NOOR NOOR images is a platform that supports a global community of visual storytellers and educational initiatives.

At the heart of NOOR burns an inextinguishable fire fuelled by a passion to inspire action on the critical issues of our time through the power of visual storytelling. Since our founding in 2007, we have grown into a global collective of artists, storytellers, and visionaries who believe in the transformative impact of visual storytelling to create a fairer, more just place. As a global organisati

on, we collaborate with local talent and expand our educational programmes to learn from and contribute to diverse perspectives. Contact us at our Amsterdam headquarters to find out more.

๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜†: ๐—ก๐—ข๐—ข๐—ฅโ€™๐˜€ ๐—ฆ๐—ฒ๐—น๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐—ฃ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐—ป๐˜๐˜€ ๐—”๐—ป๐—ป๐—ผ๐˜‚๐—ป๐—ฐ๐—ฒ๐—ฑWe are pleased to announce the artists selected by NOOR t...
24/06/2025

๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜†: ๐—ก๐—ข๐—ข๐—ฅโ€™๐˜€ ๐—ฆ๐—ฒ๐—น๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐—ฃ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐—ป๐˜๐˜€ ๐—”๐—ป๐—ป๐—ผ๐˜‚๐—ป๐—ฐ๐—ฒ๐—ฑ
We are pleased to announce the artists selected by NOOR through an open call that received over 330 applications for this collaborative residency programme. Read more about the participants and their projects via the link: https://www.noorimages.com/newsroom/2025/6/17/cross-looking-residency-noor-participants-announced

- ๐—ฌ๐—ฒ๐—ฟ๐—ฒ๐˜ƒ๐—ฎ๐—ป ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐˜: Najla Said ()
- ๐—œ๐˜€๐˜๐—ฎ๐—ป๐—ฏ๐˜‚๐—น ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐˜: Rebecca Topakian ()
- ๐—–๐—ฎ๐—ถ๐—ฟ๐—ผ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐˜: Emilia Martin ()
- ๐—ฅ๐—ผ๐—บ๐—ฒ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐˜: Raisan Hameed ()

Congratulations to all selected participants! Follow the 'Cross-Looking' project via for updates, and stay tuned as partner organisations will announce their selected residents soon.

Image Credit: ยฉ Emillia Martin, the both of us, 2024.

โ–ฌโ–ฌโ–ฌ

๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜-๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ is a collaboration between NOOR (noorimages), Organ Vida - International Photography Organisation (), the National Gallery of Armenia (), Universitรฉ Paris Citรฉ, Unione della Romagna Faentina and Universitร  Iuav di Venezia. The project is co-funded by Creative Europe.

"CROSS-LOOKING is based on an original idea by Andrea Savorani Neri and developed from the photographic research in the footsteps of his ancestors, the painter SALVATORE VALERI (1856 - 1946) and the photographer GABRIEL LEKEGIAN (1853 - 1920)."

๐—ง๐—ผ๐—ฑ๐—ฎ๐˜† ๐—ถ๐˜€ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฅ๐—ฒ๐—ณ๐˜‚๐—ด๐—ฒ๐—ฒ ๐——๐—ฎ๐˜†. Weโ€™d like to share a powerful piece by Alixandra Fazzina, a photographer who has spent more ...
20/06/2025

๐—ง๐—ผ๐—ฑ๐—ฎ๐˜† ๐—ถ๐˜€ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฅ๐—ฒ๐—ณ๐˜‚๐—ด๐—ฒ๐—ฒ ๐——๐—ฎ๐˜†.

Weโ€™d like to share a powerful piece by Alixandra Fazzina, a photographer who has spent more than 15 years documenting stories of forced migration, particularly around the Gulf of Aden. Her work captures these journeys with depth and care.

In the September 2024 issue of FT Magazine, she published 'The smugglerโ€™s daughter and other tales from the Gulf of Aden' โ€” a striking story from a region that, as the article says, โ€œhas witnessed more cycles of conflict and forced migration than almost anywhere else on Earth.โ€ You can read it via the link: https://www.ft.com/content/53577e3d-8f12-419e-8cef-1ea9eb45b71a

As political tensions deepen and displacement rises, we hold onto the hope for a world where no one is forced to flee their home.

