Joe De Best Musical

11/07/2018

....

Absolutely professional and guaranteed......

26/12/2017

Merry christmas and a happy new year in advance.....
New year calendar ready for pick.....

17/07/2017

Speakers are transducers that convert electromagnetic waves into sound waves. The speakers receive audio input from a device such as a computer or an audio receiver. This input may be either in analog or digital form. Analog speakers simply amplify the analog electromagnetic waves into sound waves. Since sound waves are produced in analog form, digital speakers must first convert the digital input to an analog signal, then generate the sound waves.

The sound produced by speakers is defined by frequency and amplitude. The frequency determines how high or low the pitch of the sound is. For example, a soprano singer's voice produces high frequency sound waves, while a bass guitar or kick drum generates sounds in the low frequency range. A speaker system's ability to accurately reproduce sound frequencies is a good indicator of how clear the audio will be. Many speakers include multiple speaker cones for different frequency ranges, which helps produce more accurate sounds for each range. Two-way speakers typically have a tweeter and a mid-range speaker, while three-way speakers have a tweeter, mid-range speaker, and subwoofer.

07/03/2017

MUSIYA(name) a wold renowned guitar. .. . is music....

09/01/2017

Here is the new calendar of the year,you come get yours,at no cost.

18/11/2016

All drums accessories available

18/11/2016

14/07/2016

The conga, also known as tumbadora , is a tall, narrow, single-headed drum from Cuba. Congas are staved like
barrels and classified into three types:
quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas are traditionally used in Afro-Cuban genres such as conga and rumba , although they are now very common in some other forms of Latin music, including
descarga, Afro-Cuban jazz, salsa,
songo , merengue and Latin rock .
Characteristics
Most modern congas have a staved wooden or fiberglass shell, and a screw-tensioned drumhead. They are usually played in sets of two to four with the fingers and palms of the hand. Typical congas stand approximately 75 centimetres (30 in) from the bottom of the shell to the head. The drums may be played while seated. Alternatively, the drums may be mounted on a rack or stand to permit the player to play while standing. While they originated in Cuba, their incorporation into the popular and folk music of other countries has resulted in diversification of terminology for the instruments and the players. In Cuba, congas are called
tumbadoras .
Conga players are called congueros , while rumberos refers to those who dance following the path of the players. The term "conga" was popularized in the 1930s, when Latin music swept the United States. Cuban son and New York
jazz fused together to create what was then termed mambo , but later became known as salsa. In that same period, the popularity of the Conga Line helped to spread this new term. Desi Arnaz also played a role in the popularization of conga drums. However, the drum he played (which everyone called a conga drum at the time) was similar to the type of drum known as bokú used in his hometown, Santiago de Cuba. The word conga came from the rhythm la conga used during carnaval (carnival) in Cuba. The drums used in carnaval could have been referred to as
tambores de conga since they played the rhythm la conga, and thus translated into English as conga drums.
Playing techniques
Strokes
There are five basic strokes:
Open tone is played with the four fingers near the rim of the head , producing a clear resonant tone with a distinct pitch.
Muffled or mute tone (tono ahogado): like the open tone, is made by striking the drum with the four fingers, but holding the fingers against the head to muffle the tone.
Bass tone (tono bajo): played with the full palm on the head. It produces a low muted sound.
Slap tone (tono seco): the most difficult technique producing a loud clear "popping" sound (when played at fast and short intervals is called floreo, played to instill emotion in the dancer).
Touch tone (toque de punta): as implied by the name, this tone is produced by just touching the fingers or heel of the palm to the drum head. It is possible to alternate a touch of the palm with a touch of the fingers in a maneuver called heel-toe (manoteo), which can be used to produce the conga equivalent of drumrolls.

