Alistair Park's wood carvings

Alistair Park's wood carvings I'm a wood carver, based in Bristol in the UK, who teaches and also makes pieces to commission I'm a woodcarver who really enjoys making work for commissions.

I'm also the most experienced wood carver currently teaching these skills in the Bristol area.

Here's a little mouse to start the New Year.This was carved for a client who gave it as a present, to a friend named Lin...
08/01/2025

Here's a little mouse to start the New Year.

This was carved for a client who gave it as a present, to a friend named Linda who is an author of children's books. She, in turn, gave me a signed and dedicated copy of her book 'Mischief Wood' for my daughter.

It was lovely to see how delighted my daughter was with her first book to have an author dedication to her in the front pages!

The wood is a piece of (I think) teak, found in a scrap wood offcuts bin while at university and moved around with me for over twenty years. It's good to have finally found a nice use for it. Most of the shaping was done with Saburrtooth carving bits.

The mouse is shown reaching up for something (probably tasty!) with its left paw tucked in in the dainty way that mice sometimes do. I wonder what it has its eye on?


Here are a few shots from the last half term of the woodcarving course at Bristol Folk House.There was a real variety of...
18/12/2024

Here are a few shots from the last half term of the woodcarving course at Bristol Folk House.

There was a real variety of subjects being carved: pot stirrers and spoons, relief carvings of fruit and flowers and Celtic knotwork, character carving, abstract sculpture, a head and a full seated figure. Plenty to keep a tutor on their toes!

I'm looking forward to the next session which begins on the 9th January.

Wild camping on Dartmoor has helped me through some very tough times in my life.On the 8th of this month, the Supreme Co...
04/10/2024

Wild camping on Dartmoor has helped me through some very tough times in my life.

On the 8th of this month, the Supreme Court will decide if the right to wild camp should be taken away from Stall Moor. If the wealthy financier Alexander Darwall and his wife have their way, you can be sure this right will soon be taken away from the rest of the moor.

I really hope that I can teach my child how to wild camp responsibly and safely there one day.

Find out more about it at:



Alex from brass hand studios came over to the workshop yesterday. It was great to meet him and we recorded some footage ...
30/08/2024

Alex from brass hand studios came over to the workshop yesterday. It was great to meet him and we recorded some footage to tie in with a very exciting exhibition that I'm participating in. It will be at the Centrespace gallery in Bristol in November and is called 'Connections through Wood'.

It was interesting to be interviewed and have a chance to think a bit more deeply about questions like 'why do I do this woodcarving lark anyway?'. However, I doubt that some of the pithier responses will make it into the final cut!

If you are around Bristol in November, keep an eye out for this show. It should be a good one.

Here are a few glimpses from the green man carving workshop that I taught this weekend at Bristol Folk House.It's always...
04/08/2024

Here are a few glimpses from the green man carving workshop that I taught this weekend at Bristol Folk House.

It's always fascinating to see the different interpretations of a subject that people can bring into their carvings in classes. Sometimes it is just as educational for me!

This timeless image of a face or figure and foliage combined really triggered some interesting ideas from the group of students and they produced some great carved images. I hope you enjoy seeing them too.

Thanks to for doing photographic duties on the first image as well.

Just a simple little turned bowl, but this timber has a story.It is jarrah, an Australian wood, and the piece used to ma...
03/06/2024

Just a simple little turned bowl, but this timber has a story.

It is jarrah, an Australian wood, and the piece used to make this bowl was originally part of the decking of the ship the SS Great Britain. This was once the largest passenger ship in the world and was designed by Isambard Kingdom Brunel. It is now a symbol of Bristol. The weathered and cracked surface around the rim of the bowl is the surface of the deck, which has been left as a feature.

The jarrah deck was fitted during the ship's renovation in the late 1970s/early 1980s. It is currently being replaced and this piece of the reclaimed deck timber was bought from . Thousands of visitors may well have walked over this bit when it was part of that deck.

The bowl itself was given to some of our family in Northern California, as their father has roots on Bristol.

