Flash Art International

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Flash Art International

Flash Art is an international quarterly magazine and publishing platform dedicated to thinking about contemporary art.

18/12/2025

“A projection dances in the corner of the first gallery: a purple thistle, a symbol of Palestinian resilience for its ability to grow in harsh mountainous terrain, hovers and jumps across the multiple planes common in Abbas and Abou-Rahme’s installations. This fragmented display adds dimension and complexity — as well as the potential to withhold parts of images through shadow — to the typically uninterrupted, flat surfaces that projections demand.”

Hit the link in bio to read Basel Abbas and Rouanne Abou-Rahme “Prisoners of Love: Until the Sun of Freedom” at , reviewed by .

16/12/2025

alfatih transforms travel, voice notes, and shifting terrains into a mode of play where rules blur and agency becomes experimental. From hallucinatory trains to kites, drones, and machine logics, his practice navigates soft power and strategic choice. In conversation with Jazmina Figueroa, their long-distance exchange unfolds like one of his games – iterative, intuitive, and full of latent paths – revealing the human pulse behind systems, machines, and the art of playing.

Hit the link in bio to read “How To Play It,” in conversation with from 353 Winter 2025–26.

11/12/2025

“Unlike Cocteau’s cinematic exploration, Antin’s collection offers no poetry, revealing very little of the poets (other than their willingness to make themselves available to the young artist and have their fingers pricked for her art). What it does show, however, is the cunning sense of humor the artist cultivated, and the way it draws widely held conceptions into question, of what art could be and what artists could do. In the 1970s, Antin herself enters the frame, using her body as a site of a feminist critique that pokes fun at conventions of art.”

Hit the link in bio to read Eleanor Antin “A Retrospective” at , Luxembourg, reviewed by Andreas Schlaegel from 353 Winter 2025–26.

10/12/2025

Tommy Xie builds q***r emotional worlds where softness turns sharp, desire blurs into power, and vulnerability becomes strategy. In his surreal, melancholic interiors, figures glow with contradictions –– tender cunning, self-possessed. In conversation with Moa Jegnell, Xie traces the darker turn in his practice, revealing how psychological tension, intimacy and cultural memory shape his meticulously crafted paintings. A quiet, potent universe where stillness speaks and feeling becomes form.

Hit the link in bio to read “SOFT-POWER-MANIA,” a conversation between .xiexin and from 353 Winter 2025–26.

Xie’s solo show “The Chasing Game” is on view at .info, Dallas, through December 13, 2025.

09/12/2025

Oslo’s waterfront museum district reveals a city confidently shaping the future of contemporary art. At Astrup Fearnley Museet, the gripping retrospective of Lutz Bacher, “Burning the Days,” anchors a company yet ambitious ecosystem. A host walk away, the MUNCH Museum’s 2025 MUNCH Triennale, “Almost Unreal,” expands the conversation, probing the shifting boundaries of technology and perception. In tracing these encounters, Alessio Avventuroso captures a cultural landscape that feels both grounded and boldly forward-looking.

Hit the link in bio to read “Oslo: Almost Unreal” by .

05/12/2025

The Winter issue of Flash Art features a special project by Versace: a visual essay with photographs by Tyrone Leone and a text by Hugo Bausch Belblachir. Moving through emotion, heritage, and a “consciousness transcending the realm of fashion itself,” the essay reflects on Versace’s history, exploring intimacy, subtle eroticism, and the interplay between past and present.

Hit the link bio to buy 353 Winter 2025–16, “the z issue,” and read more from “Resurrecting Desire,” a visual essay by for with words by .

02/12/2025

#353 WINTER 2025–26 “the z issue” IS OUT NOW

Amid a culture moving faster than it can name itself, we’re living through eras that dissolve on arrival. Aesthetic thresholds appear and vanish, leaving us suspended in a state of constant overexposure — where every “new wave” feels urgent and already obsolete. “the z issue” emerges from this velocity, shaped by artists under thirty whose work reflects fluid identities, blurred generational markers, and a world split between the physical and the digital. Their practices don’t just describe the present moment; they absorb it, bend it, and metabolize it into something newly alive.

