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19/05/2024

Sunday, Day 3 of Offprint London 2024 at Tate Modern!💥📚❤

Make sure to stop by the Art Data table #87 ❤📚

18/05/2024

Day 2!📚📚📚📚📚📚

Offprint London Bookfair

At Tate Modern

Until 18:00 today, last entry 17:50

See Art Data, & all the wonderful publications from
all our lovely publishers
At Table 87

28/03/2024

Open Mouths - Sharan Hunjan

from

Happy Publication Day to Sharan Hunjan's Open Mouths !

In Open Mouths Sharan Hunjan presents a vision of a world simultaneously familiar and strikingly strange. The quotidian, the domestic, the commonplace are interrogated and manipulated through the poet’s eye for detail, linguistic sense of play and restless imaginative and philosophical impulses. The shortcomings of language, the gulf between words and meaning, between experience and description, the space between translation, between places, between generations—these are the problems with which Hunjan grapples.
Full of seemingly quiet, yet startlingly profound thought, razor-sharp wordplay, raw emotion and dazzling image and phrase-making, Open Mouths marks the emergence of another stellar talent from 4 BROWN GIRLS WHO WRITE.

Includes the poem 'Sister Rach', just announced to have been longlisted, chosen from 19k poems, from over 100 countries, and over 8000 poets for the National Poetry Competition 2023 from .

13/02/2024

The Monadic Age
Notes on the Coming Social Order
by Ingo Niermann

from

The world is marked by deepening conflicts—between democracies and autocracies, woke and populist identity politics, rich and poor, continued environmental exploitation and harsh complications like climate change. In The Monadic Age, Ingo Niermann argues that, stirred by rapid developments in automation and AI, these manifold crises are about to culminate in a new paradigm of self-sufficiency—monadism—that overturns the liberal era and forces a reinvention of all social parameters.

Today, two major post-liberal dispositions are unfolding. On the one side, people envision a harmonious community of all human and nonhuman beings (multi-species kinship, a rainbow of identities). On the other side, people isolate themselves within their own identities and belongings (filter bubbles, safe spaces, gated communities, charter cities, prepping). Monadism recognizes that these two seemingly contradictory dispositions stem from a similar understanding of the world: one is more optimistic, the other more pessimistic, but ultimately they’re interdependent. Before seeking harmony, we humans, a highly dominant species, must first of all restrain ourselves from coercive interactions with our environment. And to protect ourselves sufficiently from our environment, we must minimize its abuse.

The Monadic Age unfolds in thirty-three autonomous—monadic—essays on topics as diverse as environmentalism, terrorism, geopolitics, housing, the metaverse, nonbinarism, language, charity, euthanasia, identity politics, tattoos, ableism, AI, birthrates, war, religion, s*x, and art.

Design by

Reposted with thanks to

07/02/2024

🔊🎙📻📡 TOMORROW Thursday February 7th

ON BBC RADIO6

Alex Coles joins Chris Hawkins
to talk about

Tainted Love - From Nina Simone to Kendrick Lamar

his book from

just in time for Valentine's Day💔📕

see link to 📻 show in bio

Titled after Soft Cell's version of the original 1965 Gloria Jones track, Tainted Love is the first book-length inquiry into the subject of the twisted romantic ballad, giving a sense of both its history and contemporary currency. Sometimes extreme, this twist to the conventional romantic ballad spans across gender and generational boundaries to subvert our understanding of both the genre's function and its behavior. Each chapter of Tainted Love explores a single twisted ballad in depth, examining both its inner workings-lyrics, melody, and vocal approach-and its broader cultural resonance. The analysis developed in the chapters turns on the question: what compels songwriters to compose-and us to listen to-these warped songs?

Featuring an analysis of songs by Kendrick Lamar, Nina Simone, Roxy Music, Joni Mitchell, The Velvet Underground, Antonio Carlos Jobim & Frank Sinatra, Soft Cell, Paul McCartney, Charlotte & Serge Gainsbourg, PJ Harvey & Nick Cave and Little Simz, this book turns on the question: What compels songwriters to compose—and us to listen to—these warped songs?

