternoon on an American Sunday and a man wearing a cheap suit tries selling him the New King James Version Bible in twelve parts on CD.

"How strange, to see behind what I’d taken to be solid. A hidden space, suddenly exposed."Listen to Rebecca Worby read h...
01/06/2026

"How strange, to see behind what I’d taken to be solid. A hidden space, suddenly exposed."

Listen to Rebecca Worby read her Issue 30 essay "Body Stories: On Miscarriage and Cancer," in a new recording available online now.

REBECCA WORBY Red, red blood, not the dark red of a period. I know this immediately even though I have only just had my first period in years, and as alarm bells go off in my mind, I begin to…

In the kitchen, I cry to the sound of my mother’s sobs. / Count the injections I have left before the vials run outGray ...
01/04/2026

In the kitchen, I cry to the sound of my mother’s sobs. / Count the injections I have left before the vials run out

Gray Davidson Carroll's "Anti-Aubade" captures the strange hereafter of sunrise on November 6th, 2024.

Read the full Issue 30 piece online. https://buff.ly/L7E4VTJ

"Tomorrow— // what a difficult word—interrupted and intercepted; / and tomorrow, all that we imagined."In quick glances ...
01/03/2026

"Tomorrow— // what a difficult word—interrupted and intercepted; / and tomorrow, all that we imagined."

In quick glances at bullfrogs and oak trees, Marc Vincenz nails a feeling of interconnectedness with all life in his Issue 30 poem "A Meeting on Waterways," now available online.

MARC VINCENZ It seems all the light of morning / has descended here where it’s usually dark / and frogs raise their heads in the bulrushes, / where the last sounds swarm among the oaks. /…

the highest orders! his name on honor lists! / banners! trumpets! salutes! obelisks! / … if my slap hadn’t smashed him d...
12/28/2025

the highest orders! his name on honor lists! / banners! trumpets! salutes! obelisks! / … if my slap hadn’t smashed him dead.

Victor Neborak's "The Mosquito" (trans. John Hennessy & Ostap Kin) elegizes the military career of a pest. Read it online in Issue 30 of The Common.

VIKTOR NEBORAK A kamikaze who would have dropped heavenly tons / on these civilians as on military echelons / and then been posthumously awarded // the highest orders! his name on honor lists! /…

Pedro Poitevin’s “The Universal Set,” translated by Philip Nikolayev, is a larger-than-life declaration of existence. Yo...
12/28/2025

Pedro Poitevin’s “The Universal Set,” translated by Philip Nikolayev, is a larger-than-life declaration of existence.

You can read the poem, featured in Issue 30, online now.

PEDRO POITEVIN I am the madness of the grand design, / I am the limit of where reason goes, / I am the science behind metascience. // The endless universe of sets is mine, / and this includes…

"This is what novelists do. We bleed in public"Novelist, photographer, and essayist, Teju Cole speaks to writing his lat...
12/27/2025

"This is what novelists do. We bleed in public"

Novelist, photographer, and essayist, Teju Cole speaks to writing his latest novel, reading all 1,800 of Emily Dickinson's poems, the importance of art in time of catastrophe, and much more in a new interview. Find it in Issue 30 or at the link below!

TEJU COLE I really believe in the novel as an innovative form. Yet I didn’t want novelty for its own sake. There had to be something necessary in how I approached the narrating. For me, this was…

2026 is almost here! But before we kick off the new year, let’s take a moment to recognize the writing that made this ye...
12/22/2025

2026 is almost here! But before we kick off the new year, let’s take a moment to recognize the writing that made this year so special. Check out our most-read pieces of 2025, available for your perusal now!

Browse a list of the ten most-read new pieces of 2025 to get a taste of what left an impact on readers. 2025 was a momentous year for The Common: our fifteenth anniversary, our 30th issue, even a major motion picture based on a story in the magazine.

A kamikaze who would have dropped heavenly tons / on these civilians as on military echelons / and then been posthumousl...
12/21/2025

A kamikaze who would have dropped heavenly tons / on these civilians as on military echelons / and then been posthumously awarded // the highest orders! his name on honor lists!

Victor Neborak's "The Mosquito" (trans. John Hennessy & Ostap Kin) elegizes the military career of a pest. Read it online in Issue 30 of The Common.

VIKTOR NEBORAK A kamikaze who would have dropped heavenly tons / on these civilians as on military echelons / and then been posthumously awarded // the highest orders! his name on honor lists! /…

"I swallow. Set my eyes on 122 tender children, much smaller / than never-ending. At this age they are all swish and unc...
12/20/2025

"I swallow. Set my eyes on 122 tender children, much smaller / than never-ending. At this age they are all swish and unconquerable hope."

Keep reading "Small Mariners" by Lauren Camp in our latest issue, as she grapples with what success means at a public speaking gig.

LAUREN CAMP What is it like to be found? All these years on, I’ve never before been / to the edge of this rocky square state. I drive 41 through aura and wither / and slip into Golden then…

"because who among us hasn’t pressed a finger into the scab / for that foreign roughness, that delicious, needling shaft...
12/18/2025

"because who among us hasn’t pressed a finger into the scab / for that foreign roughness, that delicious, needling shaft of sunk cost and thought / that anything is probable in the desert"

Check out "Exodus" by Lauren Delapenha, and new poems by Robert Cording, Rachel Hadas, and Aimee Nezhukumatathil, in our latest poetry feature!

AIMEE NEZHUKUMATATHIL Sometimes when they were young, I felt like / I was underwater and couldn’t make out sounds / or reason or rhyme, only coral clicks and distant / whale songs. A shiver of eel near my ankle. But / trust me: one day you’ll surface. They start / walking, then running, and...

"An olive taught refusal—roots clasping dark without asking.We whispered that lesson and kept failing it,step after step...
12/17/2025

"An olive taught refusal—
roots clasping dark without asking.
We whispered that lesson and kept failing it,
step after step, leaf after leaf."

In our latest dispatch, Alaa Alqaisi writes from Gaza, from a moment when leaving wasn’t a choice but a matter of surviving genocide.

ALAA ALQAISI We stepped out with our eyes uncovered. / Gaza kept looking through them— / green tanks asleep on roofs, a stubborn gull, / water heavy with scales at dawn. // Nothing in us chose the hinges to slacken. / The latch turned without our hands. / Papers practiced the border’s breat...

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