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The Edge Publication The Edge: The official students' publication of the College of Arts and Sciences- Mariano Marcos State University

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | Like a Snowflakeby Laura Ashley TapiaBeautiful as it is yet fleeting it may be.Just li...
18/12/2024

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | Like a Snowflake

by Laura Ashley Tapia

Beautiful as it is yet fleeting it may be.
Just like memories, it comes and goes as time passes by.

But it always comes along when moments make us remember.
The moments that can't be captured, it can't stay for too long, in its warmth it fades away. So, take a closer look and enjoy each stay.

The celebration of Christmas comes and goes, the wrapping gifts, Christmas trees and balls, the ornaments shown.

They spark laughter and make us remember that it's the time for giving, and it gives us joy as we anticipate the gifts we receive.

But just like a Snowflake, the days do not last. Snow comes in as the cycle goes for every season.

It is never lost.

It'll always remain, and without its appearance, it never means that it never came. He died, and rose again, He can't be seen, but He's always here.

His love is everywhere, and Heโ€™s the greatest gift one could ever receive.
Illustration by Kent Lipi

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | tinsel by Dan Aries Amianin the mulberry summer of the 80s,i am five and i learn to lo...
17/12/2024

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | tinsel

by Dan Aries Amian

in the mulberry summer of the 80s,
i am five and i learn to love tinsel
for its plastic sheen.
my fur-trimmed unicorn socks pelt into suburbia mud,
the mirage of heat
growing on my back like notre dame,
and christmas is nothing more than a serpentine gloss,
a belief that fairy princesses shimmer
in the strands of lametta chrome.
and at eight, i learn to read my mother's lips;
i decipher that tinsel isn't goldโ€”
its skin unmade of plastic trying to mimic
something it will never be;
and my mother tells me i should have been a boy.
and the plastic vein feels like
an iridescent scar on my skin:
flimsy, cheap, and a baby-shrill gong.

by thirteen, my eyes are crusted in tinsels,
handed down by the flakes of my father's eyes.
my shirt grows too marble-like against
the rotund puberty in my chest,
and my mom believes that i should know by now
the shape of a womanโ€”
it's the viscosity of lip gloss gelled,
crushed onto epidermis like stars refracted
against classroom lights;
it's the indenture of knuckle-angst brusque:
snaps of bra-straps from boys' untethered hands.
and at christmas, mom gives me a concealer
and teaches me how to perform
to distract the world,
snake around the fear of
middle school teachers,
the red zit on your chin, and
the fact that your best friend
didn't invite you to a sleepover.
she slits her eyes and directs me to wrap
the cream around my sockets,
fade the bags, circle it like tinsel spring.

by sixteen, when she starts drinking tequila
and punching the night with a grin,
tinsel becomes an armor.
at christmas, she tosses me her silver heels,
"something to use at a special occasion."
when prom sneaks in like a glitter sin,
the sequins on my dress feel so cheap.
we take selfies in the bathroom,
the mirror blinking blue light on our faces,
and in the reflection, i see a flaky sheen,
icicle shards in the spine of my girl body.

at eighteen, the boys begin to say at christmas,
"tinsel's tacky!"
they're wrong, because it's just honest.
it drapes effortlessly,
circumvents without even trying,
and over cheap pine and fake fir,
it dares you to call it beautiful.
and something about it just feels like
girlhood.

now, i am twenty-something,
and under the musty football bleachers,
my hands are underneath a brassiere,
skin melded, lips shrewd with forlorn.
our hands are circuitous tinsel,
tangled in red strings.
all that glitters is maybe not gold,
but it is shining.
if thereโ€™s been something that i knew,
it's that we believe in magic even
in the most venial things.
we see something sparkly in plastic
because the glitter keeps it soft against the grit,
mends the broken amidst the messy.
so i keep wearing the rainbow pin on my shirt,
and at christmas, i apply the lip gloss
on my girlfriend's cheeks.
we hang the tinsel on
my mother's bald christmas tree,
and everything glimmers like icicles in winter sun.
the shimmer is scattered like shards,
but i press it to my palms.
i saturate it like sand grains from tropic beaches,
and everything fades into a vaseline-smeared lens,
a polachek reel.
Illustrated by Maria Ysabel Manarpaac


๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | ๐˜ต๐˜ฐ ๐˜ฎ๐˜ข๐˜ฏ๐˜บ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ค๐˜ฉ๐˜ณ๐˜ช๐˜ด๐˜ต๐˜ฎ๐˜ข๐˜ด๐˜ฆ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜บ๐˜ฐ๐˜ถby SHIMEIwhen a tiny snowflake landed on top of your ...
16/12/2024