๐—›๐—ผ๐˜„ ๐—ฑ๐—ผ ๐˜†๐—ผ๐˜‚ ๐˜๐—ฒ๐—น๐—น ๐—ฎ ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐—ฎ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ ๐˜€๐—น๐—ผ๐˜„๐—น๐˜† ๐—ฏ๐—ฒ๐—ถ๐—ป๐—ด ๐—ฒ๐—ฟ๐—ฎ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐˜„๐—ฎ๐˜๐—ฒ๐—ฟโ€”๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐˜€๐—ฝ๐—ฒ๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—ผ๐—ป๐—น๐˜† ๐—ผ๐—ณ ๐—น๐—ผ๐˜€๐˜€?For five years, Hungari...
06/06/2025

๐—›๐—ผ๐˜„ ๐—ฑ๐—ผ ๐˜†๐—ผ๐˜‚ ๐˜๐—ฒ๐—น๐—น ๐—ฎ ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐—ฎ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ ๐˜€๐—น๐—ผ๐˜„๐—น๐˜† ๐—ฏ๐—ฒ๐—ถ๐—ป๐—ด ๐—ฒ๐—ฟ๐—ฎ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐˜„๐—ฎ๐˜๐—ฒ๐—ฟโ€”๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐˜€๐—ฝ๐—ฒ๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—ผ๐—ป๐—น๐˜† ๐—ผ๐—ณ ๐—น๐—ผ๐˜€๐˜€?

For five years, Hungarian documentary photographer Andrรกs Zoltai (.zoltai) followed the rhythms of life on Majuli, the worldโ€™s largest river island in Northeast India, where the Brahmaputra River is both giver and taker. His upcoming photobook, โ€˜Flood Me, Iโ€™ll Be Hereโ€™, offers a quiet, mindful portrait of a community shaped by resilience, memory, and its sacred bond with the river.

Rather than focusing on catastrophe, Andrรกs explores the everyday continuityโ€”the gestures, rituals, and beauty of those who remain. His work traces the rhythms of resilience and the sacred intimacy between people and land. The book features 97 photographs, fragments of his diary, and an essay by Devadeep Gupta, an Indian artist rooted in the narratives of Northeast India.

In contrast to the fast-paced, often catastrophic visual language of the climate crisis, Andrรกs invites viewers to slow down with his photobook. He offers a meditative, respectful approach to storytellingโ€”centred on lived experience, care, and enduring ties to water and earth.

You can support NOOR alumni Andrรกsโ€™ powerful project and help bring this beautiful book to lifeโ€”discover more via the link in bio.

Photos by Andrรกs Zoltai, India, 2020-2025.
.institute

๐——๐—ถ๐˜€๐—ฝ๐—ฎ๐˜๐—ฐ๐—ต๐—ฒ๐˜€ ๐—ฏ๐˜† ๐—ก๐—ข๐—ข๐—ฅ | ๐—ก๐—ฒ๐˜„ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐˜ƒ๐—ถ๐—ฒ๐˜„ ๐—ข๐˜‚๐˜ ๐—ก๐—ผ๐˜„: ๐—ช๐—ถ๐˜๐—ป๐—ฒ๐˜€๐˜€๐—ถ๐—ป๐—ด ๐—ฆ๐˜†๐—ฟ๐—ถ๐—ฎ ๐˜„๐—ถ๐˜๐—ต ๐—›๐—ฎ๐˜€๐—ฎ๐—ป ๐—•๐—ฒ๐—น๐—ฎ๐—นDispatches by NOOR is a series of photoessa...
22/05/2025

๐——๐—ถ๐˜€๐—ฝ๐—ฎ๐˜๐—ฐ๐—ต๐—ฒ๐˜€ ๐—ฏ๐˜† ๐—ก๐—ข๐—ข๐—ฅ | ๐—ก๐—ฒ๐˜„ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐˜ƒ๐—ถ๐—ฒ๐˜„ ๐—ข๐˜‚๐˜ ๐—ก๐—ผ๐˜„: ๐—ช๐—ถ๐˜๐—ป๐—ฒ๐˜€๐˜€๐—ถ๐—ป๐—ด ๐—ฆ๐˜†๐—ฟ๐—ถ๐—ฎ ๐˜„๐—ถ๐˜๐—ต ๐—›๐—ฎ๐˜€๐—ฎ๐—ป ๐—•๐—ฒ๐—น๐—ฎ๐—น
Dispatches by NOOR is a series of photoessays and interviews, dedicated to the community of storytellers within and around us.

In an era of fleeting visuals, NOOR recognises the need for deep, lasting connections that produce narratives extending beyond instant gratification. With this in mind, we are excited to introduce DISPATCHES by NOOR, a new concept and the first of its kind, designed for learning, exchanging ideas, sparking discussions, and promoting educational solidarity in visual storytelling.

In our first edition, we sit down with Syrian photojournalist Hasan Belal (.belal.001), whose lens has quietly chronicled the strength and survival of ordinary Syrians living through extraordinary times.

In this interview, he reflects on his journey into photojournalism, the stories that move him, and the power of bearing witness. He speaks of the first time he held a camera, of how instinct and urgency pulled him into storytelling amidst chaos. With striking honesty, Hasan reflects on the dangers of working in a country shaped by conflict, and how the role of photographers is evolving as new challenges โ€” and hopes โ€” emerge.

