Ancroo Live

10/06/2025

https://youtu.be/ph1GU1qQ1zQ?si=8yCGERW6Ut73crQQ

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10/06/2025

https://youtu.be/WGhAWQoVwys?si=SExwXGsxjQylhH52

This is no music video!Something about "Dixie Biscuits":Way back in time at the Pantaloons Party in the F**k Yoga Bar in Essen/Germany, we gave away some of ...

02/06/2025

31/05/2025

https://www.facebook.com/share/r/19YEi3tdu4/?mibextid=wwXIfr

21/05/2025

1941 (MCMXLI) was a common year starting on Wednesday of the Gregorian calendar, the 1941st year of the Common Era (CE) and Anno Domini (AD) designations, the 941st year of the 2nd millennium, the 41st year of the 20th century, and the 2nd year of the 1940s decade.

During his State of the Union address, President of the United States Franklin D. Roosevelt presents his Four Freedoms, as fundamental global human rights.
The keel of battleship USS Missouri is laid at the New York Navy Yard in Brooklyn.

The Lend-Lease Act is introduced into the United States Congress.

Lend-Lease, formally the Lend-Lease Act and introduced as An Act to Promote the Defense of the United States (Pub. L. 77–11, H.R. 1776, 55 Stat. 31, enacted March 11, 1941),[1][2] was a policy under which the United States supplied the United Kingdom, the Soviet Union, France, the Republic of China, and other Allied nations of the Second World War with food, oil, and materiel between 1941 and 1945. The aid was given free of charge on the basis that such help was essential for the defense of the United States.[2]

The Lend-Lease Act was signed into law on March 11, 1941, and ended on September 20, 1945. A total of $50.1 billion (equivalent to $672 billion in 2023 when accounting for inflation) worth of supplies was shipped, or 17% of the total war expenditures of the U.S.[3] In all, $31.4 billion went to the United Kingdom, $11.3 billion to the Soviet Union, $3.2 billion to France, $1.6 billion to China, and the remaining $2.6 billion to other Allies. Roosevelt's top foreign policy advisor Harry Hopkins had effective control over Lend-Lease, making sure it was in alignment with Roosevelt's foreign policy goals.[4]
Materiel delivered under the act was supplied at no cost, to be used until returned or destroyed. In practice, most equipment was destroyed, although some hardware (such as ships) was returned after the war. Supplies that arrived after the termination date were sold to the United Kingdom at a large discount for £1.075 billion, using long-term loans from the United States, which were finally repaid in 2006. Similarly, the Soviet Union repaid $722 million in 1971, with the remainder of the debt written off.
Reverse Lend-Lease to the United States totalled $7.8 billion. Of this, $6.8 billion came from the British and the Commonwealth. Canada also aided the United Kingdom and other Allies with the Billion Dollar Gift and Mutual Aid totalling $3.4 billion in supplies and services (equivalent to $61 billion in 2020).[5][6]
Lend-Lease ended the United States' neutrality which had been enshrined in the Neutrality Acts of the 1930s. It was a decisive step away from non-interventionist policy and toward open support for the Allies. Lend-Lease's precise significance to Allied victory in World War II is debated. Khrushchev claimed that Stalin told him that Lend-Lease enabled the Soviet Union to defeat Germany.[7]