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | ๐˜ต๐˜ฐ ๐˜ฎ๐˜ข๐˜ฏ๐˜บ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ค๐˜ฉ๐˜ณ๐˜ช๐˜ด๐˜ต๐˜ฎ๐˜ข๐˜ด๐˜ฆ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜บ๐˜ฐ๐˜ถ

by SHIMEI

when a tiny snowflake landed on top of your hair, my hand instinctively reached for it, dusting the fallen particle off your hair. it's no big deal, actually - not like a small snowflake poses any threat. still, my heart aches to touch you. despite the proximity, with your hand intertwined with mine... you might have spoiled me incredibly that my body yearns to make some sort of contact. always. with vigor. of utter devotion. you've turned me into a greedy man, exactly how i wanted to be.

when you asked me to accompany you to buy christmas decorations for us to display around our shared home, there was a hint of reluctance at the back of my head. truth be told, for once, i have yet to experience such an intricate tradition. it is true. i lived my life standing by the sidelines, watching everyone handle this simple yet tedious task- i'm afraid i am the last person to help you, my dear. nevertheless, i intend to learn and spend more time with you.

when i told you that i would be preparing carbonara for christmas eve, your eyes lit up like an eager child, overwhelming the moonlight, which allowed me to see the contours of your face in the middle of the cold winter night. oh, heavens, my heart swells with affection, for i am able to stare and hold you for this long.

(i haven't shared this with you yet; actually, my preference leans more to spaghetti. until then, i plan to give up a little in exchange for your endearing smile.)
Illustration by Maria Ysabel Manarpaac


๐—ฉ๐—”๐—ช๐—– ๐—ฆ๐—ฃ๐—˜๐—–๐—œ๐—”๐—Ÿ ๐—–๐—ข๐—ฉ๐—˜๐—ฅ๐—”๐—š๐—˜ | For The Woman I Will Never Beby Mindy Haze AnsagayApril 16, 2014. A young girl sat, crisscrossed...
16/12/2024

๐—ฉ๐—”๐—ช๐—– ๐—ฆ๐—ฃ๐—˜๐—–๐—œ๐—”๐—Ÿ ๐—–๐—ข๐—ฉ๐—˜๐—ฅ๐—”๐—š๐—˜ | For The Woman I Will Never Be

by Mindy Haze Ansagay

April 16, 2014. A young girl sat, crisscrossed on the couch, her eyes fixed on the flashing screen before her. Her curiosity was seeping in as the animated film continued to rush over. In the corner of the house was meโ€”watching and waiting.

โ€œMa, do you think that will happen to me?โ€ the little girl asked her mother, who happened to walk past the living room with a little plate of snacks in her hand.

I stared at the glaring television. It displayed a cartoon version of a woman inside a cell, knees scraped with a tinge of blood and dirt, face filled with hatred. The graphics were rather good, I almost commended the maker. Almost. Because however good a person is, there is always something hidden behind a clean facade.

โ€œOf course not, sweetie. That will never happen to you.โ€ said the mother.

Lies, I scoffed. How sure was she?

The young girl nodded, seemingly contended with her motherโ€™s reply as she took a bite of the snack on the plate.

Ignoring the young girl, I followed the mother through the kitchen door. A hefty sigh escaped her mouth, her back leaned by the sink, both hands on her chest in an attempt to stop her heart from beating too fast. Her face was panic-stricken, with trembling hands and shaky legs. I couldn't help it, yet I knew why she was acting like this.

Years ago, under a moonlit night, a storm was ragingโ€”not the tempest of nature, but a fury of unchecked reality. A woman was sitting by a flickering light. Her calloused hand told stories that words dare not speak. Her silence was not empty. Instead, it was filled with screams swallowed whole, with dreams abandoned in the dark alleys of despair. In front of her, a child clutched a tattered toyโ€”a doll missing a leg, a grim reflection of innocence torn apart.

What was it about this storm that it thrived in the spaces where love should dwell? A hand raised in anger, a word sharpened into a dagger, a gaze that pierces the soulโ€”these are its weapons. And yet, the world turned its head, feigning blindness, as though the weight of a thousand shattered hearts could be ignored.

The woman remembered a time when her laughter echoed freely, like a bird in the summer sky. She remembered the strength she once held, now buried beneath the rubble of her spirit. The child, too young to know the fullness of joy, dreams only of peaceโ€”a peace that eludes their fragile world.

The walls of their home bore witness to the storm. Its eye forced its way through the new world as the woman waited for the new dawn that was difficult to come by, the horizon that would never appear, and the hope that was long forgotten. It carried the imprints of rage, the faint echoes of apologies whispered too late, the shadows of promises broken. They could see her horror, heard her palpitation, sensed her trembles, and yet no one wanted help. Shameless, unworthy of attention, undaunted pride.

Still, she stood, stoic and unyielding, as if to say, This is not the end.