06/02/2024

Ben Rivers - Collected Stories

from

Collected Stories is, as implied by the title, a collection of stories, curated by Ben Rivers. Fiction and poetry have always been an essential source of inspiration for his filmmaking. On the occasion of the retrospective Ghost Strata, and other stories, held at Jeu de Paume in Paris in November 2023, he decided to bring his films in conversation with writers who have influenced him over the years. Rivers invited fourteen authors to watch one of his films and respond in writing in any way they wished. Imaginative and surprising, the fables, essays and poems of Collected Stories come together in a beautiful celebration of the work of one of contemporary cinema's vital artists, doubling as a testament to the reciprocal nature of inspiration. The authors of these collected stories are Gina Apostol, Chloe Aridjis, Kevin Barry, Xiaolu Guo, Golan Haji, M John Harrison, Daisy Hildyard, Nathalie Leger, Vanessa Onwuemezi, Helen Oyeyemi, Iain Sinclair, Irene Sola, Lynne Tillman and Marina Warner.

To celebrate the publication of Collected Stories, join & on this Thursday, February 8th in London;

18:30 at Kate MacGarry Gallery@katemacgarry
for book launch & reading by
Vanessa Onwuemezi

20:15 join Experimental Cinema for a 16mm short film screening + Q&A at Close Up Cinema
Rivers will introduce a selection of his films, followed by a Q&A session hosted by Fireflies Press editor Giovanni Marchini Camia.

See link in bio for more details & booking 📽🎟

book design by , with thanks to Jeu de Paume and STUK: House for Dance, Image and Sound

18/01/2024

The Complex Answer - On Art as a Nonbinary Intelligence

Chus Martinez

from

The Complex Answer presents the reader with a selection of texts—from 2010 to 2021—that introduce an exercise in how a practice of art and exhibition making has been influenced by philosophical thinking. One form of thinking oriented towards the production of an epistemological space where art is not illustrating ideas but enacting thinking and activating experience as an epistemological force that slowly erodes and, eventually, erases the culture-nature divide.

For the sake of creating a dramaturgy and stressing the thesis these known writings have been reedited and partly rewritten. The texts aim to enforce the idea that art is an intelligence that is influenced by ideas and the emergence of new notions but also thinking through experience. An experience that is aesthetic and epistemological in equal terms.

Design by

23/11/2023

Couldn't resist reposting on this crisp & bright (for now!) November day 😍🍁🍂📚🍂🍁📚
Posted •

On Listening To Trees 🌳

Stunning book available now - bathe in the forests and nature!

Albarrán Cabrera’s poetic universe invites us to immerse ourselves in nature, in the land of trees and on what trees can teach us about life.

The idea for the book comes from a text written by Hermann Hesse that can be described as one of the most beautiful love letters to trees.

Hesse tells us that “when we listen to trees, we discover the meaning of life”, so in this book Albarrán Cabrera explain that in the process of photographing trees they have learnt not only how to listen to them but also to better understand themselves.

11/11/2023

on our table at Offprint Paris today...
macinnis

and many more fab publications from wonderful publishers!😍📚❤📚❤

10/10/2023

Solitary

from

Organised & edited by Tyler Coburn , Solitary is a collection of texts written at a wellness center in South Korea designed as a mock prison. This facility is run by an organization called Happitory-a combination of "Happiness" and "Factory." Happitory offers retreats for teenagers, company employees, government officials, and the general public. Some sessions involve drama therapy, others are led by Buddhist monks. Most intriguing is a program called "Solitary Confinement," where one can spend twenty-four hours of technology-free time locked in an individual cell.

To create Solitary, artist Coburn commissioned ten practitioners (including himself) to spend time in solitary confinement at this wellness center, where they produced texts using the materials on hand. Certain questions drove their writing. How does one square the relaxation promised by Happitory with the way solitary confinement functions in actual prisons? What types of thinking and writing become possible through its restrictions-no book, no Internet, just writing materials? How might the emphasis on writing relate to texts by Oscar Wilde, Antonio Gramsci, Kim Dae-jung, Shin Young-bok, and others produced during periods of imprisonment?

Taken as a whole, Solitary is unique in being both a collection of texts and a collective artwork: an experiment in site-specific writing.

With contributions by Jaeyeon Chung, Tyler Coburn, Sunjin Kim, Hyunjeung Kim, Kyungmook Kim, Min Kyoung Lee, Woochang Lee, Russell Mason, InYoung Yeo, Jiwon Yu.

Designed by .studio

📣📚🎉Launching tonight at 18:00
at
With conversation with
& Cliff Lauson

09/10/2023

Rights Not Charity: Protest Textiles and Disability Activism

by Gill Crawshaw

from

The new publication from Common Threads Press, in stock & available for orders now!

