FUL Film

23/06/2025

It’s funny how a small thing can mean a great deal — not just in the moment, but even more so years later.

When Albert Herranz — my co-director, co-producer, and co-writer on our debut feature Savage Nights, Despairing Days — moved to Mallorca, he gave me a bunch of DVDs and film magazines. One of them was an issue of Digital Filmmaker, with a article about a young man named Charlie Steeds, who at the time was finishing up his first feature film Labyrinthia (later renamed Deadman Apocalypse by the distributor).

Back then, I was deep in production on Cerebral Palsy Blues and unsure whether I even wanted to keep making fiction films. I didn’t think much about him or the film. But a few years later, when my passion for storytelling — especially genre films and B-movies — came back, I rediscovered the article while on vacation.

I thought: Whatever happened to this Charlie Steeds guy? Did he ever make another movie?

I googled him. Turned out he’d made 14 feature films. Now it’s 18. I can’t overstate how inspiring that was.

As my filmmaker friends and I often say — it’s crucial to find contemporary filmmakers who inspire you. Looking too far back in time can be a trap. Those creators worked in a totally different world — on film, with bigger budgets, and under very different conditions.

I’ve only seen one of Charlie Steeds’ films so far — the wildly entertaining A Werewolf in England (2020) — but he inspired me (along with U.S. indie directors Mickey Reece and Matt Farley) to make my own microbudget horror film Alma Wants New Playmates.

And I’ve been rolling ever since.

Recently, I discovered Charlie had launched a new Indiegogo campaign for his latest film:
https://www.indiegogo.com/projects/the-deep-south-death-house-grindhouse-horror-film/x/38487484 #/

I supported it by buying a Blu-ray for 325 SEK.

His new project, Deep South Death House, is a gritty, independent horror film made entirely outside the traditional industry system. After having previous films censored by distributors — with cuts to violence, language, and tone — he's now choosing full creative freedom.

This is also something I’ve noticed since I started making films and releasing them to the market — when I see other filmmakers (or artists) promoting themselves or their work, I feel for them and want to support them. I know what it takes to create something from start to finish — and I'm not just talking about the financial side. It’s a mountain of effort, emotion, and willpower.

Film matters. Especially when it's made for the right reasons, by truly independent artists.

If you agree — and if you enjoy horror — check out Charlie’s campaign.

/Daniel

Revenge splatter horror set in the American Deep South, 70s exploitation style | Check out 'THE DEEP SOUTH DEATH HOUSE Grindhouse Horror Film' on Indiegogo.

18/06/2025

A few months ago, I sat down with Sinister Magazine to talk about our short film The Killjerk Killer in the Woods, which screened at Sinister Filmfest. We covered everything from the twisted concept and the amazing team behind it to the upcoming feature version set to shoot in 2026.

The interview just went live — check it out here:
https://sinisterfilmfest.com/2025/04/07/from-parody-to-possession-the-twisted-origins-of-the-killjerk-killer/?utm_source=chatgpt.com

In this interview, Daniel unpacks the bizarre origins of his short film, the mythology behind his upcoming feature, and why censorship has no place in his creative process.

03/06/2025

Making Feature Films on a Micro-Budget – but With Heart

Making a micro-budget feature film is an adventure. I’ve made a few now where everyone involved works for a share in the film rather than for upfront payment. It’s definitely a dilemma—I don’t want to exploit anyone, but at the same time, I’m not making any money from these films myself (at least not yet). They haven’t earned back their budgets. Still, the goal is that one day, we’ll all be able to make money from our filmmaking.

The first milestone, though, is simply getting the feature made. Actually completing a full-length film—even on a tiny budget—is an achievement in itself. It builds résumés, showreels, and networks, and that can lead to future opportunities. I’m always transparent about what kind of production it is, and I’ve found that many people want to be involved—not for the money, but because it feels meaningful.

People in the industry sometimes forget that filmmaking isn’t just a job—it’s also a creative expression. A lot of people make films because they love it. That’s how it is for me too.

In 2026, we're making our sixth feature film, The Killjerk Killer in the Woods (the fourth and fifth will also be released that year), but before that, we want to try raising some funds through a crowdfunding campaign. More on that later this year 😀

Wishing you a lovely start to the summer!

/Daniel

12/05/2025

I'm turning 46 soon, and age means something.

Ageism in film is fascinating – you rarely see people over 40 in movies, especially not unknowns in their 40s.

That’s exactly what cracks me up about Alma Wants New Playmates — we’re all past 40, and we’re out here making our own trashy, s*xy tribute to Jess Franco, like no one told us we shouldn’t.