14/05/2016

Feeling the excitement in music

14/05/2016

Experiencing the beauty of music

14/05/2016

South-African jazz drummer Louis Moholo playing a four-piece kit

14/05/2016

Drum kit
"Drums" redirects here. For the indie pop band, see The Drums. For other uses, see drum (disambiguation)
1 Bass drum | 2 Floor tom | 3 Snare drum
4 Hanging toms | 5 Hi-hat | 6 Crash cymbal
7 Ride cymbal | 8 Splash cymbal | 9 China cymba
(1)A snare drum , mounted on a stand, placed between the player's knees and played with
drum sticks (which may include rutes or
brushes)
(2)A bass drum , played by a pedal operated by the right foot
Two or more toms , played with sticks or brushes
(3)A hi-hat , played with the sticks, opened and closed with left foot pedal
One or more cymbals, played with the sticks

05/04/2016

Don't let a costly fall
damage your instrument!
This FretRest HT1010 guitar
stand protects and stabilizes
guitars of any type. You can
rest assured that your guitar is
safe and secure. The stand is
engineered with a distinctive
angle for better balance and
support; and the protective
padding is specially formulated
to help protect your guitar's
finish. With FretRest by
ProLine, your guitar is secure.
Upper guitar support adjusts
from 27" - 33".

06/02/2016

Music is the beat of a drum that keeps time with our emotions.

05/02/2016

5A Nylon Tip fluorescent green BC sticks..... On special order ''Winks''

05/02/2016

5a maxtone sticks available

09/01/2016

acquire ur complet Kit of drum with three tom-tom with chemical
vellum, six classical symber DE BEST MUSICAL

09/01/2016

acquire ur complet Kit of drum with three tom-tom with chemical
vellum, six classical symber DE BEST MUSICAL

09/01/2016

The way microphones are handled is a very important issue,hold the handle not the head.
That will totally erase any kind of noise,and give u cool sounds.

09/01/2016

May God from whom all blessing flow and with HIS boundless grace and goodness bring you(lovers of music)a wealth of inspiration, good health and joy this year.
Thanks for your patronage.
HAPPY NEW YEAR!
Powered by the management.

07/01/2016

May God from whom all blessing flow and with HIS boundless grace and goodness bring you(lovers of music)a wealth of inspiration, good health and joy this year,thanks for your patronage,HAPPY NEW YEAR!!!
Powered by the Director.

28/12/2015

Available.........

28/12/2015

NITRO KIT
Eight-Piece Electronic Drum Kit with Nitro Drum
Module
Overview Features Specs Downloads Media
Premium Feel and Natural Dynamics
The Alesis Nitro is a complete 8-piece electronic drum kit
that includes everything you need to play like a pro. It
features three dynamic 8" tom pads—a 8" dual-zone snare
drum for great feel and natural response, plus a kick drum
pad with pedal. Three 10" cymbals, including a crash with
choke, give you a virtually unlimited range of playing
expression and the 4-post aluminium mounting rack keeps
everything solid and secure. The setup also includes the
powerful Nitro electronic drum module with hundreds of
percussion sounds, 40 different kits and 60 built-in play-
along tracks.
Expanded Sounds
The Nitro module is filled with sounds—and surprises. The
backlit LCD screen makes navigation a breeze. Drum and
cymbal buttons are arranged to resemble the layout of a
traditional kit, so it’s simple to assign sounds and create
kits quickly. The Nitro module comes complete with 40
classic and modern ready-to-play kits. Easily tweak any
existing kit, or create your own using the 385 superior
drum, cymbal, and percussion sounds included in the Nitro
module.
Expanded Features
Inside the Nitro module you’ll also find valuable extras. The
built-in learning features, sixty play-along music tracks, and
an onboard metronome allow you to improve your skills.
There is even an advanced sequencer and a performance
recorder to expand your music-making potential. In addition to
the USB MIDI connection for use with computers and mobile
devices, the Nitro module also offers up some old school
MIDI In and Out jacks so you can hook up to your favorite
MIDI-equipped drum machine, sound module or other audio
gear. There is a headphone jack for private practice, plus
stereo outs to connect to a PA system, amplifier, or
recording console. The stereo aux input allows you to jam
along to your favorite tracks on your CD or MP3 player.

