23/12/2024
Hyphen Publishers is here with a new release!
'Imaging Pains in the Social Margins' by Prasanta Ray is coming out soon!
This is a Pain Album containing two hundred and twenty five works of art mainly paintings, about the plight of a select marginalised people in Bengal and western Europe. It looks like a polyptych displaying one image with others sharing the one single theme or event like crucification of Christ, or humiliating medical tests on pr******tes. Like a synergistic symphony, poems and paintings, artists’ self-revelations including their literary appreciation, auction house markings of art works and art historians’ notes – all orchestrate to give us glimpses of pain. The victims of various pains focused here are the pr******te, the migrant, the mother-seekers, and various kinds of the outcast. The mother-seekers are Vincent van Gogh, legendary Karna, poet Buddhadeb Basu, and a late nineteenth orphan girl. Also discoursed are the outcasts are of various types: the mad, the nitwit, the eccentric, the idiot, the hypocrite, the common cheat, the envious, the child snatcher, the kleptomaniac, the arch-rascal, the abductor of women, the slanderer, the eavesdropper, the witch and the political losers. The entire exposition has a reference frame of time, temporality and spaces. The best singular representation of such dialogues is in the paintings of the Brazilian painter Adriana Varejão. This research is inspired by Pablo Picaso’s (1881-1973) belief that art is the son of sadness and suffering; and by a couplet by the Bengali poet, Krishna Chandra Mazumdar (1837-1907):
"They do not see
Can them with lives e’er serene,
‘en in passing, fathom pain?..
Ere in this world, my friend
You stand where I stand,
You shall pity, hear not heed, gaze not see
This anguished heartland."
The book is a companion volume to his 'Everyday Lifeworlds of Paintings:
Possibilities of Materialist Histories' (2024)
Prasanta Ray (b.1943) is Professor Emeritus in Sociology, Presidency University, Kolkata.