16/08/2021
This painting is a calligraphic representation of a cry – Aahin! to lament Husain AS, grandson of the Prophet.
The lamentation of Christ was a popular subject in Christian religious art for several centuries. So it is interesting to look at this Islamic painting next to famous historical Christian religious art and reflect on the differences in the art of these two world religions.
Artwork where Christ is held and mourned by Mary is called Pieta, and many artists have painted their own Pietas. The most famous Pieta though is not a painting at all, it is Michelangelo’s Pieta sculpture in Vatican City. We included a picture of it here too. Muslim artists got in on the act too, see the picture of the Lamentation of Christ by Ali Reza Abbasi from the 17th century in Slide 4.
It is perhaps not fair to the artist Zaenab to put her picture next to these masterpieces, but we still thought it was interesting to examine the two styles of art together.
The Islamic painting is a modern one but it sticks to traditional principles in Islamic art, referencing Husain AS without pictures, and using calligraphy to point to what cannot be seen, typically, the Divine. Calligraphy is extremely important in Islamic art, representative of the importance of God’s word, and here too, she uses the letters in the word Aahin to make her art.
What else strikes you between the two?
Art: Aahin, 2020, by Zaenab; Pietà, c 1441, Rogier van der Weyden, Public domain, via Wikimedia Commons; Pieta, Michelangelo, 1497, CC BY-SA 3.0, via Wikimedia Commons; Lamentation over the dead body of Christ, Freer Gallery of Art.