One Music Publishing P/L

10/09/2024

Saya meluahkan kekecewaan tentang seseorang yang salah nyatakan perniagaan mereka dalam industri muzik. Pada pendapat saya bahawa orang itu menggunakan kontrak syarikat saya untuk mencipta imej palsu tentang kejayaan dan kredibiliti, sedangkan pada hakikatnya, mereka mungkin tidak memenuhi piawaian industri.

Adalah penting untuk menyedari bahawa industri muzik boleh menjadi rumit dan mencabar, dan kejayaan selalunya melibatkan lebih daripada sekadar memiliki ijazah atau membuat tuntutan tentang perniagaan seseorang. Kejayaan tulen biasanya disahkan melalui pengalaman, reputasi dan pengiktirafan daripada profesional industri.

Jika anda berasa yakin dengan laluan dan pencapaian anda sendiri, adalah penting untuk memberi tumpuan kepada perkara itu daripada membandingkan diri anda dengan orang lain. Membina asas yang kukuh dan mendapat pengiktirafan untuk kerja anda akhirnya akan bercakap lebih kuat daripada sebarang tuntutan yang dibuat oleh orang lain. Teruskan berusaha untuk mencapai matlamat anda, dan biarkan pencapaian anda mengesahkan kedudukan anda dalam industri.

Jika anda ingin membincangkan strategi khusus atau berkongsi lebih lanjut tentang pengalaman anda, sila berbuat demikian!

23/08/2024

In the music industry—One Music Publishing Private Limited. As a recognized music publisher, we are dedicated to the protection and promotion of the creative works of songwriters and composers through our innovative use of industry standards and codes that facilitate the management of musical works. At the heart of our operations is the International Standard Musical Work Code, or ISWC. This unique identifier serves as a vital tool in tracking specific musical compositions, ensuring that every song is properly attributed to its creators. In a world where music is consumed at an unprecedented rate, the ISWC is essential for safeguarding the rights of our songwriters and ensuring that they receive their due royalties. We are proud to be affiliated with CISAC, the International Confederation of Societies of Authors and Composers. With over 227 member societies across more than 116 countries, CISAC stands as the world’s leading network of authors’ societies, committed to protecting the rights of creators worldwide. Through these collective management organizations, we ensure that royalties flow seamlessly to authors for the use of their works, no matter where in the world those works are enjoyed.In addition to our publishing arm, we also operate One Music Records Private Limited, a recording company recognized as a member of the International Federation of Phonographic Industry, or IFPI, and Public Performance Limited, or PPL. As a verified member of these organizations, we have earned the distinction of being a legitimate recording entity, complete with our own label code. But what does this mean for the artists we represent? It means that we are equipped with the tools necessary to navigate the complexities of the music industry. The International Standard Recording Code, or ISRC, is another vital component of our operations. This 12-digit code acts as a digital fingerprint for each unique recording of a song, allowing us to track key details such as sales, streams, and radio plays. It ensures that the contributions of authors, performers, and labels are accurately recorded and compensated. Moreover, we utilize the European Article Number, or EAN, to provide our products with unique identifiers in the retail landscape. This 13-digit barcode not only helps in identifying specific products but also aids in monitoring their distribution and sales, ensuring transparency and accountability in the marketplace. In our pursuit of excellence and integrity, we collaborate with a range of Digital Service Providers, including DistroKid, Ditto, CD Baby, Believe SAS, and AWOL. These partnerships enhance our ability to distribute music efficiently while maintaining a transparent process. We recognize that transparency is not merely a preference; it is an expectation in today’s digital landscape. However, we also acknowledge the existence of Non-Digital Service Providers that may not uphold the same standards of transparency in their collection and distribution processes. While these entities may play a role in the industry, we believe that it is our responsibility to foster a more accountable and equitable environment for all creators. In conclusion, One Music Publishing Private Limited is more than just a music publisher; we are advocates for the rights of creators. We are committed to utilizing the tools and standards of our industry to ensure that every note, every lyric, and every performance is recognized and rewarded. Together, we can continue to create a vibrant and sustainable music ecosystem where the voices of songwriters and artists are celebrated and respected. Our commitment to supporting the future of music.

