Flash Art International

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Flash Art International

Flash Art is an international quarterly magazine and publishing platform dedicated to thinking about contemporary art.

15/09/2026

“Although absent in representational terms, the body is constitutive of Porter’s work. As an absent operator, it acts as a condition of production. In a quasi-alchemical logic of material reconfiguration, the ashes return as geometric forms. They also shift from being a remainder of something that has happened to something that still carries the capacity to create. As Ned Lukacher writes in his introduction to Jacques Derrida’s Cinders (1991), a cinder ‘is a very fragile entity that falls to dust, that crumbles and disperses.’ But cinders also name the resilience and the intractability of what is most delicate and most vulnerable.”

Hit the link in bio to read Nina Porter “Sample Question,” Kunstverein in Hamburg reviewed by Katrin Krumm from 356 Fall 2026. 

Porter’s show “Sample Question” is currently on view at the Kunstverein in Hamburg until September 22, 2026

 

10/09/2026

When Thomas Ruff created his series “jpegs,” (2004–22) he was missing the image itself. After witnessing the fall of the Twin Towers and capturing photos from the ground, he returned to Germany to find nothing on the strips of film that were in his camera. Seeing how documentation of the event proliferated online motivated one of his most iconic works. In conversation with Louisa Elderton, the photographer discusses his historical approach to images and how to document tragedy itself.

Hit the link in the bio to read, “Can’t Get You Out of My Head,” a conversation between and Louisa Elderton from 356 Fall 2026.

Ruff’s solo exhibition “jpegs ny” is currently on view at David Zwirner – Art Gallery, New York, through October 17, 2026.

08/09/2026

“Walking into the exhibition ‘Call me gravity’ at WIELS in Brussels, I half-expected to find myself in the numbered world of credit, debit, and interest rates. Curator Pauline Hatzigeorgiou proves that assumption dead wrong. She has refracted the concept through a kaleidoscope, reconsidering it financially, generationally, socially, and karmically…the results of this refraction are uneven: in some works, the conceptually rich frame sharpens the story the works are already telling.”

Hit the link in bio to read “Call me gravity,” WIELS reviewed by Emilio Marroquin from 356 Fall 2026.

“Call me gravity” is currently on view at WIELS, Brussels until September 20, 2026

 

07/09/2026

“The classical body and the Soviet body are, it turns out, the same body: two different political projects modeled on the same ideal. Serapinas’s art school education was a formal training in copying these very objects, the founding reference points of the entire Western tradition of the idealized male form, upright, proportioned, physically perfect, and radiating disciplined virtue. These were the standards against which student work was measured, the standard to be aspired to.”

Hit the link in bio to read Augustas Serapinas “Physical Culture,” Nottingham Contemporary, Nottingham reviewed by Sofia Hallström from 356 Fall 2026.

Serapinas’s show “Physical Culture” is currently on view at Nottingham Contemporary until September 13, 2026

 

04/09/2026

In Berlin, Henri McMaster’s studio is speckled in animal furs, images of creatures, and photos of uncanny forms. It’s awash with references and materials that demystify the artist’s anthropomorphic forms. Taking us through her studio for this issue’s Studio Scene, Eilidh Duffy reveals how McMaster’s childhood in Canada, love for archeology, and Anne Carson influence her body of work.

Hit the link in the bio to read “Dead Matter & Nervous Flesh,” Henri McMaster by documented by Alessio Avventuroso from 355 Summer 2026.
 

02/09/2026

#356 FALL 2026 “Borders” IS OUT NOW  

At the confine between two entities, many things can emerge: movement, conflict, understanding. The Fall issue of Flash Art explores the concept of borders –– not just geographic ones, but poetic, conceptual, and material –– seeking to uncover how permeating these divides informs our material reality.

Cover 3/3
Artist: Alvaro Barrington
Editor-in-Chief and Creative Director Alessio Avventuroso
Editor-at-Large: Gea Politi
Photographer: Alice Mann
Production: Flash Art Studios
Location: Artist’s studio, London

Featuring:  Tolia Astakhishvili Lap-See Lam Vladislav Markov Lydia Ourahmane armineh_negahdari Maria Toumazou martinsabyno brunozhu __.ewa.__

02/09/2026

#356 FALL 2026 “Borders” IS OUT NOW  

At the confine between two entities, many things can emerge: movement, conflict, understanding. The Fall issue of Flash Art explores the concept of borders – not just geographic ones, but poetic, conceptual, and material – seeking to uncover how permeating these divides informs our material reality.

Cover 2/3
Artist:
Editor-in-Chief and Creative Director: Alessio Avventuroso
Editor-at-Large: Gea Politi
Location: Artist’s studio, Düsseldorf

Featuring:  Alvaro Barrington Tolia Astakhishvili Lap-See Lam Vladislav Markov Lydia Ourahmane armineh_negahdari Maria Toumazou martinsabyno brunozhu __.ewa.__

02/09/2026

#356 FALL 2026 “Borders” IS OUT NOW  

At the confine between two entities, many things can emerge: movement, conflict, understanding. The Fall issue of Flash Art explores the concept of borders – not just geographic ones, but poetic, conceptual, and material – seeking to uncover how permeating these divides informs our material reality.

Cover 1/3
Artist:
Editor-in-Chief and Creative Direction: Alessio Avventuroso
Editor-at-Large: Gea Politi
Photographer: Osma Harvilahti 
Photographer assistant: Phuong Anh Nguyen Le
Retouch: Grading Bureau
Production: Flash Art Studios
Location: Artist’s studio, Berlin

Featuring: Alvaro Barrington Tolia Astakhishvili Lap-See Lam Vladislav Markov Lydia Ourahmane armineh_negahdari Maria Toumazou martinsabyno brunozhu __.ewa.__

26/08/2026

Having worked together on the exhibition “Ambientals/The Craft” at OCT0 in 2023, curator and Director of Fluentum, Raoul Klooker chats with artist Ivan Cheng chats on his relationship to performance and text. He ultimately lands on novels as the fundamental element of his work (along with his frequent collaborators: camera operator, Arvo Leo, and garment designers, Good & Bad.)

Hit the link in the bio to read, “Balancing Surrogates,” a conversation between and  from 355 Summer 2026.

Cheng’s work is currently on view in the group exhibition “Social Unrest” at Matta, Milan, through September 12, 2026.

31/07/2026

Luzie Meyer’s works, marked by sound and performance, have a rhythm to it. In her piece “The Acquisition of Language & The Language of Acquisition,” presented on KW’s Pogobar Podcast as a long, spoken poem, there is a beat to her delivery that dissolve the linguistic layer around words, returning them to their origins as sounds. Pointing to how she leverages poetry and philosophical influences, Tabea Marschall listens carefully to Marshall’s perception shifting works.

Hit the link in the bio to read “The Sound of Broken Eggshells,”  by from 355 Summer 2026.
 

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