Outside, the world hummed with the rhythm of life, oblivious to the battles fought in silence. Neighbors passed by, their eyes averting from the bruises that tell tales theyโ€™d rather not hear. Society cloaked itself in indifference, blaming the victim, excusing the oppressor, and perpetuating the cycle with its apathy.

There had been no hope whatsoever. No matter how much yearning they had, the world would find a way to squash it all down to the deepest grime of earth. It was a shame because I remembered watching the older woman whispering to the child about how the world would change. Fact check? Nothing changed! It was still appalling.

The woman I had been watching by the kitchen decided it was time to do the dishes. I scanned her exposed arms, where scars of the past burned her future. Every pain was a memory of something agonizingโ€”a memory of the storm she had once gone through with a tiny child cradled on her chest.

Many people should wonder, how did she manage it? And I myself asked that question many times despite surveilling it the entire time. Oh, how the story would shock them? Would they be inspired? Disgusted? I have no idea. All I knew was that they would see her in a different light. A light where she would be seen as the he**in of her story, wherein she singlehandedly wrecked her way out of the storm of reality whilst protecting the only thing she had; the childโ€”her younger self.

And here I was, standing inside the house where the woman and the child had sought comfort after the storm. I was a mere phantomโ€”walking around, observing the place many times than I could have counted. This has always been my life; watching over the past and future me because I was afraid that it would happen againโ€”the torment of the stormโ€”and that I wouldnโ€™t be there to protect any of my other personas.

If protecting them would mean I wouldnโ€™t experience what they did, then Iโ€™d die being their shield for whatever storm comes ahead. Iโ€™d stand as a resistance; a wall guarding the dream of the child and the hope of the woman. The storm does not end quickly; it fights to maintain to hold. But with every step the woman took, with every word the child spoke, its grip weakens and my hold of the wall thickens.

For the woman I will never be, you are now well protected. The storm finally left you, and if ever it comes back, I wonโ€™t hesitate to stand by you. Let your story remind the people of the countless others who still endure the storm. Let it call others to action, to stand as protectors and healers. For every woman and child who struggles in silence, let them be the voice that says, You are not alone. I am here, for I will not be the woman who bore kneeling on the dirty cell.
Illustration by Aishley Beyonce Ventura


๐™„๐™'๐™Ž ๐˜ผ ๐˜ฝ๐™๐™€๐™๐™๐™”-๐™๐™๐™‡ ๐˜ฟ๐˜ผ๐™”!๐Ÿ’‹On this special day, we celebrate not just your birth but the incredible impact you've had as our...
16/12/2024

๐™„๐™'๐™Ž ๐˜ผ ๐˜ฝ๐™๐™€๐™๐™๐™”-๐™๐™๐™‡ ๐˜ฟ๐˜ผ๐™”!๐Ÿ’‹

On this special day, we celebrate not just your birth but the incredible impact you've had as our The Edge Adviser. Your unwavering support and guidance have truly been the bedrock of our excellence. Thank you for being the steady ground on which The Edge stands.

May this year bring you even greater achievements and joy! At the Edge you MOTHERED!

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | A Christmas for Oneby Ariel Cesar AntonioThis year, no one smiled at the Christmas tre...
15/12/2024

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | A Christmas for One

by Ariel Cesar Antonio

This year, no one smiled at the Christmas tree. Only I did.

I had put up all the lights and ornaments I stored from last year and the years before, and bought some more so it would never be the sameโ€”just better.

It was now a ritual to add things yearly to the Christmas tree, a symbol of prosperity now achieved. It stemmed from a childhood vow I made in front of my parents while tying a single red glass ball to the first tree we ever had. It was lightless, dull green, a promise to light it up enough to blindly embrace the warmth of all lights any eyes could see.

Now, I can finally say I did it. I made the tree the best it could be. The poinsettias are pointy, their glitter scattered across the floor beneath them. The lights are at their tackiest, the rays combining into what feels like a new form of colorโ€”a compact kaleidoscope of emotions. But what a hypocrite I am to say itโ€™s fulfilling, when the eyes that should have witnessed this decade-spent creation of beauty are no longer here.

I sat on the sofa, gathered myself, and observed the room that was once loud. Now, it was just the tree and a noche buena for one. I stared at the only light source, unable to look away from the ornament that began it allโ€”the glass ball, still vibrant red, full of cracks but still whole.

I remember my father arriving at our house with a smile too familiar, his excitement matching mine. I knew he brought home something special and couldnโ€™t wait to give it to us. That time, it was a Christmas tree. He said it was discarded from his bossโ€™ house, but I said it was new. He hung the red glass ball, the star of the tree. Perfect timingโ€”it was media noche, and my siblings and I saw it as a gift.

We celebrated in a sense of abundance, with a tree beside us and food cooked by many: maja blanca from a neighbor, spaghetti from another, and instant noodles made by my mom.