It’s like playing make-believe as kids, like cowboys and Indians — except now it’s vampires and le****ns 😄

Now that the institutions are trembling, the gatekeepers are pretty much gone. In some ways, the film industry has been democratized — anyone with a vision, a camera, and the guts to follow through can get their movie out there.

Of course, it depends on what you want to do and how far you want to go. But if the goal is to make movies, then you can create your own little industry – make a film and get it on a streaming platform.

The internet doesn’t discriminate by age. You can be 70 and make a zero-budget feature about a dirty old man who meets a mysterious, alluring woman in the woods — someone who reminds him of his first love, and makes love just as well. And if the film is good — or just weird and interesting enough — there’s a chance that 70-year-old might stumble upon an audience who’s been waiting for exactly that story.

You don’t believe me?

Watch me become that 70-year-old guy 🥸

/Daniel

14/04/2025

Hi, and welcome if you’ve just discovered us!

My name is Daniel, and I run the production company FUL Film, which specializes in low-budget films for the international market. So far, we’ve produced three feature films and have two more in post-production – five in total.

Our most talked-about films are:

"Cerebral Palsy Blues" (Documentary) –

This film portrays Johan Öberg, who has cerebral palsy. It explores both his personal and political frustrations, as well as his deep passion for music.

The documentary is available on streaming platforms such as Amazon Prime (USA, UK, Spain), as well as on Tubi, Fawesome, and Zeezome.

"Alma Wants New Playmates" – An erotically charged vampire film.

Currently available on Amazon Prime in the US, UK, and several other regions, where it is rented several times a week.

We self-distribute Cerebral Palsy Blues and Alma Wants New Playmates through the platform Filmhub, which allows us to retain full rights. We see this as a sustainable path forward for independent filmmakers – building our own catalog of films while maintaining all rights.

Our fourth feature, Freedom, Truth, Chaos, Death, explores the world of conspiracy theorists in a future society.

The fifth film, The Conspiracy Mindset, is a kind of sister film to Freedom, Truth, Chaos, Death. It’s a mockumentary where we interview the actors and ask them all the same questions. Their answers are put together into a unique and interesting film.

My long-term strategy with FUL Film is based on a business model inspired by American low-budget filmmakers, whose methods I’ve studied closely. They produce films directly for streaming and often manage to build stable revenue streams. Our own experience – especially with Alma Wants New Playmates – shows that there is a willingness to pay even for non-English, independent feature films.

We hope you enjoy watching our films as much as we enjoyed making them. Have a great day, and feel free to let us know what you think if you see any of our films!

13/04/2025

A little backstory:
I met Alma when I was 19 and she was 17.

It was at a market in Bergby—a small village in Sweden.

She sold berries.
I sold pork.

I remember seeing her for the first time—the way the sun lit up her blonde hair, the red dress swaying around her knees.

She smiled when we spoke, and I swear time stood still.

We married.
We had children.
And then we lost them.

Grief bound us tighter than love ever could.

One night, we gave shelter to a traveler—a stranger...

He slept in our barn.

And by morning, we were no longer ourselves.

He had made us his.

And after what felt like forever, we broke free. We killed him.

Alma started to show sides of herself I hadn't seen before.

She really liked the ladies.

To be frank—she was a raging le***an, while all I cared about was blood.

At first, I didn’t mind.

But toward the end, it was like her hunger for touch outgrew even her thirst for blood.

That’s what destroyed us.

It worked for a few hundred years—but not forever.

Still... I miss her.

Like my soul left to be with her, and forgot to take me along.

/Henning

10/04/2025

Call it what you want. I'm an independent filmmaker who wears many hats — or just a cheap bastard who likes to keep the budget down. Either way, I'm doing the color grading for Freedom, Truth, Chaos, Death.

This is just a rough version. First, I run through it, then I tweak things — make it more subtle or more dramatic.

03/04/2025

New weekly report from Alma!

The film has now earned almost 4000 SEK. With a rental price of €4.49 on Amazon Prime UK and $2.99 on Amazon Prime US, that means someone rents it every 2-3 days.

It’s pretty cool that a low-budget, non-English language film can perform this well. In two years, it might actually break even 😄

I’m sharing this because I believe in being transparent—especially with those who made the film with me.

Next up? We have two Swedish feature films coming in 2026:
Freedom, Truth, Chaos, Death.
The Conspiracy Mindset.

They feel very relevant to the times, so it'll be exciting to see how they perform!

I sometimes joke that Freedom, Truth, Chaos, Death is my farewell to Swedish cinema—it’s an ambitious film with a large cast and crew. And there’s some truth to that. The next two films after that will be in English.

Of course, how well they do will also play a role in future decisions. But logically, English-language films should have a better shot internationally.

