Carlo Bellotti Publishing

Carlo Bellotti Publishing Publishing Company since 2000 administered by Warner Chappell with offices in Europe, Usa and Japan Publishing Company

It's time to stop delivering the music to Spotify. WE SHOULD ALL DO THIS - from now, onwards. Wormholedeath Epictronic D...
06/12/2025

It's time to stop delivering the music to Spotify.
WE SHOULD ALL DO THIS - from now, onwards.

Wormholedeath Epictronic Dungeon Media

Ash Avildsen, founder of Sumerian Records, is calling out streaming services for embracing fake AI bands “with open arms.” In a series of posts, Avildsen says platforms like Spotify are no longer in the artist business, they’re in the shareholder business.

He compares the current royalty system to splitting ticket money with a computer that performs before you, and warns that the system favors those at the top.

Avildsen also called for a “velvet revolution” in 2026, urging artists and labels to reject the direction of the industry. He challenged major label and tech execs to debate him live on the AI crisis, saying: “Without humans creating music... none of these tech companies or distributors are worth anything.”

We Are Hiring 2 Sales Representatives (Male or Female - Age: 25 / 45) for Remote Work with Independent Contract (Freelan...
06/12/2025

We Are Hiring 2 Sales Representatives (Male or Female - Age: 25 / 45) for Remote Work with Independent Contract (Freelance).

Requirements:

-Strong computer skills (office tools, online platforms, file management)
-Good knowledge of social media (Instagram, Facebook, TikTok, YouTube, etc.)
-Fluent English (spoken and written)
-Passion for music and the music industry
-Reliability, attention to detail, and strong communication skills
-Minimum daily time commitment (in hours)

If you are interested, please send your introduction email and CV to: 📩 [email protected]

Our Network:
www.carlobellottipublishing.com
www.epictronic.com
www.wormholedeath.com
www.ghostalien-services.com
www.dungeon-media.com
www.volumeagency.net


AI and Training Data Licensing: What It Means for Musicians TodayAI is taking the music world by storm — from creating n...
31/10/2025

AI and Training Data Licensing: What It Means for Musicians Today

AI is taking the music world by storm — from creating new songs to mimicking famous voices. But behind the scenes, these AI models are learning from a massive amount of existing music: songs, recordings, lyrics, you name it. And that’s where things get tricky.

See, AI doesn’t just listen to a few songs and then create. It digests millions of tracks, often without asking the original creators. This raises some big questions everyone’s talking about:

•Should artists have to say yes before their work is used to train AI?
Turns out, about 7 out of 10 songwriters think they should have to give permission. But most AI companies haven’t reached out to them — only about 1 in 5 songwriters say they’ve been asked.

•And what about getting paid?
The AI music market is booming — expected to hit $3.6 billion by 2027. But many artists aren’t seeing a penny from this AI-created content that’s based on their work.

•Transparency is another big deal.
Three-quarters of AI music platforms don’t say what songs they’re training on, which makes it tough for artists to know if their stuff is being used.

•So, what’s the solution? Licensing? Opt-outs?
Experts think licensing could bring 10-15% of AI music profits back to the original creators. That’s a serious new income stream for musicians.

Here’s where Sweden steps up. In September 2025, STIM (the Swedish Performing Rights Society) rolled out a new license that lets AI companies use copyrighted songs — legally. And, importantly, it guarantees songwriters get paid. Already, over 50 AI firms signed on, covering more than 1.5 million songs. Pretty impressive, right?

Sweden’s move might just be the blueprint the rest of the world needs. With AI music streams doubling between 2023 and 2025, making sure artists get a fair shake is becoming urgent.

The road ahead isn’t perfectly clear yet. How do we enforce these licenses globally? How do copyright laws keep up with AI’s lightning-fast advances? The conversation is just getting started — but it’s a crucial one for anyone who cares about the future of music.

At the end of the day, AI is here to stay. Finding ways to protect creators while embracing new tech is the balancing act we’ve got to get right. Sweden’s licensing model is a solid first step — but the music world needs to keep working together to make sure artists don’t get left behind.

Source: Plastic Head Media
Artwork: Chat GPT

It's a great goal working with them, but one of my dreams was to meet Silvio. Now he’s gone… maybe in another life.Respe...
29/10/2025

It's a great goal working with them, but one of my dreams was to meet Silvio. Now he’s gone… maybe in another life.
Respect.

Mass Punishment (Wormholedeath)  is climbing the independent metal charts!
12/09/2025

Mass Punishment (Wormholedeath) is climbing the independent metal charts!

I would like to thank from the bottom of my heart all the media, printed, radio and online that have supported me and my...
23/01/2025

I would like to thank from the bottom of my heart all the media, printed, radio and online that have supported me and my work throughout these fantastic years. I will never be able to find the right words to thank you enough so I have made a little composition as a sign of gratitude. We keep supporting each other and working together during 2025 as well. Cheers!!!

22/01/2025

New interview for Wormholedeath. 2 pages on SLAM ALTERNATIVE MUSIC MAGAZINE
Germany, Austria, Switzerland.

Wormholedeath usa Wormholedeath Label Japan

CALIFORNIA FIRE ASSISTANCE
14/01/2025

CALIFORNIA FIRE ASSISTANCE

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50063

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