http://www.conceptualfinearts.com/

Conceptual Fine Arts, Milan (2025)

26/11/2025

The dialogue between Chantal Akerman and Sonia Wieder-Atherton brings image and music together in a shared time of listening. In their shared practice, image does not illustrate music, nor does music underscore image: both withdraw from subordination, establishing a relation founded on asymmetry and trust. It is a model of collaboration in which difference is not an obstacle but a condition of resonance.

Link in bio to the full text by Rita Selvaggio.
selvaggiofoundation

image: Chantal Akerman, Sonia Wieder-Atherton, D’Est en musique, 2005. Ph. Quentin Balpe. Courtesy of Fondation Chantal Akerman.

26/11/2025

The work of Chantal Akerman and Sonia Wieder-Atherton is made of such silent words, of chords without emphasis, of gestures that persist even when all else is still. Sonia’s music did not accompany Chantal’s images; it inhabited them, like a breath held. Every note was a thread of absence—drawn from time, from exile, from nostalgia—woven between an abandoned room and a passing train.

Link in bio to the full text by Rita Selvaggio.
selvaggiofoundation

image: Chantal Akerman, Sonia Wieder-Atherton, Portrait d’une paresseuse, 1986, video frame. Courtesy of Sonia Wieder-Atherton and Fondation Chantal Akerman.

26/11/2025

The work of Chantal Akerman and Sonia Wieder-Atherton is made of such silent words, of chords without emphasis, of gestures that persist even when all else is still. Sonia’s music did not accompany Chantal’s images; it inhabited them, like a breath held. Every note was a thread of absence—drawn from time, from exile, from nostalgia—woven between an abandoned room and a passing train.

Link in bio to the full text by Rita Selvaggio.
selvaggiofoundation

image: Chantal Akerman, Sonia Wieder-Atherton, Rue Mallet Stevens, 1987, video frame. Collections Cinematek. Courtesy of Fondation Chantal Akerman.

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.
On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio for the full text by Pieter-Jan De Paepe

By velo project + CFA

Thanks to l.d.r

image: Jef Geys, Child with tears, 2017, oil on canvas, bubble wrap, tape, marker, paint. 73 x 52 x 4 cm / 28.7 × 20.5 × 1.6 in. Overall: 92 x 52 x 19 cm / 36.2 × 20.5 × 7.5 in. Courtesy of the artist and Max Meyer, Berlin.

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.

On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio for the full text by Pieter-Jan De Paepe.

By velo project + CFA.
Ph. Fabio Mantegna.

Thanks to l.d.r

geys.estate

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.

On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio for the full text by Pieter-Jan De Paepe.

By velo project + CFA.
Ph. Fabio Mantegna.

Thanks to l.d.r

geys.estate

image: Jef Geys, Child with tears, 2017, oil on canvas, bubble wrap, tape, marker, paint. 73 x 52 x 4 cm / 28.7 × 20.5 × 1.6 in. Overall: 92 x 52 x 19 cm / 36.2 × 20.5 × 7.5 in. Courtesy of the artist and Max Meyer, Berlin.

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.

On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio to the full text by Pieter-Jan De Paepe

By velo project + CFA

Thanks to:l.d.r
geys.estate

26/09/2025

Nicola Erni views fashion photography through a lens quite different from that of art directors, journalists, or boutique clientele. An image that once appeared on the glossy page of a magazine—destined for only fleeting attention before fading into obscurity—now re-emerges, or perhaps more accurately, is reborn, elevated to a new and more enduring status.

Link in bio to the full interview with Nicola Erni.

image: Installation view, Mix & Match exhibition. Courtesy of Nicola Erni Colletion.

26/09/2025

Nicola Erni views fashion photography through a lens quite different from that of art directors, journalists, or boutique clientele. An image that once appeared on the glossy page of a magazine—destined for only fleeting attention before fading into obscurity—now re-emerges, or perhaps more accurately, is reborn, elevated to a new and more enduring status.

Link in bio to the full interview with Nicola Erni.

image: Installation view, Mix & Match exhibition. From left, works by Arthur Elgort, Pipilotti Rist, Tim Walker. Courtesy of Nicola Erni Collection.

26/09/2025

Nicola Erni views fashion photography through a lens quite different from that of art directors, journalists, or boutique clientele. An image that once appeared on the glossy page of a magazine—destined for only fleeting attention before fading into obscurity—now re-emerges, or perhaps more accurately, is reborn, elevated to a new and more enduring status.

Link in bio to the full interview with Nicola Erni.

image: Installation view, Mix & Match exhibition. Courtesy of Nicola Erni Colletion.

11/09/2025

This isn’t just about material play. It’s about ontology. By wrapping these tools, Durel removes them from their function and lets them exist in another register — tactile, erotic, uncertain. Sculpture, here, becomes a site where control and care, violence and tenderness, meet.

Link in bio for the full text by Emilie Rolin Jacquemyns.

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