This is not just a conversation about images, but about responsibility, memory, and the longing to shape a future with dignity.

Read the full interview here: https://www.noorimages.com/newsroom/2025/4/28/dispatches-by-noor-an-interview-with-hasan-belal

๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ช๐—ฒ๐—ฒ๐—ธ ๐˜๐—ผ ๐—”๐—ฝ๐—ฝ๐—น๐˜†!๐—ง๐—ต๐—ฒ ๐—ผ๐—ฝ๐—ฒ๐—ป ๐—ฐ๐—ฎ๐—น๐—น ๐—ณ๐—ผ๐—ฟ ๐—ผ๐˜‚๐—ฟ ๐—ฟ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜† ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ ๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜โ€“๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ ๐—ฐ๐—น๐—ผ๐˜€๐—ฒ๐˜€ ๐—ผ๐—ป ๐Ÿฏ๐Ÿฌ๐˜๐—ต...
23/04/2025

๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ช๐—ฒ๐—ฒ๐—ธ ๐˜๐—ผ ๐—”๐—ฝ๐—ฝ๐—น๐˜†!

๐—ง๐—ต๐—ฒ ๐—ผ๐—ฝ๐—ฒ๐—ป ๐—ฐ๐—ฎ๐—น๐—น ๐—ณ๐—ผ๐—ฟ ๐—ผ๐˜‚๐—ฟ ๐—ฟ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜† ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ ๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜โ€“๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ ๐—ฐ๐—น๐—ผ๐˜€๐—ฒ๐˜€ ๐—ผ๐—ป ๐Ÿฏ๐Ÿฌ๐˜๐—ต ๐—”๐—ฝ๐—ฟ๐—ถ๐—น!

Weโ€™re inviting visual artists in the first ten years of their career to apply for a 12-day residency in Yerevan, Istanbul, Cairo, or Rome.

Explore themes of cultural identity, historical narratives, and Eastโ€“West dynamics, receive local mentorship, and push the boundaries of documentary storytelling.

Donโ€™t miss outโ€”immerse yourself in a unique experience that can shape your artistic journey.

๐—Ÿ๐—ฒ๐—ฎ๐—ฟ๐—ป ๐—บ๐—ผ๐—ฟ๐—ฒ & ๐—”๐—ฝ๐—ฝ๐—น๐˜† ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.
โ–ฌโ–ฌโ–ฌ
CROSS-LOOKING: East-West Artistic Residencies is a collaboration between NOOR, Organ Vida International Photography Festival (Organ Vida - International Photography Organisation), the National Gallery of Armenia National Gallery of Armenia/ ี€ีกีตีกีฝีฟีกีถีซ ีกีฆีฃีกีตีซีถ ีบีกีฟีฏีฅึ€ีกีฝึ€ีกีฐ), Universitรฉ Paris Citรฉ, Unione della Romagna Faentina and Universitร  Iuav di Venezia. The project is co-funded by Creative Europe.

The Amazon, home to diverse ecosystems and indigenous communities, faces increasing threats from deforestation, climate ...
10/04/2025

The Amazon, home to diverse ecosystems and indigenous communities, faces increasing threats from deforestation, climate change, and social violence. It's vital that these stories are heard to help drive action and foster understanding.

Victor Moriyama (), a Brazilian photojournalist dedicated to documenting the Amazon, captures both the devastation and the resilience of this vital region. His exhibition "Amazรดnia, terra em transe" (Amazon, Land in Trance), now open at Pinacoteca Benedicto Celixto () in Santos, Sรฃo Paulo, Brazil, brings attention to these pressing issues.

Through his lens, Victor sheds light on the complexity of the Amazonโ€™s challenges, from agrarian conflicts to indigenous rights and biodiversity preservation. The exhibition is open to the public until 20th April.

๐—ข๐—ฃ๐—˜๐—ก ๐—–๐—”๐—Ÿ๐—Ÿ>> ๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜-๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ offer a rare opportunity to engage with the cultural exchange ...
01/04/2025

๐—ข๐—ฃ๐—˜๐—ก ๐—–๐—”๐—Ÿ๐—Ÿ>> ๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜-๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ offer a rare opportunity to engage with the cultural exchange between Europe and the Near East, while expanding the possibilities of visual storytelling by revisiting these historically connected places with fresh perspectives.

We seek artists committed to more balanced, empathetic approaches through visual arts, as well as individuals who are aware of the pernicious issues related to representing the "other," particularly in relation to the East.

Each residency offers selected artists the opportunity to explore local socio-political narratives, contribute to a transnational artistic dialogue, and experiment with innovative storytelling methodologies.