I asked for nothing more at the time but to make our lives better. Despite all the laughter and noise filling our little house on every occasion, we hid the struggles we faced every day. With a hopeful, heavy heart, I wished to add somethingโ€”anythingโ€”to give that lone ball some companions. I promised myself Iโ€™d do everything to get us out of that surviving life and make us feel the best Christmas we could ever have.

Of course, that didnโ€™t come as quickly as a Santaโ€™s gift for good kids. It was a soul-crushing, tedious gift only the poor could understand, and not everyone gets it. Every step of progress felt like sacrificing a lifetime. Nothing was easy, and I was fragile facing it. I envied the kids in their four-wheel cars who seemed to get it so easily. But that was never my case. Instead, I had to eat dirt every day to clear the path before me.

It cost me cracks of my own. I was just a ball, rocks thrown at me, never smooth. But I didnโ€™t stop thriving. I rolled and kept treading my journey.

Eventually, things turned around. As they say, โ€œLife is a circle. Sometimes you go up, sometimes you go down.โ€ Maybe, for once, we were favored to taste what itโ€™s like at the top.

We savored it to the last bit. One fleeting moment, my mom said, โ€œDumadami na ang dekorasyon sa Christmas tree ah,โ€ and my dad said, โ€œMay pambili na ng ulam.โ€ The surrealness of the situation made it feel like I wasnโ€™t there, but I was. I made it. You had to pinch yourself to confirm reality was around you and that you should celebrate.

I snapped back to the present, the ball still in my hand. Ham and mignon sat untouched on the table. I stared at the ball again, its cracks defining it with such magnificence, trapping the light and making it glow in a thunder-like pattern. It was the best of all the decorations.

I wished I couldโ€™ve told these things to my parents, but time raced too cruelly for us. Now, I walked to the kitchen, feasting on the dishes I bought, and said, โ€œLook, Mom! The table is so full and beautiful, just how you like it.โ€

Thereโ€™s nothing I could do now but smile. I was a broken ball made strong by its cracks. Fragile as I could be, I would never be as strong as when I was newly bought. If the world was a Christmas tree, my parents would be the angel ornaments holding trumpets, and I would be the lone ball with cracks everywhere, where the light escapes. I am the ball that holds all the memories, the greatest highs, and the lowest lows. Now, I can say glass is the toughest material.

The tree is now finished. โ€œMerry Christmas,โ€ I uttered, for I know my parents are watching me at this moment. โ€œMarami nang ulam sa lamesa, pero iisa na lang ang kumakain,โ€ I murmured. The best thing I can do is smile at the tree, place the ball where my dad first put it, and smile the way I did when it was empty. This time, I smiled like no one else but me.
Illustration by Maria Ysabel Manarpaac


๐™„๐™'๐™Ž ๐˜ผ ๐˜ฟ๐™„๐™‘๐™„๐™‰๐™€ ๐˜ฟ๐˜ผ๐™”!โœจHappy Birthday to our beloved The Edge Adviser, Maโ€™am Divina Grace Eugenio, an earnest beacon in lead...
14/12/2024

๐™„๐™'๐™Ž ๐˜ผ ๐˜ฟ๐™„๐™‘๐™„๐™‰๐™€ ๐˜ฟ๐˜ผ๐™”!โœจ

Happy Birthday to our beloved The Edge Adviser, Maโ€™am Divina Grace Eugenio, an earnest beacon in leading our publication beyond the yellow line!

May this year and the years ahead bring you an abundance of blessings, peace, and joy. Cheers to more milestones together, at The Edge Maโ€™am!

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | Iโ€™m a Star, so the Tree isnโ€™t My Limitby Don LJ MartinezAs December wraps the world in...
14/12/2024

๐—ง๐—›๐—˜ ๐—˜๐——๐—š๐—˜'๐—ฆ ๐Ÿญ๐Ÿฎ ๐——๐—”๐—ฌ๐—ฆ ๐—ข๐—™ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ | Iโ€™m a Star, so the Tree isnโ€™t My Limit

by Don LJ Martinez

As December wraps the world in its festive embrace, the Christmas tree stands tall, a symbol of joy and togetherness. Its ornaments glimmer, its garlands shine, and at the pinnacle, the star radiatesโ€”a beacon of hope and guidance. To many, it is a simple decoration, but to me, it is a profound metaphor for life. Like the star atop the Christmas tree, I see myself as a guiding light, both anchored and striving for the infinite.

The star, perched at the highest point of the tree, is often seen as the crown, the ultimate symbol of success and fulfillment. Yet, its position does not signify an end. Instead, it illuminates a path, reminding us that reaching the top is not about complacency but about inspiring others and lighting the way forward. In the same way, I aspire to encourage, uplift, and lead, even as I pursue my own journey.