Day 31 of 30 (!): 2024As explained in the last post, I've been carving  for thirty years but those years fall across thi...
20/04/2024

Day 31 of 30 (!): 2024

As explained in the last post, I've been carving for thirty years but those years fall across thirty-one calendar years. So here's an extra project post for you...

This is the most recent carving that has been handed over to the client. It was carved in oak and was finished a couple of weeks ago. The owl and owlet were commissioned by , a company making play areas, and are now installed at a garden centre near Doncaster.

Putting my most recent completed commission up here seems like a good way to end this series of posts: there's the saying that in creative work you're only as good as your last piece. Thanks the everyone who has taken the time to like or comment on any of these posts and I hope everybody seeing them has enjoyed this brief tour through thirty years of a woodcarver's life.

There are some exciting projects coming up in the near future as well!

Day 30 of 30: 2023This blackbird sculpture was carved as a gift for someone using timber from an oak tree that was speci...
19/04/2024

Day 30 of 30: 2023

This blackbird sculpture was carved as a gift for someone using timber from an oak tree that was special to his late mother.

The recipient was one of the volunteer crew on the lifeboat at Portishead, near Bristol. With that in mind, I secretly carved the eyes of the bird from a piece of greenheart timber that lay across the top of the old lock gates into Bristol harbour. He only found this out when the sculpture was given to him.

One thing that I really liked about the sculpture was how alive and alert it looks. I think that making a carving look really alive is one of the trickiest things to pull off, as a piece can take so long to produce. Emotions can be particularly hard to capture: a carver may go through a whole range of them personally during the course of a large carving project!

It was also an important project for me because I knew how much it meant to the people receiving it. I always want a client to be happy and I guess that is one reason why I'm still in business.

So; this is day 30 of posting one project a day from each of the thirty years that I've been carving. I started carving in October 1994 and therefore this is my thirtieth year but those years are spread across thirty-one calender years! So there still needs to be a post for 2024 really. Come back tomorrow to see what that is!

Day 29 of 30: 2022I'd admired the work of Bristol-based artist Luke Jerram for a long time and now had the opportunity t...
18/04/2024

Day 29 of 30: 2022

I'd admired the work of Bristol-based artist Luke Jerram for a long time and now had the opportunity to work with him on a project.

This piece was installed at Ashton Court Estate in Bristol as the country began to deal with the aftermath of Covid and lockdowns. Visitors were encouraged to hammer coins into the seed-shaped sculpture and make a wish. It was inspired by 'wishing trees', found in various places around Britain and Ireland, and was named 'New Beginnings'.

Luke initiated and led the project, designed the sculpture and funded it. He is standing on the left in the first image. I advised on the timber to use and sourced it, carved the seed itself and helped to install and eventually take down the work. The redwood timber was supplied and expertly cut into segments by .

The second image shows how the seed looked when taken down after over a year of interaction with the public. It was definitely popular!

Despite what some visitors thought, the blackening was mainly due to metal in the coins reacting with the timber, moisture and air. One reason for choosing redwood is that it doesn't burn easily, so vandals would have problems getting a fire going on this easily accessible site. It is a timber that is also durable outdoors and yet soft enough that coins can be hammered into it, so was perfect for this sculpture.

This is one of the collaborative projects that I'm most proud of. It was great to walk up the hill from my workshop occasionally and see people hammering coins into it.

Day 28 of 30: 2021These are screen shots of 'Hollington Drive', a programme made by Drive Through Productions and screen...
17/04/2024

Day 28 of 30: 2021

These are screen shots of 'Hollington Drive', a programme made by Drive Through Productions and screened on ITV in the UK.

It was the first time that any of my work had been featured on television and was very exciting!

I also enjoyed the challenge of carving work to exacting briefs and tight deadlines. There was no time to make sketches, maquettes or clay models of any pieces before carving - you just had to get on with it.