Textiles have long been part of the fabric of disabled people’s lives and history.
In common with banners of the women’s suffrage movement and trade unions, disabled activists have embraced banners as a form of protest and resistance, communicating messages about identity, pride, unity and justice.

Rights Not Charity tells the stories of these banners.

Curator Gill Crawshaw explores this history through the protest banners and political artwork of disabled people’s rights movements, taking in political responses to charity, accessibility, and government cuts, among other causes.

Illustrated by designed by , edited by &

26/09/2023

The NIGHTLIFE series
💃🕺🪩🍺🍹🍾🍻🍸🎭🎸🪇

from

Rough Trade Edition No.55 - Chaotic Nightclub Photos by Gabrielle de la Puente

Taking the reader through an artistic history of the representations of nightclubs through the prism of author Gabrielle de la Puente’s obsession with the Chaotic Nightclub Photos Twitter account. Chaotic Nightclub Photos: The Review is an utterly contemporary, smart, playful slice of personal essay goodness.

Rough Trade Edition No. 56 - Delíria by
Jeff Young .26

As day and night blur into one another across a quintessentially European backdrop, Jeff Young explores the sensations of ’the City’ as muse, landscape, inspiration and antagonist. A masterpiece of bruised, beat short fiction.

Rough Trade Edition No.57 - Rory Gallagher—Live!—From the Hotel of the Dead by Tim MacGabhann with Irish translation by Colm Breathnach thanks to

A kaleidoscopic, almost psychedelic conjuring of images and cultural reference points power this incredible single long poem from Irish novelist and poet Tim MacGabhann. A heartsore evocation of the blues that feels both hard won and linguistically ecstatic, this is a bravura poetic performance.

Rough Trade Edition No.58 - Learning Lines by Cathy Thomas

A glimpse behind the curtain of life in the theatre courtesy of two brilliant short stories from author Cathy Thomas highlighting how the anticipation, hope and promise of youth come into dramatic tension with the grubby realities of adult, working life with its both profound and petty disappointments.

05/09/2023

Tam Joseph - I Know What I See

from

Bringing together paintings and sculptures from over 40 years of work, Tam Joseph: I Know What I See is the first major publication to provide an extensive survey of the work of Dominica-born British artist Tam Joseph (b. 1947). Joseph’s wide-ranging career defies being pinned down to any one style or approach. But while his art takes him in many different directions, it is grounded in a sensibility which revels in the connections between things, as well as the creative possibilities of human perception.
Some paintings reflect on his own history and the history of injustices faced by African Caribbean people in Britain. Other works draw inspiration from diverse sources including cinema, music, and sport, as well as the natural world, and the history of painting itself. Whether his subject is landscape, portrait or history, Joseph employs his deep knowledge of paintings of the past to create work which invites viewers to consider these genres afresh.
Eddie Chambers’ insightful essay explores how Joseph’s independent spirit and boundless imagination offer a thrilling survey of a lifetime’s creative expression.

‘With the wry observations of his concerted, determined and engaging international reach, Joseph is in so many respects the absolute embodiment of diaspora. But perhaps we’d do better to simply describe Joseph as a world citizen, one who is as deeply engaged with history as he is with geography, and formidably engaged with artistic innovation.’ — Eddie Chambers, Introduction to Tam Joseph: I Know What I See

To mark the publication of I Know What I See, Four Corners Books present a special in-conversation between Tam Joseph and art historian Dr. Anjalie Dalal-Clayton at Raven Row Saturday 9 September, 6.30pm (doors open at 6pm), followed by refreshments. Please see link in bio to book free tickets.

All artwork (c) Tam Joseph

05/09/2023

Tam Joseph - I Know What I See

from

Bringing together paintings and sculptures from over 40 years of work, Tam Joseph: I Know What I See is the first major publication to provide an extensive survey of the work of Dominica-born British artist Tam Joseph (b. 1947). Joseph’s wide-ranging career defies being pinned down to any one style or approach. But while his art takes him in many different directions, it is grounded in a sensibility which revels in the connections between things, as well as the creative possibilities of human perception.
Some paintings reflect on his own history and the history of injustices faced by African Caribbean people in Britain. Other works draw inspiration from diverse sources including cinema, music, and sport, as well as the natural world, and the history of painting itself. Whether his subject is landscape, portrait or history, Joseph employs his deep knowledge of paintings of the past to create work which invites viewers to consider these genres afresh.
Eddie Chambers’ insightful essay explores how Joseph’s independent spirit and boundless imagination offer a thrilling survey of a lifetime’s creative expression.