๐—Ÿ๐—ฒ๐—ฎ๐—ฟ๐—ป ๐—บ๐—ผ๐—ฟ๐—ฒ & ๐—”๐—ฝ๐—ฝ๐—น๐˜† ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—น๐—ถ๐—ป๐—ธ: https://www.noorimages.com/newsroom/2025/3/18/open-call-cross-looking-east-west-artistic-residencies?fbclid=IwY2xjawJY0VhleHRuA2FlbQIxMAABHU0OTalvKfw2XXmDU92xdTAXclSEPBB0-WCkcNPZql_ZGyqBmRe2qq99kQ_aem_PIze5zDAnmHqfrv2edoRDA
โ–ฌโ–ฌโ–ฌ
๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜-๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ is a collaboration between NOOR, Organ Vida - International Photography Organisation, the National Gallery of Armenia/ ี€ีกีตีกีฝีฟีกีถีซ ีกีฆีฃีกีตีซีถ ีบีกีฟีฏีฅึ€ีกีฝึ€ีกีฐ, Universitรฉ Paris Citรฉ, Unione della Romagna Faentina and Universitร  Iuav di Venezia. The project is co-funded by Creative Europe.

๐—ž๐—ฎ๐—ฑ๐—ถ๐—ฟ ๐˜ƒ๐—ฎ๐—ป ๐—Ÿ๐—ผ๐—ต๐˜‚๐—ถ๐˜‡๐—ฒ๐—ปโ€™๐˜€ โ€˜๐—™๐—ผ๐—ผ๐—ฑ ๐—ณ๐—ผ๐—ฟ ๐—ง๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜โ€™ ๐—ฎ๐˜ ๐— ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ ๐—›๐—ถ๐—น๐˜ƒ๐—ฒ๐—ฟ๐˜€๐˜‚๐—บWe are proud to announce that Kadir van Lohuizen has been awa...
28/03/2025

๐—ž๐—ฎ๐—ฑ๐—ถ๐—ฟ ๐˜ƒ๐—ฎ๐—ป ๐—Ÿ๐—ผ๐—ต๐˜‚๐—ถ๐˜‡๐—ฒ๐—ปโ€™๐˜€ โ€˜๐—™๐—ผ๐—ผ๐—ฑ ๐—ณ๐—ผ๐—ฟ ๐—ง๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜โ€™ ๐—ฎ๐˜ ๐— ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ ๐—›๐—ถ๐—น๐˜ƒ๐—ฒ๐—ฟ๐˜€๐˜‚๐—บ
We are proud to announce that Kadir van Lohuizen has been awarded second place in the 'Zilveren Camera 2024 Storytelling' category for his powerful visual investigation into global food production, 'Food for Thought'. The exhibition is on display at Museum Hilversum (), until 13 April 2025. For more information, check the link in bio.

๐—๐—ผ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฃ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐—ฃ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ ๐—ฎ๐˜ ๐—ฃ๐—ผ๐—ฑ๐—ถ๐˜‚๐—บ ๐— ๐—› ๐—ถ๐—ป ๐—›๐—ถ๐—น๐˜ƒ๐—ฒ๐—ฟ๐˜€๐˜‚๐—บ
On ๐—ฆ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜†, ๐Ÿฏ๐Ÿฌ๐˜๐—ต ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ฎ๐˜ ๐Ÿญ๐Ÿฐ:๐Ÿฌ๐Ÿฌ, Kadir van Lohuizen (), Hester den Boer (), and design agency LMNOP (.works ) will share insights into their work and creative process featured in the exhibition. Podium MH is free to attend with entrance ticket.

๐—Ÿ๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป:
Museum Hilversum, Project Space (Ground floor)
Kerkbrink 6, 1211 BX Hilversum, the Netherlands

Photo courtesy of Museum Hilversum, 'Zilveren Camera 2024' Exhibition.

๐—ฅ๐—ถ๐—ฝ๐—ฝ๐—น๐—ฒ๐˜€: ๐—” ๐—ฉ๐—ถ๐˜€๐˜‚๐—ฎ๐—น ๐——๐—ถ๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—ช๐—ฎ๐˜๐—ฒ๐—ฟOn this  , we celebrate waterโ€”the source of all life, a force of creation and destructio...
22/03/2025

๐—ฅ๐—ถ๐—ฝ๐—ฝ๐—น๐—ฒ๐˜€: ๐—” ๐—ฉ๐—ถ๐˜€๐˜‚๐—ฎ๐—น ๐——๐—ถ๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—ช๐—ฎ๐˜๐—ฒ๐—ฟ
On this , we celebrate waterโ€”the source of all life, a force of creation and destruction, and a symbol of deep interconnectedness.