Anchored yet yearning, the star teaches a delicate balance. It is firmly fixed atop the tree, a symbol of stability and assurance amidst the chaos of the world below. Similarly, I strive to stay grounded in my values and purpose, holding fast to the lessons that shape me. Iโ€™m a star, so I guess the tree isnโ€™t my limit. Yet, like the starโ€™s unyielding glow reaching out into the vast darkness, I yearn to push beyond my limits, to seek new horizons, and to chase dreams that stretch far beyond my current understanding.

The essence of the star is not merely its brightness but its purpose. It shines not for itself but for those who look to it for direction and inspiration. In life, I have come to realize that purpose is not found in personal achievements alone but in how I contribute to the world around me. Just as the star guides travelers to something greater, I find fulfillment in helping others discover their paths, even as I continue to walk my own.

Yet, being a star is not without its challenges. The star atop the tree bears the weight of expectations, its brilliance scrutinized and its position envied. Similarly, lifeโ€™s pressures and uncertainties often cloud my sense of direction. But in these moments, I remember the starโ€™s unwavering glow. It reminds me that even in adversity, I must continue to shine, for the light we emit in the face of darkness becomes the most enduring testament to our strength.

Christmas, a season of reflection and renewal, invites us to think about our own journeys. As I gaze at the star atop the tree, I am reminded that life is about seeking, striving, and becomingโ€”a journey, not a destination. Just as the star points toward the infinite sky above, I, too, am called to look beyond the here and now, to embrace the unknown with courage and hope.

The star atop the Christmas tree is more than a decoration; it symbolizes lifeโ€™s greatest truths. To be grounded yet aspiring, to find purpose in serving others, and to strive for the infiniteโ€”these are its lessons. This Christmas, I celebrate the season and the endless journey it represents. To be anchored yet aspiring, to find purpose in serving others, and to strive for the infiniteโ€”these are the lessons the star imparts. This Christmas, I celebrate not only the season but also the journey it represents. I am a star, and while I may rest atop the tree for now, the infinite sky above awaits.
Illustration by Maria Ysabel Manarpaac, Ezekiel Alimpia


๐ˆ๐ ๐๐‡๐Ž๐“๐Ž๐’ | Women's Circle heads for stronger Violence Against Women and their Children awareness thru 1-day seminar
13/12/2024

๐ˆ๐ ๐๐‡๐Ž๐“๐Ž๐’ | Women's Circle heads for stronger Violence Against Women and their Children awareness thru 1-day seminar


๐—ช๐—– ๐—ต๐—ฒ๐—ฎ๐—ฑ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐˜€๐˜๐—ฟ๐—ผ๐—ป๐—ด๐—ฒ๐—ฟ ๐—ฉ๐—”๐—ช๐—– ๐—ฎ๐˜„๐—ฎ๐—ฟ๐—ฒ๐—ป๐—ฒ๐˜€๐˜€ ๐˜๐—ต๐—ฟ๐˜‚ ๐Ÿญ-๐—ฑ๐—ฎ๐˜† ๐˜€๐—ฒ๐—บ๐—ถ๐—ป๐—ฎ๐—ฟby Jamie Nichole De la CruzDriven by a united effort to battle th...
13/12/2024

๐—ช๐—– ๐—ต๐—ฒ๐—ฎ๐—ฑ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐˜€๐˜๐—ฟ๐—ผ๐—ป๐—ด๐—ฒ๐—ฟ ๐—ฉ๐—”๐—ช๐—– ๐—ฎ๐˜„๐—ฎ๐—ฟ๐—ฒ๐—ป๐—ฒ๐˜€๐˜€ ๐˜๐—ต๐—ฟ๐˜‚ ๐Ÿญ-๐—ฑ๐—ฎ๐˜† ๐˜€๐—ฒ๐—บ๐—ถ๐—ป๐—ฎ๐—ฟ

by Jamie Nichole De la Cruz

Driven by a united effort to battle the deep-seated issue of Violence against Women and Children (VAWC), CASโ€™ Womenโ€™s Circle (WC) initiated a seminar amidst the 18-day EVAWC campaign with the theme โ€œVAW Bigyang Wakas, Ngayon Na Ang Oras,โ€ at the college lobby, December 7.

Headed by the WC President, Jean Francesca Espiritu, the organization welcomed their crowd of freshmen students from Bachelor of Science in Psychology and Bachelor of Science in Sociology who are currently taking the course NSTP-CWTS. In addition, official WC members from the College of Veterinary Medicine (CVM) also attended said seminar.

Addressed during the talks were issues on inequalities, equities, violence, disparities, defense, and possible legal actions against crimes committed against women and children.

The foundation of the symposium was laid down by the first speaker Nataliza L. Llapitan, Chief of Gender and Development Focal Point System, who started an interactive discussion with the students regarding timely social issues circulating online.

Moreover, she presented real-life situations about how VAWC can take form, noting how these instances may reduce victimsโ€™ will to speak out.

