Flash Art International

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Flash Art International

Flash Art is an international quarterly magazine and publishing platform dedicated to thinking about contemporary art.

28/07/2026

“Amid this frenetic early twentieth-century referencing, his style morphs while heavily alluding to classical mythology. In this way, Kantarovsky becomes a kind of necromancer of artistic movements, conjuring and reconjuring the past into contemporary compositions, refusing to let them fade to time.”

Hit the link in the bio to read Sanya Kantarovsky “Basic Failure” at Istituto Veneto di Scienze, Lettere ed Arti, Palazzo Loredan, Venice, reviewed by .

Kantarovsky’s show “Basic Failure” is currently on view at Istituto Veneto di Scienze, Lettere ed Arti, Palazzo Loredan, Venice until November 22, 2026.

 

21/07/2026

It’s a shoe, but it’s also a magazine clipping, a suspended light, and a maze of cardboard. Ian Waelder’s practice is a collection of objects much like the ones that would make up an archive in a museum. In tracking the origins and arrangements of his works, writer Sonja Teszler discovers how the artist’s familial diaspora, skateboarding, and Andy Kaufman have shaped his work.

Hit the link in the bio to read “Archives as Footnotes,”  by from 355 Summer 2026.
Waelder’s work is currently on view in the group exhibition “10161055,” at Ellen de Bruijne PROJECTS, Amsterdam through August 1, 2026.
 

 

20/07/2026

“[Tracey Emin’s] practice was built against the forces — social, legal, sexual, medical — that seek to determine what a woman’s body means before she has the chance to say it herself. This is not a show arriving at the right moment by accident, but confirmation that the moment has finally caught up.”

Hit the link in bio to read Tracey Emin “A Second Life” at , London reviewed by from 355 Summer 2026.

Emin’s show “A Second Life” is currently on view at the Tate Modern, London until August 31, 2026.

 

13/07/2026

“The 2026 Whitney Biennial, this time presented without a title, raises an old question with renewed urgency: What can a biennial meaningfully do in a time of profound social and political fracture? In New York, it has become common to criticize this Biennial; such criticism signals one’s superior stance in aesthetics, political bipartisanship, and understanding of global politics. Within this context, what we see at the Whitney this year might be seen as an indulgent escapade into American isolationism, but this is not the case.”

Hit the link in bio to read the Whitney Biennial 2026 at the of American Art, New York reviewed by from 355 Summer 2026.

The Whitney Biennial is currently on view at the Whitney Museum of American Art, New York until August 23, 2026.

 

10/07/2026

In writing about Berlin for this issue’s installment of Focus On, Philipp Hindahl touches on this palpable energy that most feel when entering the German city that doesn’t really feel like it’s in Germany: “No one is from here, really.” In his survey, he discusses the construction of Mies van der Rohe’s bungalow, Villa Lemke, the Building Group Kurfürstenstraße coop, and a shifting landscape that’s followed World War II. Through a socio-political reading of the scene, Hindahl zeroes in on what’s making the creative class that has long defined the city squeamish about staying.

Hit the link in the bio to read, “Berlin: After the Myth,” by with photography by .chung from 355 Summer 2026.

08/07/2026

In conversation with Louisa Elderton, painter Michaël Borremans pontificates on the “French Painting,” which references both to the tradition of French pictorial works, but also the artist’s solo show at David Zwirner in Paris. In their discussion, they talk Goya, Borremans’s attempt to hold a mirror up to humanity, and his thoughts on the state of the world and masculinity. He also addresses his compulsion to paint an apple.

Hit the link in the bio to read, “A Mirror, Darkly,” a conversation between .borremans and from 355 Summer 2026.

Borremans’s show “French Painting” is currently on view at , Paris, through July 22, 2026.

Artist: Michaël Borremans (.borremans)
Photographer: Osma Harvilahti ()
Editor-in-Chief:
Creative Direction:
Location: Artist’s studio, Ghent

06/07/2026

Sarah Brahim, known for her performances and video work, searched for a a physical copy of Emily Dickinson’s “Envelope Poems” for Michela Ceruti. In this issue’s installment of Unpack / Reveal / Unleash, she takes a look at Brahim’s practice, connecting the gestures and stills that have come to define the artist’s work. In defining the poetics of it, she reveals how that tender gift became a metaphor to Brahim’s sensitive approach to art making.

Hit the link in the bio to read “Slowly, Then All at Once,”  by  from 355 Summer 2026.
 

 
 

25/06/2026

Florentina Holzinger’s installation at the 2026 Venice Biennale has made waves with its indoor jet skier and human bell. Her artistic language is distinct: n**e female bodies that blur the boundaries between art, performance, and dance. Because of her shift away from traditional modes for contemporary art, the fact that she became, “the darling of the 61st Venice Biennale,” came as a surprise. Jeanette Bisschops tracks the artist’s history as a dancer and performer, revealing the Études, curators, and stages that defined her development.

Hit the link in the bio to read, “In the Waste of Others,” by from 355 Summer 2026.

Holzinger’s installation “SEAWORLD VENICE” is currently on view in the Austrian Pavilion at the 61st Venice Biennale, “In Minor Keys,” through November 22, 2026.

23/06/2026

“The pavilion becomes a structure through which disappearance can be repeatedly staged and reimagined: a building conceived as permanent, dismantled almost immediately, yet continuing to circulate through memory, reconstruction, photography, and projection. The pavilion was even rebuilt between 1983 and 1986. In Hsu’s account, the pavilion no longer functions simply as an architectural icon; it becomes a site onto which forms of attachment, loss, and recurrence are continually displaced.”

Hit the link in bio to read Brook Hsu “The Barcelona Pavilion” at reviewed by from 355 Summer 2026.

Hsu’s show “The Barcelona Pavilion” is currently on view at Kraupa-Tuskany Zeidler, Berlin until June 27, 2026.

-TuskanyZeidler

 

22/06/2026

In the double exposed guns and semi-trucks, a clown’s face faded atop a crotched blanket, Bella Newman’s photos create a highly saturated visual landscape of an America that may or may not exist. Reflecting on the photographer’s visual essay of bygone hometown, Diamond Stingily draws a line between the nylon panties, the decorated women, and the inescapable feeling of girlhood that’s present in her works.

Newman’s solo exhibition, “Be good or be gone,” is currently on view at .arlekina , Milan through September 14, 2026.

Hit the link in the bio to read, “The Great Escape from Girlhood,” a visual essay by  with words by  from 355 Summer 2026.

Stingily

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