'Ripples' is a traveling exhibition produced entirely from the NOOR Archive, exploring the global water crisis, climate change, and social inequality through powerful visual storytelling. Originally launched with the support of the Embassy of the Kingdom of the Netherlands in France, the exhibition has traveled from in Paris (2022) to .jakopic in Ljubljana and in the Netherlands (2023).

Spanning more than three decades, 'Ripples' brings together work from across the globeโ€”from the melting Arctic and the drought-stricken lands of Africa to the rising seas of the Pacific and the industrial landscapes of Europe. Featuring photography from the former members of the NOOR Agency and emerging talents from the NOOR Network, the exhibition presents a powerful visual diary of our deep and fragile relationship with water. Through stories of scarcity, pollution, rising sea levels, and human resilience, it underscores waterโ€™s role as a defining force in history, society, and the climate crisis.

But 'Ripples' is more than an exhibitionโ€”itโ€™s a statement on sustainability. Every element is salvaged or reused, challenging the culture of exhibition-making while pushing the boundaries of sustainable art. Like ripples in water, small actions can create waves of change.

As we continue exploring innovative ways to present artโ€”reusing materials, printing on upcycled materials such as used sails, and selecting more sustainable processes and materialsโ€”we invite those working with water to join us in shaping a more conscious future.

See more on 'Ripples' in the link: https://www.noorimages.com/ripples-a-visual-diary-of-water

๐—–๐—ฎ๐—ฝ๐˜๐—ถ๐—ผ๐—ป๐˜€:
ยฉ Andrea Bruce (), Erbil, Iraq, 8 September 2014.
"Kurdistan's landscapes of success": A water park on the outskirts of Erbil.
ยฉ Benedicte Kurzen (), Lake Chad, Northern Central Africa, August 2017.
The Buduma, or Yedina, are known as the guardians of the lake. They know its secrets, its arms and the islands which emerge during certain seasons. Their knowledge has been integral in the transformation the lake has undergone in becoming the sanctuary of boko haram.
ยฉ Bart Koetsier (), Installation view at Atelier Neerlandais () in Paris, France - November 2023.
ยฉStanley Greene (), A sketch in the sand illustrates a 2003 assault on Furawiya village in Darfur in western Sudan, 2007.
The diagram was drawn four years later in a refugee camp in neighboring Chad by Asdallah Asdel Khaled, a survivor of the attack. He had witnessed the total destruction of his village and atrocities committed against its inhabitants. Between 2003 and 2007, over 200,000 people were killed and millions displaced by ethnic conflict in Darfur, with large numbers fleeing to Chad. Disputes over scarce water and grazing land between black African farmers and Arab pastoralist communities triggered the war. Lack of access to water remains one of the major drivers of the ongoing conflict in Darfur.
ยฉ Stanley Greene, New Orleans, USA, March-April 2006.
A man carries a cross during a Catholic procession during Lent in the aftermath of Hurricane Katrina, a category 5 hurricane which was at the time the costliest tropical cyclone on record, and caused over 1,800 fatalities in August 2005.
ยฉ Metod Blejec, Installation view at Galerija Jakopic in Ljubljana, Slovenia, February 2023.
ยฉ Tanya Habjouqa (), Occupied Palestinian Territories, Gaza, Deir al-Balah, June 2013.
A young boy attempts to bathe his reluctant donkey in the sea, directly beside his home on the outskirts of the Deir al-Balah Refugee camp.
ยฉ Kadir van Lohuizen (), Netherlands, Saeftinghe, 08 September 2019.
The drowned land of Saeftinghe located in Zeeland on the island of Zeeuws Vlaanderen.
ยฉ Museum Hilversum (), Installation view at Museum Hilversum, the Netherlands - May 2023.
ยฉ Sanne De Wilde (), Federated States of Micronesia, Pohnpei, November 2015.
Deke Island. This is the island couples flee to when their parents don't agree to their marriage (often if they are too closely related), they spend the night together on the island and thus force their families to accept their will to wed since the marriage is already consumed. On the way back from a picnic to one of the uninhabited small islands around Pingelap with the colorblind Pingelapese and all the children of the one school of the island. The bay is now protected, islanders are no longer allowed to fish for turtles. Because of the infrared colors the scene looks very romantic, at the same time thereโ€™s the visual connotation of the boats full of refugees setting off for a better future.

