Typotheque

06/11/2025

Parmigiano Stencil was used in the poster design for ’s solo exhibition at ifa-Galerie Stuttgart, featuring imagery from her new film We Are Here!
The poster includes text in English, German, and Yiddish.

31/10/2025

Plotter Wave was used in the catalog for the Dada, Surrealism, Futurism exhibition, curated by Debra Parr () at the Alcove Gallery in Chicago.
The cover represents Futurism with a subtle nod to the technology behind the typeface.

23/10/2025

History on the cover, and the Q Project inside!
MDY (Month Day Year) is a French cultural magazine exploring innovation across fashion, philosophy, design, culture, art and technology. The Phantasm issue (272 pages) was art-directed by .p.marchal

20/10/2025

Examples of Serif Fonts are October, Nara, Brenner, Ping, Tremolo and many more.

16/10/2025

We love seeing how designers interpret our typefaces.
For the Pushkin Museum of Art, Daniel Bondarenko designed La Collection de la Fondation Louis Vuitton, un choix, a bilingual catalogue elegantly set in Karloff Negative.
Cyrillic on the left, Latin on the right.

10/10/2025

07/10/2025

Examples of Grotesque Sans fonts are Oli Grotesk, Brenner Sans, Francis and many more.

03/10/2025

We have a new survey! Help us understand how people around the world perceive typographic weight. The link is in the comments and also in the bio. It’ll only take you 10 minutes.

09/08/2025

We are excited to present two new font releases: a suite of new Cherokee typefaces created by Cherokee Nation citizen and type designer Chris Skillern (), as well as a suite of new Osage fonts developed as a collaboration between Osage Nation citizen and designer Dr. Jessica Harjo () and Typotheque. These new script extensions of the November, October, November Stencil and Lava typeface families are tailored to suit the typographic preferences of the Cherokee and Osage community readers.

The release of these fonts also marks a special milestone. After five years of community-partnered research with First Nations and Inuit communities in Canada and the United States, and the release of the new Cherokee and Osage fonts, Typotheque is also delighted to be able to present the Indigenous North American Type Collection, a large set of fonts that support the digital access, use, and local typographic expectations for all Indigenous communities in North America and their unique writing systems.

This marks the completion of a full set of typefaces supporting all of the Indigenous languages in North America, but it is not the end of the journey. The Typotheque Indigenous North American Type research project continues to work with communities to overcome barriers to their digital language access and will continue to document typographic preferences and requirements through community-partnered engagement.

Please visit our website to learn more about the new Cherokee and Osage fonts!

https://www.typotheque.com/fonts/cherokee
https://www.typotheque.com/fonts/osage
https://www.typotheque.com/research/north-american-research