13/08/2024

Understanding ISWC:
The International Standard Musical Work Code

The International Standard Musical Work Code (ISWC) is a vital component in the music publishing industry, serving as a unique identifier for musical works. This system is crucial for composers, authors, and publishers in ensuring proper attribution and royalty collection. Here’s a breakdown of what ISWC is, why it matters, and how it benefits all parties involved in music creation.

What is ISWC?

Definition :
The ISWC is a unique alphanumeric code assigned to musical compositions, including songs, scores, and other musical works. It is managed by the International Confederation of Societies of Authors and Composers (CISAC).

Format :
An ISWC code typically starts with the prefix "T" followed by a series of characters (e.g., T-123.456.789). Each code is unique to a specific musical work, allowing for easy identification and tracking.

Why is ISWC Important?

1. Identification and Attribution :
The ISWC serves as a global standard for identifying musical works. By assigning a unique code to each composition, it helps ensure that composers and authors receive proper credit for their creations.

2. Royalty Tracking and Collection :
In the complex world of music royalties, the ISWC plays a critical role in tracking how a piece of music is used. It allows performing rights organizations (PROs), music publishers, and other entities to accurately collect and distribute royalties to the rightful owners.

3. Global Recognition : With the rise of digital platforms and global distribution, having a standardized code like the ISWC facilitates international recognition of musical works. This means that whether a song is played in New York, Tokyo, or London, it can be easily identified and attributed to its creator.

4. Simplifying Administration :
For music publishers and rights holders, the ISWC simplifies administrative processes. By using a standardized code, it reduces confusion and potential disputes over ownership, usage, and revenue sharing.

5. Encouraging Fair Compensation :
The ISWC helps ensure that everyone involved in the creation and distribution of music—from composers to publishers—receives fair compensation for their work. This is especially important in an industry where multiple parties may be involved in a single piece of music.

How to Obtain an ISWC

Registration :
Composers, authors, and music publishers can obtain an ISWC by registering their works with a recognized collecting society or PRO. These organizations typically have the infrastructure in place to assign ISWCs and manage the associated royalties.

Documentation :
To obtain an ISWC, creators will need to provide necessary documentation that proves their authorship of the work, including details about the composition and any co-authors.
Conclusion

The ISWC is an essential tool in the music industry that ensures the protection, identification, and fair compensation of composers and authors. By providing a universal standard for musical works, it simplifies the complexities of royalty collection and enhances the overall efficiency of music publishing.

For any composer, author, or publisher, understanding and utilizing the ISWC is crucial for navigating the modern music landscape effectively.

13/08/2024

Experience the Harmony of Innovation with One Music Records Private Limited & One Music Publishing Private Limited

In the dynamic world of music, where creativity knows no bounds and every note tells a story, One Music Records Private Limited and One Music Publishing Private Limited emerge as the ultimate destinations for artists and music lovers alike. Nestled in the heart of Singapore, we are more than just a record label and music publisher; we are the catalysts of musical expression, dedicated to amplifying talent and enriching the global soundscape.

Why Choose One Music?

1. Artist-Centric Approach :
At One Music, we prioritize our artists above all else. We understand that every musician has a unique journey, and we are committed to providing personalized support that aligns with your artistic vision. From recording sessions to marketing strategies, our experienced team works closely with you to ensure your voice is heard and your music shines.

2. Diverse Genres, Limitless Possibilities :
Our expansive catalog is a reflection of the diverse musical landscape that defines our culture. Whether you’re passionate about pop, R&B, jazz, or indie rock, One Music embraces a multitude of genres. We celebrate individuality and creativity, curating a collection that resonates with listeners from every walk of life.

3. Comprehensive Publishing Services :
Navigating the music industry can be daunting, but with One Music Publishing, you have a trusted partner by your side. Our robust publishing services cover everything from copyright management and licensing to global distribution and royalty collection. We ensure that your music not only reaches the ears of fans but also generates lasting revenue streams.