14/12/2015

When You're Using a Microphone ...
A microphone is a tool to amplify your voice,
not a substitute for good vocal expression. It
won't make a boring voice interesting—just
louder. Learn the techniques of good
microphone use.
When you use a microphone, you still have to use your full voice
to engage your audience and establish your identity as a speaker.
Under the pressure of presenting before an audience, a speaker can
lose natural vocal expression. Be aware of that risk and guard
against it. As you rehearse, experiment with volume, pitch, and
rhythm to achieve optimal expression and emphasis.
By varying your volume, pitch, and rhythm, you'll be able to convey
meaning and emotion. Without variation, your voice will sound
boring, monotonous, and robotic.
Even though you're using a microphone, your audience will still
listen for the emotional and semantic cues contained in your voice,
cues that a microphone doesn't supply. Use vocal diversity to make
sure your audience understands and feels the tone of your message.
"Experiment with volume, pitch, and
rhythm."
Do a sound check.
In some situations, a technician may set up the sound system and
actively control the levels while you speak. In that case, rely on the
technician to set the right levels for the size of the room and the
audience. But make sure you get rehearsal time so you can
participate in the sound testing.
In other situations, a technician may set up the system and leave the
rest to you. In that case, do the sound check yourself. Don't be
tempted to skip it. Even if you have experience using a microphone,
every system or room presents potential issues for which you need
to be prepared.
Find someone to act as your audience,
moving around the room to evaluate sound volume and quality. Test
for the levels that fill the room with sound. Then go slightly louder
to compensate for the murmuring and rustling of an actual
audience.
If you have no access to a technician and have to set up the
system yourself, keep written instructions nearby. Follow them
precisely. Take extra care with the sound check to make sure the
system is operating properly.
Know how the microphone works.
Obvious as it may seem, know when a microphone is on or off.
You certainly don't want to be caught broadcasting remarks that
you meant as a private comment. Nor do you want to get off to
a great start, only to find that the mike is off. So make a mental
note of the off, on, standby, or mute modes. Before and after you
speak, switch to the appropriate mode.
The lavaliere mike: placement is key.
The lavaliere mike is the type that clips to the speaker's clothing, so
how you dress is a primary concern. Wear something with a lapel
or tie so the mike can be easily clipped to it. A jacket or a blouse
that opens in the front will also do, as long as you can fasten the
lavaliere firmly.
A lavaliere mike can be wired or wireless. The wireless type makes
an additional sartorial demand: its transmitter pack will be attached
to clothing in the back of your body near your waist. So wear a
belt or something with a pocket to keep the transmitter in place and
neatly out of the way.
Most types of lavaliere mikes work best when placed eight to 10
inches below the chin-ideally, in the center. If you're using slides,
fasten the mike slightly more towards the side where the slides are,
since you'll be looking at the slides from time to time as you
speak. If the mike is placed too high, it'll create hot and cold spots
when you turn your head. (Imagine that the base of the letter "V"
is coming up from microphone. You can move your head within that
"V" and be heard.)
Make sure buttons, material, jewelry, and strands of hair are well
out of the way. If they hit or rub against the mike when you move
or shift your stance, each small rustle will be amplified and
transmitted.
"If the mike is placed too high, it'll create
hot and cold spots when you turn your
head."
The lectern mike: position yourself
properly.
If you're using a microphone that rests on a lectern or stand, be
sure to place yourself at the proper distance. The capabilities of
different equipment make different demands on the speaker, so find
the position that will clearly capture and carry your voice. Speak
over or across the microphone, not into it.
Make sure that the microphone (or anything else that may be on the
lectern) does not block your face or interfere with your gestures
and movement.
Stand with good posture.
To create sound, the vocal apparatus needs breath and space.
Enable your voice by standing straight, aligning your head with your
spine.
Warm up to avoid throaty tension. If you're hunched, bent, or
tense, the sound waves you produce will bounce around your throat
rather than flow out toward your audience.
Twisting or bending the neck puts your voice at a biomechanical
disadvantage. By holding your head up and not looking down, you
will assure that air flows out smoothly as you speak.
By standing upright, you will improve the sound of your voice and
facilitate the most effective use of the microphone. From an upright
stance, you won't be talking into the microphone, but across it.
That's what you want to do.
Don't crowd the mike.
Most people get too close to the microphone. Crowding the
microphone will distort your posture and your voice. Don't get so
close to the mike that you could chomp a bite out of it. The
microphone is designed to capture a voice that flows over or across
it, not into it. If you get too close, the mike will amplify every
breath, every snap of your jaw, every click and hiss of the words
you pronounce.
Crowding the mike can also create annoying feedback, popping, and
screeching from which most audiences will recoil. While your listeners
may tolerate one or two such incidents, they will tune you out if
the problem persists.
In communication, your goal is always to reach your audience. The
vocal elements you build into your delivery have everything to do
with achieving that goal. And keep in mind: The microphone is a
tool. It won't turn a poor delivery into a good one.