‘With the wry observations of his concerted, determined and engaging international reach, Joseph is in so many respects the absolute embodiment of diaspora. But perhaps we’d do better to simply describe Joseph as a world citizen, one who is as deeply engaged with history as he is with geography, and formidably engaged with artistic innovation.’ — Eddie Chambers, Introduction to Tam Joseph: I Know What I See

To mark the publication of I Know What I See, Four Corners Books present a special in-conversation between Tam Joseph and art historian Dr. Anjalie Dalal-Clayton at Raven Row , Saturday 9 September, 6.30pm (doors open at 6pm), followed by refreshments. Please see link in bio to book a free ticket.

All artwork (c) Tam Joseph

06/05/2022

📢📣🎉📚❤Hurray! One more week to go!📚

Join Art Data with books from our wonderful publishers next weekend at Offprint 2022 at Tate Modern.
Offprint

⏰ Opening Times
Friday 13 May: 14:00 – 18:00
Saturday 14 May: 10:00 – 18:00
Sunday 15 May: 10:00 – 18:00
Free / Booking required ;
https://www.tate.org.uk/whats-on/tate-modern/offprint-london

Rough Trade Books Sternberg Press
CentreCentre Leonard Koren Camden Art Centre

Valerie Phillips Grand Gallery Yasushi Ide Fireflies Press THE GREEN BOX The Modern Institute studio Gagosian
White Cube Fruitmarket Dundee Contemporary Arts Accumulate Centre Pompidou DCV

Four Corners Books Hato Press
After 8 Books

22/04/2022

Water Futures - Where Will the Water Come From?

from Jane Withers Design Studio

This beautifully designed and illustrated publication brings together the findings from the year-long Water Futures programme, exploring the ongoing relationship between drinking water and city life, curated by Jane Withers Studio.
With sections exploring the programme themes Harvesting the Sky, Pollution and Purification, Re-imagining Urban Water and Drink Local, with contributions from participating experts, practitioners and artists including Ashley Dawson, Anthony Acciavatti, Morna Livingstone, Emma Riley, Willis Elkins and Mary Miss.
With the aim of informing and inspiring a wider design audience to address the urban water crisis, the project looks at highlights of the programme, including explorations and solutions in living and working with water from across the globe, from South Africa, India, Japan, the Americas and Europe.

06/04/2022

Paolo Pellegrin - Des Oiseaux

from Atelier EXB

This series by Paolo Pellegrin celebrates the eleventh title of the collection Des oiseaux (On birds). As a photographer best known for his works testifying to political, economic or even ecological upheavals, in these images Pellegrin focuses on subjects that are sometimes more contemplative, where nature holds a major place. During a stay in Japan, with the intention of witnessing the blooming of the cherry trees, Pellegrin was more struck by the majesty and the aerial ballet of a colony of black kites flying over the temple of Shimogamo, Shinto shrine of the 7th century, in the heart of a forest.
He manages to capture the movements of this colony of eagles that flutter very close to his lens. Their dazzling speed is captured in tight frames: the birds seem to emerge from the frame or come out of it at full speed. The choreographies follow one another: as a soloist, in a duo or in a group, these fascinating birds of prey seem to slide through space.

This work is part of the Birds collection which celebrates, through the eyes of various artists, the immense presence of these creatures in the world. Ornithologist Guilhem Lesaffre offers a unique essay to accompany each photographic series. For this book, he tells us the story of the mythology of these raptors, the fascination they have exercised through the ages in the artistic field, and their way of life, paying particular attention to the species of black kites photographed by Pellegrin.
Past titles in the collection include the work of Albarrán Cabrera, Graciela Iturbide, Leila Jeffreys, Rinko Kawauchi, Michael Kenna, Yoshinori Mizutani, Byung-Hun Min, Paolo Pellegrin, Bernard Plossu, Pentti Sammallahti and Terri Weifenbach.

01/04/2022

Treasure Island by Robert Louis Stevenson Art by Shiraz Bayjoo

from Four Corners Books

In 'Treasure Island', Shiraz Bayjoo Shiraz Bayjoo has created a new artist’s book in response to Robert Louis Stevenson’s colonial-era adventure story. Presented alongside Stevenson’s text, Bayjoo’s images take us from the ports of England to landscapes scarred by plantations and mines. From the brutality of the 18th Century colonial Caribbean, to the Indian Ocean, and to wider global histories of slavery, colonialism and violence which shaped that period.

