Karel Martens - Calendar 2025 / Every day is a new day
from @roma.publications
In stock now & ready for orders!
A tear-off calendar for 2025 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total.
Every day is a new day!
@martens__martens
repost from @roma.publications ❤️📚🙏
#karelmartens #romapublications #martensandmartens #everydayisanewday #letterpress #monoprints #tearoffcalendar #calendar #2025!!! #graphicdesign #graphicdesigncalendar #independentpublishing #dutchdesign #artdatalondon
Designed by Peter Saville
from @friezeofficial
Peter Saville is perhaps the most influential graphic designer of his generation. Best known for his seminal record covers for Joy Division and New Order, Saville has also art directed catalogues and advertisements for fashion brands such as Yohji Yamamoto and Dior, and created corporate identities for Givenchy, Mandarina Duck and London's Whitechapel gallery. The intensity and apparent timelessness of his work has ensured his cult status for over 30 years.
Designed by Peter Saville was the first book published of his work. Comprising design for music, fashion, advertising and art, it chronicles his work from 1978 to publication in 2003. The book includes a comprehensive interview by Christopher Wilson as well as essays by style guru Peter York, music critics Paul Morley and Miranda Sawyer, and design critics Rick Poynor, Emily King and Peter Hall.
#petersaville #frieze #design #graphicdesign #graphicdesigner #britishgraphicdesign #joydivision #neworder #orchestralmanoeuvresinthedark #omd
#thehacienda #factory #factoryrecords #albumdesign #sleevedesign #fashionadvertising #christopherwilson #peteryork #paulmorley #mirandasawyer #rickpoynor #emilyking #peterhall #unknownpleasures
The Art Beneath - Spike Bucklow
from @centrecentrebooks
Through these microscopic cross-sections of thirteenth-to twentieth-century paintings, Spike Bucklow unearths the hidden processes, materials & techniques of Rembrandt, Carravaggio, Artemisia Gentileschi, Walter Sickert, Claude Monet, Marianne North & more. Within one sample of paint, the size of a pin prick or full stop, lies a vast & complex geological strata; a masterpiece by Titian becomes an abstract landscape of yellowing varnish, crunchy blue lapis, a silken slab of lead white, sea shells floating in chalk, egg mingling with oil atop of taut canvas.
Painting becomes three-dimensional & durational, revealing the painter's patient assembling (& conservators' quiet retracing) of an artwork from ground up.
Selected from an academic collection of over 7,000 paint samples, this index of 120 abstract landscapes liberates the cross-section from its illustrative role in technical reports. The fragments simultaneously reveal the quiet act of conservation, like painting, to be both a science & an art.
The Art Beneath gives access to images that have previously only been seen in art conservation studios, in conservation laboratories & in the 'grey literature' that conservators produce for other conservators and the owners of great paintings. The images are usually inaccessible, not due to a desire for secrecy but for logistical reasons. They require a microscope to be seen &, in the conservation world, they are primarily considered to be 'technical' & 'illustrative' rather than of 'aesthetic' value in themselves.
The microscopic samples are a metaphor for the whole profession of art conservation. Like conservators themselves, these chips of paint are usually silent & invisible. But the work they do - speaking to scientists to provide information vital to the care of paintings - enables us all to continue appreciating the work of great artists. In a quiet conservator-like way, this book sings the praises of pa
VOICES - Ghana's Artists In Their Own Words
from 24°36° @twentyfour.thirtysix
in collaboration with MANJU Journal @manjujournal
From one of our latest publishers, 24°36°, this publication celebrates & documents Ghanaian visual artists, their creative excellence & the country’s vibrant arts community. VOICES features over 80 exclusive interviews with Ghanaian visual artists, curators & gallerists working in the country & as part of the diaspora. Including foreword by Writer & Curator, Ekow Eshun @ekoweshun, introduction by Manju Journal’s Artistic & Founding Director, Richmond Orlando Mensah @orlandofficialle & afterword by Paul Ninson, Director of DIKAN, Accra @pninson .
Artist Derek Fordjour;“Africa’s status in the contemporary art world cannot be ignored & the new vanguard of Ghanaian visual artists are emblematic of this influential cultural movement”.
📣See comments for info on May 2nd talk, London💥
Some of the artists featured here in order of appearance:
James Barnor @james_barnor_archives
Anya Paintsil #anyapaintsil
Midichi @midichi
James Mishio @james.mishio
David Alabo @davidalabo
Chrissa Amuah @chrissa.amuah
Nana Yaa Poku Asare-Boadu @lalanana7
Dominique Petit-Frère @dominiquepetit_ @limboaccra
Maku Azu @makuazu
Foster Sakyiamah @fostersakyiamah
Kwadwo Amfo kwadwoamfo
Sena Burgundy Appau @senaburgundy
Campbell Addy @campbelladdy
Serge Attukwei Clottey @afrogallonism
Kusheda Mensah @modularbymensah
Kesewa Aboah @kesewa.aboahstudio
Casper Kofi @casperkofi
Nana Danso @_nanadanso_
Sanjeet Virindani @san.dersar
Cornelius Annor @iam_c_annor
Abdur Rahman @artofarm
Kwabena Sekyi Appiah-Nti @sekyii
Lord Ohene Okyere-Bour @ohenelord
Dela Anyah @dela.anyah
Na Reindorf @ncreindorf
Afia Prempeh @afiaprempeh
Ella Bulley @ellabulleystudio
King Owusu @kingsdrawingclub
Serwah Attafuah @wrath_____
Kpe Innocent @kpeinnocent
BAFIC @bafic
Carlos Idun-Tawiah @carlosidun
Kwabena Lartey @kwabena_lartey
Dr Mimi Adu Serwaa