12/11/2024
“No son can pass by his mother’s grave without stopping to pay his respects.” This pilgrim’s note in the visitors’ book at Rachel’s Tomb in Bethlehem was signed: Hayim Nahman Bialik.
Today, the 11th of Cheshvan, is traditionally observed as the anniversary of Rachel the Matriarch’s passing. The ongoing connection between Rachel’s Tomb and her exiled children epitomizes the bond between the people of Israel and the land of their forefathers.
In 1841, Sir Moses Montefiore obtained a special Ottoman permit to carry out renovations at the tomb. He had iron gates installed which could be locked with a key, entrusted to four Jewish families tasked with safeguarding the site. This marked the first official recognition of Jewish ownership of Rachel’s Tomb.
As battles raged in the Holy Land during World War I, the tomb was included in a list of holy sites British soldiers were instructed to respect and protect as much as possible from damage as a result of the conflict. Once their conquest was completed however, the British restricted access to the tomb.
For almost thirty years, the Ashkenazi caretaker of the site was Shlomo Eliyahu Freiman. In addition to regular maintenance, Freiman was responsible for opening the tomb for High Holy Day prayers. After the 1929 riots, he expanded these opening hours to include Rosh Chodesh (the first of each month) and later nearly every day of the year. On especially busy days, like the 11th of Marheshvan, additional buses were arranged by a Jewish bus company to bring pilgrims back and forth.
Freiman meticulously documented the history of the tomb in a series of visitors’ books known as the “Rachel’s Tomb Journals.” They detailed renovations and repairs, visitor numbers, and prominent guests, as well as the signatures of thousands of pilgrims, each with the date. Many added their prayers and requests next to their names, creating an emotional and spiritual record of the state of the Mandate Palestine traditional Jewish community.
The Shoah features prominently in the journal: prayers for the ascent of the souls of murdered relatives, and survivors who signed not only their names but the names of the obliterated communities they’d come from. On Rosh Chodesh Nisan in 1943, as horrifying reports emerged regarding the fate of Europe’s Jewish communities, Freiman wrote of thousands converging on the tomb, so that overcrowding blocked the entrance for hours.
On the day following Simhat Torah in 1946, a large memorial oil lamp was installed in honor of Holocaust victims. The initiative of Chief Rabbi Yitzhak HaLevi Herzog, it helped consolidate the status of Rachel’s Tomb as a national holy site. Chief Rabbi Herzog also lit the first flame in the lamp.
In March 1947, as Arab-Jewish tensions escalated, Freiman recorded his own prayer for the salvation of Jerusalem in the journal. The British army eventually denied Jews entry to Bethlehem and to the tomb to avoid friction with the town’s Arab population, and Freiman had to leave the site before the UN’s partition resolution that November. From that moment on, Rachel’s Tomb became a distant aspiration. In the 1950s and 1960s, its distinctive domed image could be found in many Jewish homes on postcards and oil paintings or sculpted in bronze.
Twenty years later, with the conclusion of the Six-Day War, crowds flocked to visit the newly liberated matriarch’s tomb in joyous celebration. Shmulik Rosen’s poem, written soon after the war, echoes the biblical verses from Jeremiah in which God reassured Rachel that her children would some day return home from exile. In Rosen’s version, the Jewish soldiers promise Rachel:
“Restrain your voice, Rachel, restrain your voice from tears
We’re all here, Rachel, with packs upon our shoulders
We’ll leave no more, Rachel, and you will go no more
We’ll leave no more, Rachel, the fields of Bethlehem.
Look, Rachel, look,
Look, Master of the World
Look, Rachel, look,
They’ve come back to their borders.”
Photo: The Tamir family visiting Rachel’s Tomb after the Six-Day War, July 1967. (From the Yosef Tamir Photograph Collection, PikiWiki)
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