The Common

The Common The Common is a literary journal based at Amherst College. We publish literature and visual art. In short, we seek a modern sense of place.

Finding the extraordinary in the common has long been the mission of literature. Inspired by this mission and the role of the town common, a public gathering place for the display and exchange of ideas, The Common seeks to recapture an old idea. The Common publishes fiction, essays, poetry, documentary vignettes, and images that embody particular times and places both real and imagined; from deser

ts to teeming ports; from Winnipeg to Beijing; from Earth to the Moon: literature and art powerful enough to reach from there to here. Used for decades to describe the tangible local environments and rootedness in works by authors like Faulkner, Frost, and Welty, the idea of a sense of place has fallen out of fashion. Some may think the notion of place outdated or unimportant given our globally mobile populations and technology-driven careers. But these characteristics mean that sense of place is more important now than ever. In our hectic and sometimes alienating world, themes of place provoke us to reflect on our situations and both comfort and fascinate us. Sense of place is not provincial nor old fashioned. It is a characteristic of great literature from all ages around the world. It is, simply, the feeling of being transported, of “being there.” The Common aims to renew and reenergize our literary and artistic sense of place. The Common is published in print biannually from Amherst College in Amherst, Massachusetts. Ours is a small community with far-reaching ideas. We’re a place of farmers, professors, immigrants, liberals, conservatives, dairy cows, to***co plants, strip malls, and Victorian and Brutalist architecture. We have a rich literary history and support a vibrant diversity of artists and authors. The Common fosters regional creative spirit while stitching together a national and international community through publishing literature and art from around the world, bringing readers into a common space. Contact us at [email protected]

"The city of good air is a red sun. We walk its streets and circle each other, astronauts in a fugue state tethered to a...
05/11/2025

"The city of good air is a red sun. We walk its streets and circle each other, astronauts in a fugue state tethered to a world in disrepair."

Lara Atallah's "Tethered Hearts" explores the mirrored worlds and wounds of Buenos Aires and Beirut, their collapsed currencies, thousands of anonymous disappeared.

Read the full dispatch online.

LARA ATALLAH The city of good air is a red sun. We walk its streets and circle each other, astronauts in a fugue state tethered to a world in disrepair.

Brighten your day with a brand new poetry recording of Issue 29 poem "Cedar Park Café," performed by the author, Terra O...
04/11/2025

Brighten your day with a brand new poetry recording of Issue 29 poem "Cedar Park Café," performed by the author, Terra Oliveira. Listen now!

TERRA OLIVEIRA at cedar park café, praised for their chicken & waffles, / i sit at the corner table, & a young blonde child / with their family in front of me takes a sip of water, / looks…

"We’re all beside ourselves / as the phone is beside ourselves"Wyatt Townley's ambidextrous "Waiting for the Call I Am,"...
01/11/2025

"We’re all beside ourselves / as the phone is beside ourselves"

Wyatt Townley's ambidextrous "Waiting for the Call I Am," explodes the negative space before a phone call into its primal affects.

Read the full Issue 30 poem online!
https://buff.ly/auwmt2K

"Then I understood. Ellen was translucent. It wasn’t just her skin; all of her was less solid, almost ghostly. One day s...
01/11/2025

"Then I understood. Ellen was translucent. It wasn’t just her skin; all of her was less solid, almost ghostly. One day she might be totally transparent."

Elsa Lyons makes her literary debut with, "Ellen," in which a mother discovers that her baby is, inexplicably, fading.

Read the full short story online.

ELSA LYONS Then I understood. Ellen was translucent. It wasn’t just her skin; all of her was less solid, almost ghostly. One day she might be totally transparent. And then what? How could Dr.…

“That’s us, always leaping into the getaway car of daydream, / lit up lavender & tangerine."��Issue 30 of The Common is ...
31/10/2025

“That’s us, always leaping into the getaway car of daydream, / lit up lavender & tangerine."

��Issue 30 of The Common is now yours. Dive in with Jen Jabaily-Blackburn’s poem “Ars Poetica: Getaway Car,” available online now:

JEN JABAILY-BLACKBURN That’s us, always leaping into the getaway car of daydream, / lit up lavender & tangerine. We are dancing with our mouths / like no one is listening because no one is listening but us.

"Let ours be the most boring of love stories, the happy-ending kind, / the obnoxiously-spooning-in-public kind" A favori...
30/10/2025

"Let ours be the most boring of love stories, the happy-ending kind, / the obnoxiously-spooning-in-public kind"

A favorite of our brand new Issue 30, Rebecca Foust's "New Orison" sweetly relishes in a love that can hold both a full history and a full future. Read it below!

REBECCA FOUST You & I will grow old, Love, / we have grown old. But this last chance // in our late decades could be like the Pleiades, winter stars seen by / Sappho, Hesiod & Galileo & now by…

"It wasn’t until I was midway into the channel that I considered what I was doing. I’d shoved off from the island withou...
30/10/2025

"It wasn’t until I was midway into the channel that I considered what I was doing. I’d shoved off from the island without her. I was rowing away from her, hard and fast."

A family's return to a childhood vacation spot stirs memories and the inevitable surfacing of regrets. Check out Casey Walker's Islands, newly released in Issue 30!

CASEY WALKER Twelve years ago, in waters off the Azores, my father was thrown overboard on a whale-watching skiff and my mother thought she could save him.

"As I tell it to you now / I see it all again, before me, / and I don’t know why I remember"Issue 30 debuts a collection...
28/10/2025

"As I tell it to you now / I see it all again, before me, / and I don’t know why I remember"

Issue 30 debuts a collection of poetry from Ukraine, accompanying featured art from the Mead Art Museum. These poems evoke life in uncertain times and a longing for the past. Check it out below!

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"I have come to believe that a magazine is a kind of garden"Issue 30 releases today! There's no better place to begin th...
27/10/2025

"I have come to believe that a magazine is a kind of garden"

Issue 30 releases today! There's no better place to begin than with editor-in-chief Jennifer Acker's statement introducing the issue, in which she remembers lessons from her father that have shaped her experiences publishing The Common. Check it out below!

JENNIFER ACKER "I have come to believe that a magazine is a kind of garden, in which seeds are planted and effortfully brought into the light."

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