Reverse Lend-Lease was the supply of equipment and services to the United States. Nearly $8 billion (equivalent to $124 billion today) worth of war material was provided to U.S. forces by its allies, 90% of this sum coming from the British Empire.[78] Reciprocal contributions included the Austin K2/Y military ambulance, British aviation spark plugs used in B-17 Flying Fortresses,[78] Canadian-made Fairmile launches used in anti-submarine warfare, Mosquito photo-reconnaissance aircraft, and Indian petroleum products.[79] Australia and New Zealand supplied the bulk of foodstuffs to United States forces in the South Pacific.[78][80]
Though diminutive in comparison, the Soviet Union supplied the United States with chrome and manganese ore, platinum, gold and wood.[77]
In a November 1943 report to Congress, President Roosevelt said of Allied participation in reverse Lend-lease:.. the expenditures made by the British Commonwealth of Nations for reverse lend-lease aid furnished to the United States, and of the expansion of this program so as to include exports of materials and foodstuffs for the account of United States agencies from the United Kingdom and the British colonies, emphasizes the contribution which the British Commonwealth has made to the defense of the United States while taking its place on the battle fronts. It is an indication of the extent to which the British have been able to pool their resources with ours so that the needed weapon may be in the hands of that soldier—whatever may be his nationality—who can at the proper moment use it most effectively to defeat our common enemies.[79]
While in April 1944 Congress were briefed by the Foreign Economic Administrator, Leo T Crowley:
Just as the RAF's operations against Germany and the invasion coasts would not have been possible on their present scale without lend-lease so the United States Eighth and Ninth air forces daylight missions from Britain would not have been possible without reverse lend-lease. Our Fortresses and Liberators take off from huge air bases built, equipped and serviced under reverse lend-lease at a cost to them of hundreds of millions of dollars. Many of our pilots fly Spitfires built in England, many more are flying American fighter planes powered by British Rolls-Royce Merlin engines, turned over to us by the British. And many of the supplies needed by our Air Force are procured for us without cost by reverse lend-lease. In fact our armed forces in Britain, ground as well as air, receive as reverse lend-lease, with no payment by us, one third of all the supplies and equipment they currently require, Britain furnishes 90% of their medical supplies and in spite of her food shortage, 20% of their food.[81]
In 1945–46, the value of Reciprocal Aid from New Zealand exceeded that of Lend-Lease, though in 1942–43, the value of Lend-Lease to New Zealand was much more than that of Reciprocal Aid. Britain also supplied extensive material assistance to American forces stationed in Europe, for example the USAAF was supplied with hundreds of Spitfire Mk V and Mk VIII fighter aircraft.
The cooperation that was built up with Canada during the war was an amalgam compounded of diverse elements of which the air and land routes to Alaska, the Canol project, and the CRYSTAL and CRIMSON activities were the most costly in point of effort and funds expended... The total of defense materials and services that Canada received through lend-lease channels amounted in value to approximately $419,500,000... Some idea of the scope of economic collaboration can be had from the fact that from the beginning of 1942 through 1945 Canada, on her part, furnished the United States with $1,000,000,000 to $1,250,000,000 in defense materials and services... Although most of the actual construction of joint defense facilities, except the Alaska Highway and the Canol project, had been carried out by Canada, most of the original cost was borne by the United States. The agreement was that all temporary construction for the use of American forces and all permanent construction required by the United States forces beyond Canadian requirements would be paid for by the United States, and that the cost of all other construction of permanent value would be met by Canada. Although it was not entirely reasonable that Canada should pay for any construction that the Canadian Government considered unnecessary or that did not conform to Canadian requirements, nevertheless considerations of self-respect and national sovereignty led the Canadian Government to suggest a new financial agreement... The total amount that Canada agreed to pay under the new arrangement came to about $76,800,000, which was some $13,870,000 less than the United States had spent on the facilities.[82]

Nobel Prizes
edit

Physics – not awarded
Chemistry – not awarded
Medicine – not awarded
Literature – not awarded
Peace – not awarded

The Four Freedoms were goals articulated by U.S. President Franklin D. Roosevelt on Monday, January 6, 1941. In an address known as the Four Freedoms speech (technically the 1941 State of the Union address), he proposed four fundamental freedoms that people "everywhere in the world" ought to enjoy:
Freedom of speech and expression
Freedom of worship
Freedom from want
Freedom from fear

Roosevelt delivered his speech 11 months before the surprise Japanese attack on Pearl Harbor, which caused the United States to declare war on Japan on December 8, 1941. The State of the Union speech before Congress was largely about the national security of the United States and the threat to other democracies from world war. In the speech, he made a break with the long-held tradition of United States non-interventionism. He outlined the U.S. role in helping allies already engaged in warfare, especially Great Britain and China.
In that context, he summarized the values of democracy behind the bipartisan consensus on international involvement that existed at the time. A famous quote from the speech prefaces those values: "As men do not live by bread alone, they do not fight by armaments alone." In the second half of the speech, he lists the benefits of democracy, which include economic opportunity, employment, social security, and the promise of "adequate health care". The first two freedoms, of speech and religion, are protected by the First Amendment in the United States Constitution. His inclusion of the latter two freedoms went beyond the traditional Constitutional values protected by the U.S. Bill of Rights. Roosevelt endorsed a broader human right to economic security and anticipated what would become known decades later as the "human security" paradigm in studies of economic development. He also included the "freedom from fear" against international aggression, calling for a "world-wide reduction of armaments."[1]