4. Innovative Marketing Strategies :
In an ever-evolving digital landscape, standing out is crucial. Our marketing team specializes in innovative strategies that leverage the latest trends in social media, streaming, and content creation. We help you craft a compelling narrative around your music, turning casual listeners into dedicated fans.

5. Collaborative Community :
One Music is more than a company; it’s a community. We foster collaboration among artists, producers, and industry experts, creating an environment ripe for creativity and inspiration. Join us to connect with like-minded musicians, share ideas, and collaborate on projects that push the boundaries of sound.

Take the Next Step with Us!

Are you ready to elevate your music career to new heights? Join the One Music family and discover a world of opportunities waiting for you. Whether you’re an emerging artist looking to make your mark or an established musician seeking fresh avenues for your work, we are here to support you every step of the way.

Start Your Journey Today :
Contact us for a consultation and let’s explore how One Music Records and One Music Publishing can help turn your musical dreams into reality. The stage is yours—let’s create something extraordinary together!

Stay connected with us on Social Media Links and be part of a movement that celebrates the magic of music. At One Music, your talent is the melody, and we’re here to amplify it!

29/07/2024

To All my fellow people involve in the music industry business

Today, I stand before you with a heavy heart but an unwavering spirit. I want to address a topic that weighs on my mind—something that many of us experience but seldom discuss openly: the feeling of being looked down upon, especially when pursuing our passions.

In the world of music, I have encountered my fair share of skeptics—those who, perhaps out of ignorance or their own insecurities, fail to recognize the depth of my knowledge in music operation and music law. They see only what they want to see, unable to grasp the complexities of this beautiful art form and the intricate legalities that underpin it. It can be disheartening, to say the least.

I have devoted countless hours to studying the nuances of music, diving deep into its history, its theory, and, yes, its law. Music is not just a hobby for me; it is a calling—a profound journey that I am passionately pursuing. Yet, there are moments when I feel the weight of doubt cast upon me by those who cannot see beyond their preconceived notions. It is a lonely feeling, to work so hard and to be met with dismissal.

But I want to be clear: I do not harbor resentment towards my haters. Instead, I choose to respond with understanding and compassion. I understand that their inability to recognize my knowledge stems from their own limitations. It is not a reflection of my worth or my capabilities. I firmly believe that education and knowledge are the true keys to success, and I am committed to unlocking my potential, no matter the obstacles in my path.

I stand here today, not to boast about my achievements or to seek validation, but to remind myself and all of you that perseverance in the face of adversity is what defines us. It is easy to be swayed by the negativity of others, but I choose to rise above it. I choose to focus on my growth, my learning, and my passion for music.

So, to all my fellow dreamers out there, I urge you: do not let the naysayers dim your light. Dive deep into your passions, educate yourselves, and embrace the challenges that come your way. Knowledge will be your ally, and it will guide you toward your goals.

Before you to shed light on a crucial aspect of our creative ecosystem—one that impacts independent companies and artists striving to leave their mark on the world. It is a truth we must confront, a reality that often goes unspoken, yet demands our attention.

In our pursuit of art, music, and literature, we often find ourselves navigating a complex landscape filled with codes and classifications—ISRC, UPC, EAN, and the elusive barcode. These identifiers, while essential to the mainstream music and publishing industries, can sometimes feel like barriers rather than gateways for independent artists. They represent a world that operates on rules we may not fully understand or have access to.

But today, I want to emphasize something profoundly important: the absence of these codes does not diminish your value. As independent creators, you possess a unique power—one that transcends the conventional metrics of success defined by industry giants. Your voice, your vision, and your creativity are not defined by numbers or affiliations.

Let us take a moment to reflect on what it means to be an independent artist. You are pioneers, forging your own paths and telling your own stories. You create art that resonates with the human experience, that challenges the status quo, and that inspires others to think differently. You are not bound by the constraints of corporate structures or the expectations of the mainstream. You are free to create authentically, and that is your greatest strength.

