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03/05/2024

Who is the first person to make a movie?
Louis Le Prince
According to film experts, the first person to make a movie (or at least the first movie to survive in order to substantiate it) with an actual motion picture camera was Louis Le Prince in 1888. The film was called Roundhay Garden Scene and featured people walking through a garden for just over 2 seconds.

Who is the father of filmmaking?History of film - D.W. Griffith, Silent Era, Biograph ...Chief among these innovators wa...
03/05/2024

Who is the father of filmmaking?
History of film - D.W. Griffith, Silent Era, Biograph ...
Chief among these innovators was D.W. Griffith. It is true that Griffith's self-cultivated reputation as a Romantic artist—“the father of film technique,” “the man who invented Hollywood,” “the Shakespeare of the screen,” and the like—is somewhat overblown.

03/05/2024

Who started filmmaking?
brothers Auguste and Louis Lumière
In the latter half of 1895, brothers Auguste and Louis Lumière filmed a number of short scenes with their invention, the Cinématographe. On 28 December 1895, the brothers gave their first commercial screening in Paris (though evidence exists of demonstrations of the device to small audiences as early as October 1895).

Auguste and Louis LumièreAuguste and Louis Lumière , two of the most profound pioneers in the cinema world, are consider...
03/05/2024

Auguste and Louis Lumière
Auguste and Louis Lumière , two of the most profound pioneers in the cinema world, are considered the earliest filmmakers in history as they created the cinématographe with which the brothers made the first motion picture.

01/05/2024

history of film
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Last Updated: Apr 29, 2024 • Article History
The Passion of Joan of Arc
The Passion of Joan of Arc
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Also called:
history of the motion picture

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Recent News
Apr. 29, 2024, 5:45 AM ET (The Hollywood Reporter)
The Rise of Mega Studios: How MGM Remade Hollywood 100 Years Ago

history of film, history of cinema, a popular form of mass media, from the 19th century to the present.

(Read Martin Scorsese’s Britannica essay on film preservation.)
Early years, 1830–1910
Origins

The illusion of films is based on the optical phenomena known as persistence of vision and the phi phenomenon. The first of these causes the brain to retain images cast upon the retina of the eye for a fraction of a second beyond their disappearance from the field of sight, while the latter creates apparent movement between images when they succeed one another rapidly. Together these phenomena permit the succession of still frames on a film strip to represent continuous movement when projected at the proper speed (traditionally 16 frames per second for silent films and 24 frames per second for sound films). Before the invention of photography, a variety of optical toys exploited this effect by mounting successive phase drawings of things in motion on the face of a twirling disk (the phenakistoscope, c. 1832) or inside a rotating drum (the zoetrope, c. 1834). Then, in 1839, Louis-Jacques-Mandé Daguerre, a French painter, perfected the positive photographic process known as daguerreotype, and that same year the English scientist William Henry Fox Talbot successfully demonstrated a negative photographic process that theoretically allowed unlimited positive prints to be produced from each negative. As photography was innovated and refined over the next few decades, it became possible to replace the phase drawings in the early optical toys and devices with individually posed phase photographs, a practice that was widely and popularly carried out.
Eadweard Muybridge
Eadweard Muybridge
One photograph of a series taken by Eadweard Muybridge of a running horse.

There would be no true motion pictures, however, until live action could be photographed spontaneously and simultaneously. This required a reduction in exposure time from the hour or so necessary for the pioneer photographic processes to the one-hundredth (and, ultimately, one-thousandth) of a second achieved in 1870. It also required the development of the technology of series photography by the British American photographer Eadweard Muybridge between 1872 and 1877. During that time, Muybridge was employed by Gov. Leland Stanford of California, a zealous racehorse breeder, to prove that at some point in its gallop a running horse lifts all four hooves off the ground at once. Conventions of 19th-century illustration suggested otherwise, and the movement itself occurred too rapidly for perception by the naked eye, so Muybridge experimented with multiple cameras to take successive photographs of horses in motion. Finally, in 1877, he set up a battery of 12 cameras along a Sacramento racecourse with wires stretched across the track to operate their shutters. As a horse strode down the track, its hooves tripped each shutter individually to expose a successive photograph of the gallop, confirming Stanford’s belief. When Muybridge later mounted these images on a rotating disk and projected them on a screen through a magic lantern, they produced a “moving picture” of the horse at full gallop as it had actually occurred in life.

01/05/2024

What are the 3 parts of the film industry?
Film production can take as much time, personnel, and money as you're willing to devote to it, but the project is less daunting if you break it down into its component parts: pre-production, production, and post-production.





01/05/2024

The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors.





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27/04/2024

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22/04/2024

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22/04/2024

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20/04/2024

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18/04/2024

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16/04/2024
16/04/2024

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