Human rights are universally recognized moral principles or norms that establish standards of human behavior and are often protected by both national and international laws. These rights are considered inherent and inalienable, meaning they belong to every individual simply by virtue of being human, regardless of characteristics like nationality, ethnicity, religion, or socio-economic status. They encompass a broad range of civil, political, economic, social, and cultural rights, such as the right to life, freedom of expression, protection against enslavement, and right to education.

The modern concept of human rights gained significant prominence after World War II, particularly in response to the atrocities of the Holocaust, leading to the adoption of the Universal Declaration of Human Rights (UDHR) by the United Nations General Assembly in 1948. This document outlined a comprehensive framework of rights that countries are encouraged to protect, setting a global standard for human dignity, freedom, and justice. The UDHR has since inspired numerous international treaties and national laws designed to promote and safeguard these rights globally.
While the principle of universal human rights is widely accepted, debates persist regarding which rights should take precedence, how they should be implemented, and their applicability in different cultural contexts. Criticisms often arise from perspectives like cultural relativism, which argue that individual human rights are inappropriate for societies that prioritise a communal or collectivist identity, and may conflict with certain cultural or traditional practices.
Nonetheless, human rights remain a central focus in international relations and legal frameworks, supported by institutions such as the United Nations, various non-governmental organizations, and national bodies dedicated to monitoring and enforcing human rights standards worldwide.

invocation
/ĭn″və-kā′shən/

noun
The act or an instance of invoking, especially an appeal to a higher power for assistance.
A prayer or other formula used in invoking, as at the opening of a religious service.
The act of conjuring up a spirit by incantation.
An incantation used in conjuring.
The act or form of calling for the assistance or presence of some superior being; earnest and solemn entreaty; esp., prayer offered to a divine being.
A call or summons; especially, a judicial call, demand, or order.
"the invocation of papers or evidence into court"
The act or form of calling for the assistance or presence of some superior being; earnest and solemn entreaty; esp., prayer offered to a divine being.
A call or summons; especially, a judicial call, demand, or order; as, the invocation of papers or evidence into court.

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20/05/2025

A genome is all the genetic information of an organism.[1] It consists of nucleotide sequences of DNA (or RNA in RNA viruses). The nuclear genome includes protein-coding genes and non-coding genes, other functional regions of the genome such as regulatory sequences (see non-coding DNA), and often a substantial fraction of junk DNA with no evident function.[2][3] Almost all eukaryotes have mitochondria and a small mitochondrial genome.[2] Algae and plants also contain chloroplasts with a chloroplast genome.

Origin of the term
edit
The term genome was created in 1920 by Hans Winkler,[8] professor of botany at the University of Hamburg, Germany. The website Oxford Dictionaries and the Online Etymology Dictionary suggest the name is a blend of the words gene and chromosome.[9][10][11][12] However, see omics for a more thorough discussion. A few related -ome words already existed, such as biome and rhizome, forming a vocabulary into which genome fits systematically.[13]

In psychology, genetic memory is a theorized phenomenon in which certain kinds of memories could be inherited, being present at birth in the absence of any associated sensory experience, and that such memories could be incorporated into the genome over long spans of time.[1]
While theories about the inheritance of specific memories have been thoroughly disproven, some researchers have theorized that more general associations formed by previous generations can pass from generation to generation through the genome. For instance, experts today are still divided on how to interpret a study which suggested that mice may be able to inherit an association between certain smells and a fear response formed by previous generations of mice. Contemporary theories are based on the idea that the common experiences of a species can become incorporated into that species' genetic code, not by a Lamarckian process that encodes specific memories, but by a much vaguer tendency to encode a readiness to respond in certain ways to certain stimuli.