Now, while it may be tempting to view the lack of affiliation with organizations like the IFPI as a setback, I urge you to reconsider. These traditional hallmarks of the industry do not validate your work or your worth. Instead, they serve as a reminder that the creative landscape is evolving. The rise of independent platforms, social media, and digital distribution has democratized access to audiences, allowing you to reach listeners and readers directly.

In this new paradigm, the emphasis is shifting from institutional validation to authentic connection. It is no longer about fitting into a predetermined box; it is about standing out and being true to yourself. Your art does not need a barcode to be meaningful. It does not require an international code to touch hearts. What matters is the impact you make on your audience and the communities you build around your work.

I understand that human nature often drives us to seek validation and recognition. We want our efforts to be acknowledged, and we want to believe that our art holds the same weight as that of established institutions. But I urge you to embrace the journey of self-discovery and self-empowerment. Take pride in your independence! Your work is a testament to your resilience and passion.

As we move forward, let us foster a spirit of collaboration and support among ourselves. Let us create networks where independent artists can uplift one another, share resources, and celebrate our collective achievements. Together, we can advocate for a more inclusive industry—one that recognizes the value of all voices, regardless of their affiliations or codes.

In closing, remember this: you are not defined by what you lack; you are defined by what you create and the impact you have on the world around you. Embrace your independence, nurture your creativity, and continue to share your unique perspectives.

Thank you for being here today, and for being the driving force of innovation and authenticity in our world. Let us move forward together, united in our passion for art and creativity!

As I continue on my journey in music, I do so armed with the understanding that true success is not measured by the opinions of others, but by the impact we make in our fields and the joy we find in our pursuits. I may be looked down upon now, but I know that my knowledge and dedication will ultimately speak for themselves.

Thank you for your time and for allowing me to share my thoughts with you today. Let us all keep striving, keep learning, and keep creating.

29/07/2024

Real Life
In the music industry

唱片公司和音乐出版商
Recording Label & Music Publisher
شركة التسجيل ون

Working with Trendz D’Music Singapore Private Ltd , One Music Records Private limited & One Music Publishing Private limited As a Senior licensing manager, your daily responsibilities include evaluating requests, approving invoices, and managing license administrators in my department. I may also negotiate licensing agreements, settle copyright disputes, and collect royalty fees.

Working with Trendz D’Music Singapore Private Ltd , One Music Records Private limited & One Music Publishing Private limited As a Chief Investigator directs and coordinates activities of a group of individuals engaged in the investigation of criminal cases such as Infringement and others crimes involving . Assigns cases.

Working with Trendz D’Music Singapore Private Ltd , One Music Records Private limited & One Music Publishing Private limited As businesses grow, their leadership structures can become more complex. There are various titles and roles that can be used to describe the individuals who lead organizations, and sometimes these titles can be confusing or overlap. Let us understand the key differences between the four leadership positions: CEO, founder, owner, and president.

Overview

Before we dive into the differences between these positions, it’s important to define each one:

CEO (Chief Executive Officer): The person in this position is considered the top executive in charge of a company’s or organization’s overall management. They are part of the C-suite of the company. The CEO reports to the board of directors and is typically responsible for setting the strategic direction and acting as the main decision-maker for the company.

Founder: The individual or group of individuals who started a company are considered the founders. This is the person who built the company from the ground up. The founders may or may not continue to be involved in the company’s management as it grows, but they certainly are considered the driving force of the company.

Owner : - An owner is the individual or group of individuals who own a company. The term “owner” has a humble undertone, hence it is often used in small companies or by solo entrepreneurs. The owner, although an important figure in the company, does not have the same authority as the CEO or the president.

President: A president is the head of a company but is not in the C-suite. This title originates from politics, giving it a sense of authority, power, and respect. This executive is responsible for the day-to-day management of a company or organization. The president may report to the CEO or the board of directors, depending on the company’s structure.

