Mahakal Ka Deewana

18/12/2024

हर हर महादेव

18/12/2024

15/12/2024

15/12/2024

महाकाल की गुलामी मेरे काम आ रही है

14/12/2024

करी पत्ते का पौधा सूखने के कारण और उपाय

**करी पत्ते का पौधा सूखने के कई कारण हो सकते हैं, जैसे कि:**
1.ज़्यादा पानी या खाद डालने से पौधा सड़ सकता है.
#पानी #खाद #पौधासड़न

2.धूप न मिलने से पौधे की ग्रोथ ठीक से नहीं होती और वह मर सकता है.
#धूप #पौधाग्रोथ

3.कीड़े लगने से भी पौधा सूख जाता है.
#कीड़े #पौधासूखना

4.सर्दियों में पौधा डोरमेंसी पीरियड में चला जाता है, जिससे इसकी ग्रोथ रुक जाती है और पत्तियां सूखकर गिरने लगती हैं.
#सर्दी #डोरमेंसी

5.पौधे में फूल आने से इसकी ग्रोथ रुक जाती है.
#फूल #पौधाग्रोथ

6.मिट्टी का ध्यान न रखने से पौधे की लंबाई रुक जाती है.
#मिट्टी #पौधालंबाई

**करी पत्ते के पौधे को हेल्दी रखने के लिए, इन बातों का ध्यान रखें:**
1.पौधे को ज़रूरत से ज़्यादा पानी न दें.
#पानी #पौधेसुरक्षा

2.पौधे को सही मात्रा में खाद दें.
#खाद #पौधेसुरक्षा

3.पौधे को धूप में रखें.
#धूप #पौधेसुरक्षा

4.पौधे में कीड़े लगने पर नीम के तेल या शैंपू से उनका इलाज करें.
#कीड़े #नीमतेल

5.पौधे की छंटाई करते रहें.
#छंटाई #पौधेसुरक्षा

6.पौधे की मिट्टी को समय-समय पर गुड़ाई करें.
#मिट्टी #गुड़ाई

7.पौधे में फंगस से बचने के लिए एक चम्मच पिसी हुई हल्दी डालें.
#फंगस #हल्दी

8.पौधे में आयरन सप्लीमेंट का इस्तेमाल करें.
#आयरन #पौधेसुरक्षा

14/12/2024

एकादशी के दिन चावल क्यों नहीं खाते और माँ शक्ति और महर्षि मेधा की कहानी

**माँ शक्ति और महर्षि मेधा की कहानी**
**माँ शक्ति** हिंदू धर्म में देवी शक्ति, जो समस्त सृष्टि की जननी मानी जाती हैं, प्रमुख देवी हैं। माँ शक्ति को अनेक रूपों में पूजा जाता है, जैसे दुर्गा, काली, लक्ष्मी, और सरस्वती। यह माना जाता है कि वे सभी देवी-देवताओं की शक्ति का स्रोत हैं और समस्त जगत को संचालित करती हैं। माँ शक्ति का पूजा अर्चना विशेष रूप से नवरात्रि के दौरान की जाती है, जिसमें नौ दिनों तक विभिन्न रूपों में उनकी आराधना की जाती है।
#माँशक्ति #माँदुर्गा #हिंदूमहिला #नवरात्रि #पूजा #धार्मिक #शक्ति #देवी

**महर्षि मेधा** एक महान ऋषि थे जिन्होंने असुरों से पृथ्वी को बचाने के लिए माँ दुर्गा की महिमा का वर्णन किया था। महर्षि मेधा की तपस्या और प्रार्थना से प्रसन्न होकर माँ दुर्गा प्रकट हुईं और असुर महिषासुर का वध करके पृथ्वी को मुक्त किया। महर्षि मेधा ने माँ दुर्गा की शक्ति और करुणा का वर्णन करते हुए "देवी महात्म्य" या "दुर्गा सप्तशती" की रचना की। यह ग्रंथ दुर्गा पूजा के दौरान विशेष रूप से पढ़ा और सुना जाता है, और भक्तों को माँ दुर्गा की कृपा और आशीर्वाद प्राप्त होता है। महर्षि मेधा ने माँ शक्ति की शक्ति से प्रभावित होकर अपने शरीर का त्याग किया, ताकि वे सीधे उनकी शरण में जा सकें और माँ शक्ति के अनंत आशीर्वाद प्राप्त कर सकें। यह त्याग एक महान भक्त के रूप में उनकी गहन श्रद्धा और समर्पण का प्रतीक था।
#महर्षिमेधा #देवीमहात्म्य #दुर्गासप्तशती #दुर्गापूजा #देवी #धार्मिक #आध्यात्मिक #भक्ति