Garden gnomes (German: Gartenzwerge, lit. 'garden dwarfs') are lawn ornament figurines of small humanoid creatures based on the mythological creature and diminutive spirit which occur in Renaissance magic and alchemy, known as gnomes. They also draw on the German folklore of the dwarf.

Traditionally, the garden figurines depict male dwarfs wearing red pointy hats. Typically, gnomes stand between one and two feet (30 and 60 cm). Originating as a decoration for the wealthy in Europe, garden gnomes are now prevalent in gardens and lawns throughout the Western world, among all social classes. They are regarded by some as kitsch.

History
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Ancient predecessors
edit
In ancient Rome, small stone statues depicting the Greco-Roman fertility god Priapus, also a protector of beehives, flocks, and vineyards, were frequently placed in Roman gardens.[1][2][3] Gnomes as magical creatures were first described during the Renaissance period by Swiss alchemist Paracelsus as "diminutive figures two spans in height who did not like to mix with humans".[4] During this period, stone "grotesques", which were typically garishly painted, 1-metre-tall (3.3 ft) figurines, were commonly placed in the gardens of the wealthy.[5] Among the figures depicted were gobbi (Italian for hunchbacks). In particular, Jacques Callot produced 21 versions of gobbi, which he engraved and printed in 1616.

In Abrahamic religions, the Garden of Eden (Biblical Hebrew: גַּן־עֵדֶן‎, romanized: gan-ʿĒḏen; Greek: Εδέμ; Latin: Paradisus) or Garden of God (גַּן־יְהֹוֶה‎, gan-YHWH and גַן־אֱלֹהִים‎, gan-Elohim), also called the Terrestrial Paradise, is the biblical paradise described in Genesis 2–3 and Ezekiel 28 and 31.[1][2]

The location of Eden is described in the Book of Genesis as the source of four tributaries. Various suggestions have been made for its location:[3] at the head of the Persian Gulf, in southern Mesopotamia where the Tigris and Euphrates rivers run into the sea;[4] and in Armenia.[5][6][7] Others theorize that Eden was the entire Fertile Crescent[8] or a region of "considerable size" in Mesopotamia, where its native inhabitants still exist in cities such as Telassar.[9][10]
Like the Genesis flood narrative, the Genesis creation narrative and the account of the Tower of Babel, the story of Eden echoes the Mesopotamian myth of a king, as a primordial man, who is placed in a divine garden to guard the tree of life.[11] Scholars note that the Eden narrative shows parallels with aspects of Solomon's Temple and Jerusalem, attesting to its nature as a sacred place.[12][13] Mentions of Eden are also made in the Bible elsewhere in Genesis,[14] in Isaiah 51:3,[15] Ezekiel 36:35,[16] and Joel 2:3;[17] Zechariah 14 and Ezekiel 47 use paradisical imagery without naming Eden.[18]
The name derives from the Akkadian edinnu, from a Sumerian word edin meaning 'plain' or 'steppe', closely related to an Aramaic root word meaning 'fruitful, well-watered'.[2] Another interpretation associates the name with a Hebrew word for 'pleasure';[19] thus the Vulgate reads paradisum voluptatis in Genesis 2:8, and the Douay–Rheims Bible, following, has the wording "And the Lord God had planted a paradise of pleasure".[20]

The International Space Station (ISS) is a large space station that was assembled and is maintained in low Earth orbit by a collaboration of five space agencies and their contractors: NASA (United States), Roscosmos (Russia), ESA (Europe), JAXA (Japan), and CSA (Canada). As the largest space station ever constructed, it primarily serves as a platform for conducting scientific experiments in microgravity and studying the space environment.[12]