Cover 5/5
Artist: Olivia Kan-Sperling
Photographer: Diane Severin Nguyen
Editor-in-Chief:
Creative Direction:
Production: Flash Art Studios
Location: New York
Clothes:

Featuring: .matic .miai .xiexin

+ Visual Essay for Versace: Resurrecting Desire

02/12/2025

#353 WINTER 2025–26 “the z issue” IS OUT NOW

Amid a culture moving faster than it can name itself, we’re living through eras that dissolve on arrival. Aesthetic thresholds appear and vanish, leaving us suspended in a state of constant overexposure — where every “new wave” feels urgent and already obsolete. “the z issue” emerges from this velocity, shaped by artists under thirty whose work reflects fluid identities, blurred generational markers, and a world split between the physical and the digital. Their practices don’t just describe the present moment; they absorb it, bend it, and metabolize it into something newly alive.

Cover 4/5
Artist: Tasneem Sarkez
Photographer:
Editor-in-Chief:
Creative Direction:
Stylist:
Makeup:
Hair:
Production: Flash Art Studios
Clothes:
Eyewear:
Location: New York

Featuring: .matic .miai .xiexin

+ Visual Essay for Versace: Resurrecting Desire

02/12/2025

#353 WINTER 2025–26 “the z issue” IS OUT NOW

Amid a culture moving faster than it can name itself, we’re living through eras that dissolve on arrival. Aesthetic thresholds appear and vanish, leaving us suspended in a state of constant overexposure — where every “new wave” feels urgent and already obsolete. “the z issue” emerges from this velocity, shaped by artists under thirty whose work reflects fluid identities, blurred generational markers, and a world split between the physical and the digital. Their practices don’t just describe the present moment; they absorb it, bend it, and metabolize it into something newly alive.

Cover 3/5
Artist: Olivia van Kuiken
Photographer: Ian Kenneth Bird
Editor-in-Chief:
Creative Direction:
Head of Partnership: .echebarria
Production: Flash Art Studios
Location: Artist’s Studio, New York
Shoes:

Featuring: .matic .miai .xiexin

+ Visual Essay for Versace: Resurrecting Desire

02/12/2025

#353 WINTER 2025–26 “the z issue” IS OUT NOW

Amid a culture moving faster than it can name itself, we’re living through eras that dissolve on arrival. Aesthetic thresholds appear and vanish, leaving us suspended in a state of constant overexposure — where every “new wave” feels urgent and already obsolete. “the z issue” emerges from this velocity, shaped by artists under thirty whose work reflects fluid identities, blurred generational markers, and a world split between the physical and the digital. Their practices don’t just describe the present moment; they absorb it, bend it, and metabolize it into something newly alive.

Cover 2/5
Josiane M.H. Pozi, in my home, in my studio, for flash art!, 2025. Photography, colored pencil, felt tip, and digital work on paper. Courtesy of the artist.

Featuring: .matic .miai .xiexin

+ Visual Essay for Versace: Resurrecting Desire

02/12/2025

#353 WINTER 2025–26 “the z issue” IS OUT NOW

Amid a culture moving faster than it can name itself, we’re living through eras that dissolve on arrival. Aesthetic thresholds appear and vanish, leaving us suspended in a state of constant overexposure — where every “new wave” feels urgent and already obsolete. “the z issue” emerges from this velocity, shaped by artists under thirty whose work reflects fluid identities, blurred generational markers, and a world split between the physical and the digital. Their practices don’t just describe the present moment; they absorb it, bend it, and metabolize it into something newly alive.

Cover 1/5
Artist: Rene Matić .matic
Photographer:
Editor-in-Chief:
Creative Direction:
Production: Flash Art Studios
Clothes:

Location: Artist’s Studio

Featuring: .miai .xiexin

+ Visual Essay for Versace: Resurrecting Desire

28/11/2025

Yngve Holen transforms objects — from luxury cars to agave leaves — into meticulous, uncanny sculptures that reveal the systems, desires, and contradictions of contemporary life. In her essay, Anya Harrison explores how his work dissects, reassembles, and hallucinates the everyday, creating a stark vision of human experience and industry, a world teetering “89 Seconds to Midnight.”

Hit the link in bio to read “89 Seconds to Midnight,” by from 352 Fall 2025.

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