06/12/2015

The year's calendar is out!!!
Come and get yours

14/11/2015

Saxophone
Musical instrument
The saxophone is a family of
woodwind instruments. Saxophones
are usually made of brass and
played with a single-reed mouthpiece
similar to that of the clarinet. The saxophone family was
invented by the Belgian instrument maker Adolphe Sax
in 1840.

07/11/2015

Real condenser microphones, if u love it,u can get it.

01/11/2015

A complete drum kit setup — the signal from the more
distant mic in the background could be mixed in to make
the sound more ambient.
If you love and desire what you see,call the number above for more details,thanks.

30/10/2015

A Batá drum is a double-headed drum shaped like an
hourglass with one cone larger than the other. The
percussion instrument is used primarily for the use of
religious or semi-religious purposes for the native culture
from the land of Yoruba , located in Nigeria , as well as
by worshippers of Santería in Cuba , Puerto Rico , and in
the United States . The Batá drum's popular functions
are entertainment and to convey messages. Its early
function was as a drum of different gods, drum of
royalty, drum of ancestors and drum of politicians.

29/10/2015

Recording studios generally consist of three rooms: the
studio itself, where the sound for the recording is created
(often referred to as the "live room"), the control room,
where the sound from the studio is recorded and
manipulated, and the machine room, where noisier
equipment that may interfere with the recording process
is kept. Recording studios are carefully designed around
the principles of room acoustics to create a set of spaces
with the acoustical properties required for recording
sound with precision and accuracy. This will consist of
both room treatment (through the use of absorption and
diffusion materials on the surfaces of the room, and also
consideration of the physical dimensions of the room
itself in order to make the room respond to sound in a
desired way) and soundproofing (also to provide sonic
isolation between the rooms) to prevent sound from
leaving the property. A recording studio may include
additional rooms, such as a vocal booth—a small room
designed for voice recording, as well as one or more
extra control rooms.
Equipment found in a recording studio commonly
includes:
Mixing console
Multitrack recorder
Microphones
Reference monitors, which are loudspeakers with a flat
frequency response
Keyboard
Acoustic drum kit
Equipment may include:
Digital audio workstation
Music workstation
On Air or Recording Light
Outboard effects, such as compressors , reverbs, or
equalizers

29/10/2015

A recording studio is a facility for sound recording
and mixing . Ideally both the recording and monitoring
spaces are specially designed by an acoustician to achieve
optimum acoustic properties (acoustic isolation or
diffusion or absorption of reflected sound that could
otherwise interfere with the sound heard by the listener).
Recording studios may be used to record musicians,
voice-over artists for advertisements or dialogue
replacement in film, television or animation, foley , or to
record their accompanying musical soundtracks. The
typical recording studio consists of a room called the
"studio" or "live room", where instrumentalists and
vocalists perform; and the " control room", where sound
engineers sometimes with producer(s) as well operate
either professional audio mixing consoles or computers
(post 1980s) with specialized software suites to manipulate
and route the sound for analogue or digital recording.
Often, there will be smaller rooms called "isolation
booths" present to accommodate loud instruments such
as drums or electric guitar, to keep these sounds from
being audible to the microphones that are capturing the
sounds from other instruments, or to provide "drier"
rooms for recording vocals or quieter acoustic
instruments.

29/10/2015

Acoustic guitar
Musical instrument
An acoustic guitar is a guitar that
produces sound acoustically—by
transmitting the vibration of the
strings to the air—as opposed to
relying on electronic amplification.