पौराणिक कथा के अनुसार, महर्षि मेधा से माँ शक्ति के क्रोध से बचने के लिए धरती में अपने शरीर का त्याग कर दिया था। जिस दिन उन्होंने अपना शरीर त्यागा उस दिन एकादशी थी। जब महर्षि ने अपना शरीर त्याग दिया तो वह चावल और जौ के रूप में धरती में जन्म लिया। इसी कारण चावल और जौ को जीव के रूप में माना जाता है। एकादशी के दिन इनका सेवन करना यानी महर्षि मेधा के खून और रक्त का सेवन करने के बराबर है।
#माँशक्ति #महर्षिमेधा #एकादशी #धार्मिक #पौराणिककथाएं #आध्यात्मिक

**एकादशी के दिन चावल क्यों नहीं खाते**
एकादशी हिंदू कैलेंडर में एक महत्वपूर्ण दिन है, जिसे हर पंद्रहवें दिन मनाया जाता है। भक्त भगवान विष्णु का सम्मान करने और आध्यात्मिक शुद्धिकरण एवं कल्याण के लिए एकादशी पर व्रत रखते हैं। एकादशी के दिन चावल न खाने की परंपरा का आध्यात्मिक और वैज्ञानिक दोनों ही महत्व है।
#एकादशी #हिंदूव्रत #भगवानविष्णु #धार्मिक #आध्यात्मिकशुद्धि

**आध्यात्मिक महत्व:** हिंदू पौराणिक कथाओं के अनुसार, एकादशी के दिन भगवान विष्णु ने मुरदानव नामक राक्षस को हराया था। इस विजय और दिन की पवित्रता का सम्मान करने के लिए भक्त चावल सहित अनाज से परहेज़ करते हैं।
#आध्यात्मिकमहत्व #पौराणिककथाएं #भगवानविष्णु

**वैज्ञानिक कारण:** एकादशी का उपवास शरीर के प्राकृतिक विषहरण चक्र के साथ मेल खाता है। चावल को भारी और पानी युक्त माना जाता है, और इसका सेवन करने से आलस्य और जल प्रतिधारण हो सकता है, जो विषहरण प्रक्रिया के विपरीत है। चावल से बचने से शरीर की सफाई में मदद मिलती है।
#वैज्ञानिककारण #विषहरण #स्वास्थ्य

**व्यावहारिक पहलू:** पुराने समय में चावल एक मुख्य अनाज था। किसान एकादशी जैसे चंद्र चरणों के दौरान चावल खाने से बचते थे, ताकि पानी और खाद्य संसाधनों का संरक्षण हो सके।
#व्यावहारिकपहलू #कृषि #संसाधनसंरक्षण

**सांस्कृतिक पालन:** एकादशी का उपवास केवल भोजन से परहेज़ करना नहीं है; यह आध्यात्मिक चिंतन, ध्यान और प्रार्थना का समय है। भक्त मानते हैं कि उपवास, प्रार्थना और उचित कार्यों के संयोजन से वे दिव्य चेतना के करीब पहुंच सकते हैं।
#सांस्कृतिकपालन #उपवास #आध्यात्मिकचिंतन #ध्यान #प्रार्थना

---

# एकादशी #हिंदूव्रत #भगवानविष्णु #आध्यात्मिकशुद्धि #विषहरण #प्राचीनपरंपराएं #पौराणिककथाएं #संस्कृतिकापालन #माँशक्ति #महर्षिमेधा #देवीमहात्म्य #दुर्गासप्तशती #दुर्गापूजा #हिंदूधर्म #आध्यात्मिकशक्ति

14/12/2024

The history of
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.

