13/12/2022
Dutton Vocalion’s December 2022 release features several albums which are making their quadraphonic debut in the SACD format – and some of them are making their first ever quadraphonic debut. In the latter category comes Charles Gerhardt and the National Philharmonic Orchestra’s superb rendering of John William’s music for sci-fi blockbusters “Star Wars” and “Close Encounters of the Third Kind.” Originally recorded in opulent stereo sound by Kenneth Wilkinson at Kingsway Hall, London, for this reissue Michael J Dutton has gone back to the original multitrack tapes and created a brand-new quad mix, so that these lush orchestrations can be experienced in a fresh and exciting way. The same treatment has been given to two albums showcasing flute virtuoso James Galway. The first, “In the Pink,” recorded in London during 1984 with Henry Mancini, includes several of the movie music legend’s best-known themes. The second, 1980’s “Sometimes When We Touch,” sees Galway paired with jazz chanteuse Cleo Laine in material from the worlds of pop, the classics, film, and theatre. Both albums take on new life in these sumptuous quad mixes – and, once again, they have been created using the original multitrack tapes.
Over on the Dutton Epoch label, Arthur Fiedler and Tony Randall’s 1975 recording of William Walton’s “Façade” has also been remixed in quadraphonic from the original multitrack tapes, something which is especially apposite since 2022 marks the work’s centenary. Making its quadraphonic debut on the same disc is Leonard Bernstein and the New York Philharmonic’s 1969 recording of Vaughan Williams’s “Fantasia on Greensleeves,” though in this instance it is the debut of the original, unissued quad mix. Completing this batch is the original cast recording of the Kurt Weill-Bertolt Brecht masterpiece “Threepenny Opera,” or, to be more precise, the New York Shakespeare Festival’s 1976 revival of it, with Raul Julia as the nefarious Mac the Knife. The quadraphonic mix, which until now has only been available on the original LP, is presented here, lovingly remastered from the original tapes.
Note: these Hybrid SACDs can be played on any standard CD player.