The Common

The Common The Common is a literary journal based at Amherst College. We publish literature and visual art. In short, we seek a modern sense of place.

Finding the extraordinary in the common has long been the mission of literature. Inspired by this mission and the role of the town common, a public gathering place for the display and exchange of ideas, The Common seeks to recapture an old idea. The Common publishes fiction, essays, poetry, documentary vignettes, and images that embody particular times and places both real and imagined; from deser

ts to teeming ports; from Winnipeg to Beijing; from Earth to the Moon: literature and art powerful enough to reach from there to here. Used for decades to describe the tangible local environments and rootedness in works by authors like Faulkner, Frost, and Welty, the idea of a sense of place has fallen out of fashion. Some may think the notion of place outdated or unimportant given our globally mobile populations and technology-driven careers. But these characteristics mean that sense of place is more important now than ever. In our hectic and sometimes alienating world, themes of place provoke us to reflect on our situations and both comfort and fascinate us. Sense of place is not provincial nor old fashioned. It is a characteristic of great literature from all ages around the world. It is, simply, the feeling of being transported, of “being there.” The Common aims to renew and reenergize our literary and artistic sense of place. The Common is published in print biannually from Amherst College in Amherst, Massachusetts. Ours is a small community with far-reaching ideas. We’re a place of farmers, professors, immigrants, liberals, conservatives, dairy cows, to***co plants, strip malls, and Victorian and Brutalist architecture. We have a rich literary history and support a vibrant diversity of artists and authors. The Common fosters regional creative spirit while stitching together a national and international community through publishing literature and art from around the world, bringing readers into a common space. Contact us at [email protected]

“Small Mariners” is a grand gust of wind in your sails, sure to startle you alive. Listen to Lauren Camp read her stunni...
11/25/2025

“Small Mariners” is a grand gust of wind in your sails, sure to startle you alive. Listen to Lauren Camp read her stunning Issue 30 poem in a brand new recording, available online now.

LAUREN CAMP What is it like to be found? All these years on, I’ve never before been / to the edge of this rocky square state. I drive 41 through aura and wither / and slip into Golden then…

And each stumbled at only one point in the interview: a delicate segment, something unprecedented, which none of these b...
11/23/2025

And each stumbled at only one point in the interview: a delicate segment, something unprecedented, which none of these bridal candidates had ever been asked by the families of any potential suitors.

AJ Bermudez' The Sixteenth Brother is a lush tale of family and betrayal. Issue 30.

A. J. BERMUDEZ Now, Khalida notes, here’s where it gets interesting. She explains that, under Moroccan inheritance law, the vote on what to do with a property must be unanimous among…

"The floor / Geometric / Cleared of all / But the past and the present"Alberto de Lacerda's wonderful poem of distances ...
11/22/2025

"The floor / Geometric / Cleared of all / But the past and the present"

Alberto de Lacerda's wonderful poem of distances and alienation "Vermeer" has been translated by the brilliant Maria de Caldas Antão for our 30th Issue. Read on below!

ALBERTO DE LACERDA The architecture of the sleeves— / White— / As she composes her response / To a letter / (On the marble floor / The seal / Jumps / From the crumpled letter) // …

"Multiplying outward at the stupid root of all of this / Decadence! O Walloon Swallow, fly, fly from that precipice."For...
11/20/2025

"Multiplying outward at the stupid root of all of this / Decadence! O Walloon Swallow, fly, fly from that precipice."

For this month's poetry feature, Dylan Carpenter brings us to consider the absurdities of our time, with a voice mythological in tone. Read below!

DYLAN CARPENTER I have heard the symptoms play upon world’s corroded lyre, / Pictured my Wallonia and seen the waterfall afire.

"Sometimes, we are relegated to pinholes. We attach one thing to another. We don’t get to breathe." During a visit to an...
11/19/2025

"Sometimes, we are relegated to pinholes. We attach one thing to another. We don’t get to breathe."

During a visit to an onsen town, Tola Sylvan meditates on wintering, perception, and femininity as armor and ornament. Check out her dispatch below!