Taking over an existing family business in year 2011 & 2019 can be a challenging but rewarding experience. Here are some steps I learn & help me prepare for this new role:

Learn as much as I can about the business: Spend time understanding the history, current operations and future plans of the business. This will help me identify areas where I can add value and where I may need to develop my skills.
Seek guidance from experienced family members: Talk to family members & Company Lawyers who have experience running the business. They can provide valuable insights and advice on how to be successful.

Get educated: Consider taking courses or attending workshops to learn more about business management and operations. This can help you develop the skills i need to run the business effectively.

Build a strong team: Surround myself with talented and experienced employees who can help me manage the day-to-day operations of the business.

Be open to learning and adapting: Running a business requires a willingness to learn and adapt to changing circumstances. Stay up-to-date on industry trends and be willing to make changes to the business as needed.

Remember, taking over a family business is a significant responsibility, but with the right preparation and mindset, I can be successful.

People love to said but it’s hard to run without learning ! It’s not easy tasks .

28/07/2024

ABOUT
Company Profile
Virtual shopping system

Our Virtual Shopping System has shifted its focus to providing website, warehousing and delivery services, enabling merchants to attract more shoppers by enhancing the star ratings and scoring criteria of their products in their respective markets using Virtual shopping system, its proprietary end-to-end solution for operating retail businesses online

Our job is to boost reviews of various products to help other Asda merchants find the best products and increase their sales. This will attract more online shoppers, which will generate profits and we will get paid.

All we need to do is click on the platform to submit a task and with each submission, the system generates consumption data to improve the star rating and rating scale of the product in the respective market

All users need to do is to click on the product selected by the platform to boost the product. Every time a user on the platform boosts an item, they get paid 1.0% of the price of each item. After completing 1 set of orders (38 products), users can withdraw all their pay from the platform.

Invite you 👇 Let’s joined
www.protivitine.com
Invitation code: 4526223

24/07/2024

🎶 Unleash Your Music with Us! 🎶

Hey there, talented artists and music creators! 🌟 Are you ready to take your music to the next level? We’re thrilled to announce our partnership with 150 digital aggregators and 4 major telco companies in Malaysia!

🚀 Why Choose Us?

No Expiry Dates:
Your music stays on the platforms forever! That’s right—your beats can keep grooving without a deadline!

Secure & Reliable:
Our platform is equipped with top-notch security and monitoring systems to keep your music safe.

Professional Licensing:
Every release is licensed through our sister company’s music publishers, ensuring you get the recognition you deserve!

🎵 Easy Music Releases:
Get your music out there using our unique coder codes & numbers, including ISRC, UPC, EAN, and Bar Codes! With our seamless process, you can focus on what you do best—making amazing music! 🎤✨

Join us today and let your sound echo across Malaysia and beyond! Your music journey starts here. Let’s make magic together!

🌈🎉Contact us now and let’s get your music heard!

Channel
唱片公司和音乐出版商
Recording Label & Music Publisher

"Empowering Artists, Safeguarding Sound: Our Commitment to Music Integrity Worldwide"

Any doubts & drop us message

“赋予艺术家权力 , 保护声音：
我们对全球音乐诚信的承诺”

有任何疑问请给我们留言

https://whatsapp.com/channel/0029VajnMLf3GJOyVNulzE3P

Out of Operations Hours
Dear Sir/Mdm,

Thank you for reaching out to us.
We are currently experiencing a high volume of inquiries and we are working hard to address them.

Please rest assured that we are doing everything we can to address the issue raised and get back to you as soon as we can.

In the meantime, if you require immediate assistance, please contact us via the below channels:
- https://whatsapp.com/channel/0029VajnMLf3GJOyVNulzE3P
(During operating hours)

[Operation Hours]
Trendz D’Music Singapore Private Ltd

Operation hours:
Mondays to Fridays 9AM to 5PM
Saturday & Sunday: Closed
(Public Holiday - Closed )

Thank you for your patience and kind understanding and we apologize for any inconvenience this may have caused.