The ISS programme combines two previously planned crewed Earth-orbiting stations: the United States' Space Station Freedom and the Soviet Union's Mir-2. The first ISS module was launched in 1998, with major components delivered by Proton and Soyuz rockets and the Space Shuttle. Long-term occupancy began on 2 November 2000, with the arrival of the Expedition 1 crew. Since then, the ISS has remained continuously inhabited for 24 years and 199 days, the longest continuous human presence in space. By March 2024, 279 individuals from 22 countries had visited the station.[15]
Future plans for the ISS include the addition of at least one module, Axiom Space's Payload Power Thermal Module. The station is expected to remain operational until the end of 2030, after which it will be de-orbited using a dedicated NASA spacecraft.[16]

E.T. the Extra-Terrestrial (or simply E.T.) is a 1982 American science fiction film produced and directed by Steven Spielberg and written by Melissa Mathison. It tells the story of Elliott, a boy who befriends an extraterrestrial he names E.T. who has been stranded on Earth. Along with his friends and family, Elliott must find a way to help E.T. find his way home. The film stars Dee Wallace, Henry Thomas, Peter Coyote, Robert MacNaughton, and Drew Barrymore.

Elliott Brothers (London) Ltd was an early computer company of the 1950s and 1960s in the United Kingdom. It traced its descent from a firm of instrument makers founded by William Elliott in London around 1804. The research laboratories were originally set up in 1946 at Borehamwood and the first Elliott 152 computer appeared in 1950.

Sonnet 152
William Shakespeare

In loving thee thou know'st I am forsworn,
But thou art twice forsworn, to me love swearing;
In act thy bed-vow broke, and new faith torn,
In vowing new hate after new love bearing:
But why of two oaths' breach do I accuse thee,
When I break twenty? I am perjured most;
For all my vows are oaths but to misuse thee,
And all my honest faith in thee is lost:
For I have sworn deep oaths of thy deep kindness,
Oaths of thy love, thy truth, thy constancy;
And, to enlighten thee, gave eyes to blindness,
Or made them swear against the thing they see;
For I have sworn thee fair; more perjured eye,
To swear against the truth so foul a lie!

‘Sonnet 152‘ is one of William Shakespeare’s 154 sonnets. It is one of several poems in the ‘Dark Lady’ sequence of sonnets. ‘Sonnet 152’ reveals the extent of the speaker’s obsession with the Dark Lady. He clearly defines everything that he’s changed about himself and all that he’s willing to do to make her happy. It’s clear he’s entirely trapped in this one-sided relationship and that there is no easy way out.

"Slice of Heaven" is a single by New Zealand singer-songwriter Dave Dobbyn with the band Herbs, released in 1986 on the soundtrack of the animated motion picture, Footrot Flats: The Dog's Tail Tale. The single reached No. 1 on the New Zealand Singles Chart for eight weeks and on the Australian Singles Chart for four weeks. It appears on Dobbyn's 1988 album, Loyal.

Music video
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The video features Dobbyn, Herbs and dancers recording the song, interspersed with clips from the Footrot Flats film. The music video was recorded in Wellington's Marmalade Studios. Notably, due to time constraints, the clips of the singers performing are from their live recording takes rather than being a recreation.[3]

Compassionate leave is time off from work granted to employees to deal with personal emergencies, such as the illness or death of a close family member. It allows individuals to manage their emotional and practical needs during difficult times, promoting a supportive work environment.

The Eden Project (Cornish: Edenva) is a visitor attraction in Cornwall, England. The project is located in a reclaimed china clay pit.[2]

The complex is dominated by two huge enclosures consisting of adjoining domes that house thousands of plant species,[3] and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal ethylene tetrafluoroethylene (ETFE) inflated cells supported by geodesic tubular steel domes. The larger of the two biomes simulates a rainforest environment (and is the largest indoor rainforest in the world)[4] and the second, a Mediterranean environment.
The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
There are plans to build an Eden Project North in the seaside town of Morecambe, Lancashire, with a focus on the marine environment.