That said… never say never. Maybe I’ll return to Swedish films—if someone asks nicely 😉

/Daniel

02/04/2025

CEREBRAL PALSY BLUES – NOW FREE ON YOUTUBE!

After being available on Amazon Prime, Tubi, and several other platforms (where it still is), our documentary Cerebral Palsy Blues is now finally free to watch on our YouTube channel!

This was a true passion project—two years of filming and an even longer editing process to find the right structure. The film follows Johan Öberg and his life with cerebral palsy, his struggle against bureaucracy, and his place in an increasingly polarized society. An intimate, poetic, and unflinching story inspired by diarist filmmakers like Jonas Mekas and Jonathan Caouette.

Directed, shot, and produced by myself, and edited by Anton Persson Flygare—with Johan himself at the center, telling his story on his own terms.

We are incredibly proud of the result and hope it reaches even more people now that it’s freely available. Watch it, share it, and let’s keep the conversation going about representation and disability rights.

Watch the film here:
https://youtu.be/E5U6-RUzAjQ

/Daniel

30/03/2025

We love Zita Folkets Bio! ❤️

The premiere of Savage Nights, Despairing Days and Alma Wants New Playmates there was fantastic, and we’ve had so many great screenings at this charming cinema. Now, Zita needs our support – let’s help preserve one of Stockholm’s most important film venues! Go see a movie, buy a gift card, or contribute in another way. Find out more via the link in bio! 👇

Tack för all kärlek och support!Vi är otroligt tacksamma för allt stöd vi fått sedan vi lanserade kampanjen – det betyder så mycket!Tack vare er fantastiska ...

27/03/2025

Amazing Horror Films That Deserve More Attention

Hey, lists are fun, right?

Here’s my top list of horror films that have thrilled, unsettled, or influenced me—hidden gems that often go unnoticed or underappreciated.

I’m a huge fan of ’70s and ’80s horror—Grindhouse, EuroSleaze, Slashers, Proto-Slashers—even SOV horror. Modern horror is fine, but I can’t say I watch too much of it. I prefer digging into film history, uncovering weird, unsettling, and dangerous films.

Got any recommendations? Hit me up.

Alright, enough talk.

Here are 10 horror films that deserve more love.

1. Grave of the Vampire (1972)

Okay, let’s start here…

Have you ever heard of an Oedipal vampire film? No? Then you need to see Grave of the Vampire. It starts with one of the most bizarre openings in horror history—a vampire attacks a woman, she becomes pregnant, and gives birth to a son who grows up with serious daddy issues.

Director John Hayes also made the extraordinary p**n film Baby Rosemary, which deals with death, trauma, and parents betraying their children. Rosemary has had a rough life, grew up in an orphanage, has intimacy issues, and when her estranged father dies, the past catches up with her. Then things spiral out of control.

It’s funny how many horror directors started in the p**n industry. Even funnier? These old adult films are often well-made, with actual stories and character development. They called it "The Golden Age of P**n" for a reason. You can’t really compare it to today’s industry. Back then, the filmmakers were real filmmakers.

Alright, back to the list!

2. Sledgehammer (1983)

Is this a good movie? No idea.

But I love it.

An 80-minute slasher in slow motion, shot on VHS. It feels like something made by an outsider artist or a deeply disturbed child.

The plot? A house, a group of young people, a killer. But plot doesn’t matter here—it’s the dreamlike, unsettling atmosphere that makes this one special. It feels like reality is slipping away as you watch.

3. Don’t Go in the Woods (1981)

If you love wild, fast-paced slashers, Don’t Go in the Woods is a must-see. This film never slows down. The moment things get too quiet, it cuts to a new character—who’s immediately introduced and then killed. Then it’s back to the main cast.

The only flaw? The killer’s look. He’s no Jason Voorhees or Michael Myers—more like a cross between a homeless guy and an Ewok. But honestly, that just makes it more charming.

4. Last House on Dead End Street (1977)

Last House on Dead End Street is one of the most disturbing horror films out there. Low-budget, filthy, and nihilistic—it feels like a movie made by someone who truly hates humanity. Roger Watkins was addicted to drugs, paranoid, and convinced he wouldn’t live long. You can feel all of that in the film.

Watkins also made the p**n film Corruption, which is like if David Lynch directed an adult film. One of my absolute favorites.

Okay, that was the last p**n mention. I promise.

5. Seeds (1968)

One of the most hateful films I’ve ever seen.

If I remember correctly, it takes place on Christmas—but I could be wrong. It’s a family gathering where everyone is horrible, the children have incestuous relationships, the mother is a monster, and everything is captured by Andy Milligan’s camera spinning around like a seizure.