In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and Niépce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print processes invented by William Henry Fox Talbot was already demonstrated in London (but with less publicity).[5] Subsequent innovations made photography easier and more versatile. New materials reduced the required camera exposure time from minutes to seconds, and eventually to a small fraction of a second; new photographic media were more economical, sensitive or convenient. Since the 1850s, the collodion process with its glass-based photographic plates combined the high quality known from the Daguerreotype with the multiple print options known from the calotype and was commonly used for decades. Roll films popularized casual use by amateurs. In the mid-20th century, developments made it possible for amateurs to take pictures in natural color as well as in black-and-white.

The commercial introduction of computer-based electronic digital cameras in the 1990s soon revolutionized photography. During the first decade of the 21st century, traditional film-based photochemical methods were increasingly marginalized as the practical advantages of the new technology became widely appreciated and the image quality of moderately priced digital cameras was continually improved. Especially since cameras became a standard feature on smartphones, taking pictures (and instantly publishing them online) has become a ubiquitous everyday practice around the world.
Dec 14, 2024 11:03 AM

14/12/2024

The history of
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.

In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and Niépce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print processes invented by William Henry Fox Talbot was already demonstrated in London (but with less publicity).[5] Subsequent innovations made photography easier and more versatile. New materials reduced the required camera exposure time from minutes to seconds, and eventually to a small fraction of a second; new photographic media were more economical, sensitive or convenient. Since the 1850s, the collodion process with its glass-based photographic plates combined the high quality known from the Daguerreotype with the multiple print options known from the calotype and was commonly used for decades. Roll films popularized casual use by amateurs. In the mid-20th century, developments made it possible for amateurs to take pictures in natural color as well as in black-and-white.

The commercial introduction of computer-based electronic digital cameras in the 1990s soon revolutionized photography. During the first decade of the 21st century, traditional film-based photochemical methods were increasingly marginalized as the practical advantages of the new technology became widely appreciated and the image quality of moderately priced digital cameras was continually improved. Especially since cameras became a standard feature on smartphones, taking pictures (and instantly publishing them online) has become a ubiquitous everyday practice around the world.
Dec 14, 2024 8:43:51 AM

14/12/2024

The history of
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.

In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and Niépce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print processes invented by William Henry Fox Talbot was already demonstrated in London (but with less publicity).[5] Subsequent innovations made photography easier and more versatile. New materials reduced the required camera exposure time from minutes to seconds, and eventually to a small fraction of a second; new photographic media were more economical, sensitive or convenient. Since the 1850s, the collodion process with its glass-based photographic plates combined the high quality known from the Daguerreotype with the multiple print options known from the calotype and was commonly used for decades. Roll films popularized casual use by amateurs. In the mid-20th century, developments made it possible for amateurs to take pictures in natural color as well as in black-and-white.

The commercial introduction of computer-based electronic digital cameras in the 1990s soon revolutionized photography. During the first decade of the 21st century, traditional film-based photochemical methods were increasingly marginalized as the practical advantages of the new technology became widely appreciated and the image quality of moderately priced digital cameras was continually improved. Especially since cameras became a standard feature on smartphones, taking pictures (and instantly publishing them online) has become a ubiquitous everyday practice around the world.
Dec 13, 2024

13/12/2024

The history of
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.

In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and Niépce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative and salt print processes invented by William Henry Fox Talbot was already demonstrated in London (but with less publicity).[5] Subsequent innovations made photography easier and more versatile. New materials reduced the required camera exposure time from minutes to seconds, and eventually to a small fraction of a second; new photographic media were more economical, sensitive or convenient. Since the 1850s, the collodion process with its glass-based photographic plates combined the high quality known from the Daguerreotype with the multiple print options known from the calotype and was commonly used for decades. Roll films popularized casual use by amateurs. In the mid-20th century, developments made it possible for amateurs to take pictures in natural color as well as in black-and-white.

The commercial introduction of computer-based electronic digital cameras in the 1990s soon revolutionized photography. During the first decade of the 21st century, traditional film-based photochemical methods were increasingly marginalized as the practical advantages of the new technology became widely appreciated and the image quality of moderately priced digital cameras was continually improved. Especially since cameras became a standard feature on smartphones, taking pictures (and instantly publishing them online) has become a ubiquitous everyday practice around the world.
Dec 13, 2024 7:28:09 AM