South Asian Review

South Asian Review The South Asian Review is an international scholarly forum for the study of South Asian Languages an
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The journal welcomes analytical and critical articles of 15-25 pages that are double-spaced, prepared in the MLA style, and accompanied by a brief abstract and biographical note. Essay topics must concern South Asian languages and literatures in a broad cultural context. We invite healthy and constructive dialogue on issues pertaining to South Asia, but the thrust of the dialogue must be literatur

e and the sister arts. The journal welcomes critical and analytical essays on any aspect or period of South Asian literature (ancient, precolonial, colonial, and postcolonial). SAR is open to all ideas, positions, and critical and theoretical approaches. Recognizing the linguistic and cultural diversity of the subcontinent, we particularly welcome essays in intercultural, comparative, and interdisciplinary studies in the humanities. The journal is also interested in essays on music, painting, sculpture, architecture, and related fields. The following areas are of special interest to the journal: South Asian Literatures; South Asian Languages; South Asian Studies; South Asian Culture; South Asian Diaspora; Comparative Aesthetic; Literary Theory; Cultural Studies; Colonial Studies; Postcolonial Studies; Comparative Literature; Women’s Studies; Film Studies; and Transcultural Studies. We are funded by the South Asian Literary Association: The South Asian Literary Association, or SALA, promotes knowledge of, and scholarly interest in, the languages, cultures, and literatures of South Asia and the South Asian diaspora. Membership in the Association is open to all individuals and libraries, institutions, and organizations interested in South Asian literature, culture, languages, and philosophy, as well as in comparative studies. SALA is an Allied Organization of the Modern Language Association, and holds its annual meeting concurrently at the MLA Convention host city.

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The journal welcomes analytical and critical articles of 15-25 pages and accompanied by a brief abstract and biographical note. Essay topics must concern South Asian languages and literatures in a broad cultural context. We invite healthy and constructive dialogue on issues pertaining to South Asia, but the thrust of the dialogue must be literature and the sister arts. The journal welcomes critical and analytical essays on any aspect or period of South Asian literature (ancient, precolonial, colonial, and postcolonial). SAR is open to all ideas, positions, and critical and theoretical approaches. Recognizing the linguistic and cultural diversity of the subcontinent, we particularly welcome essays in intercultural, comparative, and interdisciplinary studies in the humanities. The following areas are of special interest to the journal: South Asian Literatures; South Asian Languages; South Asian Studies; South Asian Culture; South Asian Diaspora; Comparative Aesthetic; Literary Theory; Cultural Studies; Colonial Studies; Postcolonial Studies; Comparative Literature; Women’s Studies; Film Studies; and Transcultural Studies.

Essays should be submitted electronically via our Taylor & Francis online submission site:

https://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=rsoa20 We are funded by the South Asian Literary Association: The South Asian Literary Association, or SALA, promotes knowledge of, and scholarly interest in, the languages, cultures, and literatures of South Asia and the South Asian diaspora. Membership in the Association is open to all individuals and libraries, institutions, and organizations interested in South Asian literature, culture, languages, and philosophy, as well as in comparative studies. SALA is an Allied Organization of the Modern Language Association, and holds its annual meeting concurrently at the MLA Convention host city.