Some filmmakers try to be edgy. Andy Milligan didn’t have to try—he hated everyone. Especially mothers. It wasn’t surprising when I read that he was s*xually abused by his mother or that he grew up to be a gay sadist.

His films feel like stepping into a world that is entirely his own. A world where everything is deranged but somehow still logical.

6. Red Lips (1995)

Donald Farmer’s early films are pure. You know exactly what you’re getting. No pretentious nonsense, no irony—boobs, blood, gore, and a kickass soundtrack.

This is my favorite. But I also really like Demon Queen.

Did I forget to tell you what it’s about? Oh, le***an vampires.

7. Evil Come, Evil Go (1972)

A religious fanatic believes s*x is evil—so she seduces and murders "sinners" in the name of righteousness. When she recruits a naive follower, things spiral into a bizarre, low-budget killing spree across California.

Cleo O'Hara, who’s around 50, is fantastic in the lead. She completely commits to the role, bringing a wild intensity that makes the film unforgettable. Too bad she didn’t make more movies—I think she only did two more.

Walt Davis also made the p**n film Widow Blue, which starts with a gay scene, turns into a gory murder scene, then a straight scene—then there’s a knock at the door, and who is it? Hey, John Holmes.

And you just sit there scratching your head, thinking: Who the hell was this movie made for?

Okay, I promise, that was the last p**n mention. For real this time.

8. Martha (1974)

Alright, this isn’t technically a horror film—but it plays like one.

Fassbinder’s Martha is a psychological nightmare about control and submission. A woman marries a man who slowly breaks her down, both mentally and physically. It feels like a gothic horror film without supernatural elements—where the monster is a polite sociopath.

Probably Fassbinder’s most disturbing film, and definitely one of his most underrated.

9. Black Devil Doll from Hell (1984)

Ever wanted to see a SOV horror film about a demonic puppet that rapes people? No? Understandable.

But Black Devil Doll from Hell exists anyway. And it’s one of the most bizarre films you will ever see.

10. Alma Wants New Playmates (2023)

A Swedish underground film that blends Jess Franco-style sleaze with arthouse horror. A le***an couple visits an apartment to buy a bunk bed, only to find themselves trapped, waiting for the mysterious Alma.
A tense vampire hostage drama with a suffocating atmosphere, strong performances, and sharp writing. A true inspiration for underground filmmakers in Sweden.

The only downside? It could be 10 minutes longer—and with a few more graphic s*x scenes. But hey, you can’t have it all. We’re not living in the ’70s anymore.

If you check out any of these films, let me know what you think!

/Daniel

24/03/2025

Being a Low-Budget Director Who Sometimes Steps in Front of the Camera

I'm not a trained actor, and I've never dreamed of acting. But I do enjoy being in front of the camera, and I find it interesting to approach a character I’ve written and bring him to life.

That being said, it’s not something I do often. In Freedom, Truth, Chaos, Death, I play a killer working for the Deep State. In our upcoming feature film, The Killjerk Killer in the Woods, I haven’t written a role for myself at all, so it's definitely not a priority for me.

The reason I played Henning in Alma Wants New Playmates was that the actor I originally wrote the role for was no longer available.

Since we were shooting the film during an intense seven-day period in my apartment—while my wife and kids were away—I didn’t want to risk locking myself in with an untested actor. So, it was simply easier to take on the role of Henning myself. It turned out pretty well, if I may say so. Some of my lines could have been delivered better, but my favorite scene in the film is actually between me and Mia Frid (pseudonym).

Mia’s character, Jenny, has been kidnapped by Henning and Alma. She misses her son and wants to go home to him. Then, out of nowhere, Henning asks to hear the lullaby she sings to her son every night, and she sings it for him. That scene became incredibly powerful, and in hindsight, I feel that very few actors could have done it as well as Mia and I did. It works because we had great chemistry, and at that moment, we found a flow that we lost in later takes. The first take is the one that made it into the film.

So, I can do it if I want to 😀

I've been considering making a standalone sequel to Alma, with Henning as the main character.

Maybe that will happen after Killjerk? I’m cheap and available 24/7, so casting myself in the lead role has its advantages.

You can find Alma Wants New Playmates on Amazon Prime in the UK, US, Canada, and several other regions.

Links below 👇

🇬🇧 Amazon Prime UK: https://www.amazon.co.uk/Alma-Wants-Playmates-Daniel-H%C3%A5llquist/dp/B0DN1FGDGC

🇺🇸 Amazon Prime US: https://www.primevideo.com/detail/Alma-Wants-New-Playmates/0MB72LSQXIQFS32DLDM4IBBBTI