Eden Sessions
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Since 2002, the Project has hosted a series of musical performances, called the Eden Sessions, usually held during the summer. The 2020 sessions were postponed due to the COVID-19 pandemic and were rescheduled as the 2022 sessions lineup.
The 2025 sessions will be headlined by Texas, Gary Barlow, The Script, Deftones, Biffy Clyro and Madness. Kneecap were originally scheduled to perform on 4 July, however, it was announced on 29 April that their show was cancelled following their public statements criticising Israel's genocide in Gaza.[48]

The clay pit in which the project is sited was in use for over 160 years.[6] In 1981, the pit was used by the BBC as the planet surface of Magrathea in the TV series the Hitchhiker's Guide to the Galaxy.[7] By the mid-1990s the pit was all but exhausted.[8]
The initial idea for the project dates back to 1996, with construction beginning in 1998. The work was hampered by torrential rain in the first few months of the project, and parts of the pit flooded as it sits 15 m (49 ft) below the water table.[8]
The first part of the Eden Project, the visitor centre, opened to the public in May 2000. The first plants began arriving in September of that year,[8] and the full site opened on 17 March 2001.
To counter criticism from environmental groups, the Eden Project committed to investigate a rail link to the site.[9] The rail link was never built, and car parking on the site is still funded from revenue generated from general admission ticket sales. A bus service links the site to St Austell railway station, on the Cornish Main Line.
The Eden Project was used as a filming location for the 2002 James Bond film Die Another Day. On 2 July 2005 The Eden Project hosted the "Africa Calling" concert of the Live 8 concert series. It has also provided some plants for the British Museum's Africa garden.
In 2005, the Project launched "A Time of Gifts" for the winter months, November to February. This features an ice rink covering the lake, with a small café-bar attached, as well as a Christmas market. Cornish choirs regularly perform in the biomes.
In 2007, the Eden Project campaigned unsuccessfully for £50 million in Big Lottery Fund money for a proposed desert biome.[10][11] It received just 12.07% of the votes, the lowest for the four projects being considered.[12] As part of the campaign, the Eden Project invited people all over Cornwall to try to break the world record for the biggest ever pub quiz as part of its campaign to bring £50 million of lottery funds to Cornwall.[13]
In December 2009, much of the project, including both greenhouses, became available to navigate through Google Street View.
The Eden Trust revealed a trading loss of £1.3 million for 2012–13, on a turnover of £25.4 million. The Eden Project had posted a surplus of £136,000 for the previous year. In 2014 Eden accounts showed a surplus of £2 million.[14]
The World Pasty Championships, an international competition to find the best Cornish pasties and other pasty-type savoury snacks, have been held at the Eden Project since 2012.[15]
The Eden Project is said to have contributed over £1 billion to the Cornish economy.[16] In 2016, Eden became home to Europe's second-largest redwood forest (after the Giants Grove at Birr Castle, Birr Castle, Ireland) when forty saplings of coast redwoods, Sequoia sempervirens, which could live for 4,000 years and reach 115 metres in height, were planted there.[17]
The Eden Project received 1,010,095 visitors in 2019.[18]
In December 2020 the project was closed after heavy rain caused several landslips at the site. Managers at the site are assessing the damage and will announce when the project will reopen on the company's website.[19] Reopening became irrelevant as Covid lockdown measures in the UK indefinitely closed the venue from early 2021, though it had reopened by May 2021 after remedial works had taken place. The site was used for an event during the 2021 G7 Summit, hosted by the United Kingdom.[20]

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20/05/2025

Keeping Up Appearances is a British sitcom created and written by Roy Clarke. It originally aired on BBC1 from 1990 to 1995. The central character is an eccentric and snobbish middle-class social climber, Hyacinth Bucket (Patricia Routledge), who insists that her surname is pronounced "Bouquet".[1] The show consisted of five series and 44 episodes, four of which were Christmas specials. Production ended in 1995 after Routledge decided to move on to other projects. All 44 episodes have since been released on video, DVD and streaming media.

