Dean Chalkley's short film 'Good For The Soul' is out now!
Dean Chalkley's short film 'Good For The Soul' is out now!
Watch the full version on the Ace Records YouTube channel here: https://youtu.be/Y71W4PJihzw
Director: Dean Chalkley
Producers: Dean Chalkley & Emma Noble
Featured Dancer: Durassie Kiangangu
Editor, Sound Design & Mix: Florian Bel
Music: Tobi Lark - True True Love
On February 14thDean Chalkley’s short film 'Good For The Soul' premieres on our YouTube channel.
Next Friday, February 14th, Dean Chalkley’s short film 'Good For The Soul' premieres on Ace’s YouTube channel.
Set your reminders and join the countdown on our YouTube channel here:
https://youtu.be/Y71W4PJihzw
#justlanded "We've Only Just Begun - The Paul Williams Songbook" Release date: 26.07.2024 👍
Paul Williams started out as an actor in the 60s, struggled to get work, and ended up almost by accident as a songwriter. Lucky us! He became one of the warmest, most successful songwriters America has ever seen, with songs full of generosity, humility and humanity. Right at the start, he wrote ‘Fill Your Heart’ with Biff Rose, covered by David Bowie on “Hunky Dory”, and ‘Someday Man’ for the Monkees. But it was in the 70s that he hit his stride, writing a ton of songs for the Carpenters, including ‘We've Only Just Begun’ and ‘I Won't Last a Day Without You’.
“We’ve Only Just Begun” is the first ever compilation of Paul Williams work as a songwriter, and it casts its net wide to find wonderful recordings of his songs by Scott Walker (‘We Could Be Flying’), Glen Campbell (‘Another Fine Mess’) and Elvis Presley (‘Where Do I Go From Here’). The familiar Carpenters hits are presented in wonderful, less heard renditions by Diana Ross (‘I Won't Last A Day Without You’), Freda Payne (‘Rainy Days And Mondays’) and Petula Clark (‘Let Me Be The One’). Despite being a songwriter he still worked in movies and ended up writing the theme for One On One by Seals & Crofts and ‘What Would They Say’ (recorded by Helen Reddy) from John Travolta's breakthrough movie The Boy In The Bubble. He found perfection with ‘The Rainbow Connection’ sung by Kermit the frog in the first Muppet Movie.
Compiled by Bob Stanley, “We’ve Only Just Begun” is a timely salute to a man hailed as a genius by, among others, Daft Punk. Now in his 80s, Williams is working on a musical of Pan’s Labyrinth with Guillermo Del Toro, hoping for a 2026 opening in London’s West End. He has been chairman of ASCAP for fifteen years now – an institution set up by Irving Berlin, Jerome Kern and other forebears more than a century ago – and is long-recognise
#unboxing Bob Stanley's "Tomorrow's Fashions - Library Electronica 1972-1987" (Also available on CD). 💿
Nothing said new or modern or futuristic quite like a synthesiser in the 70s and 80s. If you were shooting an advert and you wanted your product or your company to appear forward-thinking and ahead of the game, then you would want something electronic, something out of the ordinary. When TV producers and advertising directors started searching for music that sounded like “Tubular Bells” – and then Tomita, and later Jean Michel Jarre – music libraries such De Wolfe, Bruton, Parry and Chappell had to have the tracks readily available.
Compiled by Bob Stanley, “Tomorrow’s Fashions” varies from advertising jingles and TV themes to space exploration and gorgeous, beatless ambience. Though it’s 40-to-50 years old there’s a real freshness to this music. Older jazz players Brian Bennett, John Cameron, Alan Hawkshaw and others seized the chance to operate a synth; younger pups including John Saunders and Monica Beale were simply intrigued by the new technology being wheeled into the studios. There’s a tangible sense of adventure.
“Tomorrow’s Fashions’” brand of electronica anticipated new age and ambient music. It also had both a direct and indirect influence on pop – the early Human League and the future sounds of Warp Records are all over this collection. Electronic library tracks have been sampled by everyone from MF Doom to Kendrick Lamar.
One person’s primitive and experimental is another person’s space-age lullaby. This was music made in the shadows – in Soho’s secretive music library studios – that has now become desirable and influential. The chances are chunks of it will be sampled and used on hit records that have yet to be written. If the musicians’ aim was to soundtrack tomorrow’s fashions, they couldn’t have got it more right.
1. COASTER - Simon Park
2. RIPPLING REEDS - Wozo
3. LEAVING - Sam Spence
4. NO
#unboxing "Girls With Guitars Got Eyes On You!" 🤘