The below ticket has been created on your behalf.

To add additional comments, reply to this email.

This email is a service from Trendz D’Music Singapore Private Ltd

Welcome to Our Company Website!

We're so glad you're here! Explore our vibrant world where creativity meets innovation. Our team is dedicated to bringing you the best products and services with a smile. Dive in and discover what makes us special – we can’t wait to share our passion with you!

Happy browsing!

Website
http://trendzdmusicsingaporeprivateltd.website3.me/

Website
https://free-4511124.webadorsite.com/

Trendz D'Music Group & One Music GroupLevel 23, Nu Tower 2 Jalan Tun Sambanthan,KL Sentral, 50470 Kuala Lumpur.

11/07/2024

One Music Records Private Limited - Singapore is a leading music company specializing in various facets of the music industry.

Established with a vision to revolutionize the digital music landscape, the company offers a wide range of services that cater to the needs of artists and music enthusiasts worldwide.

Our core services include digital music distribution, providing artists with a platform to showcase their music on popular streaming services and online stores. Additionally, we operate a state-of-the-art records studio equipped for mixing and mastering, ensuring the highest quality production for our commitment to innovation and excellence sets us apart as a trusted partner in the music industry. their target audience effectively. Our experienced team offers artists management

services, guiding them through their careers and maximizing their potential in the music industry.

Moreover, we specialize in sound and visual usage licensing, ensuring that artists' work is protected and used appropriately. We own and utilize international standards such as the International Sound Recording Code (ISRC), United Products Code (UPC), Europe Articles Code (EAN), and barcodes for distribution monitoring and tracking across various digital platforms and caller tone services.

At One Music Records Private Limited - Singapore, we are dedicated to empowering artists and delivering exceptional music experiences to audiences worldwide.

One Music Publishing Private Limited (Singapore) is a music publishing company based in Singapore.

They specialize in the management and promotion of musical compositions and copyrights. With a team of experienced professionals, they provide various services such as licensing, royalty collection, and synchronization rights for music used in television, film, advertisements, and other media.

One Music Publishing Private Limited aims to support and empower both local and international artists, helping them navigate the ever-changing music industry landscape and maximize their creative potential.

One Music Records Private Limited - Singapore is a leading music company specializing in various facets of the music industry. Established with a vision to r...

08/07/2024

唱片公司和音乐出版商
Recording Label & Music Publisher

"Empowering Artists, Safeguarding Sound: Our Commitment to Music Integrity Worldwide"

Any doubts & drop us message

“赋予艺术家权力 , 保护声音：
我们对全球音乐诚信的承诺”

有任何疑问请给我们留言

https://whatsapp.com/channel/0029VajPRl64Crfgp9Rufu0e

25/06/2024

Understanding how recording labels & music publishers works legitimate in the music industry. 💕💕💕💕❤️

How To Get Signed To A Record Deal?
👇
Getting signed to a record deal is every artist’s dream. It means not only recognition but also financial security and opportunities to work with other big artists. However, it takes more than just being talented to get signed. In this post, we’ll share some tips on how to get signed to a record deal.

1. Create great music – The first and foremost step is to create great music. Your music should be original, unique, and high quality. Ensure that the production, mix, and mastering are all done well. You should also have a compelling story or message that resonates with your target audience.

2. Build a fan base – You should have a substantial fan base before approaching any record label. This shows that there is already demand for your music and that people will buy your albums,
merchandise, and concert tickets. To build a fan base, you can play gigs, release music online, or collaborate with other artists.

3. Network – Networking is essential in the music industry. Attend music conferences, events, and festivals, and connect with artists, producers, and record label executives. This will help you to get your music heard by industry professionals and make you more visible.

4. Research Record Labels – Before submitting your demos to any record label, research them first. Look at their track record of signing artists similar to you. You should also look for any reviews or feedback from artists who have been signed to them.

5. Contact Record Labels – Once you have identified the record labels that match your style and genre of music, contact them. You can either send them a demo or schedule an appointment for a meeting. The demo should include at least three of your original songs, along with a bio and a professional photo.