Hyacinth Bucket (Patricia Routledge) – who insists her surname is pronounced Bouquet (although her husband Richard has said, "It was always 'Bucket' until I met you!")[3] – is an overbearing, social-climbing snob, originally from a lower-class background, whose main mission in life is to impress others with her refinement and pretended affluence.
She is terrified that her background will be revealed and goes to great lengths to hide it. Hyacinth likes to spend her days visiting stately homes (convinced she will meet and strike up a friendship with the upper-class owners, especially if they are part of the landed gentry or peerage) and hosting "executive-style" candlelight suppers (with her Royal Worcester double-glazed Avignon china and Royal Doulton china with "the hand-painted periwinkles").[4]
She ostentatiously brags about her possessions, including her "white slimline telephone with automatic redial", which she always answers with "The Bouquet residence, the lady of the house speaking."[5] She frequently receives misdialled numbers for a Chinese takeaway, angering her, insisting that the takeway change its phone number. She speaks in an exaggerated RP-style accent with northern undertones, while her relatives speak in broad northern accents. Her neighbours speak in milder RP accents. When flustered, Hyacinth reverts to her native accent.
Hyacinth's attempts to impress makes the lives of those around her difficult; her continual efforts to improve her social position usually involve inviting her unwilling neighbours and friends to "exclusive candlelight suppers". Although Hyacinth is not deterred by the lack of response to her attempts, her friends, neighbours, and acquaintances live in fear of being invited, and usually make frantic attempts to excuse themselves.
Her husband Richard (Clive Swift) bears the brunt of the suffering. He initially worked for the council in "Finance and General Purposes", but at the beginning of series three, reluctantly accepts early retirement. Though Hyacinth describes his role as "a power in local authority", he appears to be no more than a bureaucratic functionary. Although he loves her with a long-suffering endurance, he is notably exasperated by her plans and her habit of making extravagant and unnecessary purchases.
Although she lives to impress others, Hyacinth regularly competes with her middle-class neighbours (whom she considers snobbish showoffs) such as Sonia Barker-Finch, Delia Wheelwright and Lydia Hawksworth (who alone of Hyacinth's rivals seems to be an actual snob, as she disdains kiwifruit as "lower middle class"). Hyacinth sometimes says things like "I haven't a snobbish bone in my body" or "I can't abide such snobbery like that" when talking about those she considers her competition.
Always hindering Hyacinth's best efforts to impress, and providing an unwelcome reminder of her less-than-refined roots, are her working-class sisters Daisy (Judy Cornwell) and Rose (Shirley Stelfox in series one; Mary Millar thereafter), and Daisy's proudly "bone idle" husband Onslow (Geoffrey Hughes). They, along with Hyacinth's senile father, frequently turn up inconveniently (usually in their clapped-out Ford Cortina – which always makes a characteristic backfire when it arrives), with Hyacinth going to great lengths to avoid them (saying: "Richard, you know I love my family, but that's no reason why I should have to acknowledge them in broad daylight!"). Rose is very sexually aggressive and promiscuous, adding to Hyacinth's embarrassment. Although Hyacinth is embarrassed by Onslow's laziness and unkempt character, Richard and Onslow get along very well, while Daisy's cheerful nature wins over anyone she meets from Hyacinth's preferred social circle.
Hyacinth's senile father frequently has flashbacks to the Second World War, and often exhibits bizarre behaviour, sometimes involving embarrassing situations with women (Onslow describes him as "barmy"). Two relatives of whom Hyacinth is not ashamed are her wealthy sister Violet (Anna Dawson) and her unseen son Sheridan. Violet frequently telephones Hyacinth for advice, allowing her to loudly announce to anyone in earshot, "It's my sister Violet – the one with a Mercedes, swimming pool/sauna and room for a pony". However, Violet's social acceptability is damaged by the eccentric behaviour of her cross-dressing, equestrian-loving turf accountant husband Bruce,[6] whom she attacks because of his behaviour.
Hyacinth also tries to impress people with the intellectual prowess of her beloved son Sheridan (who actually only takes a course in needlework at a polytechnic). Hyacinth boasts about the "psychic" closeness of their relationship and how often he writes and telephones her, although he never writes and only telephones his mother to ask for money, much to the despair of Richard.[7] Hyacinth is blissfully oblivious of the seemingly obvious hints that Sheridan, who lives with a man named Tarquin (who makes his own curtains, wears silk pyjamas, and has won prizes for embroidery), is gay,[8] but Richard appears to have realised this, asking Hyacinth if she has ever wondered why Sheridan shows no interest in girls.
Hyacinth's neighbour Elizabeth "Liz" Warden (Josephine Tewson) is frequently invited round for coffee. Though she is ordinarily calm, Elizabeth's nerves go to pieces in Hyacinth's house, causing her to smash Hyacinth's china and spill coffee and biscuits on Hyacinth's Burmese rug or table.[9] She is married with a daughter away at university, yet her husband works abroad and, like Sheridan, neither character ever appears. While everyone else usually addresses her simply as "Liz", Hyacinth almost always calls her by her full name.
Elizabeth is occasionally able to "one-up" Hyacinth herself by reminding her neighbour that her daughter is at university, while Sheridan is studying at a mere polytechnic. Liz's brother Emmet (David Griffin) moves in with her at the beginning of series two, after a messy divorce. Hyacinth, upon learning that Emmet is a musician, frequently and abruptly sings out-of-key at him to try to get a part in one of his productions, making him terrified of leaving the house, lest she see him ("She'll sing at me!"). Emmet's problems are made worse by Hyacinth's mistaken belief that his frightened reactions indicate that he is infatuated with her, which, in fact, could not be further from the truth.
Hyacinth frequently confronts the postman with complaints, harassing him to the point that he will go to extreme lengths not to face her; she often forces workmen and other visitors to her home to remove their shoes before entering. Michael, the vicar of the local church (Jeremy Gittins) is also loath to face the overbearing Hyacinth, to whom he refers (behind her back) as "the Bucket woman". The vicar and his wife sometimes exact comic revenge on Hyacinth for her snobbishness; on one occasion, when she was one of a group of volunteer helpers at the church, the vicar's wife saw to it that Hyacinth's hand went up prematurely and assigned her the job of cleaning the church hall toilets.