Bayjoo works with film, painting, photography, performance, and installation. His research- based practice focuses on personal and public archives addressing cultural memory and postcolonial nationhood in a manner that challenges dominant cultural narratives.

“Shiraz Bayjoo has created a thrilling visual interpretation of Treasure Island that sets Stevenson’s story within the context of 18th century Atlantic trade and colonial power. The result is timely, urgent and strikingly beautiful.” — Ekow Eshun

A beautiful cloth bound hardback, designed by Familiars series designer John Morgan .
With an essential essay by Françoise Vergès Françoise Vergès .

This is the 14th title Four Corners Books' Familiars series, providing a fresh look at the tradition of the illustrated novel.

Available from the 12th of May.

25/03/2022

Beauty is in the Street

from Four Corners Books]

Reposted from Four Corners Books]

After 3 years out of print, Beauty is In The Street is back in stock ✔️

In May 1968, demonstrations against the French government spread across Parisian universities, and then to factories and other workplaces, resulting in a general strike of 11 million workers that brought the country to a virtual standstill.

Out of the demonstrations rose the Atelier Populaire, a student group who produced hundreds of posters that were used to encourage protestors and report on police brutality. Beauty Is In The Street reproduces over 200 of these works, whose dual nature as a means of communication and as a sort of ephemeral artwork have become landmarks in political art and graphic design.

Beauty is in the Street, A Visual Record of the May ’68 Paris Uprising. Edited by Johan Kugelberg and Philippe Vermès.

18/03/2022

Blondell Cummings - Dance as Moving Pictures

from X Artists' Books

The first monograph dedicated to the pivotal work of African American postmodern dancer, choreographer & video artist Blondell Cummings.

A foundational figure in American dance, Cummings bridged postmodern dance experimentation & Black cultural traditions. Through her unique movement vocabulary, which she called "moving pictures," Cummings combined the visual imagery of photography & the kinetic energy of movement in order to explore the emotional details of daily rituals & the intimacy of Black home life. In her most well-known work Chicken Soup (1981), Cummings remembered the family kitchen as a basis for her choreography; the dance was designated an American Masterpiece by the National Endowment for the Arts in 2006.

Drawing from Cummings’s personal archive, the book includes performance ephemera & numerous images from digitized recordings of Cummings’s performances & dance films; newly commissioned essays by Sampada Aranke, Thomas F. DeFrantz & Tara Aisha Willis; remembrances by Marjani Forté-Saunders, Ishmael Houston-Jones, Meredith Monk, Elizabeth Streb, Edisa Weeks & Jawole Willa Jo Zollar; a 1995 interview with Cummings by Veta Goler; & transcripts from Cummings’s appearances at Jacob’s Pillow & Wexner Center for the Arts. Bringing together reprints, extended biography, a chronology of her work, rarely seen documentation & new research, this book begins to contextualize Cummings’s practice at the intersection of dance, moving image, & art histories.
Edited by Kristin Jurez, Rebecca Peabody & Glenn Phillips, accompanying the exhibition co-organized with Getty Research Institute & Art + Practice
With design by Vivian Sming
See below for a review from Danielle Broadway, LA Times;
https://www.latimes.com/entertainment-arts/story/2022-03-03/how-choreographer-blondell-cummings-transformed-dance

🙏 Sming Sming Books for 📸

16/03/2022

Rae-Yen Song ▷▥◉▻

from Dundee Contemporary Arts

This catalogue is published as part of Glasgow-based artist Rae-Yen Song’s solo exhibition at Dundee Contemporary Arts. The book contains newly commissioned writing on Song's practice by artist and writer JJ Chan, alongside full colour images of the exhibition and a selection of Song's vibrant drawings on paper, digital drawings, an animation still and a woodblock print.

Rae-Yen Song is an artist living and working in Glasgow. Song studied at Glasgow School of Art, and works across sculpture, drawing, installation, video, sound, costume, family collaboration and performative actions in public.

JJ Chan is an artist working across and amidst sculpture, moving image, and writing. Their work draws from lived experience and stories stolen from eavesdropped conversations, to explore the edges of our everyday realities and the ways in which we construct our identities. Through storytelling and world-building, the work (re)searches for an alternative space beyond aggressively progressive capitalist time, seeking new worlds from the ashes of the present.