๐—ข๐—ฃ๐—˜๐—ก ๐—–๐—”๐—Ÿ๐—Ÿ>> ๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜-๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€๐—ฌ๐—ฒ๐—ฟ๐—ฒ๐˜ƒ๐—ฎ๐—ป, ๐—œ๐˜€๐˜๐—ฎ๐—ป๐—ฏ๐˜‚๐—น, ๐—–๐—ฎ๐—ถ๐—ฟ๐—ผ, ๐—ฅ๐—ผ๐—บ๐—ฒ๐—”๐—ฝ๐—ฝ๐—น๐˜† ๐—ฏ๐˜† ๐Ÿฏ๐Ÿฌ ๐—”๐—ฝ๐—ฟ๐—ถ๐—น NOOR, Organ Vid...
20/03/2025

๐—ข๐—ฃ๐—˜๐—ก ๐—–๐—”๐—Ÿ๐—Ÿ>> ๐—–๐—ฅ๐—ข๐—ฆ๐—ฆ-๐—Ÿ๐—ข๐—ข๐—ž๐—œ๐—ก๐—š: ๐—˜๐—ฎ๐˜€๐˜-๐—ช๐—ฒ๐˜€๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€
๐—ฌ๐—ฒ๐—ฟ๐—ฒ๐˜ƒ๐—ฎ๐—ป, ๐—œ๐˜€๐˜๐—ฎ๐—ป๐—ฏ๐˜‚๐—น, ๐—–๐—ฎ๐—ถ๐—ฟ๐—ผ, ๐—ฅ๐—ผ๐—บ๐—ฒ
๐—”๐—ฝ๐—ฝ๐—น๐˜† ๐—ฏ๐˜† ๐Ÿฏ๐Ÿฌ ๐—”๐—ฝ๐—ฟ๐—ถ๐—น

NOOR, Organ Vida International Photography Festival, and the National Gallery of Armenia invite visual artists to apply for CROSS-LOOKING: East-West Artistic Residencies โ€” a European project exploring image circulation across the East-West regions, intercultural narratives, and the contemporary boundaries of visual storytelling and documentary practices.

Through a series of artistic residencies, the project fosters deep engagement with historical and contemporary cultural connections while critically rethinking the documentary genre. Participants will receive mentorship from local tutors who employ art-based methodologies to guide their artistic research and practice within each residencyโ€™s unique cultural landscape.

We are looking for visual artists eager to explore the evolving dialogue between East and West.

๐—Ÿ๐—ฒ๐—ฎ๐—ฟ๐—ป ๐—บ๐—ผ๐—ฟ๐—ฒ & ๐—ฎ๐—ฝ๐—ฝ๐—น๐˜† ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—น๐—ถ๐—ป๐—ธ: https://www.noorimages.com/newsroom/2025/3/18/open-call-cross-looking-east-west-artistic-residencies
โ–ฌโ–ฌโ–ฌ
CROSS-LOOKING: East-West Artistic Residencies is a collaboration between NOOR, Organ Vida International Photography Festival (Organ Vida - International Photography Organisation), the National Gallery of Armenia (National Gallery of Armenia/ ี€ีกีตีกีฝีฟีกีถีซ ีกีฆีฃีกีตีซีถ ีบีกีฟีฏีฅึ€ีกีฝึ€ีกีฐ), Universitรฉ Paris Citรฉ, Unione della Romagna Faentina and Universitร  Iuav di Venezia. The project is co-funded by Creative Europe.

๐—๐˜‚๐˜€๐˜๐—ถ๐—ฐ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ฆ๐—ฒ๐—ฟ๐—ฏ๐—ถ๐—ฎ: ๐—” ๐—š๐—ฟ๐—ผ๐˜„๐—ถ๐—ป๐—ด ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜For 13 years, corruption and mismanagement have shaped Serbiaโ€™s political landscap...
18/03/2025

๐—๐˜‚๐˜€๐˜๐—ถ๐—ฐ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ฆ๐—ฒ๐—ฟ๐—ฏ๐—ถ๐—ฎ: ๐—” ๐—š๐—ฟ๐—ผ๐˜„๐—ถ๐—ป๐—ด ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜
For 13 years, corruption and mismanagement have shaped Serbiaโ€™s political landscape. Recently, however, a powerful wave of resistance has swept the country. The tragic collapse of a train station canopy in Novi Sad, which killed 15 people, became a catalystโ€”an undeniable symbol of a system that prioritises profit over people, sparking a catharsis.

Students, unburdened by past fears, took to the streets, fueled by a deep desire to live in a normal, just country. Their youthful optimism spread, inspiring others to believe that change is possible. Looking at their children, people shed their fear and stood beside them. Farmers, doctors, lawyers, cultural workers, teachers, professors, grandmothers, grandfathers, mothers, and fathersโ€”all united in a single goal: to live in a country where freedom and justice are not just distant hopes but a reality. Many protests have taken place, with people from all around Serbia joining the call for change.

In a remarkable turn, the efforts of Serbian students have been recognisedโ€”they have been nominated for the Nobel Peace Prize. This recognition is not just for their activism but for their courage and unwavering commitment to fighting for justice in Serbia. Itโ€™s a reminder that, sometimes, the courage of youth can change the world.

