Flash Art International

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Flash Art International

Flash Art is an international quarterly magazine and publishing platform dedicated to thinking about contemporary art.

01/07/2025

In the latest installment of Unpack / Reveal / Unleash, Margaret Kross investigates the scorched architectures and material poetics of Sophie Friedman-Pappas. Among vitrified remnants and molten residues, her work transforms industrial and base materials not into precious metal, but into an intervention in the governing logic that casts refuse into dollars. In her kiln-sculptures, where everything decomposes but nothing is destroyed, matter resists fixed identity — echoing not destruction, but reformulation.

Hit the link in bio to read “The Conditions that Shape” by from 351 Summer 2025.

Friedman-Pappas’s work will be on view in the two-person show “GARAGE EXCHANGE – VIENNA LOS ANGELES” with Anna Jermolaewa at , Los Angeles, from July 10 through August 23, 2025.

-Pappas

26/06/2025

“The mostly monochrome and portrait-less show has an eerie sense of emptiness, a feeling of showing up to the party too late. The post-apocalyptic allusions read as more sinister than perhaps the curators intended, given recent events.”

Hit the link in bio to read “HEAD FOR THE HILLS!”at , Los Angeles reviewed by from 351 Summer 2025.

Hadland

$Sidsel Meineche Hansen’s “Grumpy” (2025) confronts viewers with fractured digital bodies and techno-feminist ghosts of E...$

25/06/2025

Sidsel Meineche Hansen’s “Grumpy” (2025) confronts viewers with fractured digital bodies and techno-feminist ghosts of Enlightenment ideas. In her essay, Bianca Stoppani unpacks the work’s uneasy intimacy –– where surveillance, sexuality, and spectral labor converge. Through horror, humor, and code, Hansen reanimates the politics of representation in grotesque, glitchy form.

Hit the link in bio to read “Never Let Go,” by from 351 Summer 2025.

Sidsel Meineche Hansen’s work will be on view in “Once Within a Time,” the 12th SITE SANTA FE International at from June 27, 2025 until January 13, 2026.

23/06/2025

In conversation with Caroline Elbaor, Karla Kaplun explores how memory, conquest, and the baroque interline through theatrical installations and symbolic excess. Her work challenges fixed interpretations, proposing spirituality and ambiguity as radical tools. In “Carmen” and beyond, Kaplun renders the politics of desire, domination, and identity with haunting resonance.

Hit the link in bio to read “The Feast & the Fright,” a conversation between and .elbaor from 351 Summer 2025.

Artist:
Photographer: .zo
Editor in Chief:
Creative Direction:
Production: Flash Art Studios
Location: Mexico City, Mexico
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23/06/2025

In conversation with Caroline Elbaor, Karla Kaplun explores how memory, conquest, and the baroque interline through theatrical installations and symbolic excess. Her work challenges fixed interpretations, proposing spirituality and ambiguity as radical tools. In “Carmen” and beyond, Kaplun renders the politics of desire, domination, and identity with haunting resonance.

Hit the link in bio to read “The Feast & the Fright,” a conversation between and .elbaor from 351 Summer 2025.

Karla Kaplun’s work is currently on view at through June 22, 2025, and at .social.club through June 21, 2025.

Artist:
Photographer: .zo
Editor in Chief:
Creative Direction:
Production: Flash Art Studios
Location: Mexico City, Mexico
Clothes:
Eyewear:

19/06/2025

“‘STEADYSTATE’ is not interested in conclusions. It proposes an art of persistence, delay, and slippage:a cosmology where everything is always already becoming something else. Like Heidegger’s time, it doesn’t point forward or back, but radiates outward, drawing us into overlapping frequencies where meaning never settles — only recurs.”

Hit the link in bio to read “STEADYSTATE” at , Milan, reviewed by from 351 Summer 2025.

18/06/2025

Twisted, visceral, and unruly, the grotesque can be a shared language — a mode of expression that connects artists across differences in form, medium, and tone. Selections from the Flash Art archives chart this unruly terrain, where each work operates as a catalytic presence: a provocation that informs and distorts. At the center is Pipilotti Rist, who dismantles the female image through a glitchy, playful lens, creating space for intimacy, humor, and erotic disorder. Together, Pipilotti Rist, Cecily Brown, and Kiki Smith form the core of this section — a kaleidoscope of corporeal tensions and surreal interventions.

14/06/2025

Moving through Zurich means navigating a layered urban landscape shaped by geography and daily routines. Unassuming buildings at key junctions become silent markers of memory and movement. Many of these structures, built between the 1990s and 2010s, now face early demolition. Their vulnerability raises pressing questions about what we choose to preserve, how we adapt outdated innovations, and what sustainability means in contemporary architecture. How do we value the everyday?

Hit the link in bio to read “Peripheral Presence” by and () from 351 Summer 2025.

13/06/2025

“Paint is the Subject” offers not just a retrospective but a reevaluation. It situates Ed Clark firmly within the broader narratives of abstract art, while also asserting the singularity of his vision. His belief that abstraction could convey emotional and experiential truths more effectively than realism is evident throughout. “You don’t get into something that you understand,” he once said of his process. “You just let it go.”

Hit the link in bio to read “Ed Clark, Paint is the Subject” at , Zurich reviewed by

&Wirth

10/06/2025

Phung-Tien Phan’s work reclaims the domestic sphere as a site of feminist art-making. In Ela Bittencourt’s essay, her lo-fi videos and understated installations reflect on labor, identity, and the quiet resistance of everyday life. Through subtle gestures, Phan questions form, authorship, and the visibility of women’s experiences in contemporary art.

Hit the link in bio for “The Familiar Strange,” a visual essay by with words by from 351 Summer 2025.

Phung-Tien Phan’s solo show “kein Charakter” is currently on view at , Berlin until June 14, 2025.

06/06/2025

With wrapping up on Sunday, here’s a selection of highlights that caught our eye during the 2025 edition.

Kayode Ojo
Augustas Serapinas
Michaela Yearwood-Dan
Francesca Mollett
Amanda Möstrom
Soil Thorton
Gala Porras-Kim
Jordan Castell

All Images:

06/06/2025

“Together, the three acts of “pool7” form a portrait of linguistic and bodily undoing, rendered with brutal, and at times discomfiting, honesty. It stages a confrontation with both the artist’s own practice to date, as well as language as ideological superstructure, pushing into its cracks — where speech stutters, loops, and falls apart.”

Hit the link in bio to read Nora Turato “pool7” at , reviewed by from 351 Summer 2025.

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