TOLA SYLVAN here is the outside of myself, my hardshell exterior, with its wily and yet decipherable messages

"their feet skipping and hopping, / as if a speeded-up polka was a form of time / travel"Robert Cording's poem, "Polka,"...
11/17/2025

"their feet skipping and hopping, / as if a speeded-up polka was a form of time / travel"

Robert Cording's poem, "Polka," ties together history, abuse, and concern within a tender and playful moment of dance. Find it in Issue 30 or check it out using the link below!

ROBERT CORDING my mother and her mother, / four heart attacks and two open-heart surgeries / between them, breathing heavily, / but still going, arms and hands dipping / and rising, their feet…

The Common is pleased to celebrate the 2025 Restless Books Kellman Prize for Immigrant Literature finalists: Beto Carade...
11/17/2025

The Common is pleased to celebrate the 2025 Restless Books Kellman Prize for Immigrant Literature finalists: Beto Caradepiedra, Isabel Cristina Legarda, Stephen Narain, and Alexandra Lytton Regalado.

Read excerpts from their stories on our website now!

NEWS AND EVENTS We are thrilled to announce the finalists chosen for this year’s Restless Books Prize for New Immigrant Writing in fiction. This year, 2025, marks the tenth anniversary of the Restless Books Prize for New Immigrant Writing, which supports immigrant writers whose work examines ...

“a tall girl with a gaze like the Mother of God / murmurs seeds of words upon the tiles"Read “Ylang-Ylang” one of three ...
11/16/2025

“a tall girl with a gaze like the Mother of God / murmurs seeds of words upon the tiles"

Read “Ylang-Ylang” one of three breathtaking poems from Anna Malihon, translated by Olena Jennings, featured in our Issue 30 Ukraine Portfolio, available online now.

ANNA MALIHON Put down your toy death. / Go, return the sun’s face / to the longest night for me. / Here are peonies and June, / and soldiers tightly standing. / And never, / never will anyone…

"With no moving parts / at all, it will function / across multiple continents / indefinitely without maintenance."In his...
11/15/2025

"With no moving parts / at all, it will function / across multiple continents / indefinitely without maintenance."

In his latest poem, James Richardson pinpoints the most deadly weapon that exists: our indifference. Check it out below!

JAMES RICHARDSON Indifference is far more efficient / than fission or fusion / as a weapon of mass destruction, / and far less problematic / than uranium or tritium / to procure, occurring, / as…

"Consider not teaching, cancelling class, staying at home in bed. / Force yourself to go to campus anyway."After Trump's...
11/13/2025

"Consider not teaching, cancelling class, staying at home in bed. / Force yourself to go to campus anyway."

After Trump's reelection, Professor Karen Shephard finds in literature a guiding hand and the urge to remain connected in the world. Find our latest installment of The Reading Life below!

KAREN SHEPHARD Lay out how once a nation is defined by its virtue rather than by its potential, politics becomes a discussion of good and evil rather than possible solutions to real problems.…

"And now this novel exists in the world and has a life of its own. I think that the beauty of the relationship between a...
11/10/2025

"And now this novel exists in the world and has a life of its own. I think that the beauty of the relationship between an author and a reader is the fact that they will never meet"

Sarah Faux interviews Mariam Rahmani, and they talk writing process, orientalization, and giving oneself kindness in our political moment. Read below!

MARIAM RAHMANI I have given myself permission to take up more space. For a lot of writers, that is actually the gift that they give themselves. I knew going into Liquid that I was buying time to…

public security, national writ walled in / where you eat s**t, as if to flank your fake / glory and never break your blo...
11/09/2025

public security, national writ walled in / where you eat s**t, as if to flank your fake / glory and never break your bloated story,

Anna Maria Hong's "Castanets 84 | Being fond on praise," is an eleven-line hex against judicial impunity. Read the poem in Issue 30, online.

https://buff.ly/fHEavCu

ANNA MARIA HONG To your beached blessings, add this curse: / not making worse what glass makes / so clear but neither smoking the path to your impaneled store, absconded / documents across…

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