โ€œViolence in all forms defy fundamental human rights,โ€ Llapitan stated.

On the other hand, the second resource speaker, Atty. Josiah P. Bagayas, provided an in-depth discussion on the Anti-Violence Against Women and Children Act of 2004 also known as the Republic Act No. 9262.

Lastly, PCPT. Angelyn C. Aguinaldo, along with two Batac City policemen, demonstrated self-defense techniques to train the participants on how to properly safeguard themselves from harmful individuals.

Prior to the conclusion of the event, CAS Dean, Marlina Lino delivered her message through Student Council Adviser Sherwin Duran.


๐‡๐€๐๐๐„๐๐ˆ๐๐† ๐๐Ž๐– | The MMSU Library System, MMSU Advocates for Cultural Development, and Pelikula Ilokana unveiled the 7th ...
12/12/2024

๐‡๐€๐๐๐„๐๐ˆ๐๐† ๐๐Ž๐– | The MMSU Library System, MMSU Advocates for Cultural Development, and Pelikula Ilokana unveiled the 7th edition of the Parmata Film Exhibition this morning, December 12, 2024. The event, held at the MMSU University Library, featured experimental films centered on Ilokano culture, by talented MMSU student filmmakers.


๐—–๐—”๐—ฆ ๐—ฐ๐—ผ๐—ป๐—ฑ๐˜‚๐—ฐ๐˜๐˜€ ๐Ÿญ๐˜€๐˜ ๐——๐—ฎ๐˜† ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฒ๐—ฎ๐—ป ๐—ณ๐—ผ๐—ฟ ๐—”.๐—ฌ. ๐Ÿฎ๐Ÿฐ-๐Ÿฎ๐ŸฑEnabling a courteous dialogue to resolve issues among stakeholders, the C...
11/12/2024

๐—–๐—”๐—ฆ ๐—ฐ๐—ผ๐—ป๐—ฑ๐˜‚๐—ฐ๐˜๐˜€ ๐Ÿญ๐˜€๐˜ ๐——๐—ฎ๐˜† ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฒ๐—ฎ๐—ป ๐—ณ๐—ผ๐—ฟ ๐—”.๐—ฌ. ๐Ÿฎ๐Ÿฐ-๐Ÿฎ๐Ÿฑ

Enabling a courteous dialogue to resolve issues among stakeholders, the College of Arts and Sciences (CAS) conducted its first โ€˜Day with the Deanโ€™ for the Academic Year 2024-2025, December 9, at MMSU Teatro Ilocandia.

Attended by, Dr. Marlina L. Lino, college dean, the Academic Executive Committee composed of Department Chairs and Programs Coordinators, and students of the college, the program is a semestral activity conducted to open a platform where students can voice out their concerns regarding academic-related issues.

Ma. Bernadette M. Macadaeg, CAS Guidance Counselor, presented the rationale of the activity, emphasizing the initiativeโ€™s aim of a shared atmosphere where students can share their perspectives and offer constructive feedback, as well as interact directly with the dean and the key administrators.

Reports from the previous โ€˜Day with the Deanโ€™ held last Academic Year were also presented by Dr. Michelle D. Reynera, College Secretary, providing a breakdown of concerns raised and actions taken to resolve past issues.

Meanwhile, Dr. Lino shared to the audience how committed the stakeholders are in addressing the concerns raised in the activity, ensuring that the best services expected of stakeholders are delivered to the students.

โ€œThis โ€™Day with the Deanโ€™ is an opportunity for us to listen to the gaps, challenges and concerns and we will affirm these concerns and collectively agree on how we can address themโ€, she said in her speech.

by Rocky dela Cruz


๐ˆ๐ ๐๐‡๐Ž๐“๐Ž๐’ | CAS holds 1st Day with the Dean for A.Y. 2024-2025
10/12/2024

๐ˆ๐ ๐๐‡๐Ž๐“๐Ž๐’ | CAS holds 1st Day with the Dean for A.Y. 2024-2025


๐‡๐€๐๐๐„๐๐ˆ๐๐† ๐๐Ž๐– | To facilitate a dialogue between students and stakeholders, the College of Arts and Sciences(CAS) organi...
09/12/2024

๐‡๐€๐๐๐„๐๐ˆ๐๐† ๐๐Ž๐– | To facilitate a dialogue between students and stakeholders, the College of Arts and Sciences(CAS) organized the First 'Day with the Dean' of A.Y. 2024-2025, attended by CAS Dean, Dr. Marlina L. Lino, the Department Chairs, and students of the college, took place this afternoon, December 9, at the MMSU Teatro Ilocandia.

