Conceptual Fine Arts (2025)

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.
On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio for the full text by Pieter-Jan De Paepe

By velo project + CFA

Thanks to l.d.r

image: Jef Geys, Child with tears, 2017, oil on canvas, bubble wrap, tape, marker, paint. 73 x 52 x 4 cm / 28.7 × 20.5 × 1.6 in. Overall: 92 x 52 x 19 cm / 36.2 × 20.5 × 7.5 in. Courtesy of the artist and Max Meyer, Berlin.

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.

On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio for the full text by Pieter-Jan De Paepe.

By velo project + CFA.
Ph. Fabio Mantegna.

Thanks to l.d.r

geys.estate

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.

On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio for the full text by Pieter-Jan De Paepe.

By velo project + CFA.
Ph. Fabio Mantegna.

Thanks to l.d.r

geys.estate

image: Jef Geys, Child with tears, 2017, oil on canvas, bubble wrap, tape, marker, paint. 73 x 52 x 4 cm / 28.7 × 20.5 × 1.6 in. Overall: 92 x 52 x 19 cm / 36.2 × 20.5 × 7.5 in. Courtesy of the artist and Max Meyer, Berlin.

14/10/2025

Flemishness is an exhibition seeking the secret formula of Flemish art through works by Jan Vercruysse, Jef Geys, W. Rossen and Melle van Herwaarden.

On view by appointment only at via Romilli 20/4 Milano, until November 29.

Link in bio to the full text by Pieter-Jan De Paepe

By velo project + CFA

Thanks to:l.d.r
geys.estate

26/09/2025

Nicola Erni views fashion photography through a lens quite different from that of art directors, journalists, or boutique clientele. An image that once appeared on the glossy page of a magazine—destined for only fleeting attention before fading into obscurity—now re-emerges, or perhaps more accurately, is reborn, elevated to a new and more enduring status.

Link in bio to the full interview with Nicola Erni.

image: Installation view, Mix & Match exhibition. Courtesy of Nicola Erni Colletion.

26/09/2025

Nicola Erni views fashion photography through a lens quite different from that of art directors, journalists, or boutique clientele. An image that once appeared on the glossy page of a magazine—destined for only fleeting attention before fading into obscurity—now re-emerges, or perhaps more accurately, is reborn, elevated to a new and more enduring status.

Link in bio to the full interview with Nicola Erni.

image: Installation view, Mix & Match exhibition. From left, works by Arthur Elgort, Pipilotti Rist, Tim Walker. Courtesy of Nicola Erni Collection.

26/09/2025

Nicola Erni views fashion photography through a lens quite different from that of art directors, journalists, or boutique clientele. An image that once appeared on the glossy page of a magazine—destined for only fleeting attention before fading into obscurity—now re-emerges, or perhaps more accurately, is reborn, elevated to a new and more enduring status.

Link in bio to the full interview with Nicola Erni.

image: Installation view, Mix & Match exhibition. Courtesy of Nicola Erni Colletion.

11/09/2025

This isn’t just about material play. It’s about ontology. By wrapping these tools, Durel removes them from their function and lets them exist in another register — tactile, erotic, uncertain. Sculpture, here, becomes a site where control and care, violence and tenderness, meet.

Link in bio for the full text by Emilie Rolin Jacquemyns.

11/09/2025

This isn’t just about material play. It’s about ontology. By wrapping these tools, Durel removes them from their function and lets them exist in another register — tactile, erotic, uncertain. Sculpture, here, becomes a site where control and care, violence and tenderness, meet.

Link in bio for the full text by Emilie Rolin Jacquemyns.

04/09/2025

An arithmetic of decomposing and creating anew; a transfiguration – wall pieces made of different floors, wooden tapestries conjugating time and space, balancing sentiment with symmetry. In doing so, Carr’s craft of safekeeping, resizing, and compiling echo the processes of memory itself. Reminiscence may also be technical.

Link in bio for the full text by Salomé Burstein.
r

image: Florence Carr, Continuum (Day), 2025, leather, cm. 73 x 73. Courtesy the artist and Petrine, Paris & Düsseldorf. Ph: Thomas Lannes.

04/09/2025

An arithmetic of decomposing and creating anew; a transfiguration – wall pieces made of different floors, wooden tapestries conjugating time and space, balancing sentiment with symmetry. In doing so, Florence Carr’s craft of safekeeping, resizing, and compiling echo the processes of memory itself. Reminiscence may also be technical.

Link in bio for the full text by Salomé Burstein.
r

image: Florence Carr, Spatterdock (detail view), 2024. Courtesy the artist and Petrine, Paris & Düsseldorf. Ph: Jack Elliot Edwards

Conceptual Fine Arts

14/10/2025

14/10/2025

14/10/2025

14/10/2025

26/09/2025

26/09/2025

26/09/2025

11/09/2025

11/09/2025

04/09/2025

04/09/2025

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