Survival mode, or horde mode, is a game mode in a video game in which the player must continue playing for as long as possible without dying in an uninterrupted session while the game presents them with increasingly difficult waves of challenges.[1] A variant of the mode requires that the player last for a certain finite amount of time or number of waves, after which victory is achieved and the mode ends.[2] Survival mode has been compared to the gameplay of classic arcade games, where players face off against increasingly stronger waves of enemies.[3] This mode was intended to give the game a definite and sometimes sudden ending, so that other players could then play the arcade game as well.[4]

Run with the Pack is the third studio album by English supergroup Bad Company. It was released on 30 January 1976, by Swan Song Records.[5] The album was recorded in France using the Rolling Stones Mobile Truck in September 1975 with engineer Ron Nevison, and mixed in Los Angeles by Eddie Kramer. It was the only original Bad Company album without artwork from Hipgnosis, instead featuring artwork from Kosh.

Background
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The album peaked at No. 4 in the UK Albums Chart and No. 5 on the US Billboard 200.[6] It has sold one million copies in the US alone.
The cover of the Coasters single "Young Blood" peaked at No. 20. The album also spawned rock radio classics "Silver, Blue & Gold", "Live for the Music", and the title track. "Silver, Blue & Gold" was never released as a single, but is one of the band's most popular compositions.
Cash Box said of "Do Right by Your Woman" that it "is an acoustic number, with some twelve-string work" and that "the harmonies are excellent, at times reminiscent of CSNY, and a low-down harmonical fill."[7]
Classic Rock History critic Janey Roberts rated the title track as Bad Company's greatest song, saying that its energy "just simply defines what Bad Company was all about" and praising the "great intros" and "pulsating verses that built up to superman style choruses."[8] Classic Rock critic Malcolm Dome rated it as Bad Company's 6th best song, praising its "panache and subtlety."[9]
The album was remastered and re-released in 1994. The vinyl album had a shiny, silver cover, but CD versions feature a simple, light grey cover. The original album cover also came as a gatefold, with a photo of the band inside, sitting around a couch near a television tuned in to a Bugs Bunny cartoon. (It was revealed in the notes in the booklet accompanying the "Deluxe 2CD Edition", that originally the TV screen showed a still of I Love Lucy but it was not possible to get approval for its use on the album cover, so it was changed.)

The Beautiful South was an English pop group formed at the end of the 1980s by two former members of Hull group The Housemartins, Paul Heaton and Dave Heming...