Other examples of my work have since appeared in a few more productions, such as 'Becoming Elizabeth', 'Truelove' and will be in the upcoming adaptation of the Jilly Cooper novel 'Rivals'. Seeing carvings that I've made appear onscreen hasn't lost any of its excitement either.

Day 27 of 30: 2020Anyone who has seen the Marvel 'Guardians of the Galaxy' films will know who this is.Groot was commiss...
16/04/2024

Day 27 of 30: 2020

Anyone who has seen the Marvel 'Guardians of the Galaxy' films will know who this is.

Groot was commissioned to live in the client's garden, so is carved from durable oak and painted with shed paints that should last well outdoors. I do enjoy painting woodcarvings, when it's appropriate to do so.

It was a bit of a shame to see this little character go!

Groot is about 60cm (2') tall.

Day 26 of 30: 2019This hibiscus flower was commissioned by the cancer charity Penny Brohn UK and awarded to Peaches Gold...
15/04/2024

Day 26 of 30: 2019

This hibiscus flower was commissioned by the cancer charity Penny Brohn UK and awarded to Peaches Golding, the Lord Lieutenant of Bristol. She is the monarch's representative in the city. I'd read that Peaches likes these flowers and this one was made from some very special pieces of timber.

The calyx and penduncle (the stem bits) were carved from a piece of the greenheart log that originally lay across the top of the North Junction lock gates into Bristol Harbour. It protected the gates from being damaged when bumped by big ships such as the SS Great Britain.

The pistil (the long bit sticking out from the centre ) is lime timber left over from tree work on a grand avenue of limes at Ashton Court Estate in Bristol.

The petals are plum timber (a cousin to the peach tree - geddit?) from Westonbirt Arboretum in Gloucestershire. They have not been artificially coloured in any way.

The stamens (little bits sticking out of the pistil) were carved from pieces of offcut from the mast of the SS Great Britain, fitted when it was brought back from the Falkland Islands in the 1970s. They are Douglas fir.

So this carving is truly a piece of West Country history. A bit of text about each timber was carved onto a base for the glass dome that fits over this sculpture.

The carved hibiscus flower is around life size: about 15cm (6") long.

Day 23 of 30: 2016This set of three carved oak panels with brass pins inset into them were commissioned for Southmead ho...
14/04/2024

Day 23 of 30: 2016

This set of three carved oak panels with brass pins inset into them were commissioned for Southmead hospital in Bristol.

Patients and staff there were asked for words and phrases that meant a lot to them. These were carved onto the main board, as part of a scene that includes people at the hospital (and me) and well-known landmarks in Bristol. Some of the carving was done in visitor workshops at the hospital (pic ) .

I'd walked around there and realised that, although there was a lot of art on the walls, none of it catered to people who were blind or partially sighted. These panels are designed to be touched and, although a lot of people with impaired vision don't read Braille (and I must admit that I didn't find it easy), it still made the panels more accessible to many and introduced the system to visitors who had maybe never had the chance to try it.

A second panel, about A4 size, is an orientation panel. It is labelled and easy to feel around and so helps people avoid getting 'lost' feeling around in a large panel that they can't see the edges of. A third panel is a key to the Braille used on the other panels, so that people who don't read Braille can have a go at reading it.

It was fascinating to have the opportunity at one point to talk to a group of Braille users, nearly all of whom were blind or partially sighted, about how they perceived the world around them. One thing they told me that their name for sighted people is 'light dependents'. Very true!

One image shows Paul and Hazel, from the Bristol Braillists group, who gave very helpful advice when working out the designs. Thanks to them and everyone else who helped me.

For those of you who have read this far, you are now rewarded by finding out (if you hadn't noticed already) that this post is two days too late! All I can say is that Friday morning was a bit hectic but better late than never 🙄😁.

Day 25 of 30: 2018This rabbit was carved from Lawson cypress (aka Port Orford cedar) and measures about 30mm (12") long....
13/04/2024

Day 25 of 30: 2018

This rabbit was carved from Lawson cypress (aka Port Orford cedar) and measures about 30mm (12") long.