Through the lens of Kamerades (), a collective we worked with during the 2015 NOOR-Nikon Belgrade Masterclass on storytelling & editing, we witness those who refuse to be silent.

๐—–๐—ฎ๐—ฝ๐˜๐—ถ๐—ผ๐—ป๐˜€:
Photos by Kamarades:
1) Marko Risovic, Novi Sad, Serbia, 31.01.2025: People turn on their phone lights as they wait for a group of students walking from Belgrade to Novi Sad (roughly 100km) at the Varadin Bridge. This student walk marked the first in a series of protests, followed by a large citizen gathering the next day. This pattern continued in February and March 2025 in other major Serbian cities.
2) Marko Risovic, Belgrade, Serbia, 03.11.2024: Two days after the canopy collapse in Novi Sad, protests erupted in Serbia. One protester, a young woman, confronted a police officer guarding the Serbian Government building in downtown Belgrade, challenging him by telling him he was on the wrong side of history.
3) โ€‹โ€‹Igor Pavicevic, Novi Sad, Serbia, 01.02.2025: A detail from a large public gathering in Novi Sad, showing support for the students blocking their universities. The students are calling for the authorities to prosecute those responsible for the tragedy at the central railway station, where the canopy of a renovated building collapsed on passengers, killing 15 people on 1 November 2024.
4) Igor Pavicevic, Belgrade, Serbia, 17.01.2025: Citizens show support for the student protests in front of the Serbian Broadcasting Service building, protesting the non-objective reporting of the ongoing protests in Serbia. For 15 minutes, they held their cell phone lights in silence to honour the 15 victims of the tragedy in Novi Sad last November.
5) Marko Risovic, Belgrade, Serbia, 27.01.2025: A large gathering at Autokomanda, a major traffic junction above the highway in central Belgrade, where students blocked traffic and remained for 24 hours.
6) Marko Rupena, Belgrade, Serbia, 27.01.2025: Students protest during a roadblock at Autokomanda.
7) Marko Rupena, Belgrade, Serbia, 30.01.2025: People greet students walking from Belgrade to Novi Sad to attend the large protest, two months after a series of mass protests began following the tragic accident in Novi Sad.
8)Marko Risovic, Sremski Karlovci, Serbia, 31.01.2025: Residents welcome students who had walked for three days. Across Serbia, student processions were met with emotion, hugs, tears of joy, and gifts, easing their long journey. In return, the students brought hope for a better tomorrow.
9) Marko Risovic, near Svrljig, Serbia, 27.02.2025: Hundreds of students march through rain and cold on the third day of a 130km walk to a major protest in the southern Serbian city of Niลก.
10) Marko Risovic, Knjaลพevac, Serbia, 27.02.2025: During each stop on the 130km walk, students receive medical care for exhaustion, blisters, and wounds. Well-organised teams treat dozens quickly, and despite the pain, few give up.

.pancic .stefan

๐—›๐—ฎ๐˜ƒ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐—ต๐—ฒ๐—ฎ๐—ฟ๐—ฑ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐˜๐—ฒ๐˜€๐˜๐˜€ ๐—ถ๐—ป ๐—ฆ๐—ฒ๐—ฟ๐—ฏ๐—ถ๐—ฎ?For months now, people across Serbia have been taking to the streets, demand...
11/03/2025

๐—›๐—ฎ๐˜ƒ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐—ต๐—ฒ๐—ฎ๐—ฟ๐—ฑ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐˜๐—ฒ๐˜€๐˜๐˜€ ๐—ถ๐—ป ๐—ฆ๐—ฒ๐—ฟ๐—ฏ๐—ถ๐—ฎ?
For months now, people across Serbia have been taking to the streets, demanding justice, transparency, and real change. The demonstrations continue to grow, yet this powerful movement remains overlooked by mainstream media.

The protests were sparked by the collapse of a roof at a newly renovated train station in Serbiaโ€™s second-largest city, Novi Sad, on 1 November 2024, which killed 15 people and critically injured two.

Largely led by student movements, the protests have shaken the country. Their demands, unchanged since the beginning, range from the release of all documents related to the train stationโ€™s reconstruction to the prosecution of those attacking protesters, the dismissal of charges against protesters, and an increase in the higher education budget.

Students have developed a strong sense of autonomy through plenums, or student assemblies, where every student has the right to speak and all decisions are made through voting. Ad hoc working groups have been set up to address various issues, from security and logistics to public relations and legal matters.

By directly challenging the status quo within Serbian universities and beyond, these protests go beyond a simple anti-corruption movement. For this reason alone, they deserve to be seen and understood on a much wider scale.

