16/07/2022
When you walk into a room and forget why you went in.... 😕
Rembrandt was born in 1606. This portrait, made when Rembrandt was 28 years old, was created soon after he arrived in Amsterdam to set up his own studio. The oval shape was conventional in the city at that time, but the energetic and creative way of applying paint to the canvas represents a significant change in Rembrandt’s style from his more smoothly painted portraits of only a year or two earlier.
The optical illusion created here is a powerful one. Rembrandt has used contrasts between light and dark – for example, the blacks and whites of the sitter’s clothes, the highlights on her nose and the heavy shadow under her chin – to create a highly convincing three-dimensional effect. The old lady’s head seems to project forward out of the picture. It isn’t only light effects that make this portrait seem so lifelike. Rembrandt has evoked the old lady’s blotched, blemished, and sagging skin using different textures and thicknesses of paint. The furrows and shadows, the wrinkles and pudginess make her face seem almost tangible. He did this with a lively brush, applying the paint fluidly with short and curving strokes as well as dabs and stipples.
Long thought to be a portrait of Rembrandt’s grandmother, the sitter has now been identified as Aechje Claesdr, widow of the Rotterdam brewer Jan Pesser, who died in 1619. Take a closer look at Rembrandt's work on our website: https://bit.ly/2Jm0aOX