It was commissioned by the cancer charity Penny Brohn UK and awarded to Jacqueline Gold, who was the boss of Ann Summers. This is a company specialising in supplying things to spice up people's love lives and one particularly well known product has a rabbit theme.

When making these awards, the charity would ask the recipient's personal assistant for ideas of things they liked which were relayed to me so that I could come up with bespoke design ideas. Jacqueline Gold's list included yoga, walking and other things that didn't really inspire me but ended with '... and she loves her rabbit'. So that was what I carved.

The brief was clear that whatever was made needed to be functional, so this sculpture has a box in its back which is big enough to hold two AA batteries.

Day 24 of 30: 2017This stylised carving of a nuthatch bird is 345mm (13.5") long and was carved for an exhibition in Cli...
12/04/2024

Day 24 of 30: 2017

This stylised carving of a nuthatch bird is 345mm (13.5") long and was carved for an exhibition in Clifton, Bristol. The body and head were made from reclaimed larch timber. The eyes and beak are greenheart wood that originally came from the old lock gates into Bristol Harbour.

I like the grain patterning, the smooth lines and the way it can hang on trees or walls without any plinth or stand. Nuthatches are quite distinctive birds in British woods, parks and gardens as they run down tree trunks looking for food.

Day 22 of 30: 2015There were quite a few projects that could have been shown for this year but this was not only the big...
11/04/2024

Day 22 of 30: 2015

There were quite a few projects that could have been shown for this year but this was not only the biggest commission that I've made, it was also one of the most interesting to research.

The bench is in a playground on the Downs in Bristol, next to the Clifton Suspension Bridge. While making it, I met several descendants of a poet named Gabbitass who is featured on there. Probably the high point was chatting to Libby Houston, poet and botanist, whose portrait is also carved onto the bench. Libby discovered the Houston's whitebeam, of which only one specimen is known, and gave me some leaves from it. Not every day that you are given leaves from the world's rarest tree by the person who discovered it!

I also learned about the some of the strange plants and spiders that live in the nearby Avon Gorge, the Bristol Dinosaur and Brunel's original and rather impractical Egyptian - themed design for the iconic Clifton Suspension Bridge.

Sometimes researching projects has been just as interesting and engrossing as actually making them.

Day 21 of 30: 2014This set of six turned and carved bottles on stands were made for the launch of a new whisky. In the e...
10/04/2024

Day 21 of 30: 2014

This set of six turned and carved bottles on stands were made for the launch of a new whisky. In the end five of them were used. As part of the job I went from Bristol to bars in Mayfair and Marylebone in London to carve their bar logos live on the premises. Three weekends, all expenses paid. It was a massive adventure for me: I remember striding down Oxford Street at one point and feeling like the boss of London town. It hasn't all been the easy life since but it was great to feel like that even just once.

It was also quite an interesting project to work out the wiring for - a skill that I'd never needed to learn prior to this.

Bottles and stands were both made from oak and are 310mm (about 12"") tall. Thanks also to for recommending me for the commission in the first place.

Day 20 of 30: 2013A self portrait that is 220mm (8.5") tall and carved from Lawson Cypress (Port Orford cedar) wood that...
09/04/2024

Day 20 of 30: 2013

A self portrait that is 220mm (8.5") tall and carved from Lawson Cypress (Port Orford cedar) wood that grew at Ashton Court in Bristol. The tree was taken out as part of some controversial landscaping work but the timber ended up in a few projects, including this one.

I fancied trying to do a self portrait as it seems like one of the most interesting challenges in carving. How would you show yourself if you were to create one?

The final piece came out a bit distorted, with the face much more pronounced than in real life and the ears tucked away because of distortion by the camera lens. To prevent this happening, the photographer needs to be further away and zoom in to the subject.

However, I like the effect- it reminds me a bit of the work of the American artist Chuck Close and is a change from the very many neutral-expression-facing-forwards portraits that are out there.

Besides, aren't all portraits some form of distortion or caricature?

Address

Bower Ashton Woodyard, Kennel Lodge Road
Bristol

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