by Rocky dela Cruz


๐—ฉ๐—”๐—ช๐—– ๐—ฆ๐—ฃ๐—˜๐—–๐—œ๐—”๐—Ÿ ๐—–๐—ข๐—ฉ๐—˜๐—ฅ๐—”๐—š๐—˜ | ๐—ฃ๐—ฎ๐—ด๐—น๐—ฎ๐˜†๐—ฎni Sheine Irish S. dela CruzTahimik ang bahay, tanging tunog ng rumaragasang tubig mula s...
08/12/2024

๐—ฉ๐—”๐—ช๐—– ๐—ฆ๐—ฃ๐—˜๐—–๐—œ๐—”๐—Ÿ ๐—–๐—ข๐—ฉ๐—˜๐—ฅ๐—”๐—š๐—˜ | ๐—ฃ๐—ฎ๐—ด๐—น๐—ฎ๐˜†๐—ฎ

ni Sheine Irish S. dela Cruz

Tahimik ang bahay, tanging tunog ng rumaragasang tubig mula sa gripo ang pumupuno sa paligid habang abala ako sa paghuhugas ng pinagkainan.

Sa labas, ramdam ang init ng araw na tila nag-aanyaya ng saya, ngunit sa loob ng aking isip, kanina pa bumubuhos ang malamlam na alaala ng nakaraan.

Ilang taon na nga ba akong tahimik na nagdadala ng sakit? Hindi ko na nga rin matandaan. Basta ang naaalala ko, halos gabi-gabi kong tinatanggap ang takot na kasama ng bawat yabag niya pauwi, lalo na kapag amoy alak ang hangin sa kanyang paligid.

Kahit ngayong umaga, naiwan ng huli niyang galit kagabi ang latay sa aking braso. Hindi na halata ngunit naroroon pa rin ang sakit. Parang pilat ng unos na ayaw humilom.

Sabi nila, โ€œ๐˜‰๐˜ข๐˜ฃ๐˜ข๐˜ฆ ๐˜ฌ๐˜ข, ๐˜ฎ๐˜ข๐˜จ๐˜ต๐˜ช๐˜ช๐˜ด ๐˜ฌ๐˜ข. ๐˜Ž๐˜ข๐˜ฏ๐˜บ๐˜ข๐˜ฏ ๐˜ต๐˜ข๐˜ญ๐˜ข๐˜จ๐˜ข.โ€ Pero hanggang kailan ba ako magtitiis? Hanggang kailan ko tatanggapin ang sakit na sinasabi nilang normal lang sa mag-asawa?

Naputol ang agos ng aking iniisip nang marinig ko ang tunog ng maliliit na yabag mula sa aking likod. Pagsulyap ko, nakita ko ang anak kong si Tanya, hawak ang isang papel na tila sobrang mahalaga sa kanya na sabik na sabik niyang ipakita.

โ€œMamaaa,โ€ sabi niya, inilalapit ang papel sa akin. Inilapag ko muna ang mga plato sa lababo bago ko siya tuluyang hinarap. โ€œTingnan mo po ang ginawa ko sa school namin.โ€

Kinuha ko ang papel at napatitig sa iginuhit niya. Nandoon kamiโ€”๐˜ข๐˜ฌ๐˜ฐ at ๐˜ด๐˜ช๐˜บ๐˜ข. Nakangiti, magkahawak-kamay sa ilalim ng araw. Walang ๐˜ข๐˜ฎ๐˜ข sa larawan. Hindi ko maiwasang mapansin ang pagkakaiba nito sa mga dati niyang iginuguhit na palaging kumpleto kami bilang pamilya.

โ€œBakit tayo lang, anak?โ€ tanong ko, pilit na ngumiti upang maitago ang pagguhit ng kirot sa tanong na iyon.

โ€œDahil ikaw lang naman po ang nagpapasaya sa akin,โ€ sagot niya nang walang pag-aalinlangan. โ€œAyoko nang may sumisigaw. Ayoko nang umiiyak ka, Mama.โ€

Sa likod ng kanyang inosenteng mga mata, nakita ko ang repleksyon ng sarili kong kabataan.

Lumaki ako sa isang bahay kung saan gabi-gabiโ€™y may sigawan. Ang mga mabibigat na kamay ng tatay ko, na dapat sanaโ€™y nagpaparamdam ng mainit na yakap ng pagmamahal, ay naging simbolo ng aking takot. Nakita ko kung paano ngumiti ng pilit ang nanay ko sa harap ng ibang tao, kung paano niya tinakpan ang mga pasa ng pekeng mga kwento.

โ€œGanyan talaga,โ€ sabi niya. โ€œTiwala lang. Magbabago rin siya.โ€

Pero hindi siya nagbago. Lumaki ako sa takot, sa sakit, at sa tanong kung bakit tinanggap ng nanay ko ang ganoโ€™ng buhay.

Sinabi ko sa sarili ko noon na hindi ko hahayaan na maranasan ko ang ganun. Pero ngayon, habang nakatingin ako sa mga mata ng aking anak, nararamdaman kong unti-unti kong nauulit ang parehong kwento.

