16/12/2023
New tape available now. Tenner including postage.
Holy Clang – Hook, Line, Sinker (tape album)
(cat. no. - CCK002)
Side A -
1/ Leap Seconds
2/ Concentrate
3/ Don't Forget
4/ Slip and Slide
5/ No Evolution
6/ The Doctor
7/ Regression Session
8/ Oppose This
9/ Clean Up
10/ Disrupt
11/ Now Yr Talkin'
12/ Too Wavy
Side B -
1/ What Fresh Hell Is This?
2/ Headshrinker
3/ Listening Booth
4/ Vivienne
5/ Dog Track
6/ Calm Before the Kill
7/ Wicked Flee
8/ Ghost
9/ Eat Your Brains, Gain Your Knowledge
'Hook, Line, Sinker' collects the first five EPs by Brighton-based post-punk bass/drums two-piece; Holy Clang. This release on Can't Cheat Karma Records is available as a gorgeous limited edition cassette tape.
If punk-rock means three chords and the truth, Holy Clang evolve this dictum with their unique DIY racket. A more accurate appraisal of their work would be; a rhythm section you need an enigma machine to understand (and the truth).
One of the things I love most about post punk is that it contains all the passion, subversion and dissent of punk rock, but the rebellion isn't curtailed in the music itself. There is even room for a little virtuosity as long as it serves the song and isn't simply masturbatory narcissism. Post punk is a vessel which won't die, and with each new example, the church evolves. There's plenty of dissent and spitting fury in Holy Clang's music, but there is real boundary pushing playing on display too.
Sometimes the hyperactive drumming brings to mind Tony Allen, occasionally it veers into the far whiter but no less impressive territory of bands like Don Caballero. The bass is wonky, angular, and drenched in fuzz. Thomas's scattergun and frantic approach to the instrument creates a sound which fizzes with bubbling energy and Holy Clang's compositions accordingly revel in the raw excitement of primal innovation
The vocals are basic and un-adorned, and delivered in a brilliantly deadpan manner which has it's roots inescapably forged out of the sprechgesang experiments of Mark E Smith and the first wave of post-punk dilettantes.
The combination of these elements results in a wiry loud groove-laden assault peppered with casually thrown in octave notes and frenetic, insistent polyrhythms. The music on display here is interesting, and challenging, but you can fu***ng dance to it. It almost feels like Holy Clang's sound is involuntarily cerebral; a musical sudoku appealing to the hips and – against their better judgement – the mind. The artistic territory explored in these songs is situated somewhere in-between fellow bass/drums duos Traps and Instant Bin.
It is genuinely awe-inspiring how Thomas and Dave manage to wring so much musical content out of such a basic set-up. Sometimes the presence of enforced limitations can lead artists to be more innovative and creative, and that is certainly the case here with the duo's maximalist-minimalism creating more noise and brimming with more ideas than it has any right to.
Holy Clang will appeal to fans of - fuzz, groove, noise, math, punk, awkward dancing, Minutemen, Shellac, The Fall, The Ex, Dischord Records (Faraquet, Nation of Ulysses, Fugazi, E.D. Sedgwick), Devo, Oxes, ESG, Delta 5, Blurt, Gang of Four, Lightning Bolt, Public Image Ltd, !!!, Sonic Youth, No Wave NYC, the first Rapture EP, Black Flag
PRESS -
“Holy Clang are an impressive live band. Imagine Steve Albini on Adderall at a provincial discotheque with sticky floors, populated by teenagers drunk on luke-warm tins of Carlsberg and trading hand-jobs in the bathroom cubicles”
- Jez Campbell
“A new two piece of bass and drums delivering agit jazz punk vibes. The longer the set goes on, the better these newcomers get”
- Cris Watkins
PERSONNEL -
Thomas Himsworth – Bass/Vocals/Synth
Dave Osborne – Drums/Production