Join for an In Conversation event on Thursday, the 17th of March with artist Rae-Yen Song and DCA’s Head of Exhibitions Eoin Dara, and celebrate the launch of this new publication.
Song’s new body of work at DCA will be the starting point of a conversation that may or may not think through some ideas concerning art-making, world-building, mythmaking, and the imagination. See link below.
https://www.dca.org.uk/whats-on/event/rae-yen-song-and-eoin-dara-in-conversation

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The Art Beneath - Spike Bucklow from @centrecentrebooks Through these microscopic cross-sections of thirteenth-to twentieth-century paintings, Spike Bucklow unearths the hidden processes, materials & techniques of Rembrandt, Carravaggio, Artemisia Gentileschi, Walter Sickert, Claude Monet, Marianne North & more. Within one sample of paint, the size of a pin prick or full stop, lies a vast & complex geological strata; a masterpiece by Titian becomes an abstract landscape of yellowing varnish, crunchy blue lapis, a silken slab of lead white, sea shells floating in chalk, egg mingling with oil atop of taut canvas. Painting becomes three-dimensional & durational, revealing the painter's patient assembling (& conservators' quiet retracing) of an artwork from ground up. Selected from an academic collection of over 7,000 paint samples, this index of 120 abstract landscapes liberates the cross-section from its illustrative role in technical reports. The fragments simultaneously reveal the quiet act of conservation, like painting, to be both a science & an art. The Art Beneath gives access to images that have previously only been seen in art conservation studios, in conservation laboratories & in the 'grey literature' that conservators produce for other conservators and the owners of great paintings. The images are usually inaccessible, not due to a desire for secrecy but for logistical reasons. They require a microscope to be seen &, in the conservation world, they are primarily considered to be 'technical' & 'illustrative' rather than of 'aesthetic' value in themselves. The microscopic samples are a metaphor for the whole profession of art conservation. Like conservators themselves, these chips of paint are usually silent & invisible. But the work they do - speaking to scientists to provide information vital to the care of paintings - enables us all to continue appreciating the work of great artists. In a quiet conservator-like way, this book sings the praises of pa

VOICES - Ghana's Artists In Their Own Words from 24°36° @twentyfour.thirtysix in collaboration with MANJU Journal @manjujournal From one of our latest publishers, 24°36°, this publication celebrates & documents Ghanaian visual artists, their creative excellence & the country’s vibrant arts community. VOICES features over 80 exclusive interviews with Ghanaian visual artists, curators & gallerists working in the country & as part of the diaspora. Including foreword by Writer & Curator, Ekow Eshun @ekoweshun, introduction by Manju Journal’s Artistic & Founding Director, Richmond Orlando Mensah @orlandofficialle & afterword by Paul Ninson, Director of DIKAN, Accra @pninson . Artist Derek Fordjour;“Africa’s status in the contemporary art world cannot be ignored & the new vanguard of Ghanaian visual artists are emblematic of this influential cultural movement”. 📣See comments for info on May 2nd talk, London💥 Some of the artists featured here in order of appearance: James Barnor @james_barnor_archives Anya Paintsil #anyapaintsil Midichi @midichi James Mishio @james.mishio David Alabo @davidalabo Chrissa Amuah @chrissa.amuah Nana Yaa Poku Asare-Boadu @lalanana7 Dominique Petit-Frère @dominiquepetit_ @limboaccra Maku Azu @makuazu Foster Sakyiamah @fostersakyiamah Kwadwo Amfo kwadwoamfo Sena Burgundy Appau @senaburgundy Campbell Addy @campbelladdy Serge Attukwei Clottey @afrogallonism Kusheda Mensah @modularbymensah Kesewa Aboah @kesewa.aboahstudio Casper Kofi @casperkofi Nana Danso @_nanadanso_ Sanjeet Virindani @san.dersar Cornelius Annor @iam_c_annor Abdur Rahman @artofarm Kwabena Sekyi Appiah-Nti @sekyii Lord Ohene Okyere-Bour @ohenelord Dela Anyah @dela.anyah Na Reindorf @ncreindorf Afia Prempeh @afiaprempeh Ella Bulley @ellabulleystudio King Owusu @kingsdrawingclub Serwah Attafuah @wrath_____ Kpe Innocent @kpeinnocent BAFIC @bafic Carlos Idun-Tawiah @carlosidun Kwabena Lartey @kwabena_lartey Dr Mimi Adu Serwaa