โ€œMama,โ€ bulong ni Tanya, hinila ng maliit niyang kamay ang mga daliri ko. โ€œNatatakot na po ako kay Papa. Pwede po bang tama na?โ€

Ang tanong na iyon ay parang sarili kong boses noonโ€”tanong ko sa nanay na hindi niya narinig sa gitna ng kanyang pagtitiis.

Hindi ko nasagot ang anak ko, pero sa sandaling iyon, alam ko ang nararapat na sagot sa tanong niya.

Lumuhod ako sa harapan niya upang magpantay ang aming mga mukha. Hinawakan ko ang ang kanyang pisngi, at habang ginagawa iyon ay nahagip ng mga mata ko ang singsing na nasa aking daliri.

Ang singsing na minsang naging simbolo ng pag-asa at pagmamahal na ngayon ay isa na lamang paalala ng bawat sugat, kirot, at takot. Sa isang iglap, naintindihan ko na hindi na ito mahalaga pa. Ang mas mahalaga ay ang kapayapaan at kalayaan naming mag-ina.

Maingat ko itong hinubad at marahang inilapag sa ibabaw ng lamesa.

โ€œTanya,โ€ sabi ko, pilit na pinatatag ang boses ko, โ€œHindi na mauulit ang sakit na ito, anak. Pangako ni Mama, hinding-hindi ko hahayaang danasin mo ang naranasan ko.โ€

Lumapit siya at mahigpit akong niyakap. Sa pagyakap niyang iyon, naramdaman ko ang pagbuhos ng lakas na matagal nang nanahimik sa loob ko.

Hindi ko kayang baguhin ang nakaraan, pero kaya kong pigilan ang siklo nito. Tatapusin ko ang kwento ng sakit at pagtitiis, at sisimulan ko ang kwento ng aming ๐˜ฑ๐˜ข๐˜จ๐˜ญ๐˜ข๐˜บ๐˜ข.
Illustration by Aishley Beyonce Ventura


๐—ฌ๐—ผ๐˜‚๐—ป๐—ด ๐—™๐—ถ๐—น๐—บ๐—บ๐—ฎ๐—ธ๐—ฒ๐—ฟ๐˜€ ๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ป ๐—”๐—ฏ๐—ฒ๐—น ๐—ฒ๐—ฎ๐—ฟ๐—ป๐˜€ ๐—ฟ๐—ฒ๐—ฐ๐—ผ๐—ด๐—ป๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ ๐——๐—ผ๐—ธ๐˜†๐˜‚๐—•๐—ฎ๐˜๐—ฎReflecting a captivating story through their ima...
06/12/2024

๐—ฌ๐—ผ๐˜‚๐—ป๐—ด ๐—™๐—ถ๐—น๐—บ๐—บ๐—ฎ๐—ธ๐—ฒ๐—ฟ๐˜€ ๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ป ๐—”๐—ฏ๐—ฒ๐—น ๐—ฒ๐—ฎ๐—ฟ๐—ป๐˜€ ๐—ฟ๐—ฒ๐—ฐ๐—ผ๐—ด๐—ป๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ ๐——๐—ผ๐—ธ๐˜†๐˜‚๐—•๐—ฎ๐˜๐—ฎ

Reflecting a captivating story through their imaginative lenses and animations, Seven MMSU Stallions bagged four prestigious awards in the 2024 DokyuBata National Awarding Ceremony at Pasig City, November 30.

Directed by Ryand Angelo Ugalde, a senior Communication student, together with Zechri Jacob Alvarez (Assistant Director), Gniro Vinz Pablo (Cinematography), Carmela Ramiro (Animation), God-g'ven Acab (Transcription and Subtitles), John Bryan dela Cruz, and Jirah Failano (Editing), the Arapaap Creatives competed with award-winning production teams all over the country through their official entry "Tawid".

Tawid is an iloco word that translates to inheritance, which reflects the documentary's storyline. The film explores how AC, an 8 year old girl, honors her grandmother's legacy of abel weaving, a valued tradition of their town, by making it a hobby. The documentary film also narrates how it connected her to her family's roots and historical background, and the community she belongs.

The documentary film clinched Best Story Award, Most Child-friendly Award, and Best Documentary in the Young Adult Version Award.

Despite considering himself a rookie in the field, Ugalde considers the awards as a confidence boost for him and his team to create more films like Tawid, as it tailors their vision of upholding cultural preservation.

"When the opportunity of joining dokyubata came, it felt like it was the right thing to do because NCCT, the organization in charge of the competition, had goals that were aligned with our production outfit." said Ugalde.

Just like any other independent film makers, Ugalde's team faced budget and logistics struggles during the film making. However, through their passion, commitment, dedication, and the love for arts, they are now reaping their highly-anticipated victor.

by Brithney Raguindin


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