NOOR organised the NOOR-Nikon Belgrade Masterclass on storytelling and editing in 2015 with the Serbian collective Kamerades (). The collective consists of Igor Pavicevic (), Marko Risovic (), Marko Rupena (), Nemanja Jovanovic (), Nemanja Pancic (.pancic), and Stefan Pavic (.stefan), and has been committed to documenting life as it isโ€”unfiltered and urgentโ€”since 2011. As Serbian photojournalists and documentary photographers, they capture moments that might otherwise go unseen, bringing attention to the realities shaping the region today.

Now, as history unfolds, their lenses are once again focused on the streets, amplifying the voices of those fighting for a better future. Stay tuned for more images!

๐—–๐—ฎ๐—ฝ๐˜๐—ถ๐—ผ๐—ป๐˜€:
Photos by Kamarades:
1) Igor Pavicevic, Belgrade, Serbia, 17.01.2025: Students protest in front of the Serbian Broadcasting Service building against biased coverage of the demonstrations that have taken place across Serbia over the past month.
2) Marko Risovic, Belgrade, Serbia, 12.01.2025: A student holds her index booklet during a protest in front of the Constitutional Court building, where thousands gathered to demand that the court, as the highest judicial institution in Serbia, take action and prosecute those responsible for the corruption that led to the collapse of the canopy in Novi Sad.
3) Marko Risovic, Novi Sad, Serbia, 05.11.2024: During the first major demonstrations in Novi Sad, 10 days after the canopy collapse, protesters reached the entrance of City Hall. Along the way, the peaceful procession was infiltrated by football hooligans, thugs, and mercenaries whose sole purpose was to incite violence and discredit the protest. Over several hours, dozens of them smashed City Hall windows, threw flares and stones at police officers insideโ€”who did not interveneโ€”while government officials framed the protests as violent and subversive. This tactic is a familiar pattern in totalitarian regimes worldwide.
4) Marko Risovic, Belgrade, Serbia, 20.11.2024: A police cordon blocks access to the old tram bridge, preventing activists from climbing it and stopping preparatory work for its demolition. The bridge stands near the controversial Belgrade Waterfront project, which activists argue is the real reason for its removal. In this luxury development, where apartment prices start at over 4,000 euros per square meterโ€”while the average salary in Serbia is around 925 eurosโ€”many see a symbol of inequality. The project was pushed through under a "lex specialis," a special law often associated with behind-the-scenes deals and corruption.
5) Marko Risovic, Belgrade, Serbia, 22.12.2024: Young people gather at Slavija Square, holding slogans, banners, and Serbian flags in protest against the corrupt government system. This was one of the largest demonstrations in Belgrade since 5 October 2000, when Serbs overthrew former president Miloลกeviฤ‡. Estimates vary, but tensโ€”or even hundredsโ€”of thousands participated, reflecting growing dissatisfaction with the political and social situation in the country.
6) Marko Risovic, Belgrade, Serbia, 22.12.2024: An aerial view captures the scale of the gathering at Slavija Square, where tens of thousands rallied against the current government. While exact numbers are difficult to estimate due to conflicting reports, the protest highlighted widespread discontent with the country's political climate.
7) Marko Risovic, Novi Sad, Serbia, 31.01.2025: People turn on their phone lights as they wait for a group of students walking from Belgrade to Novi Sad (roughly 100km) at the Varadin Bridge. This student walk marked the first in a series of protests, followed by a large citizen gathering the next day. This pattern continued in February and March 2025 in other major Serbian cities, including Kragujevac and Niลก.
8)Marko Risovic, Mountain Tresibaba, Serbia, 27.02.2025: A student rests after a strenuous climb on the route from the town of Bor to Niลก. A large group of several hundred students walked for four days to attend a major protest in the southern Serbian city.
9) Marko Rupena, Novi Sad, Serbia, 02.02.2025: People stand in silence during the large protest to pay tribute to those killed in the tragic accident when the roof of the train station collapsed in Novi Sad.
10) Marko Rupena, Novi Sad, Serbia, 02.02.2025: Students play social games during a major protest, two months after a series of mass demonstrations that followed the tragic accident in which 15 people were killed when the roof of the train station collapsed in Novi Sad.

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Amsterdam Centrum

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Our Story

We are a global, multilingual collective of highly accomplished journalists, authors, photographers, artists and filmmakers documenting, investigating and witnessing our world.

We approach our work with integrity, passion, and respect. We believe stories have an impact and inspire action. We believe in the power of still and moving images. We are honest witnesses.

NOOR, which takes its name from the Arabic word for light, launched in 2007 as a platform for its members to take financial control over their work and leverage the power of a group in a changing media landscape.

Since then we have become industry leaders, producing images for large media companies and small startups, institutional clients and non-profits.