6. Be Persistent – Getting signed to a record label takes time and patience. Many artists get rejected before finally getting signed. So, don’t give up if you get a rejection letter. Instead, keep working hard and improving your craft.

In conclusion, getting signed to a record deal requires a lot of hard work, talent, and persistence. By following these tips, you can increase your chances of getting signed and making your dreams come true. 💕💕💕💕💕

What Is The Difference Between A Distribution Deal And A Record Deal?
👇
Are you a musician who is looking to enter into an agreement with a label or distributor? Or are you simply curious about the differences between a distribution deal and a record deal? Either way, it is important to understand the key distinctions between these two types of agreements.

A distribution deal is an agreement between a musician and a distributor, in which the distributor agrees to help the musician get their music into the hands of consumers. Distribution deals do not typically involve record labels, although the distributor may have some affiliation with one or more labels. In a distribution deal, the musician typically retains ownership of their master recordings and has greater control over the marketing and promotion of their music.

A record deal, on the other hand, is a much broader agreement that typically involves a record label. In addition to distributing the artist’s music, the label may also provide funding for recording and marketing efforts, as well as assistance with booking tours and other promotional activities. In exchange for these services, the label typically takes a larger percentage of the artist’s revenue and may also own the master recordings.

One of the biggest advantages of a distribution deal is that the musician typically retains more control over their music and the direction of their career. However, without the resources and support from a record label, it can be difficult to achieve widespread success in the highly competitive music industry.

A record deal may offer more resources and broader exposure opportunities, but it also means giving up some control over your music and potentially signing away your master recordings. For many artists, the decision between a distribution deal and a record deal comes down to their individual goals and priorities. Ultimately, it is important to carefully consider your options and seek out an agreement that aligns with your artistic vision and career goals.

In conclusion, distribution deals and record deals both have their own advantages and disadvantages. The key is to be informed and to carefully consider your options before making a decision. With the right agreement in place, musicians can reach a wider audience and achieve the success they deserve.

Do record labels pay publishers?
👇
The artists and record labels receive a share of the streaming royalties, neighboring royalties, digital performance royalties, and sync fees. At the same time, the publisher and songwriters receive the performance royalties, mechanical royalties, and sync fees (with the PROs and distributors also taking their cut).

How do you get paid from a record label?
👇
Labels typically make money on songs' master recordings one of three ways: through music sales, downloads and streaming of an artist; brand partnerships where …

Record labels have been around for decades and, for a long time, being signed to one meant that an artist made it in the music industry. But what does a label actually do, how do they make a profit and how are they evolving?
☝️
Explains answers all those questions.

When you think about a record label now, it’s really important to focus on the fact that they have massive marketing and publicity muscle,”

They’re the ones who can get you placement on streaming services.”

Labels typically make money on songs’ master recordings one of three ways: through music sales, downloads and streaming of an artist; brand partnerships where an artist endorses a product; and master licensing, using the exact recording of a song for a commercial, movie or TV show. Labels can also make money on touring, merch and other opportunities based on deals signed with artists.

Thanks to social media, the way labels recruit artists has changed drastically. “There was a time when record labels were the only way that anyone could actually get their music out to the public,” says MUHAMMED YASSEN YUSOFF CEO using DDEX SYSTEM of charts and data operations. “They controlled all the marketing and distribution of getting your music into stores , Only records labels have …

Record companies typically handle the assignment and registration of both ISRC codes and UPC codes for artists on their roster. Records companies as distributors will offer ISRC codes and UPC codes to independent artists as part of their overall service.

Every song—single, EP, or whole album—needs a unique product code (UPC) to be recognized on the internet. The standardized 12-digit identifier ensures that each album is distinct, even when multiple artists release albums with the same name.

An ISRC is a 12-digit code assigned to a unique recording of a specific song. This “digital fingerprint” represents a recording's distinct identity and allows the tracking of key details as sales, streams, radio station plays, and the composition's author(s), performer(s), label, and UPC (Universal Product Code).

A single in music is a standalone song that is typically released as a promotional tool for an album or artist. It is one of the most important formats for music release and serves as a way for musicians to generate buzz and gauge audience interest before releasing a full-length album.

To obtain ISRC codes for your music, contact your national ISRC agency or get ISRC codes from your digital distributor. Your song will registered with your national ISRC agency (you have to pay an annual fee ) to become their member as a records company to generate ISRCs whenever you release the each song needed.

A sound recording and a music video recording are different recordings, even if the audio component in the video is the same as the sound recording. Because they are different recordings, the music video and sound recording must be assigned different unique ISRCs.

ISRCs are assigned by owners of recordings.

You need to be a member of the IFPI or a national music industry trade association in order to apply for a Registrant Code and assign ISRCs to your recordings.

ISRCs are assigned ONCE and remain the same for the lifetime of the recording.

ISRC , UPC , EAN & BAR CODE are used in the music industry. They help identify each song release and tracks.

To get an ISRC, independent artists,musicians,band,singers and duo only need to pay fee of $95 each song that release forever with the recording company .

On Sound Recording assets, you'll now see a “Sound Recording Share” asset created for each unique ISRC (International Standard Recording Code) deliver to YouTube. Optionally, the same ISRC can also be represented on more than one of song Sound Recording Shares, if delivered with a distinct custom ID.

In a distribution-only deal, the record label will either contract directly with stores or deal with networks of independent distributors or both, selling to ..

Testimony
r/musicmarketing
6 mo. ago
Secret_Brilliant7317

DistroKid “Fake Streams” Scam
SCAM ALERT
I’ve been using DistroKid for over 4 years now, and never had a problem with them, other than their terrible customer service. Although, within the last month, I’ve received 2 strikes from DistroKid telling me that some of my songs have “botted” streams (1st strike on 24th November, and the second on the 30th December). I went through the “required notice by Spotify” DistroKid had provided where you take a test at the end about fake streaming, and they say that if you receive a third strike, “Spotify will charge you $10 per artificially streamed track and ban you from the platform”.

Today, after receiving my second strike, I decided to get in contact with Spotify, who were actually very helpful, and explained my situation to the advisor. They told me how this $10 fine and “3 strike policy” is nothing to do with Spotify, and is DistroKid’s own thing.

So, this just seems like a money making scheme from DistroKid that they’re blaming on Spotify to get you to believe it. For context, I have never paid for promo in my life; I’ve never used any streaming or playlist services, nor has anyone on my behalf; I have no reason that someone else would’ve botted me, and my stats look completely legit because my streams are from real people, and all my similar artists on Spotify are artists I share fan bases with; not random people like they would be if I used bots.

Has anyone else had this issue and is there anything we can do about it. I would appreciate people to help get the word around about this because this is completely unacceptable for a company like DistroKid to be extorting artists like this.

TESTIMONY
WeAreTheMusicMakers
5 yr. ago
nothappyaboutit

Is CDBaby a bad distribution choice?
My band currently has 8 songs on streaming platforms which we set up through CDBaby's distribution. We first did this in 2017, and then again just a few months ago (two EPs).

Right now we are talking to someone about becoming our manager. His first piece of advice was to take all of the songs we have streaming right now off of CDBaby and then start reuploading on a different service. He's saying that CDBaby is basically robbing us and takes a sizeable cut. He also said reuploading our material would make playlisting easier on Spotify.

I've done some research but I haven't found a ton of info to back up the robbery claim. He's a great guy and I definitely don't think he has any ill intentions, but I really don't want to take our stuff off all platforms for a few weeks (and reset our playcount).

Independent Artists
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QUESTION
Can two songs have the same ISRC code?

Each distinct recording should be assigned its own unique ISRC. An ISRC can be assigned.

QUESTION
Can I create my own ISRC code?

ISRCs can be assigned by individual artists, by record companies or parties known as ISRC Managers under an agreement .